Pitch Presentation
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1) The group chose to do a crime genre opening involving basketball rather than just sports, as most sports movies target kids and they wanted an older audience. 2) The plot involves two competitive basketball players who develop a rivalry and hatred for each other, leading to an argument after a game that results in the death of one player. A detective then investigates to find the murderer. 3) The opening will show funeral scenes cutting between the basketball game where the rivalry began, include a monologue from the vague "killer", and depict a brief fight between the two rivals during the game.
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Pitch presentation
1. The plot involves two competitive basketball players whose rivalry leads to a conflict and the death of one player, though the death is not mentioned at the start.
2. A detective then investigates to determine who the murderer is.
3. The opening will create mystery by keeping the killer's identity vague through a monologue from the killer and cutting between funeral scenes and the beginning of the rivalry during a basketball game.
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Semiotic analysis of saw pp
This document provides information about the Saw film franchise, including key details about the production, directors, cast, and financial success. It discusses the Saw films as psychological horror thrillers centered around the character of Jigsaw who traps victims in violent scenarios. The document also covers the Saw franchise's large fan base and how it was marketed towards teenage audiences despite graphic content requiring age restrictions.
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Pitch presentation
1. The plot involves two competitive basketball players whose rivalry leads to a conflict and the death of one player, though the death is not mentioned at the start.
2. A detective then investigates to determine who the murderer is.
3. The opening will create mystery by keeping the killer's identity vague through a monologue from the killer and cutting between funeral scenes and the beginning of the rivalry during a basketball game.
Theory meaning pro format task 2
The document defines key terms related to theory, including denotation and connotation. It provides examples of denotation and connotation for various words and symbols like snake, flag, gun, as well as for media like film trailers, music, video game covers and stereotypes. It also discusses iconography for different genres like western, sci-fi and fantasy films. Finally, it defines linear and non-linear narratives and provides examples of each.
Assassins creed
The plot and visuals of the Assassin's Creed movie closely match the video game series, with similarities in characters, animus use, and historical settings and weapons. However, the film received poor critical reviews in contrast to the well-received games, possibly because movies lack the interactivity that makes games enjoyable and give players agency over the story. While faithful to the source material, watching a pre-determined story unfold on screen may disappoint fans accustomed to directing their own experience in the games.
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The document analyzes the codes and conventions used in Western film trailers. It examines trailers for the films Tombstone and A Fistful of Dollars, identifying the symbolic, written, audio, technical, and narrative codes and conventions employed. These include costumes, props, settings, characters, storylines, and the use of music, dialogue, camerawork, lighting and editing to construct the trailers in a way familiar to audiences of Western films.
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Mediat2
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Treatment Powerpoint!
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Trailer Analyisis 1
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Location
East London Cemetery was chosen as the location for a funeral scene due to its traditional graveyard appearance used in movies like Fast & Furious 7 and The Amazing Spiderman 2. It is easy to access within half an hour and has many graves, emphasizing the insignificance of death. Mile End Sports Centre was selected to film a basketball scene, as large arenas are impractical for students; though the location is local, a booking requires money that may be difficult due to their low budget.
Research into casting
The document discusses casting choices for basketball movies. It finds that typically the protagonist is a black male who is either middle-aged or a teenage player. Ideal casting would be a professional basketball player like Kevin Durant who has the necessary skills and physique without needing a stunt double. Examples given include Coach Carter where the protagonist is an older black former player now coaching, and Like Mike where the main character is a young black boy creating an underdog story alongside a larger secondary protagonist. The document concludes casting for their own basketball movie will look for young black basketball players who can actually play to conform to stereotypes seen in other films.
Research into casting correct
The document discusses casting choices for basketball movies. It finds that typically the protagonist is a black male who is either middle-aged or a teenage player. Ideal casting would be an actual professional basketball player like Kevin Durant who has the necessary skills and physique without needing a stunt double. Examples given include Coach Carter where the protagonist is an older black former player now coaching, and Like Mike where the main character is a young black boy creating an underdog story alongside a larger secondary protagonist who are both skilled basketball players. The document concludes casting for their own basketball movie will look for young black basketball players who can actually play to conform to stereotypes seen in other films.
