UnBox is a festival celebrating action at the intersection of multiple disciplines. It is an attempt on the part of the Box collective to build momentum around design thinking and interdisciplinary collaborations as the means of driving more sustainable and impactive social, cultural and business innovation in India.
The document describes the UnBox Festival, which will take place from February 2-5, 2012 in New Delhi, India. The festival celebrates interdisciplinary collaboration and features partner events such as EyeMyth, BeatRepeat, TechnoDrome, BlowUp, and FoodLab that explore facets of creative practice like visual music, literature, urban arts, food design, and photography. The keystone UnBox Conference will further innovation and interdisciplinary collaboration through keynotes, discussions and workshops led by leading practitioners. Programming directions for the 2012 conference include topics like business, development, and culture.
This document discusses designing for culturally diverse contexts in India. It proposes researching the influence of designers' and users' cultures on the design process and outcomes. The research would develop a framework to facilitate cross-cultural collaboration through effective communication and empathy. It would also formulate a vision for sustainable collective futures reflecting local cultures. The document outlines study areas, research questions, methodology including case studies and a virtual platform, and a 3-year time plan to develop deliverables and publications. The goal is a culture-centered approach to design that bridges designers and users.
Leena Jain is a user experience, design and cultural insight researcher who has worked with various technology, branding, and design organizations over the past 8 years. She specializes in conducting user research and discovery to understand cultural nuances and inform product development, branding strategies, and policy decisions. Some of her past roles include leading design research for an Indian bedroom essentials brand to understand perceptions of sexual wellness, and conducting user research in developing countries to uncover insights for a major tech company. She aims to take a holistic approach directed by process to build inclusivity through her work.
The document discusses three inspirations for India: People Tree, Under Construction, and the ecosystem approach. [1] People Tree started as a small group of designers in 1990 that focused on social purpose, ecological responsibility, and collective creativity. [2] Under Construction aims to disseminate independent educational films from a single source to facilitate discourse and access to knowledge. [3] The ecosystem approach discusses initiatives like Tiger Watch and handicraft programs that promote environmental conservation and local communities.
International Entrepreneurship in the Arts: Unexpected PartnershipLidia Varbanova
Unexpected Partnership: New spaces for creation and creativity: How do we support them?" Presented by Lidia Varbanova at IFACCA 7th World Summit, Malta, October, 2016
Design - as the medium of social evolutionsudeepaghosh
The document discusses how India is recognizing the value of design and aesthetics in enhancing everyday life experiences. Key factors shaping India's evolution include globalization, technology advancement, environmental awareness, and future research. The challenges are to assimilate global culture while maintaining individuality, develop India's own symbols of expression, and create a modern design statement that blends history and tradition. Industries, designers, consumers, and government must work together to achieve a unique design identity for India representing its diversity and unity.
The document describes the UnBox Festival, which will take place from February 2-5, 2012 in New Delhi, India. The festival celebrates interdisciplinary collaboration and features partner events such as EyeMyth, BeatRepeat, TechnoDrome, BlowUp, and FoodLab that explore facets of creative practice like visual music, literature, urban arts, food design, and photography. The keystone UnBox Conference will further innovation and interdisciplinary collaboration through keynotes, discussions and workshops led by leading practitioners. Programming directions for the 2012 conference include topics like business, development, and culture.
This document discusses designing for culturally diverse contexts in India. It proposes researching the influence of designers' and users' cultures on the design process and outcomes. The research would develop a framework to facilitate cross-cultural collaboration through effective communication and empathy. It would also formulate a vision for sustainable collective futures reflecting local cultures. The document outlines study areas, research questions, methodology including case studies and a virtual platform, and a 3-year time plan to develop deliverables and publications. The goal is a culture-centered approach to design that bridges designers and users.
Leena Jain is a user experience, design and cultural insight researcher who has worked with various technology, branding, and design organizations over the past 8 years. She specializes in conducting user research and discovery to understand cultural nuances and inform product development, branding strategies, and policy decisions. Some of her past roles include leading design research for an Indian bedroom essentials brand to understand perceptions of sexual wellness, and conducting user research in developing countries to uncover insights for a major tech company. She aims to take a holistic approach directed by process to build inclusivity through her work.
The document discusses three inspirations for India: People Tree, Under Construction, and the ecosystem approach. [1] People Tree started as a small group of designers in 1990 that focused on social purpose, ecological responsibility, and collective creativity. [2] Under Construction aims to disseminate independent educational films from a single source to facilitate discourse and access to knowledge. [3] The ecosystem approach discusses initiatives like Tiger Watch and handicraft programs that promote environmental conservation and local communities.
