Evaluation - Question 3 - Conclusion
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WarpX is the most appropriate distribution company for the film because it is an independent UK-based company that has a niche audience appealing to similar films and receives funding from larger companies and the UK Film Council. WarpX is conveniently located in Sheffield for communication, has a targeted audience fitting for the film, and can distribute the film with financial support since it is smaller than major studios that demand large fees.
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Uk film distribution (1)
The document discusses UK film distribution. It explains that distributors must identify the largest possible audience for films among the 500+ annually released, and generate buzz to get audiences in the first weekend which accounts for 30% of box office earnings. The distribution process involves acquiring rights, screenwriting, filming, post-production, presenting to exhibitors, and delivering prints to cinemas. Distributors must consider competition, whether a film is a blockbuster or niche, and star power when planning release strategies like saturation or limited releases. Distribution costs can range from thousands to £4-5 million depending on elements like prints, advertising, and talent. Small distributors like Vertigo Films and Film 4 specialize in low budget British films.
EVALUATION.
The UK Film Council would be a suitable institution to distribute my media product. As a public body funded by the National Lottery, the UK Film Council supports both established and up-and-coming British film directors and backs hundreds of films. It aims to make the UK a global center for film and plays a key role in the country's cultural and economic success. The UK Film Council has partnerships with other film organizations and is focused on developing new talents, though it is selective in the films it chooses to back. Distributing through the UK Film Council would provide access to funding without budget constraints and help attract UK audiences to increase the niche audience for my thriller/social realism genre film.
Film exhibition
The document discusses film exhibition, primarily in cinemas. It notes that films can be shown in festivals but the focus is on different types of cinemas and the films they show. The two main types of cinemas in the UK are multiplexes and independent cinemas. Multiplexes first arrived in the UK in the 1980s and were largely situated outside of towns. They were able to show a wide variety of films from different studios. Independent cinemas are typically smaller and show foreign, independent, and experimental films in renovated buildings. They offer a different experience compared to multiplexes.
Film distribution
A film distributor acts as the intermediary between film producers and exhibitors by marketing and circulating films. They convince exhibitors to show films by arranging screenings and using marketing techniques. They then secure contracts specifying ticket sales percentages and ensure film prints are delivered to theaters. Distributors are also responsible for advertising materials to help exhibitors attract large audiences. Their goal is to identify a film's target audience and deliver the largest possible audience through tailored release and marketing strategies.
Task 3
Distribution involves delivering a completed media product to audiences through various channels like DVD, television, streaming, and merchandise. Some major film distributors are 21st Century Fox, DreamWorks, Paramount Pictures, Sony, and Disney/Pixar, which could deliver a film based on its genre and similarity to the distributor's past successful titles. The document considers whether the sample film would appeal only to UK audiences or have wider global appeal, as well as potential marketing strategies and release options.
Presentation10
This document discusses potential media institutions for distributing the author's media product and why. It suggests that major film distributors like 20th Century Fox would likely not accept it due to its lower budget. Independent distribution through new media outlets online is the cheapest option but may not reach a large enough audience. Preferably, the author would want a company like Film 4 to distribute it as they specialize in successful independent films. Alternatively, Entertainment Film Distributors, which has distributed mainstream horror films independently and successfully, would be an ideal choice given the author's film genre.
Evaluation activity 3
There are several major media institutions that distribute films globally such as 20th Century Fox, Lucasfilm, Paramount Pictures, and Walt Disney Studios Motion Pictures. These large companies have significant funding for marketing and distributing their films worldwide. In comparison, independent film distributors have a difficult time achieving the same level of distribution and recognition. The document recommends distributing a film project through a large media institution like 20th Century Fox or Paramount Pictures to help the film gain international recognition rather than releasing it directly to DVD.
Question 3
Warp Films would be a good choice to distribute the media product because they are an independent UK production company experienced in distributing low-budget films successfully, like Four Lions. As the opening sequence for the media product cost nothing to make, Warp Films would not need to find additional financing. The storyline also does not cover any controversial topics, so distribution would be straightforward. Warp Films has experience distributing films with controversial topics as well, showing their ability to handle potential issues that could arise.
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Uk film distribution (1)
The document discusses UK film distribution. It explains that distributors must identify the largest possible audience for films among the 500+ annually released, and generate buzz to get audiences in the first weekend which accounts for 30% of box office earnings. The distribution process involves acquiring rights, screenwriting, filming, post-production, presenting to exhibitors, and delivering prints to cinemas. Distributors must consider competition, whether a film is a blockbuster or niche, and star power when planning release strategies like saturation or limited releases. Distribution costs can range from thousands to £4-5 million depending on elements like prints, advertising, and talent. Small distributors like Vertigo Films and Film 4 specialize in low budget British films.
