Presentation on Museum and Community Involvement - A Case Study of Community Engagement Initiatives at Gandhi Memorial Museum, Barrackpore in West Bengal
Gandhi Memorial Museum, Barrackpore in West Bengal was set up as an eastern regional Gandhi Museum in 1961 and it was opened for the public in 1966. Since that time it runs as a biographical Museum, based on life and activities of Mahatma Gandhi
Partition Museum - Amritsar. Museum in Indiasumit_vats
The Partition Museum comprehensively charts the Partition with a narrative arc that moves from the time before partition, proceeds to the independence movement, the early demands for separate countries, and ultimately the Partition and its consequences.
Established as a People’s Museum, the Partition Museum endeavors to depict the Partition as it was experienced by the People. One key aspect of the collections comprises the artefacts generously donated by Partition Survivors and their families. As people were displaced, they carried with them whatever little they could, and these objects are now not only important milestones of the events, but symbols of losses suffered and trials endured. The uncertainty and confusion caused by the sudden division of the country often gave people no time to be able to gather their belongings before walking out of their homes forever. The artefacts received by the Partition Museum include things that were of practical use brought across by people along with those that held sentimental value for them. From utensils, trunks and clothes, to a wedding sari, a jewellery box and a tin box, the Museum houses artefacts of the Partition belonging to people from diverse and different backgrounds.
A multi-media experience, the Museum also documents—through audio-visual stations set across the 14 galleries—those whose voices have been silenced in the pages of history. There are more than 100 interviews currently playing in the Museum. We also have a constantly expanding archive that will be made available to researchers, scholars and those interested in the history of the Partition.
The Partition Museum aims to become a repository of information and stories of the Partition. This is a never-ending effort to collect more oral histories, documents, and footage and to tap all sources that may help us achieve our aims.
Raj Rewal is an Indian architect born in 1934 in Hoshiarpur, India. He received education in India and the UK, working in London and Paris before returning to India in 1962 to establish an architectural practice. Some of Rewal's notable works include the State Trading Corporation building in New Delhi, the Asian Games Village, and the Parliament Library. Rewal's works are influenced by traditional Indian architecture and climate-responsive design, featuring elements like courtyards, clustered buildings, and jalis. His SUVPA campus design in Haryana incorporates influences from Rajasthani architecture through materials, forms and spatial organization.
The document provides details about the Parliament Library project in New Delhi, including the client, architects, cost, timeline, and design influences. Raj Rewal was selected to design the library addition in a limited competition in 1989. The library was completed in 2003 at a cost of 270 crore to complement the existing British-era Parliament buildings while meeting functional requirements for the 21st century. Rewal drew from Indian architectural influences like mandalas, temples, and palaces in his structural and material design of the library.
The Khalsa Heritage Complex in Anandpur Sahib, Punjab was designed by architect Moshe Safdie as a museum to showcase the history and culture of Sikhism. The complex straddles a ravine connected by a pedestrian bridge, with different buildings housing permanent exhibits on the tenets and Gurus of the faith. Safdie's design incorporates curved rooftops and reflective pools to evoke the fortress architecture of historic Sikh sites and celebrate both the local landscape and Sikh traditions. The complex aims to provide visitors with an immersive educational experience through its extensive multimedia galleries and audio-visual presentations on the 500 year evolution of Sikhism.
The document describes the Central Railways Heritage Gallery project at Chhatrapati Shivaji Terminus station in Mumbai. The gallery was designed to showcase the history of Indian Railways and CST station, which is a World Heritage site. It provides details on the design of the gallery space, layout, displays, artifacts, and inauguration. The 1500 square foot gallery houses photographs, documents and models charting the 160-year history of railways in India.
The Salar Jung Museum is located in Hyderabad, Telangana and houses over 1.1 million artifacts making it the largest single-owner collection in the world. It consists of 38 galleries spread over two floors containing sculptures, paintings, carvings and other objects. Lighting is carefully designed throughout the museum to properly display and preserve the artifacts, with natural light only used in the central courtyard. The museum also has a library, conservation lab and other facilities but lacks sufficient parking options for its many daily visitors.
The document provides biographical information about architect Balkrishna Vithaldas Doshi. It details that he was born in 1927 in Pune, India and received his bachelor's degree from J.J. School of Art in 1950. He then worked for four years with Le Corbusier in Paris. In 1956 he established his own private practice called Vastu-Shilpa in Ahmedabad. Some of his notable works include the Aranya Low-Cost Housing Township in Indore and the National Institute of Fashion Technology campus in New Delhi. Doshi's architecture is influenced by traditional Indian concepts and provides flexible, community-oriented designs.
Partition Museum - Amritsar. Museum in Indiasumit_vats
The Partition Museum comprehensively charts the Partition with a narrative arc that moves from the time before partition, proceeds to the independence movement, the early demands for separate countries, and ultimately the Partition and its consequences.