International Entrepreneurship in the Arts: Unexpected PartnershipLidia Varbanova
Unexpected Partnership: New spaces for creation and creativity: How do we support them?" Presented by Lidia Varbanova at IFACCA 7th World Summit, Malta, October, 2016
Design - as the medium of social evolutionsudeepaghosh
The document discusses how India is recognizing the value of design and aesthetics in enhancing everyday life experiences. Key factors shaping India's evolution include globalization, technology advancement, environmental awareness, and future research. The challenges are to assimilate global culture while maintaining individuality, develop India's own symbols of expression, and create a modern design statement that blends history and tradition. Industries, designers, consumers, and government must work together to achieve a unique design identity for India representing its diversity and unity.
BW is a Brazilian multicultural event that aims to promote cultural exchange, environmental preservation, and social sustainability through conferences, performances, exhibitions, and workshops. It seeks to bring together diverse cultures and nations to stimulate discussion on supporting the environment and establish cooperation between countries. The main components are the BW ShowWindow for cultural promotion, BWSustainableIdeas forum for ideas projects, and BWSocialBusiness to initiate socially-minded commercial partnerships. The goal is to create a global platform that strengthens cultural values while generating new support mechanisms for sustainable development ventures worldwide.
BW Brazilian World Festival introductionBrazilian Bwf
BW is a Brazilian multicultural event that aims to promote cultural exchange, environmental preservation, and social sustainability through conferences, performances, exhibitions, and workshops. It seeks to bring together diverse cultures and nations to stimulate discussion on supporting the environment and establishing cooperation between countries. The main components are the BW ShowWindow for cultural promotion, BWSustainableIdeas forum for debating environmental needs, and BWSocialBusiness for social entrepreneurship opportunities. The goal is to create a global platform that strengthens cultural and environmental values through collective action.
Florence Design Week is an annual multi-disciplinary design festival held in Florence, Italy each June. The 2016 theme is "Design United" to promote collective creativity and cultural exchange. Events include exhibitions, conferences, workshops and other activities focused on lifestyle, sustainability, and integrating people from different cultures through design. The festival aims to make Florence a center for discussing visual, functional and ethical beauty through design.
The document describes a job opening for the position of Festival Director for UnBox, a festival in India that celebrates emerging forms of professional and creative practice through interdisciplinary collaborations. The position is for over a year starting in March 2012 and would be based in Gurgaon, India, involving travel within Delhi. As Festival Director, the key responsibilities would include raising funds, managing communications and outreach, building partnerships, and planning the festival. Qualifications sought include 7+ years of relevant experience in project management, entrepreneurship, or running similar festivals, as well as skills in communication, networking, and collaboration.
The colors of care 2014 - Emotional DesignMarcio Dupont
This document provides information about the 9th International Conference on Design and Emotion that was held from October 6-10, 2014 in Bogota, Cali, and Medellin, Colombia. It was organized by Universidad de los Andes, Universidad Icesi, and Universidad EAFIT. The conference focused on the theme of "Design, Emotion and Social Innovation" and included papers presented within 5 sub-themes: design for social innovation; theoretical issues of design and emotion; methodological issues of design and emotion; well-being and sustainability; and experience and interaction. A total of 56% of 200 submitted papers and projects were accepted for presentation after a double-blind peer review process.
Origin of Spaces - Research Brochure - innovative practices for sustainable m...Christiaan Weiler
Organisations from five European countries have joined forces on a three year journey to share existing know-how and explore new practices related to coworking ecosystems. However, as with every journey, the project began with a period of reflection and preparation, an opportunity to learn new work languages, structures and methods: “Where have we come from?”, “Where are we going?”, “What should be taken forward?”. In addition there were specific questions and discussions on the meanings behind our coworking ecosystems themes, namely multidisciplinary coworking, local partnerships, ecological transition, participatory governance and social entrepreneurship. This report provides the history of our preparation for constructing a coworking toolbox. It focuses on the wealth of local background material unearthed by the partners and, by identifying the most relevant points, helps explain how the map to guide our journey began to take shape.
The information you are about to discover will help explain why we believe that coworking and the creation of multidisciplinary creative clusters (also known as ecosystems or the Third Place) provide an innovative approach for European entrepreneurs and professionals to work collaboratively through improved communication and networking, in order to create new economic opportunities and benefit society.
