Presentation 3 jeopardy
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- The document provides statistics and information about reality television shows from around the world including their producers, formats, and viewership numbers. It discusses shows like Big Brother, Pop Idol, and their versions in other countries. It also provides information on the large production company Endemol and reality television producer Jerry Bruckheimer.
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Presentation 3 jeopardy
The document contains a series of random questions and answers about television shows and the television industry. It discusses facts around the growth of TV channels in Europe from 40 in 1989 to 1500 by 2002. It also addresses the US share of worldwide TV programming in 2006 as well as details about specific reality TV production companies like Endemol and Fremantle Media and shows they produced including Big Brother, Pop Idol and its variants.
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E4 is a British digital television channel launched in 2001, aimed at 15-35 year olds. It broadcasts American imports like How I Met Your Mother and Scrubs, as well as British shows like The Inbetweeners. Misfits is a British sci-fi television series revolving around 5 teenagers who gain superpowers during community service. Smallville is an American sci-fi television series following Clark Kent's adventures in Smallville, Kansas before becoming Superman, incorporating other DC characters. ITV is the oldest commercial network in the UK, known for crime dramas. Broadchurch is a British crime drama on ITV about the search for a young boy's killer. Poirot is a British mystery drama series based on
The 5 Global Generations Defined by Name, Year of Birth, and Social Influences.
Generation Y is the most educated, entertained and materially endowed generation in history, and they have been shaped in a very different era to that of the Xers, Boomers and Builders that have gone before them.
Therefore, for managers to attract, recruit, retain and train them, they must first understand them- and indeed all the generations at work.
The global outlook of Generation Y and their desire to travel, fused with their focus on lifestyle and priority focus on work-life balance give insights into how managers can best engage with them. Remuneration remains a key factor in the equation, but it is just one of many retention factors, and by no means the primary one.
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GETTING REMUNERATION RIGHT: A CRITICAL ISSUE
________________________________________
Even in the aftermath of the Global Financial Crisis, the attraction and retention of good staff is still a key issue and a growing one as we face growing labour demand in a recovering economy and declining labour supply with an ageing demography.
The ageing of populations and with that, workforces is a challenge across many developed countries. The median age in Japan, Germany and Italy is 44; in France and the UK it is around 40, and in Australia and the United States it is hovering around 37. In Australia we are approaching the point of “peak labour” - where there will be more full time employees retiring from the workforce than there will be younger people entering it. Indeed Australia’s population is growing by more than 300,000 per annum however the increase in the working age population is less than half of this.
Therefore filling skills shortages, ensuring talent recruitment is taking place, dealing with leadership succession, and developing young staff are all essential functions for managers wishing to “future proof” their businesses.
Adding to this strain of attracting employees are the retention challenges faced by many employers, with Generation Y leading the revolution of job churning and career changing. In Australia, our annual turnover rate of 15 per cent per annum means that the medium length of time people stay in their roles is three years and four months. If this trend continues throughout the worklife of Generation Y, they will have 17 different employers and five separate careers during their lifetime (that’s allowing for Gen Y workers entering the workforce at 19-20 and finishing work at 79-80 years of age).
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Presentation 3 jeopardy
The document contains a series of random questions and answers about television shows and the television industry. It discusses facts around the growth of TV channels in Europe from 40 in 1989 to 1500 by 2002. It also addresses the US share of worldwide TV programming in 2006 as well as details about specific reality TV production companies like Endemol and Fremantle Media and shows they produced including Big Brother, Pop Idol and its variants.
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Generation Y is the most educated, entertained and materially endowed generation in history, and they have been shaped in a very different era to that of the Xers, Boomers and Builders that have gone before them.
Therefore, for managers to attract, recruit, retain and train them, they must first understand them- and indeed all the generations at work.
The global outlook of Generation Y and their desire to travel, fused with their focus on lifestyle and priority focus on work-life balance give insights into how managers can best engage with them. Remuneration remains a key factor in the equation, but it is just one of many retention factors, and by no means the primary one.
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GETTING REMUNERATION RIGHT: A CRITICAL ISSUE
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Even in the aftermath of the Global Financial Crisis, the attraction and retention of good staff is still a key issue and a growing one as we face growing labour demand in a recovering economy and declining labour supply with an ageing demography.