Established as a People’s Museum, the Partition Museum endeavors to depict the Partition as it was experienced by the People. One key aspect of the collections comprises the artefacts generously donated by Partition Survivors and their families. As people were displaced, they carried with them whatever little they could, and these objects are now not only important milestones of the events, but symbols of losses suffered and trials endured. The uncertainty and confusion caused by the sudden division of the country often gave people no time to be able to gather their belongings before walking out of their homes forever. The artefacts received by the Partition Museum include things that were of practical use brought across by people along with those that held sentimental value for them. From utensils, trunks and clothes, to a wedding sari, a jewellery box and a tin box, the Museum houses artefacts of the Partition belonging to people from diverse and different backgrounds.
A multi-media experience, the Museum also documents—through audio-visual stations set across the 14 galleries—those whose voices have been silenced in the pages of history. There are more than 100 interviews currently playing in the Museum. We also have a constantly expanding archive that will be made available to researchers, scholars and those interested in the history of the Partition.
The Partition Museum aims to become a repository of information and stories of the Partition. This is a never-ending effort to collect more oral histories, documents, and footage and to tap all sources that may help us achieve our aims.
Raj Rewal is an Indian architect born in 1934 in Hoshiarpur, India. He received education in India and the UK, working in London and Paris before returning to India in 1962 to establish an architectural practice. Some of Rewal's notable works include the State Trading Corporation building in New Delhi, the Asian Games Village, and the Parliament Library. Rewal's works are influenced by traditional Indian architecture and climate-responsive design, featuring elements like courtyards, clustered buildings, and jalis. His SUVPA campus design in Haryana incorporates influences from Rajasthani architecture through materials, forms and spatial organization.
The document provides details about the Parliament Library project in New Delhi, including the client, architects, cost, timeline, and design influences. Raj Rewal was selected to design the library addition in a limited competition in 1989. The library was completed in 2003 at a cost of 270 crore to complement the existing British-era Parliament buildings while meeting functional requirements for the 21st century. Rewal drew from Indian architectural influences like mandalas, temples, and palaces in his structural and material design of the library.
The Khalsa Heritage Complex in Anandpur Sahib, Punjab was designed by architect Moshe Safdie as a museum to showcase the history and culture of Sikhism. The complex straddles a ravine connected by a pedestrian bridge, with different buildings housing permanent exhibits on the tenets and Gurus of the faith. Safdie's design incorporates curved rooftops and reflective pools to evoke the fortress architecture of historic Sikh sites and celebrate both the local landscape and Sikh traditions. The complex aims to provide visitors with an immersive educational experience through its extensive multimedia galleries and audio-visual presentations on the 500 year evolution of Sikhism.
The document describes the Central Railways Heritage Gallery project at Chhatrapati Shivaji Terminus station in Mumbai. The gallery was designed to showcase the history of Indian Railways and CST station, which is a World Heritage site. It provides details on the design of the gallery space, layout, displays, artifacts, and inauguration. The 1500 square foot gallery houses photographs, documents and models charting the 160-year history of railways in India.
The Salar Jung Museum is located in Hyderabad, Telangana and houses over 1.1 million artifacts making it the largest single-owner collection in the world. It consists of 38 galleries spread over two floors containing sculptures, paintings, carvings and other objects. Lighting is carefully designed throughout the museum to properly display and preserve the artifacts, with natural light only used in the central courtyard. The museum also has a library, conservation lab and other facilities but lacks sufficient parking options for its many daily visitors.
The document provides biographical information about architect Balkrishna Vithaldas Doshi. It details that he was born in 1927 in Pune, India and received his bachelor's degree from J.J. School of Art in 1950. He then worked for four years with Le Corbusier in Paris. In 1956 he established his own private practice called Vastu-Shilpa in Ahmedabad. Some of his notable works include the Aranya Low-Cost Housing Township in Indore and the National Institute of Fashion Technology campus in New Delhi. Doshi's architecture is influenced by traditional Indian concepts and provides flexible, community-oriented designs.
The document discusses the Virasat-e-Khalsa museum in Anandpur Sahib, India. It is located in the foothills of the Shivalik mountains and celebrates 500 years of Sikh history. The museum design references the Five Virtues of the Sikh faith through its arrangement of galleries. It uses local sandstone and stainless steel roofs to evoke Sikh fortresses. The complex consists of two buildings connected by a 540-foot bridge crossing reflecting pools, with one building housing exhibitions and the other archives, auditorium, and library.
The Nehru Science Centre in Mumbai was designed by architect Achyut Kanvinde and opened in 1985. It is located on marshy land covering 8 acres and houses various exhibition halls, workshops, and auditoriums spread across 4 blocks. Kanvinde designed the complex to accentuate the natural sloping topography using split-levels and modular units connected by staircases and corridors. The exterior features a rugged concrete finish with grooves to animate the elevations.
le corbusier
principles and his works
The pilotis elevating the mass off the ground,
(2) The free plan, achieved through the separation of the
load-bearing columns from the walls subdividing the space.
(3) The free facade, the corollary of the free
plan in the vertical plane.
(4) The long horizontal sliding window.