Origin of Spaces - Research Source Book (screen) innovative practices for sus...Christiaan Weiler
Antonio Machado - Campos de Castilla - 1912
"... Caminante, son tus huellas el camino, y nada más; caminante, no hay camino, se hace camino al andar. Al andar se hace camino, y al volver la vista atrás se ve la senda que nunca se ha de volver a pisar. ...”
1. Preface
It is dawning on many of us that the current pace and direction of society is difficult to keep up for very long. When in the post-world-war period the pursuit of (individual) achievement seemed the key force of collective development, now the nature of the achievement is very much at the heart of our concerns. Sharing and respecting the environment, be it social, capital or natural, must now regain a central position in community management. Simultaneously the means available for this common task are more and more distributed. More than ever must one ask what one can do for the community, rather than what the community can do for us.
If this project can establish the relevance of the multidisciplinary approach to global sustainability, it will be succesful. All participants, and all of their partners, will be dealing with our subject hands on. This means, once again, to break out of conventional silos so that professionals with different expertise can share insights and work side by side for the common goal.
Once the individual participants of the project recognise the shared motivation, the matter can be improved, embodied and disseminated - through the work in progress and the distribution of the results. Everyone will have the occasion to relay the subject in new links with organisations and city councils on local level, bringing together the actors within a common framework. The nature of 'change management' will need the implication of key-stake-holders on a regional level. Developping and distributing tested contents will convince captains of governance and industry to support the agents of the new models. The rich and diverse context of european culture will be a favourable background for innovating community-management with the resilience of a hybrid multi-faceted approach. When we come out with a 'best-practice'-based toolbox, developed on field work, we will be ready to share the expertise, and promote this complementary and crucial frame of innovation.
2. Research Outcomes
This research report is part of the Erasmus + project. It is the result of the initial phase, and concentrates on the task of assessing the existing practices of the five partners. The results of the research is be the basis of the second and final phase - the Toolbox development. The Toolbox is destined to enable other individuals or groups to learn the basics of setting up multidisciplinary social entrepreneur clusters.
This document discusses creativity and social innovations in community development. It argues that creativity and social innovations can generate business and jobs, increase attractiveness of local communities, and increase democracy and social inclusion. The concept of creative cities is based on the idea that creative industries and a general creative attribute in society are important for post-industrial economies. Examples of creative cities from around the world are discussed, as well as how the creative city approach could be applied in developing countries. The document then discusses examples of creative community development in Namibia and how innovation, including social innovation, can increase creativity and potential in communities through open innovation, user innovation, and community innovation.
Decolonising Design in indigenous artisans and designers’ collaborative proje...Diana Albarran Gonzalez
This document discusses decolonizing design processes in collaborative projects between indigenous artisans and designers. It provides background on development policies and debates around preserving indigenous identity versus innovation. The researcher aims to compare projects in New Zealand and Mexico to determine if specific co-design methods can be considered decolonized in order to improve livelihoods and benefit indigenous communities. Key questions focus on what characterizes decolonized design, how indigenous knowledge is incorporated, appropriate co-design methods, and the role of designer heritage. The methodology will use participatory action research and case studies informed by decolonizing principles.
The document outlines an agenda for a workshop on community art as a challenge for social workers. The workshop will include presentations on various topics related to community art such as its definition, examples of community art projects, and the role of artists and social workers in community art. Attendees will participate in group assignments analyzing case studies and discussing how art can be used in community projects. The goal is to explore how social workers and artists can work together using art to empower communities and foster social cohesion.
Meet Hai Dai in Virtual Reality! Special engagements with WOW Bali's founder; Creative Director of a sustainable and regenerative NGO, operating in Indonesia and South East Asia. Hear his thoughts and research on an ecosystem design thinking; regenerative frameworks for the digital frontier to reshape the human conditions.
Learn how integrate local wisdom (ancient and indigenous cultures) and native intelligences and modalities (healing arts and other creative culture processes) via a social emotional matrix that can be integrated within technology developments and within an ecosystem design thinking framework for optimal dynamics in everyday living and learning. In short, local wisdom and modern methodologies for a more lean culture.
Action Research: Learning Exchange Modules are done in AltspaceVR and Minecraft at Disorient Camp at BRCvr, the official virtual Burningman in VR space.
Hai Dai can be reach directly on AltSpaceVR and/or Discord at 9haidai9.