EVALUATION.
The UK Film Council would be a suitable institution to distribute my media product. As a public body funded by the National Lottery, the UK Film Council supports both established and up-and-coming British film directors and backs hundreds of films. It aims to make the UK a global center for film and plays a key role in the country's cultural and economic success. The UK Film Council has partnerships with other film organizations and is focused on developing new talents, though it is selective in the films it chooses to back. Distributing through the UK Film Council would provide access to funding without budget constraints and help attract UK audiences to increase the niche audience for my thriller/social realism genre film.
Film exhibition
The document discusses film exhibition, primarily in cinemas. It notes that films can be shown in festivals but the focus is on different types of cinemas and the films they show. The two main types of cinemas in the UK are multiplexes and independent cinemas. Multiplexes first arrived in the UK in the 1980s and were largely situated outside of towns. They were able to show a wide variety of films from different studios. Independent cinemas are typically smaller and show foreign, independent, and experimental films in renovated buildings. They offer a different experience compared to multiplexes.
Film distribution
A film distributor acts as the intermediary between film producers and exhibitors by marketing and circulating films. They convince exhibitors to show films by arranging screenings and using marketing techniques. They then secure contracts specifying ticket sales percentages and ensure film prints are delivered to theaters. Distributors are also responsible for advertising materials to help exhibitors attract large audiences. Their goal is to identify a film's target audience and deliver the largest possible audience through tailored release and marketing strategies.
Task 3
Distribution involves delivering a completed media product to audiences through various channels like DVD, television, streaming, and merchandise. Some major film distributors are 21st Century Fox, DreamWorks, Paramount Pictures, Sony, and Disney/Pixar, which could deliver a film based on its genre and similarity to the distributor's past successful titles. The document considers whether the sample film would appeal only to UK audiences or have wider global appeal, as well as potential marketing strategies and release options.
Presentation10
This document discusses potential media institutions for distributing the author's media product and why. It suggests that major film distributors like 20th Century Fox would likely not accept it due to its lower budget. Independent distribution through new media outlets online is the cheapest option but may not reach a large enough audience. Preferably, the author would want a company like Film 4 to distribute it as they specialize in successful independent films. Alternatively, Entertainment Film Distributors, which has distributed mainstream horror films independently and successfully, would be an ideal choice given the author's film genre.
Evaluation activity 3
There are several major media institutions that distribute films globally such as 20th Century Fox, Lucasfilm, Paramount Pictures, and Walt Disney Studios Motion Pictures. These large companies have significant funding for marketing and distributing their films worldwide. In comparison, independent film distributors have a difficult time achieving the same level of distribution and recognition. The document recommends distributing a film project through a large media institution like 20th Century Fox or Paramount Pictures to help the film gain international recognition rather than releasing it directly to DVD.
Question 3
Warp Films would be a good choice to distribute the media product because they are an independent UK production company experienced in distributing low-budget films successfully, like Four Lions. As the opening sequence for the media product cost nothing to make, Warp Films would not need to find additional financing. The storyline also does not cover any controversial topics, so distribution would be straightforward. Warp Films has experience distributing films with controversial topics as well, showing their ability to handle potential issues that could arise.
Film distribution
The document provides an overview of film distribution and the role of distributors in the film industry. It discusses how distributors work with filmmakers to acquire films, strategize their release and promote them to audiences in theaters and later on other platforms. Distributors are responsible for the commercial success of films by implementing effective marketing and distribution campaigns. The film industry in the UK remains strong with over 500 films released annually in theaters, but it is challenging for each film to stand out from the competition, making the work of distributors crucial to help films find and connect with audiences.
Evaluation question 3
Film 4 would be an appropriate distributor for the independent, low-budget British film. As a major UK film distributor owned by Channel 4, Film 4 would be interested in acquiring the film despite its small budget. Film 4 previously distributed popular and financially successful films like The Inbetweeners 2 and Step Up 3D. They would want to distribute the film because it could potentially spawn a television series, allowing Film 4 to profit further.