(5) The roof garden, restoring, supposedly, the area
of ground covered by the house
Again, pilotis supporting a part of the ground
floor a hollowed-out, two storey outdoor
cube and a roof garden on top. It possessed
a sculptured stairs and suspended
entrance canopies, the long, uninterrupted THE CAPITOL COMPLEX IS MADE UP OF THREE CONCRETE BUILDINGS: THE PALACE OF ASSEMBLY OR LEGISLATIVE ASSEMBLY, THE SECRETARIAT AND THE HIGH COURT.
OTHER MONUMENTS INCLUDED THE MARTYRS MEMORIAL- A TRIBUTE TO THE MARTYRS OF THE PUNJAB PARTITION AND THE TOWER OF SHADOWS – A DEMONSTRATION OF CORBUSIERS’S THEORIES OF SUN CONTROL.
THE COMPLEX IS PLANNED ON A CROSS AXIS WHEREIN RIGID SYMMETRY HAS BEEN AVOIDED IN PLACEMENT OF VARIOUS BUILDINGS.
The National Gallery of Modern Art was established in 1954 in Jaipur House near India Gate in New Delhi. It is the premier art gallery under the Ministry of Culture and exhibits around 4,000 paintings, graphics, and sculptures by modern Indian artists. The gallery also arranges special exhibitions for artists to showcase their work. It is located near major transportation hubs like the Khan Market metro station and New Delhi Railway Station.
The document discusses the architecture of Mumbai (formerly Bombay), India from the colonial era to present. It summarizes the key architectural styles that influenced Mumbai's buildings - Gothic, Victorian, and Indo-Saracenic. Some notable examples of buildings highlighted include Chhatrapati Shivaji Maharaj Terminus (formerly Victoria Terminus), known for its blend of Victorian Gothic and Indian styles; Watson's Hotel, one of India's oldest cast iron buildings; the Gateway of India, a monument built in the Indo-Saracenic style; and the iconic Taj Mahal Palace Hotel, known for its domes and blending of Islamic and Indian architecture. Overall, the document shows how Mumbai's architecture was shaped
Frank Gehry is a renowned Canadian-American architect known for his expressive and sculptural designs. He was born in Toronto in 1929 and moved to Los Angeles in 1947. After studying architecture, he established his practice in Los Angeles in 1962. Gehry is known for using innovative materials and forms to create iconic buildings marked by curving shapes and metal panels. Some of his most famous works include the Guggenheim Museum in Bilbao, the Walt Disney Concert Hall in Los Angeles, and the Art Gallery of Ontario in Toronto.
Bharat Bhavan is a cultural center located in Bhopal, India that was designed by architect Charles Correa and inaugurated by Indira Gandhi in 1982. It is built into a hillside with a series of terraces and courtyards that cascade down toward a lake. The complex includes galleries, a museum of tribal art, an auditorium, a library of Indian poetry, a print shop, and a studio for artists-in-residence. Correa's design emphasizes spirituality through ritualistic pathways that reference Indian architecture and imply sanctity as visitors move from the highest terraces down to an amphitheater by the lake.
Case study of Pushpa Gujral Science City.Manoj Kumar
The document provides details about the Pushpa Gujral Science City (PGSC) in Kapurthala, India. Key points:
1. PGSC is a 72-acre science and technology park that aims to spread awareness of science through interactive exhibits and experiences.
2. It contains various galleries and attractions like a digital planetarium, laser show, flight simulator, and fun science exhibits.
3. The complex includes a large gate building, science voyage hall, exhibition halls, and convention center organized around two large plazas.
Roman towns were built in a grid pattern, with streets laid out in straight lines intersecting at right angles. The center of town was usually a large forum space used for commerce and government. Towns contained houses, shops, baths and temples. Wealthier citizens lived in single-family homes called domus, with interior courtyards and rooms surrounding them. Poorer residents lived in cramped multi-story apartment buildings called insulae that lacked amenities. The Roman Empire built many towns across Britain as administrative centers after conquering the region.
We welcome you all at Akshardham Temple, the famous HINDU TEMPLE is situated in NH-24 Noida More.
One of the most visiting place of Delhi. Temple is opened for whole year expect Mondays..
* NO ENTRY FEE
Casestudy on National Museum , New DelhiDivya Mishra
The National Museum in New Delhi is located near major transportation hubs like the Central Secretariat metro station and Indira Gandhi International Airport. It is surrounded by important government buildings and has stone sculptures, paintings, and landscaping around it. The three-floor museum contains numerous exhibition spaces, as well as an auditorium, library, offices, and conservation laboratory. Special lighting and flooring designs were used in different galleries. While the building utilized reinforced concrete and red sandstone, it lacked sufficient parking and had poor fire exit accessibility.
Brinda Somaya is an Indian architect who runs her own practice after completing degrees from Mumbai University and Smith College. Some of her notable projects include the Goa Institute of Management campus, Zensar Technology Limited offices, and the St. Thomas Cathedral in Mumbai. She designed the Brady Glady's Plaza in Mumbai to house five different companies by dividing the building vertically to give each owner an independent identity and entry.
The Government Museum in Mathura houses archaeological artifacts, pottery, sculptures, paintings and coins primarily from the Mathura region. It was founded in 1874 and initially called the Curzon Museum of Archaeology, later being renamed to the Government Museum, Mathura. The museum contains objects discovered during colonial-era excavations as well as items from the Mathura area.