The ageing of populations and with that, workforces is a challenge across many developed countries. The median age in Japan, Germany and Italy is 44; in France and the UK it is around 40, and in Australia and the United States it is hovering around 37. In Australia we are approaching the point of “peak labour” - where there will be more full time employees retiring from the workforce than there will be younger people entering it. Indeed Australia’s population is growing by more than 300,000 per annum however the increase in the working age population is less than half of this.
Therefore filling skills shortages, ensuring talent recruitment is taking place, dealing with leadership succession, and developing young staff are all essential functions for managers wishing to “future proof” their businesses.
Adding to this strain of attracting employees are the retention challenges faced by many employers, with Generation Y leading the revolution of job churning and career changing. In Australia, our annual turnover rate of 15 per cent per annum means that the medium length of time people stay in their roles is three years and four months. If this trend continues throughout the worklife of Generation Y, they will have 17 different employers and five separate careers during their lifetime (that’s allowing for Gen Y workers entering the workforce at 19-20 and finishing work at 79-80 years of age).
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This document discusses different types of drama programs broadcasted on various UK television channels and their target audiences. ITV1 broadcasts crime dramas, period dramas, and mystery dramas which are aimed at older audiences. BBC3 airs horror dramas, fantasy dramas, and crime dramas targeting those aged 16-34. E4 caters to younger viewers through supernatural, sci-fi, and teen shows like Misfits and Skins about teenagers navigating high school issues.
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Women in leadership
This document discusses women in leadership roles. It presents evidence that women possess characteristics well-suited for leadership, such as strong interpersonal skills, communication skills, and creativity. However, women remain underrepresented in top executive positions globally. Barriers facing women include gender bias, lack of networking opportunities, and difficulties balancing work and family obligations. While progress has been made in recent decades, more efforts are still needed to support women seeking leadership roles and fully utilize their talents.
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This document discusses the globalization of reality television and its geopolitical implications. It describes controversies over racist content in the UK's Big Brother show and the proliferation of reality TV formats across international markets by large production companies. The document also examines how some reality shows in the US promoted the military and "War on Terror," while an Iraqi reality show provided viewers an escapist alternative to the violence and curfews of daily life in Iraq at that time.
Presentation1 chapter 9 may 7
This document discusses the globalization of reality television and its geopolitical implications. It describes controversies over racist content in the UK's Big Brother show and the proliferation of reality TV formats across international markets by large production companies. The document also examines how some reality shows in the US promoted the military around the "War on Terror" and how Iraqi viewers found an escape in their country's new reality TV programs during a period of violence and instability.
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Laughter Productions is a British company that produces crude comedy cartoons on YouTube. They have had over ten million views for each video and want to create a British television series. Their influences include shows like Family Guy and South Park. They aim to appeal to audiences aged 16-25 and want to expand their most popular online content into a TV series and feature film. They request £500,000 in investment to produce their first full-length film and believe there is opportunity in the market for their style of British cartoon comedy.
British Cinema History
The document provides a detailed overview of the history of the British film industry from the 1930s to present day. It describes the various booms and recessions experienced over the decades, with American competition and the two World Wars significantly impacting production. While British films have found international success, the industry remains small compared to Hollywood and largely produces films for the British/international art house market rather than big-budget blockbusters.
British cinema
The first British film produced was the 1888 short film "Roundhay Garden Scene". British cinema struggled in the 1920s due to competition from Hollywood films. The British film industry received a boost in 1927 with the Cinematograph Films Act, which required cinemas to show a minimum of 20% British films. Popular British actors include Sean Connery, Audrey Hepburn, and Alfred Hitchcock. British humor in films relies more on understatement and irony than slapstick comedy. Examples of popular British comedy and action genres are listed. The British film industry declined in the late 1960s through the 1990s due to economic troubles but has seen renewed success in the 21st century with films like the Harry Potter series.
Channel Research and Analysis
Channel E4 usually broadcasts shows aimed at young adults ages 15-35, such as the British shows Misfits, The Inbetweeners, and Made in Chelsea. Misfits is a science fiction comedy about young offenders who obtain supernatural powers after a storm. The Inbetweeners is a sitcom about suburban teenagers. E4 also airs many imported American shows.
A2 media ms4 television industry distribution and globalisation
This document discusses several aspects of global television distribution, including how British and American TV programs appeal to international audiences. It notes that countries where English is widely spoken import many American and British shows. Formats for popular reality/game shows from the UK, like The X Factor, have been sold globally. The document also provides details on specific case studies, like how the British drama Happy Valley was distributed internationally and the American sitcom It's Always Sunny in Philadelphia was broadcast on UK channels and added to Netflix.