Flow India is an education organization that focuses on experiential and interdisciplinary learning. It believes cultural engagement fosters human skills like critical thinking. It brings real-world contexts into classrooms through project-based learning to encourage lifelong learning. Its vision is to establish cultural learning as integral to education in India. Its mission is to develop 21st century skills in Indian students by making local culture a learning resource. It works with educators and stakeholders to shift views of out-of-school learning and uses communities to design creative learning experiences.
Croatia 4 - “Culture Driven Innovation: Intangible Cultural Heritage as a Key...UNESCO Venice Office
This document discusses using intangible cultural heritage (ICH) to drive social innovation. It proposes an open innovation model for cultural institutions that focuses on participation, knowledge sharing, and using new technologies like social media and virtual experiences. Examples are given of how museums can integrate ICH into exhibitions and programs to attract new audiences and encourage active learning. The document advocates connecting people to real cultural experiences through activities like parks, picnics, and cultural landscapes. It also stresses the need for solutions that involve stakeholders and communities in a balanced way, and that demonstrate clear benefits and value to gain support. Threats like different mentalities, lack of funding, and bureaucracy are also addressed.
Civic Factory Fest is an event that promotes learning, reflection and action around new forms of collaborative design and civic innovation, with the aim of promoting new opportunities for dialogue and collaboration between citizens, public administration, university and the private sector.
AFRICA - Solar cooking - drying - storage INBAKHeiner Benking
This document discusses several projects related to global challenges, citizen science, and sustainability. It proposes a holistic approach to address the 15 global challenges identified by the Millennium Project. Specific projects mentioned include connecting citizens and science through citizen science networks in Europe and Switzerland, as well as a publication on strategic actions to address huge world challenges. The document advocates for structured dialog and deliberation across scales, sectors, and cultures to find solutions.
Presentation artscape, Artist in Residence ProgramWendy122561
The two artists, Wendy Wallace and Jacqueline Lemmon, are proposing a one-year artist residency program in downtown Oshawa. They are requesting donated studio space and a $10,000 stipend in exchange for creating public art installations for the city. The program aims to promote Oshawa's cultural identity, encourage other artists, and provide educational opportunities for students through mentorships.
BW is a Brazilian multicultural event that aims to promote cultural exchange, environmental preservation, and social sustainability through conferences, performances, exhibitions, and workshops. It seeks to bring together diverse cultures and nations to stimulate discussion on supporting the environment and establish cooperation between countries. The main components are the BW ShowWindow for cultural promotion, BWSustainableIdeas forum for ideas projects, and BWSocialBusiness to initiate socially-minded commercial partnerships. The goal is to create a global platform that strengthens cultural values while generating new support mechanisms for sustainable development ventures worldwide.
BW Brazilian World Festival introductionBrazilian Bwf
BW is a Brazilian multicultural event that aims to promote cultural exchange, environmental preservation, and social sustainability through conferences, performances, exhibitions, and workshops. It seeks to bring together diverse cultures and nations to stimulate discussion on supporting the environment and establishing cooperation between countries. The main components are the BW ShowWindow for cultural promotion, BWSustainableIdeas forum for debating environmental needs, and BWSocialBusiness for social entrepreneurship opportunities. The goal is to create a global platform that strengthens cultural and environmental values through collective action.
Florence Design Week is an annual multi-disciplinary design festival held in Florence, Italy each June. The 2016 theme is "Design United" to promote collective creativity and cultural exchange. Events include exhibitions, conferences, workshops and other activities focused on lifestyle, sustainability, and integrating people from different cultures through design. The festival aims to make Florence a center for discussing visual, functional and ethical beauty through design.
The document describes a job opening for the position of Festival Director for UnBox, a festival in India that celebrates emerging forms of professional and creative practice through interdisciplinary collaborations. The position is for over a year starting in March 2012 and would be based in Gurgaon, India, involving travel within Delhi. As Festival Director, the key responsibilities would include raising funds, managing communications and outreach, building partnerships, and planning the festival. Qualifications sought include 7+ years of relevant experience in project management, entrepreneurship, or running similar festivals, as well as skills in communication, networking, and collaboration.
The colors of care 2014 - Emotional DesignMarcio Dupont
This document provides information about the 9th International Conference on Design and Emotion that was held from October 6-10, 2014 in Bogota, Cali, and Medellin, Colombia. It was organized by Universidad de los Andes, Universidad Icesi, and Universidad EAFIT. The conference focused on the theme of "Design, Emotion and Social Innovation" and included papers presented within 5 sub-themes: design for social innovation; theoretical issues of design and emotion; methodological issues of design and emotion; well-being and sustainability; and experience and interaction. A total of 56% of 200 submitted papers and projects were accepted for presentation after a double-blind peer review process.