Frank Gehry is a renowned American architect known for his experimental designs that push the boundaries of form. Some of his most famous works include the Guggenheim Museum in Bilbao, Spain and the Walt Disney Concert Hall in Los Angeles. Gehry's early career focused on modern home designs inspired by architects like Frank Lloyd Wright. His breakthrough came with the Danziger House in 1965, noted for its box-like form. Later projects grew increasingly bold, featuring unusual shapes made from sections of differing materials like his iconic Dancing House in Prague, modeled after dancers in motion.
Module 3 islamic architecture under imperial ruleBinumol Tom
The document summarizes Islamic architecture under the Imperial style in India between 1191-1557 AD. It describes key architectural developments and structures during the Slave, Khalji, Tughlak, Sayyid, and Lodi dynasties. Important buildings mentioned include the Qutub Minar, Quwwat-ul-Islam Mosque, Tomb of Iltutmish, Alai Darwaza, and tombs of Balban and Ghiyasuddin Tughlaq. The Imperial style saw an evolution from initial unplanned structures to carefully designed mosques, tombs, and minarets that began incorporating Hindu elements.
The Bahá'í Temple of South America is located in Santiago, Chile. It was designed by Hariri Pontarini Architects to be a welcoming space for people of all faiths. The nine-sided temple has a dome structure with nine entrances and curved seating inside. It is surrounded by reflecting pools and native landscaping. The temple's design aims to connect visitors spiritually through the play of light inside the translucent marble dome.
The Seattle Central Library in Seattle, Washington was designed by Rem Koolhaas and Joshua Prince-Ramus and features a postmodern architectural style. The 11-story glass and steel building opened in 2004 and aims to reinvent the library as a flexible space for information across various media. Key features include a central atrium allowing views between floors, a spiral ramp providing access to different collections on four floors, and maximization of natural light through its exterior glass walls and interior skylight.
The document provides site analysis information for a proposed heritage museum to be constructed in Kashmere Gate, New Delhi. It details the nearby transportation connections and landmarks. The objectives of the museum are to showcase Queens and prominent women of Delhi from the 17th to 19th centuries. The proposed site is 13.7 acres with good road connectivity. Case studies of the National Science Museum and National Museum in New Delhi are also included, outlining facilities, circulation, structure, finishes and observations.
The National Museum in New Delhi is one of the largest museums in India. It covers over 5,000 years of culture and heritage from India and other parts of the world. The museum has over 206,000 works of art across different galleries that showcase artifacts from the prehistoric era to modern works. Key galleries include those displaying Harappan civilization artifacts, Buddhist art, coins, costumes, musical instruments, and sculptures. The museum is located in central Delhi near Janpath and houses a significant collection chronicling Indian history and culture.
Triveni Kala Sangam is a cultural and arts complex in New Delhi designed by American architect Joseph Allen Stein between 1957-1977. It contains four art galleries, a theater, outdoor sculpture area, and provides arts classes. The complex was designed in the modern architecture style using jali screens and multiple spaces for different purposes. It is located on Tansen Marg in the cultural core of New Delhi.
It was great experience to spend one year as a Gandhian way in Gandhian Institute at Wardha. Please read the whole report. Please visit my blog https://nitugogoi.blogspot.in/
Thank you.
UnBox is a festival celebrating action at the intersection of multiple disciplines. It is an attempt on the part of the Box collective to build momentum around design thinking and interdisciplinary collaborations as the means of driving more sustainable and impactive social, cultural and business innovation in India.
The document discusses the Virasat-e-Khalsa museum in Anandpur Sahib, India. It is located in the foothills of the Shivalik mountains and celebrates 500 years of Sikh history. The museum design references the Five Virtues of the Sikh faith through its arrangement of galleries. It uses local sandstone and stainless steel roofs to evoke Sikh fortresses. The complex consists of two buildings connected by a 540-foot bridge crossing reflecting pools, with one building housing exhibitions and the other archives, auditorium, and library.
The Nehru Science Centre in Mumbai was designed by architect Achyut Kanvinde and opened in 1985. It is located on marshy land covering 8 acres and houses various exhibition halls, workshops, and auditoriums spread across 4 blocks. Kanvinde designed the complex to accentuate the natural sloping topography using split-levels and modular units connected by staircases and corridors. The exterior features a rugged concrete finish with grooves to animate the elevations.
le corbusier
principles and his works
The pilotis elevating the mass off the ground,
(2) The free plan, achieved through the separation of the
load-bearing columns from the walls subdividing the space.
(3) The free facade, the corollary of the free
plan in the vertical plane.
(4) The long horizontal sliding window.
(5) The roof garden, restoring, supposedly, the area
of ground covered by the house
Again, pilotis supporting a part of the ground
floor a hollowed-out, two storey outdoor
cube and a roof garden on top. It possessed
a sculptured stairs and suspended
entrance canopies, the long, uninterrupted THE CAPITOL COMPLEX IS MADE UP OF THREE CONCRETE BUILDINGS: THE PALACE OF ASSEMBLY OR LEGISLATIVE ASSEMBLY, THE SECRETARIAT AND THE HIGH COURT.