Task 5 film funding
The document discusses various sources of funding for small films in the UK. It lists the main sources as the UK Film Council/British Film Institute, national and regional screen agencies, local councils, charities, and production schemes and competitions. The British Film Institute is highlighted as taking over many of the responsibilities of the former UK Film Council. Local councils sometimes fund short films dealing with community issues. Charities also provide funding if a film's topic relates to the charity's goals. Production schemes run by broadcasters can fund short film series. Crowdfunding is also mentioned but requires an eye-catching appeal. The conclusion states that the author would seek funding from the British Film Institute as it could help their thriller film get national
Indie cinemas
Picturehouse Cinemas is ostensibly an independent cinema chain in the UK but is actually owned by Cineworld. It screens both mainstream and independent films. Soda Pictures is a small British film distributor that releases around 20 low-budget British and foreign films per year. For the film Skeletons, Soda secured festival screenings to create buzz and had a limited cinematic release in Picturehouse cinemas. The film benefited from extensive discussion on a radio show but had no wide release in other countries beyond festivals.
Case study files
This document provides case studies and fact files for several successful films: The King's Speech, Searching for Sugarman, The Hobbit, and The Avengers. It also includes information on production companies See Saw Films and Paramount Pictures. See Saw Films financed The King's Speech and has had success with films like Shame and Oranges and Sunshine. Paramount Pictures distributes major films globally and has financial hits like Rise of the Guardians. The document also discusses exhibition in independent cinemas like The Rex and multiplexes like Cineworld.
Film Insitutions
Major film studios like Universal Studios, 20th Century Fox, and Disney produce big-budget blockbuster films targeting mass audiences around the world in popular genres like action, sci-fi, and adventure. These films often have large production budgets in the hundreds of millions but can gross billions globally. Smaller niche studios in Britain like Warp Films sometimes work with organizations like Film 4 to independently produce lower-budget films in genres like social drama that may struggle to find large audiences but can still be financially successful if their budgets are low enough.
What kind of media institute may distribute your media product?
Warp Films would be a suitable distributor for the product. A distributor is responsible for marketing a film through activities like setting the release date and determining how the film is presented or made viewable (e.g. theatrical release or DVD/digital download). Warp Films is an experienced independent film company that distributes low-budget films similar to what is being produced. They distribute films appealing to the target audiences for this product.
What kind of media institution might distribute your media product and why?
This document discusses different types of media institutions that could potentially distribute a film product. It explains that media institutions include companies that disseminate media products to audiences, such as distributing films to cinemas nationally or internationally, or later to stores to sell DVDs or soundtracks. It also notes that institutions can fund film projects by agreeing to back directors' or producers' pitches. The document then examines specific popular UK institutions like the BBC, UK Film Council, Vertigo Films, and Film4 that have distributed films like "Last Resort," "This is England," and "Half Nelson." It provides details on the goals and practices of each institution in identifying and supporting new filmmakers and projects.
The access of film to vod - April 2017 - Gilles Fontaine - European Audiovi...
Facts and figures on the TVoD and SVoD markets, the availability and visibility of European films on VoD, the links between cinema and TVoD releases, the V o D distribution value chain.
Part 3 pres
There are several potential sources of funding for short films outside of the Irish Film Board. These include the Pears Short Film Fund which provides £10,000 grants for short films with Jewish themes in the UK. Additionally, the Roundhouse Emerging Artists Fund provides £400 grants for online short films by filmmakers aged 16-25 in genres like documentary, avant-garde, and fiction. While the Irish Film Board no longer offers some of its previous short film schemes, current options include one for Irish language shorts and another focused on avant-garde documentary films.
Task 3
An independent film distribution company like Vertigo Films would be best suited to distribute our low-budget, independent film. As a small production without major studio backing, the big production companies mentioned would not be interested. An independent distributor could promote our UK-focused film to English-speaking audiences and festivals like Sundance, where independent films are often found.
Netflix Company Report
This document provides a company report on Netflix. It details Netflix's market capitalization of $43.047 billion and $6.78 billion in revenue for 2015. The report outlines Netflix's history from its founding in 1997 to launching in over 130 countries in 2015. It discusses Netflix's strengths as addictive content, aggressive international expansion, and use of user data. Competition and a strong global user base position Netflix for long term success.
UsurpZone5_PR
The Usurp Zone5 Film Festival will take place from 14-17 August 2015 at the Usurp Art Gallery & Studios in London, featuring over 80 experimental short films from over 15 countries. The festival aims to highlight DIY creativity through its diverse programming of films exploring various genres like abstract, animated, experimental, and more. Audiences can expect extraordinary screenings, an exhibition, and a film soundtrack event for the price of £5, with the goal of inspiring reflection and discussion.