Origin of Spaces - Research Brochure - innovative practices for sustainable m...Christiaan Weiler
Organisations from five European countries have joined forces on a three year journey to share existing know-how and explore new practices related to coworking ecosystems. However, as with every journey, the project began with a period of reflection and preparation, an opportunity to learn new work languages, structures and methods: “Where have we come from?”, “Where are we going?”, “What should be taken forward?”. In addition there were specific questions and discussions on the meanings behind our coworking ecosystems themes, namely multidisciplinary coworking, local partnerships, ecological transition, participatory governance and social entrepreneurship. This report provides the history of our preparation for constructing a coworking toolbox. It focuses on the wealth of local background material unearthed by the partners and, by identifying the most relevant points, helps explain how the map to guide our journey began to take shape.
The information you are about to discover will help explain why we believe that coworking and the creation of multidisciplinary creative clusters (also known as ecosystems or the Third Place) provide an innovative approach for European entrepreneurs and professionals to work collaboratively through improved communication and networking, in order to create new economic opportunities and benefit society.
Origin of Spaces - Research Source Book (screen) innovative practices for sus...Christiaan Weiler
Antonio Machado - Campos de Castilla - 1912
"... Caminante, son tus huellas el camino, y nada más; caminante, no hay camino, se hace camino al andar. Al andar se hace camino, y al volver la vista atrás se ve la senda que nunca se ha de volver a pisar. ...”
1. Preface
It is dawning on many of us that the current pace and direction of society is difficult to keep up for very long. When in the post-world-war period the pursuit of (individual) achievement seemed the key force of collective development, now the nature of the achievement is very much at the heart of our concerns. Sharing and respecting the environment, be it social, capital or natural, must now regain a central position in community management. Simultaneously the means available for this common task are more and more distributed. More than ever must one ask what one can do for the community, rather than what the community can do for us.
If this project can establish the relevance of the multidisciplinary approach to global sustainability, it will be succesful. All participants, and all of their partners, will be dealing with our subject hands on. This means, once again, to break out of conventional silos so that professionals with different expertise can share insights and work side by side for the common goal.
Once the individual participants of the project recognise the shared motivation, the matter can be improved, embodied and disseminated - through the work in progress and the distribution of the results. Everyone will have the occasion to relay the subject in new links with organisations and city councils on local level, bringing together the actors within a common framework. The nature of 'change management' will need the implication of key-stake-holders on a regional level. Developping and distributing tested contents will convince captains of governance and industry to support the agents of the new models. The rich and diverse context of european culture will be a favourable background for innovating community-management with the resilience of a hybrid multi-faceted approach. When we come out with a 'best-practice'-based toolbox, developed on field work, we will be ready to share the expertise, and promote this complementary and crucial frame of innovation.
2. Research Outcomes
This research report is part of the Erasmus + project. It is the result of the initial phase, and concentrates on the task of assessing the existing practices of the five partners. The results of the research is be the basis of the second and final phase - the Toolbox development. The Toolbox is destined to enable other individuals or groups to learn the basics of setting up multidisciplinary social entrepreneur clusters.
This document discusses creativity and social innovations in community development. It argues that creativity and social innovations can generate business and jobs, increase attractiveness of local communities, and increase democracy and social inclusion. The concept of creative cities is based on the idea that creative industries and a general creative attribute in society are important for post-industrial economies. Examples of creative cities from around the world are discussed, as well as how the creative city approach could be applied in developing countries. The document then discusses examples of creative community development in Namibia and how innovation, including social innovation, can increase creativity and potential in communities through open innovation, user innovation, and community innovation.
Decolonising Design in indigenous artisans and designers’ collaborative proje...Diana Albarran Gonzalez
This document discusses decolonizing design processes in collaborative projects between indigenous artisans and designers. It provides background on development policies and debates around preserving indigenous identity versus innovation. The researcher aims to compare projects in New Zealand and Mexico to determine if specific co-design methods can be considered decolonized in order to improve livelihoods and benefit indigenous communities. Key questions focus on what characterizes decolonized design, how indigenous knowledge is incorporated, appropriate co-design methods, and the role of designer heritage. The methodology will use participatory action research and case studies informed by decolonizing principles.
The document outlines an agenda for a workshop on community art as a challenge for social workers. The workshop will include presentations on various topics related to community art such as its definition, examples of community art projects, and the role of artists and social workers in community art. Attendees will participate in group assignments analyzing case studies and discussing how art can be used in community projects. The goal is to explore how social workers and artists can work together using art to empower communities and foster social cohesion.