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This document analyzes the market for soap operas in the UK television industry. It discusses that soap operas are typically produced by the television channels that broadcast them to allow for vertical integration. The two main media companies involved are the BBC and ITV. Several popular soaps are then analyzed in more detail, including Coronation Street, EastEnders, Emmerdale, Hollyoaks, and Doctors. Each summary provides the channel it airs on, the production company, target audience, typical weekly viewers, and awards won.
Baby cow productions powerpoint
Baby Cow Productions is a British media company established in 1999 that produces comedy and drama content across TV, film, and radio. It specializes in comedy programs and was founded by award-winning comedy creators Steve Coogan and Henry Normal. Some of its most popular TV productions include The Mighty Boosh and Alan Partridge, while its films include Philomena and The Trip. Though it receives partial funding from the BBC, Baby Cow Productions is primarily owned by Coogan and other private shareholders. As a producer of mass media content across multiple platforms, it competes with other production companies creating similar comedy and drama programming.
The media
This document provides an overview of mass media and television in different countries. It discusses the history of mass media beginning in the 19th century with developments like the printing press and comics. It outlines the major forms of television delivery in the United States including broadcast, cable, satellite, and internet television. It also summarizes the history and programming of major US television networks like CBS, NBC, ABC, and Fox. The document then discusses television systems and programming in the UK, highlighting pioneers like John Logie Baird and the role of the BBC.
ITV America
The document provides details on ITV's plans to expand into the US television market by launching ITV America. Some key points:
1) ITV is the largest commercial television network in the UK and wants to leverage its brand and programming internationally.
2) The US market was selected for its large size, cultural similarities to the UK, and potential for advertising revenue.
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4) An extensive marketing campaign utilizing television, online, print, and celebrity appearances is planned to build awareness of the new channel.
Barb research
The BARB was set up in 1981 to report TV viewing figures for BBC 1, BBC 2 and ITV in the UK. It began collecting viewing data for Channel 4 and Sky when they launched and now collects figures for all UK channels. TV channels use BARB data to evaluate the popularity of programs and types of programs to determine programming schedules and production budgets. A review of the top 30 programs across various channels found that crime dramas were not highly ranked except for a few examples like Midsomer Murders and Miss Marple on ITV, and The Italian Job movie on Channel 4.
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This document provides information on the programming content of various BBC TV channels. BBC 1 airs daily soaps like EastEnders and Holby City in the early evening, as well as shows like Sherlock and The One Show. BBC 2 airs game shows like Egg Heads and Mastermind in the afternoon and dramas and comedies in the evening. BBC 3 is now digital only and used to air more adult content in the evenings. BBC 4 airs documentaries, comedies, films and dramas. CBBC and Cbeebies are for children, with CBBC broadcasting until 7pm and Cbeebies until 10pm, showing shows like In the Night Garden and Tracy Beaker. The document also provides brief
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The document discusses different types of television programs, including cartoons like The Simpsons, documentaries produced by the BBC, reality shows such as Big Brother, films such as Twilight, comedy programs like Mr. Bean and Aquí no hay quien viva, news programs featuring newsreaders like Matías Prats, sports programs shown on Sundays, talk shows such as Buenafuente's program, soap operas mainly produced in South America including British soap operas like EastEnders and Coronation Street, game shows like Who Wants To Be A Millionaire and Wheel of Fortune, and advertisements like Coke ads. It also provides information about paying the TV license fee in Britain.
Evaluation Question 3
1) New Line Cinema is suggested as a potential distributor because although it now focuses on big budget films like Harry Potter and The Dark Knight, it has experience distributing smaller thriller and mystery films like Se7en in the past.
2) Dimension Films is also proposed due to its history of distributing horror and thriller films, including the popular Scream franchise. These genres align well with the film Whispers In the Dark.
3) Universal Pictures is discussed due to its wide reach and experience distributing films across many genres over 100 years, including thrillers like Psycho and Jaws. Universals broad audience could benefit a new mystery thriller film.
Reality tv
Reality television first emerged in the late 1940s with shows like Candid Camera that played pranks on unsuspecting people. One of the earliest contemporary reality shows was 1973's An American Family, which documented the Louds and was notable for showing the divorce of parents Bill and Pat and their son Lance coming out as gay. Reality TV gained more popularity in the late 1980s and 1990s with shows like Cops that followed real police officers and The Real World that placed strangers together in a house filmed with cameras and microphones. These shows helped establish some of the common formats seen in reality television today like home makeover shows, talent competitions, and confining cast members in a single location.