Costume planning
The document discusses costume options for a basketball film on a limited budget. It proposes using school jerseys instead of purchasing new jerseys to save money. Alternative options discussed include using common clothing items like Nike shorts, sweatshirts, and normal trainers that cast and crew would already own instead of buying new clothing. The goal is to choose costumes that conform to typical basketball films but don't require additional expenses beyond what is already available.
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Treatment For Our Horror Teaser Trailer
The document provides guidelines for creating a horror film trailer and receiving a 15 or 18 rating. It discusses codes and conventions of the horror genre including vulnerable victims, violence, and shock value. It then outlines the treatment for a teaser trailer featuring a character obsessed with violent video games who starts killing people. Locations will be public with minimal props and dark, gloomy lighting and colors to create suspense. Character costumes and body language will symbolize the obsession. The trailer aims to entice viewers and question what happens next through symbolic codes and enigma.
Mediat2
This document provides an analysis of the conventions and techniques used in the teaser trailer for a crime/action thriller film. The teaser begins with the film studio logos edited to match the film's color scheme. Clips shown include a car being destroyed with a voiceover about "fire and blood" to set the tone. Text stating "THE WORLD GOES MAD" is presented one word at a time between shots of characters in action to indicate the film is an action/thriller genre. The characters are shown fighting and have scary, unrealistic clothing to signal the fictional setting. At the end, brief clips introduce the main actors along with their real names and roles.
Analysis Of Films Horror Slasher and research
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Analysis Of Films Horror Slasher and research
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Analysing a film trailer dark knight
This trailer summary provides the key details about The Dark Knight in 3 sentences:
The trailer establishes that the film takes place in Gotham City, a dark and crime-ridden place unaffected by the outside world, and features a battle between good (Batman) and evil (The Joker). Unique elements that may attract audiences include the characters, especially the mysterious and unpredictable Joker, and Batman's use of advanced machines without superpowers. The action thriller genre is conveyed through scenes of violence, explosions, and an epic musical score that aims to excite audiences and make them want to see the full film.
Horror Film Pitch
A horror film trailer pitch outlines a film where a film crew is making a horror movie in remote woods but encounters real danger. The location scout is killed while searching for a new filming site. Members of the film crew and cast are then killed one by one by three hunters who have lived in the woods for years and believe killing people is a game. The trailer will use close-ups and varied camera angles to build panic without explicitly showing deaths. The unique plot of a movie within a movie turning deadly will distinguish this horror film.
The dark knight trailer analysis
The document analyzes the trailer for The Dark Knight through its mise-en-scene, editing, sound, and camera work. Through the inclusion of weapons, fast cars, and the American flag, the mise-en-scene establishes the violent and fast-paced nature of the film. The editing uses increasingly faster cuts to build tension and confusion. The diegetic sounds of explosions and the Joker's dialogue convey the film's violence and darkness, while the non-diegetic music creates a sense of foreboding. Shots like the tilted camera in the moving police car and the overhead view of Batman create disorientation and emphasize the scale of Gotham City.
Analysis Of Films Horror Slasher and research
This document provides information about several horror and slasher films including Saw, Scream, Misery, Halloween, Creep and Texas Chainsaw Massacre. It discusses the meaning and characteristics of horror and slasher films as genres. It also analyzes the titling sequences, camera work, lighting, costumes and characters in the opening scenes of these films. Guidelines for age ratings of 12A, 15 and 18 in the UK are also outlined based on criteria like violence, language, nudity and more.
Weeping Willow
The document provides details about a slasher film trailer being developed called "Weeping Willow". It describes the plot which involves a group of teenage friends going camping in a forest with a dark history. The trailer will show the group arriving and partying before the killer is introduced watching them from behind trees. Several potential title ideas are listed, with the developers choosing "Weeping Willow" due to its relevance to the forest setting. Color scheme ideas for the title include red, white, and black to represent death, innocence, and evil respectively.
The Dark Knight Trailer Analysis
The Dark Knight is a superhero action film directed by Christopher Nolan. It stars Christian Bale as Batman/Bruce Wayne alongside Heath Ledger as the Joker, its main antagonist. The trailer establishes the Joker as a chaotic and unpredictable force of evil through scenes of explosions and mayhem. It also shows Batman questioning his role as a symbol of good amid the rising violence and citizens turning against him.