Meet Hai Dai in Virtual Reality! Special engagements with WOW Bali's founder; Creative Director of a sustainable and regenerative NGO, operating in Indonesia and South East Asia. Hear his thoughts and research on an ecosystem design thinking; regenerative frameworks for the digital frontier to reshape the human conditions.
Learn how integrate local wisdom (ancient and indigenous cultures) and native intelligences and modalities (healing arts and other creative culture processes) via a social emotional matrix that can be integrated within technology developments and within an ecosystem design thinking framework for optimal dynamics in everyday living and learning. In short, local wisdom and modern methodologies for a more lean culture.
Action Research: Learning Exchange Modules are done in AltspaceVR and Minecraft at Disorient Camp at BRCvr, the official virtual Burningman in VR space.
Hai Dai can be reach directly on AltSpaceVR and/or Discord at 9haidai9.
Flow India is an education organization that focuses on experiential and interdisciplinary learning. It believes cultural engagement fosters human skills like critical thinking. It brings real-world contexts into classrooms through project-based learning to encourage lifelong learning. Its vision is to establish cultural learning as integral to education in India. Its mission is to develop 21st century skills in Indian students by making local culture a learning resource. It works with educators and stakeholders to shift views of out-of-school learning and uses communities to design creative learning experiences.
Croatia 4 - “Culture Driven Innovation: Intangible Cultural Heritage as a Key...UNESCO Venice Office
This document discusses using intangible cultural heritage (ICH) to drive social innovation. It proposes an open innovation model for cultural institutions that focuses on participation, knowledge sharing, and using new technologies like social media and virtual experiences. Examples are given of how museums can integrate ICH into exhibitions and programs to attract new audiences and encourage active learning. The document advocates connecting people to real cultural experiences through activities like parks, picnics, and cultural landscapes. It also stresses the need for solutions that involve stakeholders and communities in a balanced way, and that demonstrate clear benefits and value to gain support. Threats like different mentalities, lack of funding, and bureaucracy are also addressed.
Civic Factory Fest is an event that promotes learning, reflection and action around new forms of collaborative design and civic innovation, with the aim of promoting new opportunities for dialogue and collaboration between citizens, public administration, university and the private sector.
AFRICA - Solar cooking - drying - storage INBAKHeiner Benking
This document discusses several projects related to global challenges, citizen science, and sustainability. It proposes a holistic approach to address the 15 global challenges identified by the Millennium Project. Specific projects mentioned include connecting citizens and science through citizen science networks in Europe and Switzerland, as well as a publication on strategic actions to address huge world challenges. The document advocates for structured dialog and deliberation across scales, sectors, and cultures to find solutions.
Presentation artscape, Artist in Residence ProgramWendy122561
The two artists, Wendy Wallace and Jacqueline Lemmon, are proposing a one-year artist residency program in downtown Oshawa. They are requesting donated studio space and a $10,000 stipend in exchange for creating public art installations for the city. The program aims to promote Oshawa's cultural identity, encourage other artists, and provide educational opportunities for students through mentorships.
2. UnBox IS A FESTIVAL CELEBRATING ACTION AT THE
INTERSECTIONS OF DIFFERENT DISCIPLINES. IT IS AN
ATTEMPT TO BUILD MOMENTUM AROUND DESIGN THINKING
AND INTER-DISCIPLINARY COLLABORATIONS AS THE
MEANS OF DRIVING MORE SUSTAINABLE AND IMPACTIVE
SOCIAL AND CULTURAL CHANGE IN INDIA.
THE FESTIVAL BLENDS WORK AND PLAY ACROSS
CONTEXTS AND MEDIUMS, BRINGING ATTENDEES
TOGETHER FOR WORKSHOPS, DEBATES, BRAINSTORMS,
PICNICS, LITERARY READINGS AND TRAVEL. TOGETHER,
WE’LL RETHINK AND STRETCH DESIGN PRACTICE. UNBOX
CREATES A SPACE FOR PRACTITIONERS TO LEARN FROM
ONE ANOTHER AND SPARK NEW FORMS OF SOCIAL AND
CULTURAL INNOVATION.
ORGANIZERS > THE BOX COLLECTIVE
UnBox is the culmination of efforts of four successful Indian creative practices that
have exemplified the value of inter-disciplinary collaborations as the means of driving
impact and change. Together these studios form the The Box Collective:
» Quicksand (www.quicksand.co.in) : A multi-disciplinary innovation consultancy
based in Delhi & Bangalore in India.