OTHER MONUMENTS INCLUDED THE MARTYRS MEMORIAL- A TRIBUTE TO THE MARTYRS OF THE PUNJAB PARTITION AND THE TOWER OF SHADOWS – A DEMONSTRATION OF CORBUSIERS’S THEORIES OF SUN CONTROL.
THE COMPLEX IS PLANNED ON A CROSS AXIS WHEREIN RIGID SYMMETRY HAS BEEN AVOIDED IN PLACEMENT OF VARIOUS BUILDINGS.
The National Gallery of Modern Art was established in 1954 in Jaipur House near India Gate in New Delhi. It is the premier art gallery under the Ministry of Culture and exhibits around 4,000 paintings, graphics, and sculptures by modern Indian artists. The gallery also arranges special exhibitions for artists to showcase their work. It is located near major transportation hubs like the Khan Market metro station and New Delhi Railway Station.
The document discusses the architecture of Mumbai (formerly Bombay), India from the colonial era to present. It summarizes the key architectural styles that influenced Mumbai's buildings - Gothic, Victorian, and Indo-Saracenic. Some notable examples of buildings highlighted include Chhatrapati Shivaji Maharaj Terminus (formerly Victoria Terminus), known for its blend of Victorian Gothic and Indian styles; Watson's Hotel, one of India's oldest cast iron buildings; the Gateway of India, a monument built in the Indo-Saracenic style; and the iconic Taj Mahal Palace Hotel, known for its domes and blending of Islamic and Indian architecture. Overall, the document shows how Mumbai's architecture was shaped
Frank Gehry is a renowned Canadian-American architect known for his expressive and sculptural designs. He was born in Toronto in 1929 and moved to Los Angeles in 1947. After studying architecture, he established his practice in Los Angeles in 1962. Gehry is known for using innovative materials and forms to create iconic buildings marked by curving shapes and metal panels. Some of his most famous works include the Guggenheim Museum in Bilbao, the Walt Disney Concert Hall in Los Angeles, and the Art Gallery of Ontario in Toronto.
Bharat Bhavan is a cultural center located in Bhopal, India that was designed by architect Charles Correa and inaugurated by Indira Gandhi in 1982. It is built into a hillside with a series of terraces and courtyards that cascade down toward a lake. The complex includes galleries, a museum of tribal art, an auditorium, a library of Indian poetry, a print shop, and a studio for artists-in-residence. Correa's design emphasizes spirituality through ritualistic pathways that reference Indian architecture and imply sanctity as visitors move from the highest terraces down to an amphitheater by the lake.
Case study of Pushpa Gujral Science City.Manoj Kumar
The document provides details about the Pushpa Gujral Science City (PGSC) in Kapurthala, India. Key points:
1. PGSC is a 72-acre science and technology park that aims to spread awareness of science through interactive exhibits and experiences.
2. It contains various galleries and attractions like a digital planetarium, laser show, flight simulator, and fun science exhibits.
3. The complex includes a large gate building, science voyage hall, exhibition halls, and convention center organized around two large plazas.
Roman towns were built in a grid pattern, with streets laid out in straight lines intersecting at right angles. The center of town was usually a large forum space used for commerce and government. Towns contained houses, shops, baths and temples. Wealthier citizens lived in single-family homes called domus, with interior courtyards and rooms surrounding them. Poorer residents lived in cramped multi-story apartment buildings called insulae that lacked amenities. The Roman Empire built many towns across Britain as administrative centers after conquering the region.
We welcome you all at Akshardham Temple, the famous HINDU TEMPLE is situated in NH-24 Noida More.
One of the most visiting place of Delhi. Temple is opened for whole year expect Mondays..
* NO ENTRY FEE
Casestudy on National Museum , New DelhiDivya Mishra
The National Museum in New Delhi is located near major transportation hubs like the Central Secretariat metro station and Indira Gandhi International Airport. It is surrounded by important government buildings and has stone sculptures, paintings, and landscaping around it. The three-floor museum contains numerous exhibition spaces, as well as an auditorium, library, offices, and conservation laboratory. Special lighting and flooring designs were used in different galleries. While the building utilized reinforced concrete and red sandstone, it lacked sufficient parking and had poor fire exit accessibility.
Brinda Somaya is an Indian architect who runs her own practice after completing degrees from Mumbai University and Smith College. Some of her notable projects include the Goa Institute of Management campus, Zensar Technology Limited offices, and the St. Thomas Cathedral in Mumbai. She designed the Brady Glady's Plaza in Mumbai to house five different companies by dividing the building vertically to give each owner an independent identity and entry.
The Government Museum in Mathura houses archaeological artifacts, pottery, sculptures, paintings and coins primarily from the Mathura region. It was founded in 1874 and initially called the Curzon Museum of Archaeology, later being renamed to the Government Museum, Mathura. The museum contains objects discovered during colonial-era excavations as well as items from the Mathura area.