Sub genre: British Gangster
This document analyzes conventions of the British gangster film subgenre. It finds that these films often use fast-paced editing and shot types to quickly immerse viewers in the story. Costumes range from traditional suits to more casual modern clothing. Settings typically take place outdoors in cities and feature props like guns, cars, and cigarettes. During openings, non-diegetic music is more common than diegetic sounds to build tension. Commercially, Guy Ritchie films like Snatch and Lock, Stock and Two Smoking Barrels were very profitable for their budgets. Overall, the document provides an in-depth examination of techniques and trends in British gangster films.
Planning
Storyboards are a key planning tool used in film production. They allow filmmakers to visualize scenes before filming begins. Developed in the 1930s by Walt Disney, storyboarding became a standard technique in live-action filmmaking during the 1940s. It provides a visual representation of script ideas and camera shots to help develop the film's timeline and plot. The document then discusses specific storyboards created for a short film called "Dangerous Game" focusing on characters, locations, camera angles, lighting and audio.
Codes And conventions
Slasher films typically feature codes and conventions such as a killer using a deadly weapon like a hook, knife, or chainsaw to threaten victims. The weapons are usually everyday items that audiences would recognize as dangerous, increasing the fear factor. Slasher films also commonly portray the killer as mentally disturbed or deformed to make them unpredictable and scary to audiences. Additionally, one of the main victims is often a helpless blonde female character who gets into dangerous situations out of ignorance. These elements help set the tone of danger and suspense in slasher films.
Conventions of a mob gangster film
In the opening scene of the gangster film, traditional costumes of black suits and props of guns and knives are used. Dark lighting creates a tense atmosphere as something ominous is about to happen. Various shot types like close-ups, mid shots and long shots are employed to follow the characters and focus on objects of significance. The scene starts with titles accompanied by non-diegetic sound to set the tone before cutting to diegetic dialogue and action that advances the plot.
Film genre research
This document provides information about different film genres including comedy, crime/gangster, drama, and teen films. It lists top 10 films in each genre and describes common characteristics of each genre such as typical characters, settings, narrative themes, props, history, and ideology.
History of crime, drama, sport films
The document discusses three types of films: crime films, which mirror society through their complex reflections of moral order and justice; sport films, which cover a wide variety of popular sports topics and attract audiences through sports' popularity; and drama films, which aim to engage audiences emotionally by featuring realistic characters dealing with emotional situations.
Treatment Powerpoint!
The document provides details on the plot, style, and logistics for a horror film trailer titled "Karma". It describes the psychological horror genre and graphic violence. It outlines using fast editing, props like knives and blood, and changing the protagonist's mentality to portray the horror. Locations like a house, field, and basement will be used for filming with actors portraying the main characters.
Trailer Analyisis 1
The document summarizes conventions used in movie trailers through analyzing several examples. It discusses how the We Are Your Friends trailer uses fast pacing and edits to introduce the plot and characters. The Point Break trailer creates an action-adventure genre through its use of quotes, extreme stunts, and an eerie soundtrack. The Mad Max - Fury Road trailer depicts a dystopian setting through voiceover, costumes, locations, and sounds. It aims to make the film seem intense and thrilling. The Suicide Squad trailer uses tension-building techniques like uncomfortable close-ups and low lighting to portray darkness and evil.
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Location
East London Cemetery was chosen as the location for a funeral scene due to its traditional graveyard appearance used in movies like Fast & Furious 7 and The Amazing Spiderman 2. It is easy to access within half an hour and has many graves, emphasizing the insignificance of death. Mile End Sports Centre was selected to film a basketball scene, as large arenas are impractical for students; though the location is local, a booking requires money that may be difficult due to their low budget.
Research into casting
The document discusses casting choices for basketball movies. It finds that typically the protagonist is a black male who is either middle-aged or a teenage player. Ideal casting would be a professional basketball player like Kevin Durant who has the necessary skills and physique without needing a stunt double. Examples given include Coach Carter where the protagonist is an older black former player now coaching, and Like Mike where the main character is a young black boy creating an underdog story alongside a larger secondary protagonist. The document concludes casting for their own basketball movie will look for young black basketball players who can actually play to conform to stereotypes seen in other films.
