Chapter4

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Chapter4

  1. 1. the art of making art without lifting a finger ART111
  2. 2. Diane Arbus, Child with Toy Hand Grenade in Central Park, N.Y.C., 196 2
  3. 3. Diane Arbus, Teenage Couple on Hudson Street , N.Y.C., 1963
  4. 4. Diane Arbus, Two Girls in Curlers, N.Y.C., 1 963
  5. 5. Diane Arbus, Young Man and his Pregnant Wife, Washingto n Park, N.Y.C., 196 5
  6. 6. Ray Johnson 1927 – 1995
  7. 7. Ray Johnson, Mail Art
  8. 8. Ray Johnson, Mail Art
  9. 9. Ray Johnson, Mail Art
  10. 10. Robert Rauschenberg, Erase d de Kooning Drawing, 1963
  11. 11. Robert Rauschenberg, Third Time Painting, 1961
  12. 12. Robert Rauschenberg, Overdrive , 1963
  13. 13. Joseph Cornell, Untitled (Soap Bubble Set), 1936
  14. 14. Joseph Cornell, Ann– In Memory, 1954
  15. 15. Sol LeWitt, Wall Drawing 85, 1971
  16. 16. Sol LeWitt, Wall Drawing 260, Museum of Modern Art, 2008
  17. 17. Sol LeWitt, Wall Drawing 260, Museum of Modern Art, 1975
  18. 18. Dan Flavin, untitled (to the "innovator" of Wheeling Peachblow), 1966 – 68
  19. 19. Dan Flavin, Installation of greens crossing greens (to Piet Mondrian who lacked green), 1966
  20. 20. Yoko Ono, Box of Smile, 1971
  21. 21. Yoko Ono
  22. 22. John Cage, score __,_ _Circus on___, 1979
  23. 23. John Cage, Water Music, 1952
  24. 24. Relational Aesthetics is defined as: “A set of artistic practices which take as their theoretical and practical point of departure the whole of human relations and their social context, rather than an independent and private space.” Relational Aesthetics, 1998, p. 113
  25. 25. Rirkrit Tiravanija, Untitled (Free/Still), 1992
  26. 26. Carsten Höller, Revolving Hotel Room, Guggenheim Museum, 2008
  27. 27. Read: • Chapter 4, “The Art of Making Art without Lifting a Finger” Respond in your Journal: 1. Reflect (in at least ONE PAGE) on chapter 4, a quote or one of the videos shown in class.

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