Part 3 pres 2
There are several potential sources of funding for short films outside of the Irish Film Board. These include the Pears Short Film Fund which provides two £10,000 grants per year for short films with Jewish themes. Additionally, the Roundhouse Film Fund provides £400 grants for online shorts by filmmakers aged 16-25 focused on avant-garde or documentary styles. While the Irish Film Board no longer offers several of its previous short film schemes, it still funds up to 3 fiction films, 2 Irish language films, and documentary films per year with budgets up to €15,000 and €10,000 respectively.
Part 3 pres 3
The document discusses several potential sources of funding for short films outside of the Irish Film Board (BFI). It outlines several Irish Film Board schemes that are no longer available that focused on genres like fiction films, digital video, experimental films, documentaries, and animated films. It also discusses two schemes that are still available for Irish language short films and avant-garde documentaries. Additional sources of funding mentioned include the Pears Short Film Fund in the UK, which provides £10,000 grants for Jewish-themed short films, and an online film fund for 16-25 year olds in the UK that provides £400 for experimental online videos.
3
StudioCanal UK would be the media institution that would distribute the horror movie, as they have previously distributed a similar film called "Attack the Block" set in a London estate. StudioCanal UK would likely be interested in distributing the film and have sufficient financial backing. They would also be a suitable institution for reaching a British audience.
Distribution
Distribution is the process by which a film is made available to audiences through a film distributor who decides on the marketing and release medium such as DVD, cinema, or television, as well as the release date. The document discusses potential UK distributors for a low-budget British horror film, such as Left Film Distribution and Arrow Films, which specialize in independent and horror cinema. Word of mouth on social media and film festivals are suggested as low-cost marketing strategies. Self-distribution through organizations like Quad Cinema is also presented as an option.
Distribution Channels of Warner Bros.
Warner Bros has a robust distribution system that spans 90 countries. They distribute their films through various channels including theaters, online platforms like Netflix and iTunes, cable and satellite TV. Warner Bros also owns theaters which allows vertical integration from production to exhibition. Their distribution strategy aims to make films widely available on different platforms to cater to different customer preferences and reduce piracy.
What kind of media institution would distribute our film and why?
Film 4 would be the most likely UK film company to distribute our film. Film 4 has experience distributing films similar in genre to our film, such as Trainspotting, Tyrannosaur, Neds, and 24 Hour Party People. Film 4 also aims to attract young viewers with its films and TV shows, and our film would appeal to younger audiences as they can relate to some of the issues it portrays. Distributing our film would help Film 4 in its goal of drawing in more young viewers to Channel 4.
Evaluation question 3
This document discusses potential options for distributing a horror/thriller film produced by the author. It analyzes several major distribution companies like Lionsgate and Film4 Productions and concludes they may not be the best fit due to the independent and low-budget nature of the film. It also discusses the possibility of using film funding companies like Creative England and the British Film Institute to fund production and self-distribution. Overall, the author determines that seeking production funding and self-distributing may be the best approach to ensure a profitable outcome, though success cannot be guaranteed. They ultimately created their own distribution company called "J&M Productions" to include in the film's opening ident.
Warp films distributor
Warp Films was chosen as the distributor because it is an independent film company based in the UK that specializes in controversial films suitable for the genre of the media product. Warp Films invests smaller amounts in more local films and is familiar with lower budget films, unlike larger studios that require bigger budgets. As a psychological thriller, the media product has a limited target audience, so Warp Films' focus on smaller demographics makes it a better fit than a major studio aiming for wide audiences.
Warp films distributor
The document discusses why Warp Films was chosen as the distributor for the media product. Warp Films is an independent film company based in London and Sheffield that has experience distributing controversial films suitable for the genre of the media product, which is a psychological thriller. As an independent company, Warp Films invests smaller amounts of money into more niche projects, making it a better fit than a larger studio like Warner Brothers that targets wider audiences with bigger budgets.
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Film distribution
The document provides an overview of film distribution and the role of distributors in the film industry. It discusses how distributors work with filmmakers to acquire films, strategize their release and promote them to audiences in theaters and later on other platforms. Distributors are responsible for the commercial success of films by implementing effective marketing and distribution campaigns. The film industry in the UK remains strong with over 500 films released annually in theaters, but it is challenging for each film to stand out from the competition, making the work of distributors crucial to help films find and connect with audiences.