Research into casting correct
The document discusses casting choices for basketball movies. It finds that typically the protagonist is a black male who is either middle-aged or a teenage player. Ideal casting would be an actual professional basketball player like Kevin Durant who has the necessary skills and physique without needing a stunt double. Examples given include Coach Carter where the protagonist is an older black former player now coaching, and Like Mike where the main character is a young black boy creating an underdog story alongside a larger secondary protagonist who are both skilled basketball players. The document concludes casting for their own basketball movie will look for young black basketball players who can actually play to conform to stereotypes seen in other films.
Costume planning
The document discusses costume options for a basketball film on a limited budget. It proposes using school jerseys instead of purchasing new jerseys to save money. Alternative options discussed include using common clothing items like Nike shorts, sweatshirts, and normal trainers that cast and crew would already own instead of buying new clothing. The goal is to choose costumes that conform to typical basketball films but don't require additional expenses beyond what is already available.
Target audience
This document discusses the target audiences of several movies: Creed, The Gunman, Southpaw, and Don't Breathe. It finds that the majority of viewers for Creed, The Gunman, and Southpaw were males aged 15-24. However, Don't Breathe had a majority female audience aged 15-24, unlike the other movies which mostly appealed to males.
Genre research and Chosen Genre
This is a presentation of mood boards I have created for my genre research, with a brief description/introduction to what our chosen genre is.
Target audience by richa
The document discusses the target audiences of several movies: Creed, The Gunman, Southpaw, and Don't Breathe. It finds that the majority audience for Creed, The Gunman, and Southpaw were males aged 15-24, whereas Don't Breathe had a majority female audience aged 15-24. The key target audience across these movies is 15-24 year olds, mostly male, with the exception being Don't Breathe which appealed more to females.
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Treatment
The document provides details about the target audience, narrative elements, and style of a film trailer. The trailer is aimed at both male and female audiences aged 15+ and will include violent and gory scenes to appeal to stereotypes of each gender's interests. It describes including three victims in the trailer and revealing late that there are two murderers. Non-diegetic elements like a changing musical score and omitting titles until the end are discussed.
Media Pitch
1. The document proposes an opening sequence for a crime thriller that cross-cuts between a mysterious killer planning their next murder and hiding the body of their previous victim.
2. It discusses taking inspiration from the openings of films like "Se7en" and "Dexter" by using short, story-driving shots along with text elements.
3. The proposed location is a cemetery that has granted permission to film, aiming to build mystery and tension through its gloomy atmosphere as clues about the killer are revealed.
Hush Hush Evaluation.
The document discusses how the media product uses and challenges conventions of real horror films and trailers. It summarizes how the trailer, film poster, and magazine cover were designed to look professional while subverting some expectations. Audience feedback was positive and suggested the trailer maintain suspense. New technologies like Photoshop, Premiere Pro, and social media were used to construct, research, plan, and evaluate the project.
Pitch
The document summarizes audience research conducted for a student horror film project. It discusses:
- The audience's preference for psychological thriller/horror genres and wooded locations.
- Their preference for young male and female victims and antagonists that seem like old men.
- Their preference for low key lighting, lack of preference for cliffhangers, and use of young characters.
- Plans to incorporate the audience's preferences into the film, including genre, location, victims, antagonist, lighting, and limited dialogue.
Treatment of Advanced Portfolio
The document summarizes plans for a horror film trailer targeting a 15 certificate audience. It will feature a child murderer who hears voices and kills victims. The trailer will show the murderer as a troubled child and later killing 3 victims, leaving their fate ambiguous. It aims to imply the voice the murderer hears is real. Common horror genre tropes like masks, weapons and an ominous ending are discussed to create intrigue and suspense around the murderer's identity.