Frank Gehry is a renowned American architect known for his experimental designs that push the boundaries of form. Some of his most famous works include the Guggenheim Museum in Bilbao, Spain and the Walt Disney Concert Hall in Los Angeles. Gehry's early career focused on modern home designs inspired by architects like Frank Lloyd Wright. His breakthrough came with the Danziger House in 1965, noted for its box-like form. Later projects grew increasingly bold, featuring unusual shapes made from sections of differing materials like his iconic Dancing House in Prague, modeled after dancers in motion.
Module 3 islamic architecture under imperial ruleBinumol Tom
The document summarizes Islamic architecture under the Imperial style in India between 1191-1557 AD. It describes key architectural developments and structures during the Slave, Khalji, Tughlak, Sayyid, and Lodi dynasties. Important buildings mentioned include the Qutub Minar, Quwwat-ul-Islam Mosque, Tomb of Iltutmish, Alai Darwaza, and tombs of Balban and Ghiyasuddin Tughlaq. The Imperial style saw an evolution from initial unplanned structures to carefully designed mosques, tombs, and minarets that began incorporating Hindu elements.
The Bahá'í Temple of South America is located in Santiago, Chile. It was designed by Hariri Pontarini Architects to be a welcoming space for people of all faiths. The nine-sided temple has a dome structure with nine entrances and curved seating inside. It is surrounded by reflecting pools and native landscaping. The temple's design aims to connect visitors spiritually through the play of light inside the translucent marble dome.
The Seattle Central Library in Seattle, Washington was designed by Rem Koolhaas and Joshua Prince-Ramus and features a postmodern architectural style. The 11-story glass and steel building opened in 2004 and aims to reinvent the library as a flexible space for information across various media. Key features include a central atrium allowing views between floors, a spiral ramp providing access to different collections on four floors, and maximization of natural light through its exterior glass walls and interior skylight.
The document provides site analysis information for a proposed heritage museum to be constructed in Kashmere Gate, New Delhi. It details the nearby transportation connections and landmarks. The objectives of the museum are to showcase Queens and prominent women of Delhi from the 17th to 19th centuries. The proposed site is 13.7 acres with good road connectivity. Case studies of the National Science Museum and National Museum in New Delhi are also included, outlining facilities, circulation, structure, finishes and observations.
The National Museum in New Delhi is one of the largest museums in India. It covers over 5,000 years of culture and heritage from India and other parts of the world. The museum has over 206,000 works of art across different galleries that showcase artifacts from the prehistoric era to modern works. Key galleries include those displaying Harappan civilization artifacts, Buddhist art, coins, costumes, musical instruments, and sculptures. The museum is located in central Delhi near Janpath and houses a significant collection chronicling Indian history and culture.
Triveni Kala Sangam is a cultural and arts complex in New Delhi designed by American architect Joseph Allen Stein between 1957-1977. It contains four art galleries, a theater, outdoor sculpture area, and provides arts classes. The complex was designed in the modern architecture style using jali screens and multiple spaces for different purposes. It is located on Tansen Marg in the cultural core of New Delhi.
Similar to Presentation on Museum and Community Involvement - A Case Study of Community Engagement Initiatives at Gandhi Memorial Museum, Barrackpore in West Bengal
It was great experience to spend one year as a Gandhian way in Gandhian Institute at Wardha. Please read the whole report. Please visit my blog https://nitugogoi.blogspot.in/
Thank you.
UnBox is a festival celebrating action at the intersection of multiple disciplines. It is an attempt on the part of the Box collective to build momentum around design thinking and interdisciplinary collaborations as the means of driving more sustainable and impactive social, cultural and business innovation in India.
The document provides details about Sneha Sarang's design project on photography about khadi (handspun cloth) and the charkha (spinning wheel). It discusses the objective of understanding the relationship between skills and photography theories. The methodology involved research at places related to khadi production like Sabarma Ashram. Interviews were conducted with people involved in khadi. The project aimed to narrate the story from cotton production to the kurta sold in the market. Limitations included the limited scope within Ahmedabad city, with potential for future expansion.
Leena Jain is a user experience, design and cultural insight researcher who has worked with various technology, branding, and design organizations over the past 8 years. She specializes in conducting user research and discovery to understand cultural nuances and inform product development, branding strategies, and policy decisions. Some of her past roles include leading design research for an Indian bedroom essentials brand to understand perceptions of sexual wellness, and conducting user research in developing countries to uncover insights for a major tech company. She aims to take a holistic approach directed by process to build inclusivity through her work.
This document outlines a project for students on the town planning and artifacts of the Harappan civilization for history classes 11 and 12. It provides objectives to understand artifacts as sources and appreciate Harappan town planning. Students will research artifacts like beads, sculptures, tools, seals and pottery. They will analyze materials, uses, and what details artifacts reveal about Harappan culture. Students can present their findings through an exhibition recreating an ancient Harappan market or written reports. The project aims to develop skills in data collection, analysis, and historical interpretation. It will be assessed based on students' research contribution and the quality of their final reports or presentations.
