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The document outlines a concept for a music video for the song "Pumpin Blood" by the indie pop band NONONO. It will challenge conventions by focusing on a journey with friends rather than a love story narrative. The video aims to portray that you can have an enjoyable day without love through scenes of the band laughing and having fun with sparklers and smoke bombs. It is targeted towards college-aged females and will imply that friends are what keep you going.
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Music Video Pitch
The document outlines a concept for a music video for the song "Pumpin Blood" by the indie pop band NONONO. It will challenge conventions by focusing on a journey with friends rather than a love story narrative. It will portray the band having fun with sparklers, smoke bombs and laughing together to show that you don't need romance to enjoy your day. The video aims to convey that you should have fun in your youth before adulthood and that friends are what keep you going.
Planning sheet for filming
This document provides a breakdown of scenes and shots for the short film "Upon Thames". It includes details of the cast, technical equipment, costumes, props, locations, and transportation for multiple scenes. Scene descriptions involve a victim lying on the floor, a suspect on the phone, boys exchanging a substance, a ribbon found in grass, a victim running from something, a couple arguing in a pub, a girl pleading outside a pub, a hooded figure walking, someone burning a letter, a couple fighting, a boy staring at the camera darkly, a girl washing a bloody shirt, a girl in pain cutting carrots violently, a suspect putting a bag in the bin, and a scratched hand on a kettle. Locations
Assignmetn 26
The music video will tell a narrative story through a single continuous shot of a man walking through run-down areas of town at night, grieving over life decisions and having lost someone dear to him. Flashbacks will show happier times they spent together. The goal is to portray emotions of sadness and regret through the character's journey to a cemetery, while highlighting the artist's journey from a tough childhood to finding solace in music rather than a life of crime.
Arctic monkeys summer holiday work
The music video depicts the lead singer Alex Turner hallucinating as he walks through the streets of London at night after leaving a pub. The one-shot tracking camera style aims to portray what he is seeing and experiencing due to hallucinating. Scenes show him interacting with people through text and hallucinating different situations with various people he encounters. The video uses point of view shots to show his hallucinated perspective versus reality.
By Delisa Fountain
The document summarizes a viewing of the musical "Memphis" shown on the big screen at a movie theater in Lansing, Michigan. It discusses how the musical revolves around race relations and 1950s music culture. Though watching it as a movie lacked the energy of a live performance, it was still captivating and easy to follow the story. The musical itself will be performed live at the Wharton Center from March 21 to April 1, 2012.
Music video and print analysis
The music video for Krept and Konan's "Devils Playground" depicts their experience with street life. Through lyrics and images, they convey that the road life is not worth it and they have changed their ways. Specifically, the video follows the artists in a car through different settings as they rap, connecting the words to depictions of deprived young people and how their situation has improved, as symbolized in their album cover by an umbrella providing shelter from the rain.
Choice of song and why
This document outlines ideas for a music video featuring a rap song. It proposes a laidback, streetwear style costume featuring tracksuits, sneakers, jeans, hoodies, and popular brands. Locations near Waterloo Station and in the countryside are suggested to film scenes of the rapper walking, sitting on a hill, and partying with friends. Camera techniques like close-ups, tracking shots, and low angles are recommended to portray the rapper's movement and empowerment. Props like smoke bombs and UV lights could set the scene at a party. Lighting would be natural during the day but use backlight at night. The target audience is seen as 16-24 year olds to reflect the song's themes of
TruTunez Electronic Press Kit
Dexter Curry is a hip hop artist from Iowa City, IA who performs under the names TruTunez, GuttaTunez, and TruLove. He takes on different personas as TruTunez the lyricist, GuttaTunez the "turnup" artist, and TruLove the romantic. Dexter Curry uses these multiple personas to tell stories through his unique approach to rap music.
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Music Video Pitch
The document outlines a concept for a music video for the song "Pumpin Blood" by the indie pop band NONONO. It will challenge conventions by focusing on a journey with friends rather than a love story narrative. It will portray the band having fun with sparklers, smoke bombs and laughing together to show that you don't need romance to enjoy your day. The video aims to convey that you should have fun in your youth before adulthood and that friends are what keep you going.