Horror Movie Pitch (Final)
The document outlines a horror movie pitch called "Wicca" about two teenage girls, Laura and Amy, who are abducted by a cult while wandering a graveyard known for mysterious happenings. Laura wakes with no memory of the night before but soon strange things start occurring, including the disappearance of her friend Jane and haunting visions. The film will feature supernatural horror elements like possession and occult rituals. It will utilize common horror movie techniques like low-key lighting, jump scares, and ambiguous storytelling to intrigue audiences. The goal is to create an unsettling atmosphere influenced by films like Devil's Due, Oculus, and Insidious through the use of cult and occult-related imagery, symbols
The Pitch [revised]
The document outlines a horror movie pitch called "Wicca" about two teenage girls, Laura and Amy, who are abducted by a cult while wandering a graveyard known for mysterious happenings. Laura wakes with no memory of the night before but soon strange things start occurring, including the disappearance of her friend Jane and haunting visions. The film will feature supernatural horror elements like possession and occult rituals. It will utilize common horror movie techniques like low-key lighting, isolated settings, and graphic or shocking imagery to build tension and scare audiences. The filmmakers aim to create an intriguing yet ambiguous trailer in the style of successful horror films like Devil's Due, Oculus, and Insidious to attract thrill-seeking
Evaluation
The document provides details about a horror film title sequence called "Hypnosis" that was created for a media assignment. It describes the content and meaning behind elements in the title sequence, which introduces mysterious man in the woods holding a knife and shows the destruction of photos representing how each character dies. The document also discusses how the title sequence draws from conventions of the horror genre through its use of mystery, tension, blood, and fire while also trying to challenge conventions through its use of daylight filming.
Treatment
1) The document outlines a proposed short horror film called "Anathema" that will be 8 minutes long and target an audience of 16-19 year olds.
2) It discusses plans for marketing the film from June-October 2017, including creating social media accounts and releasing trailers in August/September.
3) The genre is described as horror, combining supernatural and psychological elements, with the goal of creating impact and leaving a lasting impression on the target teenage audience.
Treatment
We created a treatment, which consisted of all the necessary information needed, in order to carry out our project. This is shown above.
Script
Callum Harrison will create a movie trailer and poster for a horror/thriller film about a serial killer for his final major project. The trailer will focus on the killer and switch quickly between scenes to build intrigue without revealing the protagonist. It will include an emergency call, news reports of murders, and voiceovers linking the crimes as tension builds with dark scenes, sounds and music. The fast-paced trailer will show text like "This Year" and the film title using Photoshop or After Effects to seem realistic, while the poster created in Photoshop will feature an image, name and credits to promote the fictional movie.
Treatment
The document outlines plans for a short horror film called "Anathema" by students Lauren Rosenfeld, Millie West, Ben Karrass, and Alex Pereira. It will tell the story of two teenage boys who discover a strange game that draws them into supernatural events. The 8-minute film will be marketed from June to October 2017 using social media, posters, and trailers, and will be released online on Friday, October 13th to target audiences of 16-19 year olds. It will feature psychological and supernatural horror elements filmed on location at a house and forest to create an unsettling atmosphere and leave an impact on viewers.
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Date: May 29, 2024
Tags: Information Security, ISO/IEC 27001, ISO/IEC 42001, Artificial Intelligence, GDPR
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Chapter 2
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Chapter 3
Surveying: Object Principles & Types of Surveying; Site Plans, Plans & Maps; Scales & Unit of different Measurements.
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4. BCP, Surveying volume 1
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Pitch Presentation
- 1. Play Back Curly hair productions (Richa, Samson, Davionne and Arif)
- 2. Chosen genre As a group we originally wanted to do a sports themed film opening. However we realised that most sports movies are for kids. We were picturing an older audience and then agreed to do an opening of the crime genre. But we were all still fond of the idea of including basketball. So our genre is technically crime in a sports environment.
- 3. Plot We have 2/3 competitive characters who go up against each other in a basketball game. Their competitiveness causes hatred to build between them. This leads to an argument/conflict, resulting to the death of a player (however this is not mentioned in the opening). The course of the movie includes a detective trying to figure out who was the murderer.
- 4. Concepts • The opening will include a monologue from the ‘killer’. We will be creating a sense of mystery by keeping the killers identity vague to the audience. • During the course of the opening, we will be cutting between the funeral scenes and the game of the beginning of the rivalry. • We will be making this clear through a brief fight scene between the two main players, which will be broken up by the coach. • Players (A, B and C). A and C will be the rivals, which will be in conflict, and player B. • Idea 1: Begin with the funeral scene. Cut between the match of the incident, whilst keeping the actors identities secret. We show the aftermath of the incident, rather than the actual incident. • Idea 2: Begin with the funeral scene. Cuts to the argument in changing room. Cuts to the basketball scene