Evaluation question 3
Film 4 would be an appropriate distributor for the independent, low-budget British film. As a major UK film distributor owned by Channel 4, Film 4 would be interested in acquiring the film despite its small budget. Film 4 previously distributed popular and financially successful films like The Inbetweeners 2 and Step Up 3D. They would want to distribute the film because it could potentially spawn a television series, allowing Film 4 to profit further.
Task 5 film funding
The document discusses various sources of funding for small films in the UK. It lists the main sources as the UK Film Council/British Film Institute, national and regional screen agencies, local councils, charities, and production schemes and competitions. The British Film Institute is highlighted as taking over many of the responsibilities of the former UK Film Council. Local councils sometimes fund short films dealing with community issues. Charities also provide funding if a film's topic relates to the charity's goals. Production schemes run by broadcasters can fund short film series. Crowdfunding is also mentioned but requires an eye-catching appeal. The conclusion states that the author would seek funding from the British Film Institute as it could help their thriller film get national
Indie cinemas
Picturehouse Cinemas is ostensibly an independent cinema chain in the UK but is actually owned by Cineworld. It screens both mainstream and independent films. Soda Pictures is a small British film distributor that releases around 20 low-budget British and foreign films per year. For the film Skeletons, Soda secured festival screenings to create buzz and had a limited cinematic release in Picturehouse cinemas. The film benefited from extensive discussion on a radio show but had no wide release in other countries beyond festivals.
Case study files
This document provides case studies and fact files for several successful films: The King's Speech, Searching for Sugarman, The Hobbit, and The Avengers. It also includes information on production companies See Saw Films and Paramount Pictures. See Saw Films financed The King's Speech and has had success with films like Shame and Oranges and Sunshine. Paramount Pictures distributes major films globally and has financial hits like Rise of the Guardians. The document also discusses exhibition in independent cinemas like The Rex and multiplexes like Cineworld.
Film Insitutions
Major film studios like Universal Studios, 20th Century Fox, and Disney produce big-budget blockbuster films targeting mass audiences around the world in popular genres like action, sci-fi, and adventure. These films often have large production budgets in the hundreds of millions but can gross billions globally. Smaller niche studios in Britain like Warp Films sometimes work with organizations like Film 4 to independently produce lower-budget films in genres like social drama that may struggle to find large audiences but can still be financially successful if their budgets are low enough.
What kind of media institute may distribute your media product?
Warp Films would be a suitable distributor for the product. A distributor is responsible for marketing a film through activities like setting the release date and determining how the film is presented or made viewable (e.g. theatrical release or DVD/digital download). Warp Films is an experienced independent film company that distributes low-budget films similar to what is being produced. They distribute films appealing to the target audiences for this product.
What kind of media institution might distribute your media product and why?
This document discusses different types of media institutions that could potentially distribute a film product. It explains that media institutions include companies that disseminate media products to audiences, such as distributing films to cinemas nationally or internationally, or later to stores to sell DVDs or soundtracks. It also notes that institutions can fund film projects by agreeing to back directors' or producers' pitches. The document then examines specific popular UK institutions like the BBC, UK Film Council, Vertigo Films, and Film4 that have distributed films like "Last Resort," "This is England," and "Half Nelson." It provides details on the goals and practices of each institution in identifying and supporting new filmmakers and projects.
The access of film to vod - April 2017 - Gilles Fontaine - European Audiovi...
Facts and figures on the TVoD and SVoD markets, the availability and visibility of European films on VoD, the links between cinema and TVoD releases, the V o D distribution value chain.
Part 3 pres
There are several potential sources of funding for short films outside of the Irish Film Board. These include the Pears Short Film Fund which provides £10,000 grants for short films with Jewish themes in the UK. Additionally, the Roundhouse Emerging Artists Fund provides £400 grants for online short films by filmmakers aged 16-25 in genres like documentary, avant-garde, and fiction. While the Irish Film Board no longer offers some of its previous short film schemes, current options include one for Irish language shorts and another focused on avant-garde documentary films.
Task 3
An independent film distribution company like Vertigo Films would be best suited to distribute our low-budget, independent film. As a small production without major studio backing, the big production companies mentioned would not be interested. An independent distributor could promote our UK-focused film to English-speaking audiences and festivals like Sundance, where independent films are often found.
Netflix Company Report
This document provides a company report on Netflix. It details Netflix's market capitalization of $43.047 billion and $6.78 billion in revenue for 2015. The report outlines Netflix's history from its founding in 1997 to launching in over 130 countries in 2015. It discusses Netflix's strengths as addictive content, aggressive international expansion, and use of user data. Competition and a strong global user base position Netflix for long term success.