Planning sheet for filming
This document provides a breakdown of scenes and shots for the short film "Upon Thames". It includes details of the cast, technical equipment, costumes, props, locations, and transportation for multiple scenes. Scene descriptions involve a victim lying on the floor, a suspect on the phone, boys exchanging a substance, a ribbon found in grass, a victim running from something, a couple arguing in a pub, a girl pleading outside a pub, a hooded figure walking, someone burning a letter, a couple fighting, a boy staring at the camera darkly, a girl washing a bloody shirt, a girl in pain cutting carrots violently, a suspect putting a bag in the bin, and a scratched hand on a kettle. Locations
Assignmetn 26
The music video will tell a narrative story through a single continuous shot of a man walking through run-down areas of town at night, grieving over life decisions and having lost someone dear to him. Flashbacks will show happier times they spent together. The goal is to portray emotions of sadness and regret through the character's journey to a cemetery, while highlighting the artist's journey from a tough childhood to finding solace in music rather than a life of crime.
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The music video depicts the lead singer Alex Turner hallucinating as he walks through the streets of London at night after leaving a pub. The one-shot tracking camera style aims to portray what he is seeing and experiencing due to hallucinating. Scenes show him interacting with people through text and hallucinating different situations with various people he encounters. The video uses point of view shots to show his hallucinated perspective versus reality.
By Delisa Fountain
The document summarizes a viewing of the musical "Memphis" shown on the big screen at a movie theater in Lansing, Michigan. It discusses how the musical revolves around race relations and 1950s music culture. Though watching it as a movie lacked the energy of a live performance, it was still captivating and easy to follow the story. The musical itself will be performed live at the Wharton Center from March 21 to April 1, 2012.
Music video and print analysis
The music video for Krept and Konan's "Devils Playground" depicts their experience with street life. Through lyrics and images, they convey that the road life is not worth it and they have changed their ways. Specifically, the video follows the artists in a car through different settings as they rap, connecting the words to depictions of deprived young people and how their situation has improved, as symbolized in their album cover by an umbrella providing shelter from the rain.
Choice of song and why
This document outlines ideas for a music video featuring a rap song. It proposes a laidback, streetwear style costume featuring tracksuits, sneakers, jeans, hoodies, and popular brands. Locations near Waterloo Station and in the countryside are suggested to film scenes of the rapper walking, sitting on a hill, and partying with friends. Camera techniques like close-ups, tracking shots, and low angles are recommended to portray the rapper's movement and empowerment. Props like smoke bombs and UV lights could set the scene at a party. Lighting would be natural during the day but use backlight at night. The target audience is seen as 16-24 year olds to reflect the song's themes of
TruTunez Electronic Press Kit
Dexter Curry is a hip hop artist from Iowa City, IA who performs under the names TruTunez, GuttaTunez, and TruLove. He takes on different personas as TruTunez the lyricist, GuttaTunez the "turnup" artist, and TruLove the romantic. Dexter Curry uses these multiple personas to tell stories through his unique approach to rap music.
Music and sound
Music and sound are important elements in horror films and trailers to set the mood and make scenes scarier for viewers. Different types of music and sounds can be used to elicit various emotional responses from audiences. A film like Insidious effectively transitions between soft lullabies and violent action music to depict shifts in the narrative from calm to frightening moments. Researching how music is applied in stages of films can help apply these techniques to one's own work.
Shooting schedule
This document provides a cast list and production schedule for a short film. It lists the characters, actors, locations, dates and times for filming various scenes. The main characters are Royal-Tee, played by Glenn, and "Lil homie", played by Rhys. Other characters include "Pop Dukes", played by Mr. Ward, and Royal-Tee's brother, played by Ephraim. Scenes will be filmed in various locations like the kitchen, quad, street and pier between Monday 2/12/2013 and Saturday 14/12/2013. Crew members and required costumes and props are also outlined for each scene.
Me and my mic
This document outlines a plan for a music video for the song "Me and My Microphone" featuring Kate Nash. It discusses influences, locations, genres, editing techniques, target audiences, gender portrayal, codes and conventions, mise-en-scene elements, and packaging ideas. The video will tell the story of a boy and girl from contrasting backgrounds who meet at the end through their changing lives as depicted in the lyrics. It will be filmed on the streets of Cambridge using techniques like tracking shots, close-ups, and jump cuts edited to match the beat of the music.