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This document provides an overview of the development of the independent television production sector in the UK. It discusses how factors like technology changes and policy decisions in the 1980s and 1990s challenged the existing duopoly between the BBC and ITV. The launch of Channel 4 in 1982 helped foster the growth of independent producers by acting as a "publisher" rather than producer. This helped birth the independent TV production sector. The rise of formats and consolidation of smaller companies into "super indies" turned producers into content exporters, making the UK one of the top exporters of television globally.
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The document provides a timeline of popular British game shows from the 1930s to the early 2000s. It mentions shows like Spelling Bee from 1938, What's My Line? from 1951, Double Your Money hosted by Hughie Green which started on radio and moved to ITV in 1955, The Generation Game from the 1970s, Family Fortunes based on the American show Family Feud which ran from 1980 to 2002, and Who Wants To Be A Millionaire? in the early 2000s which had high ratings not seen since the 1980s. It also mentions the rise of reality shows like Big Brother, Survivor and The Mole in Europe and the UK/US in the late 1990s/early 2000s.
Reality shows
Reality shows have existed since the 1940s when radio shows used hidden microphones to catch people's candid reactions. This evolved into shows with hidden cameras like Candid Camera in the 1960s. Reality television exploded in popularity in the late 1990s and early 2000s with the success of shows like Big Brother and Survivor. Reality shows present unscripted situations involving ordinary people and can include contests with prizes. Common subgenres include talk shows, elimination shows, docu-soaps, and living sitcoms that follow real families. While popular for showcasing real people's lives, reality TV has also faced criticism for potentially humiliating participants and blurring the line between reality and entertainment.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
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Architectural Highlights
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Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
Leonardo DiCaprio House: Hollywood Hills Hideaway
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Another remarkable property in Leonardo DiCaprio's collection is his Hollywood Hills house. This secluded retreat offers privacy and tranquility. making it an ideal escape from the hustle and bustle of Los Angeles. The "Leonardo DiCaprio house" in Hollywood Hills nestled among lush greenery. and offers panoramic views of the city and surrounding landscapes.
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The Hollywood Hills house is a mid-century modern gem characterized by its sleek design and floor-to-ceiling windows. The open-concept living space is perfect for entertaining. while the cozy bedrooms provide a comfortable retreat. The property also features a swimming pool, and outdoor dining area. and a spacious deck that overlooks the cityscape.
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
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The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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Modern Radio Frequency Access Control Systems: The Key to Efficiency and Safety
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The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
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Presentation 3 jeopardy
- 1. Reality TV Feeling Lucky 100 100 100 100 100 100 200 200 200 200 200 200 300 300 300 300 300 300
- 2. How many international celebrities were in the UK’s Big Brother?
- 3. 10
- 4. How many complaints did Britain’s Telecom regulator Ofcom receive over Big Brother?
- 5. 38,000
- 6. By early 1960’s, U.S. television producers made how much in TV exports?
- 8. How many TV channels did western Europe air in 1989?
- 9. 40 channels
- 10. How many channels did western Europe offer by 2002?
- 11. 1500 channels
- 12. In 2006 the U.S. held the largest share in worldwide TV programming. (TRUE/FALSE?)
- 13. TRUE
- 14. How many TV programs did Endemol produce?
- 15. 400 programs
- 16. How many HOURS of TV programming were produced by Endemol?
- 17. 15,000 hours
- 18. Name one show produced by Endemol
- 19. Big Brother, Extreme Makeover: Home Edition, Fear Factor…
- 20. Who owns the Pop Idol format?
- 21. Fremantle Media
- 22. The Hindi version of Celebrity Big Brother was called?
- 23. Bigg Boss
- 24. Japan is the _____ largest television market in the world?
- 25. second
- 26. 90% of programming is domestically produced in Japan (TRUE/FALSE?)
- 27. FALSE (95%)
- 28. Name 3 reality shows aired in Latin America
- 29. While You Were Out, Wife Swap, Survivor
- 30. Who produced 13-week reality series Profiles from the Front Line?
- 32. Name two films that Bruckheimer produced.
- 33. Pearl Harbor(2001) & Black Hawk Down(2001)
- 34. The Marine Corps worked with FOX to produce what reality series?
- 35. Boot Camp
- 36. When is our last class?
- 37. TODAY! YAY