» Codesign (www.codesign.in) : A multi-faceted branding, and communication design
practice.
» Basic Love of Things - B.L.O.T. (www.blottin.blogspot.com) : An electronic music
and visual arts collective bringing the Basic Love of Things to India and the world.
» BlindBoys (www.blindboys.org) : A photo commune.
3. UnBOX IS A TWO WEEK FESTIVAL CONSISTING OF:
FELLOWSHIPS CONFERENCE PUBLIC EVENTS
UnBox FELLOWSHIP: Intensive, multi- AUDIENCE
day travel workshops for accomplished Our audience is diverse, and includes
and emerging practitioners from fields of designers, entrepreneurs, educators,
design, business, art, social sciences and activists, and policy makers interested in
technology. Chosen fellows would travel interdisciplinary approaches to cultural
to different parts of the country to learn, intervention. We seek to bring together
inform and share the new contexts for both senior and emerging practitioners
social, cultural and business innovations. working in India, along with selected
Inaugural year themes include urban international attendees.
sanitation, safe water, organic food,
Old Delhi in new media, livelihoods in TENTATIVE VENUES
Kumaon and clean energy. » Alliance Française
Lodi Estate, New Delhi
UnBox CONFERENCE: Attendees will » Lokayata Gallery
kickoff 2 days with panels introducing Hauz Khas Village, New Delhi
and debating design, innovation, cultural » The Greenhouse
change, and alternative platforms for Hauz Khas Village, New Delhi
action. » Smaller studio venues distributed
across New Delhi & Gurgaon
UnBox PUBLIC EVENTS: Conference
attendees and the general public can UnBox WILL HAPPEN IN PARALLEL
join 3 afternoons of exhibitions, panels, WITH TECHNODROME, an arts and
skill shares, and performances in various music festival, and BEAT REPEAT, a
Delhi settings. Themes include book literary festival. Events among the three
making, social impact in education and festivals will be cross-promoted and
experiments with food. coordinated to allow UnBox festival
goers to intersect with these other
vibrant experiences.
4. SAMPLE PROGRAM
FEBURARY 2011 CONFERENCE EVENT FESTIVAL EVENT
PRE-FESTIVAL ● UnBox Fellowship Field Trips: Intensive, multi-day travel workshops for
accomplished and emerging practitioners. Inaugural year themes include
organic food in India, Old Delhi in new media, design entrepreneurship in
India, and livelihoods in Kumaon.
●I Small Books: A curated exhibition of independent book design and
publishing at Greenhouse, Hauz Khas Village.
THUR / 24 ● Exhibition—Indian Design at the Intersections begins and goes for two weeks
at Lokayata Gallery.
● Welcome Kick-off Party
● Beat Repeat, Technodrome: Cultural and Music experiences
FRI / 25 ● Design as a Cultural Force: MP Ranjan offers a historical perspective on
design as a force for cultural change in India, offering unusual paths into the
future.
● Creative Collectives Showcase: A curated showcase of Indian startups,
collectives, and individuals who offer innovative models and processes for
their unique contexts. These new, self-assured Indian collectives include
artists, educators, and entrepreneurs.
● Improvisation at the intersections: A theater workshop offers attendees a
space to sharpen their skills of expression, responsivity, and adaptation.
● Skill shares: A series of hands-on workshops where people can share specific
skills from across a number of disciplines.
● Beat Repeat, Technodrome: Cultural and Music experiences
SAT / 26 ● Alternative Design Platforms: Talk and panel curated by John Thackara on
how designers can work in new ways to meet the challenges of complexity,
global connection, and environmental degradation?
● Futureforms: Ten curated, 5-minute presentations of possible futures to
provoke and inspire attendees.
● Documenting Design: Handmade in India co-author Aditi Ranjan speaks
about the roles documentation can play in design work at the intersections of
government, industry, crafts, and art.
● Skill shares: A series of hands-on workshops where people can share specific
skills from across a number of disciplines.
● Beat Repeat, Technodrome: Cultural and Music experiences
SUN / 27 ● Make-a-thon: For conference goers inclined to tinker and hack, the UnBox
Make-a-thon is a collaborative, cross-platform space for innovative creation,
open to the public.
● Beat Repeat, Technodrome: Cultural and Music experiences
POST FESTIVAL ● Produce and disseminate documentation in form of a blog and limited-run
publication recording process and outcomes of all festival sessions.