RnB Codes and Conventions
Rhythm and blues, also known as R&B, originated in the 1940s and was marketed to urban African American record labels. By the 1970s, R&B had evolved into a blanket term encompassing soul, funk, and disco. The genre has changed significantly over time from its origins. Music videos for R&B songs conventionally feature urban landscapes, clubs/bars, exotic locations, solo artists expressing personal narratives through close-ups and reflections, and props like money, flashy cars, and revealingly dressed women. Group artist videos commonly include choreographed dances and synchronized movements. Usher's 2001 and 2010 music videos demonstrate how R&B video styles have changed with technology over the decades.
Jehst
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for "Starting Over", the first single from the album, features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by having a narrative concept and lacking stereotypical elements like scantily-clad women. It focuses on the meaning and message of refusing to conform to mainstream pressures while staying true to Jehst's underground roots.
A2 Music Video Treatment- First Draft
The document provides a treatment for the music video for the song "Asylum: Don’t Fuck With Me". The black and white narrative video would follow the artist, Asylum, as he goes on a journey. It would show him walking in different London locations, including tube station steps in Clapham Common, streets in suburbs and the city center, and St. James Park. Key lyrics from the song would be visualized, such as a girl smiling, shots of Asylum's family and friends, and someone smoking.
Target audience
The target audience for "The Lodge" trailer is males and females aged 17-25 years old. The trailer was inspired by the TV shows "Ripper Street" and "Skins," taking different aspects from each to incorporate into the trailer. Elements from "Skins" include its use of Maslow's hierarchy of needs and caregiver theory to involve and relate the audience to characters. Elements from "Ripper Street" include using older style music over modern footage, flipping its concept of modern music over older era footage.
Video Analysis
This document provides a summary and analysis of the music video for Bobby Valentino's song "Turn the Page". It analyzes various shots from the video, including close-ups of the singer and his girlfriend in different settings, shots portraying tension and hurt between the couple, and animation scenes representing turning the pages of a book. It also describes shots of the singer's live performance, him chasing after his girlfriend on a motorcycle as she is preparing to leave on a bus, and their emotional reunion at the bus stop.
CTF_booklet_DEF
This document outlines the film program for the Cracking the Frame Film Program (CTFP) taking place from May 5-8. It will showcase documentaries about groundbreaking artists and feature films by respected contemporary artists. All films will be introduced by the filmmakers or experts. The program includes screenings, talks, workshops and parties related to exploring filmmaking and artists' practices.
Jehst 'Starting Over' - music video analysis
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for the first single "Starting Over" features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by featuring a narrative concept and lacking scantily clad women or luxury items, instead focusing on meaning and humility as Jehst ignores pressures to conform to mainstream styles.
Call sheet
This call sheet is for a music video shoot titled "Cry Baby - The Neighbourhood" to take place on October 17th from 3-6:30pm at Haydon School in Pinner, UK. Jessica Hooker will direct, film, and oversee equipment as producer. The shoot will focus on the lead actors Rhianne Liberty Gibbs and Marko Tymo performing the song. Both actors are required to know the song lyrics and Marko must also know basic guitar chords. Equipment needed includes lights, cameras, a dolly track, tripods, and a steady cam structure.
Sing stree mirco analyse
The document provides analysis of key scenes from the film Sing Street. It summarizes the use of mise-en-scene, cinematography, sound, and editing in two scenes: 1) Conor's first day arriving at his new school, where uniforms and camera movements convey his feelings of being an outsider. 2) Conor's band's performance, where costume and lighting choices enhance the mood and reality differs from Conor's fantasy of the concert. The analysis examines how technical elements are used to tell the story and develop characters.
Artist factfile
Lucy Wright is a musical theatre artist from Brighton, England who studied at RADA. She got her start in theatre inspired by her sister's suggestion to audition and is known for her roles as young Cosette and old Eponine in Les Miserables in the West End. Her biggest ambition is to play Fantine and an important day was her first audition for Les Miserables.