The Indira Gandhi National Centre for the Arts (IGNCA) was established in 1985 in memory of Indira Gandhi. It serves as a major resource center for research and promotion of Indian arts. IGNCA aims to be interdisciplinary and study the relationships between different art forms, nature, society and cosmology. It houses collections related to performing arts, visual arts, literature and crafts from across India. IGNCA also has regional centers located across India to promote arts and culture.
The Influential effect of Folk arts-PotChitra in Present trend of fashion of ...Md Zafar Alam Bhuiyan
This document provides an overview of the influential effect of folk arts, specifically Pot Chitra paintings, on present fashion trends in Bangladesh. It discusses Pot Chitra as a form of folk art rooted in Bangladeshi culture with distinctive patterns, colors, and motifs. The document notes that while Bangladeshi fashion design incorporates surface elements of folk arts, it could better integrate traditional designs, fabrics, and techniques to create culturally distinct fashion. It profiles two traditional Pot Chitra artists - Potua Shambhu Acharya and Potua Raghunath Chakroborty - to highlight how their intergenerational practices keep folk arts alive and influence modern design. The document advocates showcasing folk arts more prominently
This document provides an overview of the influential effect of folk arts, specifically Pot Chitra painting, on present fashion trends in Bangladesh. It discusses Pot Chitra as a form of folk art rooted in Bangladeshi culture and explores how its motifs, patterns, and colors can be incorporated into mainstream fashion to draw from the country's cultural heritage. The document reviews literature on Pot Chitra and profiles two notable Potua artists, Shambhu Acharya and Raghunath Chakroborty, who have helped preserve the folk art tradition. It argues that Bangladeshi fashion could benefit by embracing local artisanal traditions like Pot Chitra rather than imitating foreign trends.
This document provides information about an internship project conducted at Bihar Rural Livelihoods Promotion Society (JEEViKA) focused on design development for art and craft producer groups. It discusses a visit to Shilpsangh, a cooperative of skilled Mithila painters where traditional designs and motifs were observed. Proposed new designs were created incorporating traditional elements in a more contemporary style to increase marketability and reduce production costs. Products showcasing the new designs included kurtis, tops, t-shirts and gift items. Information is also provided about the Prakash Utsav festival celebrating the birth of Guru Gobind Singh, held in Patna.
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Presentation on Museum and Community Involvement - A Case Study of Community Engagement Initiatives at Gandhi Memorial Museum, Barrackpore in West Bengal
1. Museum and Community Involvement:
A Case Study of Community Engagement Initiatives at
Gandhi Memorial Museum, Barrackpore
Presented by
Dr. Pratik Ghosh
Director-Secretary
Gandhi Memorial Museum
14, Riverside Road, Barrackpore, Kolkata – 700120, West Bengal
Website: www.gandhimuseum.in
Email – gandhimuseum.120@gmail.com
2. Community
A Community is a group of people living within the same
geographical area, sharing certain characteristics and
common interests, values, customs and beliefs.
3. Museum
A Museum Community consists of people who visit the
museum, live and work in its vicinity, are stakeholders to it,
or have donated or have collections within the museum.
community
4. Museum community
Participation
Participation is the level of involvement in museum activities
in the areas of ideas, material and in-kind contributions,
publicity, communications and exhibitions as provided for
within the museum policy
6. ‘Museums work in close collaboration with the communities from
which their collections originate as well as those they serve’
Forms of Community Participation by
Museum
provided by
International Association for Public Participation (IAP2)
7. (For the Eastern Region it came up at Barrackpore in the year 1961 and
it was thrown open to the public on the 7th May, 1966)
Objectives
To collect, preserve and display materials connected with the memory
of the Mahatma Gandhi, disseminate his life, thoughts, activities and
programmes for public benefit through different museum processes
To actively involve the community in its programmes, the Museum has
developed separate Projects for Public Programmes and through these
projects, this museum has initiated several programmes that directly
involve the community
8. Collections of Gandhi Memorial Museum
Highlighting the Life, Activities & Philosophy of Mahatma Gandhi
The Lantern used by
Gandhiji during
Noakhali
Village tour, 1946-47A photograph
Gandhiji with
Rabindranath Tagore
A portion of Mural Painting
The Letters written by Gandhiji,
by using both hands
Bengali Writings
of Gandhiji
A Painting on Gandhiji
at Spinning Wheel
9. View of Mural Gallery
This gallery is renovated by redesigning new illumination and adding interactive
devices for visitor participation.
The Mural Painting of this gallery will be the central exhibit at the proposed gallery.
This exhibit will contain a large disc with projection facility. Here the entire mural
painting will be placed along the periphery of the circular disc with 12 divisions.
Visitors can touch each division of the painting to get necessary information in the
form of video and text which will be projected at the central position of the disc.
10. This Gallery depicts the life and activities of Mahatma Gandhi and the memorable history of Indian
Freedom Movement. The story behind the history of Indian Independence has been presented by
means of 12 panels along with photographs and proper labels.
The relief painting on the Salt March lead by Gandhiji along with other Satyagrahis towards Dandi, is
another interesting exhibit of this gallery.