UsurpZone5_PR
The Usurp Zone5 Film Festival will take place from 14-17 August 2015 at the Usurp Art Gallery & Studios in London, featuring over 80 experimental short films from over 15 countries. The festival aims to highlight DIY creativity through its diverse programming of films exploring various genres like abstract, animated, experimental, and more. Audiences can expect extraordinary screenings, an exhibition, and a film soundtrack event for the price of £5, with the goal of inspiring reflection and discussion.
Part 3 pres 2
There are several potential sources of funding for short films outside of the Irish Film Board. These include the Pears Short Film Fund which provides two £10,000 grants per year for short films with Jewish themes. Additionally, the Roundhouse Film Fund provides £400 grants for online shorts by filmmakers aged 16-25 focused on avant-garde or documentary styles. While the Irish Film Board no longer offers several of its previous short film schemes, it still funds up to 3 fiction films, 2 Irish language films, and documentary films per year with budgets up to €15,000 and €10,000 respectively.
Part 3 pres 3
The document discusses several potential sources of funding for short films outside of the Irish Film Board (BFI). It outlines several Irish Film Board schemes that are no longer available that focused on genres like fiction films, digital video, experimental films, documentaries, and animated films. It also discusses two schemes that are still available for Irish language short films and avant-garde documentaries. Additional sources of funding mentioned include the Pears Short Film Fund in the UK, which provides £10,000 grants for Jewish-themed short films, and an online film fund for 16-25 year olds in the UK that provides £400 for experimental online videos.
3
StudioCanal UK would be the media institution that would distribute the horror movie, as they have previously distributed a similar film called "Attack the Block" set in a London estate. StudioCanal UK would likely be interested in distributing the film and have sufficient financial backing. They would also be a suitable institution for reaching a British audience.
Distribution
Distribution is the process by which a film is made available to audiences through a film distributor who decides on the marketing and release medium such as DVD, cinema, or television, as well as the release date. The document discusses potential UK distributors for a low-budget British horror film, such as Left Film Distribution and Arrow Films, which specialize in independent and horror cinema. Word of mouth on social media and film festivals are suggested as low-cost marketing strategies. Self-distribution through organizations like Quad Cinema is also presented as an option.
Distribution Channels of Warner Bros.
Warner Bros has a robust distribution system that spans 90 countries. They distribute their films through various channels including theaters, online platforms like Netflix and iTunes, cable and satellite TV. Warner Bros also owns theaters which allows vertical integration from production to exhibition. Their distribution strategy aims to make films widely available on different platforms to cater to different customer preferences and reduce piracy.
What kind of media institution would distribute our film and why?
Film 4 would be the most likely UK film company to distribute our film. Film 4 has experience distributing films similar in genre to our film, such as Trainspotting, Tyrannosaur, Neds, and 24 Hour Party People. Film 4 also aims to attract young viewers with its films and TV shows, and our film would appeal to younger audiences as they can relate to some of the issues it portrays. Distributing our film would help Film 4 in its goal of drawing in more young viewers to Channel 4.
What's hot (19)
What kind of media institute may distribute your media product?
What kind of media institute may distribute your media product?
What kind of media institution might distribute your media product and why?
What kind of media institution might distribute your media product and why?
The access of film to vod - April 2017 - Gilles Fontaine - European Audiovi...
The access of film to vod - April 2017 - Gilles Fontaine - European Audiovi...
What kind of media institution would distribute our film and why?
What kind of media institution would distribute our film and why?
Similar to Evaluation - Question 3 - Conclusion
Evaluation question 3
This document discusses potential options for distributing a horror/thriller film produced by the author. It analyzes several major distribution companies like Lionsgate and Film4 Productions and concludes they may not be the best fit due to the independent and low-budget nature of the film. It also discusses the possibility of using film funding companies like Creative England and the British Film Institute to fund production and self-distribution. Overall, the author determines that seeking production funding and self-distributing may be the best approach to ensure a profitable outcome, though success cannot be guaranteed. They ultimately created their own distribution company called "J&M Productions" to include in the film's opening ident.
Warp films distributor
Warp Films was chosen as the distributor because it is an independent film company based in the UK that specializes in controversial films suitable for the genre of the media product. Warp Films invests smaller amounts in more local films and is familiar with lower budget films, unlike larger studios that require bigger budgets. As a psychological thriller, the media product has a limited target audience, so Warp Films' focus on smaller demographics makes it a better fit than a major studio aiming for wide audiences.
