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The Earliest “Artists” Reading: Stokstad: 1-25 Range ~77,000 BCE-1000 BCE Paleolithic, Mesolithic and Neolithic Periods Terms/Concepts: decorative impulse, framing devices, “Venuses,” sympathetic magic, composite pose, henge, post and lintel. Monument List: ,[object Object]
1-7, Woman from Willendorf, Paleolithic, 24,000 BCE
1-11, Hall of the Bulls, Lascaux Cave, Paleolithic, 15,000 BCE
1-24, Jomon Vessel, Paleolithic, 12,000 BCE
1-21, Stonehenge, Salisbury Plain, Neolithic, 2900- 1500 BCE,[object Object]
Dreading…
Earliest Cultural Products Inscribed Ocher, South Africa, 77,000 years agoI Perforated Shells,  South Africa, 75,000 years ago Hand Axe, Tanzania, 60,000 years ago
“Characteristics” of Paleolithic Nomadic Lifestyle Sustaining life through gathering plants and hunting Development of abstract thinking and basic problem solving skills.
“Prehistoric art is _________, maybe…”
What we’re working with… Mammoth Hut, excavation at Mezhirich, Ukraine Mammoth Hut, reconstruction at Mezhirich,  Ukraine
Making “Venuses” DolniVestonice, Czech Republic ,[object Object],Lespugue, France
Making “Venuses” = ,[object Object],[object Object]
Making “Venuses” ≠ ,[object Object],[object Object],[object Object]
[object Object],[object Object]
Lascaux
Map of Major Paintings Lascaux, France c.15,000 BCE
[object Object],[object Object]
Film still.  Fantastic Mr. Fox.  2009.  Directed by Wes Anderson.  Twentieth Century Fox Film Corporation.
Chauvet
Chauvet, France, 32,000-30,000 BCE
George Stubbs.  Whistlejacket.            c.1762.  Oil on canvas, 9’7” x 8’1”.  National Gallery, London. Wall painting with horses, rhinoceroses, and aurochs.  Chauvet Cave.  c.32,000-30,000 BCE.  Paint on limestone.  Approx. half life-size.  (Stokstad 1-10)
Pech Merle
Pech Merle, France,  25,000-24,000 BCE (Horses), 15,000 BCE (Hands)
Chapel of Mammoths, Pech Merle, France , 15,000 BCE
Ceiling of the Archer, Pech Merle, France, 15,000 BCE
Enclosed Forms = Female Straight Lines = Male
Western Arnhem Land
“Rainbow Serpent,” Western Arnhem Land,  Australia, 6000 BCE Western Arnhem Land,  Australia 2000-2002 CE
[object Object],[object Object]
Partial map of Prehistoric Europe and Near East.
Houses, Çatalhöyük, Turkey, c. 7400-6200
Reconstruction drawing of Çatalhöyük, with tending of goats. Schematic reconstruction drawing of a section of Level VI.  Çatalhöyük (Turkey).  c.6000-5000 BCE.  (related to Stokstad pages 14-15)
Reconstruction drawing of a house in Çatalhöyük.  c.7400-6200 BCE.  (illustrated on Stokstad page 15)
View of Mt. Hasan (Hasan Dağ), Turkey. Landscape with volcanic eruption (?), from copy of wall painting at Çatalhöyük.  c.6150 BCE.
Partial map of Prehistoric Europe and Near East.
Great stone tower built into the settlement wall Jericho c.8000-7000 BCE
Plastered Skull, Jericho,  7000-6000 BCE
Çatalhöyük Jericho
[object Object],[object Object]
start end
[object Object],[object Object]
Critical Thinking Questions What are the strengths and weaknesses of the  major theories about Paleolithic cave painting? What are the major technological and artistic developments of the Paleolithic and Neolithic Eras? What was the significance of calling female figures, such as the Woman from Willendorf, “Venus”? How does the existence of Jomon pottery upset conventional theories about the role of pottery in human development? What are some obstacles for archaeologists in interpreting prehistoric materials?
Inkshedding What material has left the biggest impression on you this week? What material do you still feel uncomfortable about?
Prehistoric art fall 2011 (ucd)
Prehistoric art fall 2011 (ucd)
Prehistoric art fall 2011 (ucd)
Prehistoric art fall 2011 (ucd)
Prehistoric art fall 2011 (ucd)

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Prehistoric art fall 2011 (ucd)

Editor's Notes

  1. Where did “modern humans” begin?What were some of the major developments of the Paleolithic, Mesolithic, and Neolithic Ages?
  2. Decorative Impulse
  3. What are some major assumptions that shape our view of prehistoric art and humans?
  4. What is the significance of labeling these figures “Venuses”?What biases does this betray in 19th century archaeologists?Meskell’s alternatives: territorial markers, ancestor cults, teaching devices, birthing rituals, healing, marriage contract tokens, toys, etc.
  5. What is the significance of labeling these figures “Venuses”?What biases does this betray in 19th century archaeologists?Meskell’s alternatives: territorial markers, ancestor cults, teaching devices, birthing rituals, healing, marriage contract tokens, toys, etc.
  6. What is the significance of labeling these figures “Venuses”?What biases does this betray in 19th century archaeologists?Meskell’s alternatives: territorial markers, ancestor cults, teaching devices, birthing rituals, healing, marriage contract tokens, toys, etc.
  7. Contemporary Aboriginal artist at Gunbalanya (Oenpelli) painting an image of a lizard with X-ray features. Such paintings reflect an unbroken continuity with the ancient X-ray tradition. How can we compare prehistoric to modern work?Source: X-ray style in Arnhem Land Rock Art | Thematic Essay | Heilbrunn Timeline of Art History | The Metropolitan Museum of Art
  8. What assumptions are made about