The incidents of Satyagraha Movement in South Africa and the eighteen (18) Communal Structures
for the welfare of the society which was constructed by Gandhiji, are also presented in this gallery
through digital flip books.
A life sized model of Gandhiji in fiber optics spinning the charkha sitting down in front of Sabarmati
Ashram is also exhibited there. The visitors could be overwhelmed by listening to one of Gandhiji’s
most favourite Ramdhun- ‘Raghupati Raghav Raharam’ which creates a great ambience of peace
prevalent in Sabarmati Ashram.
11. This gallery depicts Gandhiji’s
relations with undivided Bengal.
Gandhiji had a dynamic activity in this
province. It is very difficult to confine
his vastness within a small gallery. We
have tried to arrange his activities in
few subsections, viz. Santiniketan and
Rabindranath, Sodepur, and Noakhali,
etc. based on his important footmarks.
Through the
photographs and
write-ups, it is
evident that Gandhiji
had a very deep
connection with and
great respect and
appreciation for
Bengal and Bengalis.
Some materials like
Bed Cover, Wooden
Spoon, Palm Leaf
Bolepuri Topi, Desk,
Lantern, which were
used by Gandhiji in
Bengal, are also
displayed here.
12. Diorama Gallery on different life events of Mahatma Gandhi
Exhibits of
Diorama Gallery
Diorama 1 – A Fateful
Journey from Durban to
Pretoria
Diorama 2 –
Champaran Satyagraha
Diorama 3 –
Quit India Session
3D Relief Painting on
Childhood of Gandhiji
Wall Painting on
Swadeshi Movement
A Spinning Wheel,
supposed to be used by
Gandhiji in Bengal
Hand Spun Threads
by various National
Leaders of our Country
including Gandhiji
13. An audio visual room having seating capacity is set up in the
Sangrahalaya to provide the facility of showing films and
other related activities. Different educational films on
Gandhiji and the history of Indian freedom movement are
screened regularly here.
14. Well Organized Library for Interested
Readers & Research Scholars
No. of Books : 12,000
Journals Subscribed : 22
Journals Complimentary : 10
Daily Newspapers : 3
No. of Members : 680
Reading Room
Stack Room
To supplement the presentation and for interested readers and research
workers the Museum maintains a well-organized library with around
twelve thousand volumes at present on Gandhiji, Gandhi lore and allied
subjects. We have all the journals edited by Gandhiji.
The online catalogue of the collected books of the library has been prepared by
using the KOHA Software and through the server of Bengal Library Association
it is presently uploaded in museum’s website :
http://www.gandhimuseum.in/url/library.html
17. (Remembering the Contributions of the Freedom Fighters)
1st Phase - Plan to arranged the
programmes for local
school students
2nd Phase - Plan to arrange the
programmes for suburban
and rural schools in North
24-Parganas and later in
other districts.
3rd Phase - Plan to arranged the
programmes for selective
urban schools.
4th Phase - At the end of the year a
common workshop would
be arranged for the selected
students who did better
performance in the previous
programmes in their
schools
In such type of participatory programmes students can get a better
opportunity to share their ideas not only with their classmates but also with
other students of different schools at the same level
Outcome
18. An Innovative and Interesting Programme for the Youth -
Gandhian Thought Course
(Started from the year of 1996)
Target Group: The Young people who are not Gandhian constructive workers but
are interested in the phenomenon of nonviolence and Gandhi, with
a comprehensive syllabus concerning Mahatma Gandhi’s life,
activities, philosophy and programmes for projection and
dissemination of Gandhiji
Such type of programme would provide an intensive acquaintance with this growing
field of knowledge and orient its recipients with the truths, goals, values,
institutions, and processes of the new society to which the course leads us
19. This museum organizes
Workshops, Seminars,
Symposiums, etc. for the
Scholars to project and
disseminate Gandhian
thought and to focus on the
present condition of the
country and our
responsibility and duty on
this behalf.
The Gandhi Museum had
instituted from the year of
1997, an Award in the name
of Mahatma Gandhi, entitled
‘Mahatma Gandhi Memorial
Award’ to be given every year
to a Personality who has
dedicated his or her life for
Gandhian cause or nobler
society-enriching works or
activities.
20.
21. Programmes for Active Participation of Women
Opening a Training Centre for Women
Objects
To develop the technical skills and managerial capability through some
practical oriented training courses like Food making and processing,
Tailoring and Cutting, Fabric and Batik print, Jute products making,
Grooming and Personality Development, etc.
Outcome
Such type of programmes would also assist in capacity building of the
women, raising their technical skills and managerial capability,
accounting and management skill, general confidence, interactive
capacity, creativity and raising their social and political status.
22. This activity has started by the
Sangrahalaya since the financial
year 2015-16. The Sangrahalaya
reaches the several institutions
of rural areas of various
districts of West Bengal and set
up temporary exhibitions on
various topics related to
Gandhiji at there and several
documentaries on Mahatma
Gandhi, Freedom Movement of
India as well as cultural and
environmental issues are
presented. An audio-visual quiz
on Mahatma Gandhi and his
contribution to our country is
conducted for the students. The
winners of the quiz are given
prizes.