Warp films distributor
The document discusses why Warp Films was chosen as the distributor for the media product. Warp Films is an independent film company based in London and Sheffield that has experience distributing controversial films suitable for the genre of the media product, which is a psychological thriller. As an independent company, Warp Films invests smaller amounts of money into more niche projects, making it a better fit than a larger studio like Warner Brothers that targets wider audiences with bigger budgets.
Warp films distributor
Warp Films would be a suitable distributor for the media product because it is an independent film company that invests in more local, smaller budget films. Warp Films produces controversial films suitable for the genre of a psychological thriller. As an independent company based in the UK, Warp Films is more likely than larger studios to take on distribution of a smaller, lower budget film that targets a specific, smaller demographic audience.
Evaluation activity 3
This document discusses potential film distribution companies for a small, low-budget horror film production. It analyzes Film4, Lionsgate UK, and Studio Canal UK as options. Film4 is identified as the preferred choice as it specializes in smaller, UK-based films and has a track record of distributing successful horror titles. Though Lionsgate and Studio Canal also have experience with the genre, they tend to focus on higher budgets than the production being considered. Film4 could provide national distribution through its Channel 4 and E4 platforms, targeting younger audiences, and may allow global reach through partnerships.
Evaluation activity 3
Film4 would be the best distribution company for the filmmakers' low-budget horror film. As a UK-based company that specializes in distributing smaller, independent films, including horror, Film4 could nationally distribute their film through television channels they own like Channel 4 and E4. Internet distribution would also be effective since it's relatively cheap and broad in reach. While companies like Lionsgate and StudioCanal have success distributing horror films, they tend to focus on higher budgets than the filmmakers' production. Film4 offers emerging talent opportunities and has experience with similar low-budget, national distribution projects.
Q3
Warp Films would be well-suited to produce our film given its small budget and focus on creative freedom. Additional funding could come from Film Four and the BFI film fund. Studiocanal would be an ideal distribution partner since they have experience distributing similar independent and British films through previous collaborations with Warp Films and Film Four. Their success in distributing niche films in the UK market makes them a good fit to handle our film.
Distribution presentation
The document discusses the distribution plan for a low-budget thriller film produced by the fictional company JLDZ Media. JLDZ Media chose Film4 and Hit and Run Productions to back and help distribute the film. As independent companies, they would be suited to distributing a low-budget production. The film would have a limited theatrical release in small cinemas and be made available for digital distribution and on DVD as soon as possible to help recoup costs. Profits would be shared among the production companies.
What kind of media institution might distribute your
Working Title Films would be more suitable than Paramount Pictures for distributing our thriller film Flash due to Working Title's focus on British films and talent as well as their ability to work with smaller budgets. While Working Title has fewer resources for marketing than Paramount, their connections could help the film find audiences in the UK and beyond. Self-distribution is also an option but comes with challenges around marketing, legal issues, and audience reach.
Evaluation activity 3
This document discusses potential film distribution companies for a small, low-budget horror film produced by Dream Light Productions. It analyzes Film4, Lionsgate UK, and Studio Canal UK as options, as they have experience distributing similar films in the UK. Film4 is highlighted as a good choice as it supports emerging talent, has a strong online presence, and has successfully distributed films like "Kill List". While global distribution could provide more revenue, national distribution through Film4's UK channels is more realistic given the film's small budget.
Evaluation - Question 3
Blue Sky Media would be the best distributor for the thriller film "Don't Look Back" for several reasons:
1) Blue Sky Media is a smaller production company that distributes thriller films, like the ones being produced, and would be more likely than larger companies to fund and distribute a small, independent film.
2) As a UK-based company distributing to a UK audience, Blue Sky Media would allow the film to appeal most to its intended, local audience without needing to account for international distribution costs and changes.
3) Their past distribution of both large studio and independent films demonstrates they can effectively promote films on a smaller scale suited for the independent production of "Don't Look Back."
Task 3 Powerpoint
Our film "Flash Back" is a low-budget English psychological thriller that we have chosen to distribute through Film 4. Film 4 specializes in developing and distributing smart, distinctive films including lower-budget local films similar to ours. They provide needed support to get these types of films seen by the public. Our film could appeal to audiences in the UK as well as other English-speaking countries. For marketing, we will use cheap strategies like posters and radio ads. We will target single-branch cinemas to keep distribution costs lower. Self-distribution is also an option but it means taking on the full-time work of distribution ourselves and possibly limiting our options for sales.