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Shooting Script
This document provides a shooting script for the music video of the song "Important Little Boy" by Ugo. It outlines various shots that would be used to film the artist rapping and performing at different locations. These include establishing long shots, low angle shots to depict power and dominance, close-ups to show emotion, and rule of thirds compositions. Location changes are also specified to match lyrics. The goal is to visually represent the song's themes through the artist's positioning and interactions within gritty, urban environments.
Call sheet
The music video shoot is scheduled for an unspecified date. Safety precautions for COVID-19 include mandatory masks except during shooting, frequent hand sanitizer use, and no shared food. The shoot will take place at multiple outdoor locations from 1 PM to 8:30 PM, including a park, beach, and abandoned bus field, with blocking, shooting, travel, and lunch breaks throughout. Props needed include food, blankets, accessories, and lighting equipment.
Mime review
This document discusses and reviews a mime performance piece titled "8:46 am" about the events of 9/11. The mime artist portrayed the events of 9/11 through detailed movements in silence, helping viewers remember what happened that day. The background music helped set the tense atmosphere. The reviewer gave the piece 5/5 stars, praising the artist's passion and the unique way the performance retold the events without words through clear and impactful movement.
Music video analysis
The video for Bastille's song "Pompeii" tells a story through imagery that relates to the lyrics. It begins with the lead singer alone on a rooftop overlooking an empty city. As the music starts, he is shown walking down stairs and riding a bike through deserted streets, reflecting feelings of stagnation. Shots of the abandoned city connect to lyrics about walls tumbling down, representing chaos. The video uses the historical disaster in Pompeii as a metaphor for what the protagonist experiences. It concludes with extreme long shots of him alone in the desert as the song ends.
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Este documento describe los diferentes tipos de conocimiento científico, incluyendo el conocimiento empírico, las ciencias formales y las ciencias fácticas. Explica que las ciencias formales utilizan entes abstractos y la lógica y matemáticas, mientras que las ciencias fácticas estudian entes reales usando métodos inductivos e hipotético-deductivos. También resume los pasos del método científico, incluyendo la formulación de hipótesis, deducción de consecuencias observables y contrastación empírica.
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Music and sound
Music and sound are important elements in horror films and trailers to set the mood and make scenes scarier for viewers. Different types of music and sounds can be used to elicit various emotional responses from audiences. A film like Insidious effectively transitions between soft lullabies and violent action music to depict shifts in the narrative from calm to frightening moments. Researching how music is applied in stages of films can help apply these techniques to one's own work.
Shooting schedule
This document provides a cast list and production schedule for a short film. It lists the characters, actors, locations, dates and times for filming various scenes. The main characters are Royal-Tee, played by Glenn, and "Lil homie", played by Rhys. Other characters include "Pop Dukes", played by Mr. Ward, and Royal-Tee's brother, played by Ephraim. Scenes will be filmed in various locations like the kitchen, quad, street and pier between Monday 2/12/2013 and Saturday 14/12/2013. Crew members and required costumes and props are also outlined for each scene.
Me and my mic
This document outlines a plan for a music video for the song "Me and My Microphone" featuring Kate Nash. It discusses influences, locations, genres, editing techniques, target audiences, gender portrayal, codes and conventions, mise-en-scene elements, and packaging ideas. The video will tell the story of a boy and girl from contrasting backgrounds who meet at the end through their changing lives as depicted in the lyrics. It will be filmed on the streets of Cambridge using techniques like tracking shots, close-ups, and jump cuts edited to match the beat of the music.
RnB Codes and Conventions
Rhythm and blues, also known as R&B, originated in the 1940s and was marketed to urban African American record labels. By the 1970s, R&B had evolved into a blanket term encompassing soul, funk, and disco. The genre has changed significantly over time from its origins. Music videos for R&B songs conventionally feature urban landscapes, clubs/bars, exotic locations, solo artists expressing personal narratives through close-ups and reflections, and props like money, flashy cars, and revealingly dressed women. Group artist videos commonly include choreographed dances and synchronized movements. Usher's 2001 and 2010 music videos demonstrate how R&B video styles have changed with technology over the decades.