5. CONFERENCE SPEAKERS
JOHN THACKARA: Described by Business Week as “one of the great voices
on sustainability,” Thackara is a writer, speaker, and founder-director of the
Doors of Perception conference. He is author of In the Bubble: Designing in
a Complex World (MIT Press).
M P RANJAN: M P Ranjan has been named amongst the top twenty
design thinkers of the world (Design Thinking Exchange). M P Ranjan is
an Independent academic from Ahmedabad. He is the author of the blog
Design for India, and the book Bamboo & Cane Crafts of Northeast India,
and co-editor of Handmade in India.
LAKSHMI MURTHY: Internationally awarded communication designer
Murthy has designed visuals sensitive to cultural and societal norms for
non-literate and low-literate audiences. She heads Vikalp Design, based in
Udaipur, Rajasthan, India.
ADITI RANJAN: Aditi Ranjan is a weaver, textile designer, and design
teacher at the National Institute of Design since 1972. Following her interests
in Craft, Culture and Design Research, she co-edited Handmade in India—
an encyclopedia of the handicrafts of India.
AYUSH CHAUHAN: Ayush Chauhan is the Founder & Director of Quicksand,
a multi-disciplinary innovation consultancy whose clients include Google,
IDEO, and Gates Foundation. An IIM-A graduate, with past experience in
brand & product management stint for Banking, Ayush is a firm believer
in cross-disciplinary collaborations as the means of doing meaningful and
impactful work
NICO MACDONALD: Nico Macdonald is a London based writer and
strategist focusing on innovation in the media sector. He conducted early
investigations into the emergence of interaction design for online media,
publishing in Eye, Blueprint, Creative Review, Design Week, PRINT and I.D.
magazine; co-programming the ground-breaking conferences Designing the
Internet (1996) and Design For Usability (2000); and authoring What is Web
Design? (RotoVision, 2003).
HARSH PUROHIT: Harsh Purohit, the Founder Director of Cognito, is a
sustainability strategist. He has developed the ‘4Ps of Sustainability - Profits,
Protests, Policies and Preservation’, a framework for helping diverse sections
of society understand sustainability, internalize it and implement it.
6. FELLOWSHIPS
Travel to different parts
of the country with multi-
disciplinary teams to learn,
inform and share the new
contexts for social, cultural
and business innovations.
ORGANIC FOOD IN INDIA: The growth of organic food is a global trend that is
slowly but surely finding its way into India. There is a nascent ecosystem of players in
India: farmers, consumers, retailers, health and policy experts who are involved in this
ecosystem. We hope to study this context through a multi-disciplinary lens and identify
opportunities for innovation—in order to get the organic food ecosystem to flourish
within India.
OLD DELHI > NEW MEDIA: This fellowship project is located within the spatial and
conceptual dimensions of Old Delhi and what was once the Walled City. This fellowship
project is an attempt to create new audiovisual content that expresses a compact
experience of this area through multiple forms of media, including a live performance.
LIVELIHOODS IN KUMAUN: Chirag (Central Himalayan Rural Action Group) is a rural
development organization based in the Kumaun region of Uttarakhand in India. The
fellowship project is an attempt to identify design intervention opportunities in Chirag’s
endeavor to provide livelihood, education, and health.
CLEAN ENERGY: This fellowship explores the fledgling landscape of clean & renewable
energy in India. It is an immersive 3-4 day trip that works with a green entrepreneur in
thinking through the challenges of their enterprise. Potential contexts include a biomass
plant in rural Bihar or an innovative LED lighting startup in Uttar Pradesh.
SAFE WATER: This fellowship explores new distribution models and product strategies
for providing safe access to clean drinking water. During this fellowship participants will
engage with a not-for-profit doing distribution pilots in rural Uttar Pradesh or a large
consumer durables company looking at base of the pyramid for product innovations in
the South.
URBAN SANITATION: This fellowship explores the transient state of urban slums in
India through the lens of water and sanitation. During this fellowship participants will
engage with a civil society or government agency as they work with the community in
understanding and providing water & sanitation services.
7. PERFORMING ARTISTS // TECHNODROME
» MARKUS DETMER » SILVER SEEDS » NUCLEYA
Germany Switzerland India
» TIMO REUBER » 4YOUREYE » KOHRA
Germany Austria India
» ANDY GUHL » B.L.O.T. » SATTYANANDA
Switzerland India India
CONTACT
Mr Ayush Chauhan
ayush@quicksand.co.in