Question 3
- Warp Films would be a good choice to distribute my low-budget film because they specialize in independently funding smaller, culturally relevant films.
- Their successful distribution of the low-budget horror film "28 Days Later" shows they are open to films with compelling stories and characters, even on a small scale, similar to my own film.
- My target audience of 18-25 year old males is quite niche, making a smaller production company a better fit than a large one focused on mass appeal.
AS Media Question 3 By Joseph Conway
AS Media question 3. What kind of media institution might distribute your media product and why? for film - USB
Evaluation Question Three
Patchwork Productions and Bandoola Productions would distribute the film. Patchwork Productions focuses on low-budget, independent British films similar to their psychological thriller. Bandoola Productions provides investment and marketing support, having previously funded films for Patchwork. They would conduct a marketing campaign including posters and trailers. The film may have a limited cinema release, but smaller independent films are better suited to video on demand or YouTube, allowing broader home audiences. The distribution companies play a key role in profitability, and using British companies focused on similar films makes the scenario more realistic.
Question 3
New Line Cinema would be the best distributor for the media product. As a sub-unit of Warner Bros., New Line Cinema can attract both mainstream and independent audiences to maximize the potential viewer base. They manage many aspects of distribution internally, and also benefit from Warner Bros.' promotion. While not one of the highest-earning distributors, New Line Cinema's experience with horror genres suits the media product, and their promotion abilities outweigh the risk of lower profits compared to larger distributors.
Evaluation 3
The document discusses choosing a media institution to distribute a British film. It analyzes potential distributors before selecting Film 4. Key reasons for choosing Film 4 include that it is a major name in British film distribution, has experience with similar films, invests £500,000 in productions, and owns popular TV channels for advertising and screening films. Other potential distributors like Working Title Films were rejected for not being a good fit for the film's genre.
Media ownership skyfall ill manors
Sony is a large international conglomerate that produced and distributed the James Bond film 'Skyfall'. As a major Hollywood studio, Sony was able to utilize extensive cross-promotion across its various business divisions, including music, games, and consumer electronics. It also had the financial resources and industry clout to engage in widespread early publicity campaigns. In contrast, smaller independent films have far more limited marketing budgets and opportunities for synergistic promotion.
Film distribution introduction
The document discusses company structures in the film industry, including conglomerates, horizontal integration, and vertical integration. It then focuses on distribution, explaining that distribution involves getting films shown and promoted between production and exhibition. The major distributors that control most film distribution are identified as United International Pictures, Warner Brothers, Buena Vista, 20th Century Fox, and Sony.
Evaluation 3
The document discusses potential media institutions that could distribute, fund, and produce the film. It recommends:
- Using Twisted Pictures as the production company since they specialize in horror films like Saw.
- Partnering with Lionsgate Entertainment for distribution since they have successfully distributed similar horror films.
- Applying for funding from the UK Film Council's New Cinema Fund which supports new and innovative filmmaking.
- Modeling the film's budget, cast/crew size, and release strategy after low-budget horror films like Cabin Fever that were released theatrically and on DVD.
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Evaluation - Question 3 - Conclusion
- 1. Conclusion What institutional company would be best suited to distribute our film and why?
- 2. Chosen distribution company • I think that 'WarpX' is the most appropriate company to distribute our film. • It is an independent film distribution company, with a niche audience and funding/financial support from larger company's and the UK Film Council. • To conclude we chose this distribution company due to three main factors; 1. Location 2. Audience 3. Funding
- 3. Location • WarpX is located in Sheffield UK, which will be convenient for us, as it will be more accessible and easier to communicate with, unlike larger distribution companies, which are usually located in the US.
- 4. Audience • WarpX Films has a small niche audience, which benefits us because our film is based on a similar appeal. • We wanted our film to be distributed by a independent film company, as we felt that our movie hasn't got the elements which an audience of a larger conglomerate would expect. • For example, we haven't got CGI or we haven't used the star system, therefore it would be very difficult to gain positive and successful appeal for our film on a global scale, which institutional companies, such as Film4 and Fox Pictures, distributes to.
- 5. Funding • Warp X receives funding and financial support from larger companies and The UK Film Council. • This is hugely important for Warp, as they are a small independent company and receives small profits from sales, therefore reies of this financial support to survive within the industry. • As we also have little capital within our production company, we thought that Warp X would be a suitable alternative, because we won't have to pay as large amount to help distribute our film, in comparison to the large fee expected if we were asking a larger conglomerate, such as universal studios.