Jehst
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for "Starting Over", the first single from the album, features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by having a narrative concept and lacking stereotypical elements like scantily-clad women. It focuses on the meaning and message of refusing to conform to mainstream pressures while staying true to Jehst's underground roots.
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The document provides a treatment for the music video for the song "Asylum: Don’t Fuck With Me". The black and white narrative video would follow the artist, Asylum, as he goes on a journey. It would show him walking in different London locations, including tube station steps in Clapham Common, streets in suburbs and the city center, and St. James Park. Key lyrics from the song would be visualized, such as a girl smiling, shots of Asylum's family and friends, and someone smoking.
Target audience
The target audience for "The Lodge" trailer is males and females aged 17-25 years old. The trailer was inspired by the TV shows "Ripper Street" and "Skins," taking different aspects from each to incorporate into the trailer. Elements from "Skins" include its use of Maslow's hierarchy of needs and caregiver theory to involve and relate the audience to characters. Elements from "Ripper Street" include using older style music over modern footage, flipping its concept of modern music over older era footage.
Video Analysis
This document provides a summary and analysis of the music video for Bobby Valentino's song "Turn the Page". It analyzes various shots from the video, including close-ups of the singer and his girlfriend in different settings, shots portraying tension and hurt between the couple, and animation scenes representing turning the pages of a book. It also describes shots of the singer's live performance, him chasing after his girlfriend on a motorcycle as she is preparing to leave on a bus, and their emotional reunion at the bus stop.
CTF_booklet_DEF
This document outlines the film program for the Cracking the Frame Film Program (CTFP) taking place from May 5-8. It will showcase documentaries about groundbreaking artists and feature films by respected contemporary artists. All films will be introduced by the filmmakers or experts. The program includes screenings, talks, workshops and parties related to exploring filmmaking and artists' practices.
Jehst 'Starting Over' - music video analysis
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for the first single "Starting Over" features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by featuring a narrative concept and lacking scantily clad women or luxury items, instead focusing on meaning and humility as Jehst ignores pressures to conform to mainstream styles.
Call sheet
This call sheet is for a music video shoot titled "Cry Baby - The Neighbourhood" to take place on October 17th from 3-6:30pm at Haydon School in Pinner, UK. Jessica Hooker will direct, film, and oversee equipment as producer. The shoot will focus on the lead actors Rhianne Liberty Gibbs and Marko Tymo performing the song. Both actors are required to know the song lyrics and Marko must also know basic guitar chords. Equipment needed includes lights, cameras, a dolly track, tripods, and a steady cam structure.
Sing stree mirco analyse
The document provides analysis of key scenes from the film Sing Street. It summarizes the use of mise-en-scene, cinematography, sound, and editing in two scenes: 1) Conor's first day arriving at his new school, where uniforms and camera movements convey his feelings of being an outsider. 2) Conor's band's performance, where costume and lighting choices enhance the mood and reality differs from Conor's fantasy of the concert. The analysis examines how technical elements are used to tell the story and develop characters.
Artist factfile
Lucy Wright is a musical theatre artist from Brighton, England who studied at RADA. She got her start in theatre inspired by her sister's suggestion to audition and is known for her roles as young Cosette and old Eponine in Les Miserables in the West End. Her biggest ambition is to play Fantine and an important day was her first audition for Les Miserables.
Ramone visit part 3
Ramone visited their aunt Sommer in Maui. During the trip, they listened to their friend Sydney sing and play guitar. Ramone also got to visit the Maui Arts & Cultural Center, where they played with a sound board and pretended to be a rockstar. Ramone had an enjoyable time visiting Maui with their aunt and can't wait to visit again soon.
Shooting Script
This document provides a shooting script for the music video of the song "Important Little Boy" by Ugo. It outlines various shots that would be used to film the artist rapping and performing at different locations. These include establishing long shots, low angle shots to depict power and dominance, close-ups to show emotion, and rule of thirds compositions. Location changes are also specified to match lyrics. The goal is to visually represent the song's themes through the artist's positioning and interactions within gritty, urban environments.
Call sheet
The music video shoot is scheduled for an unspecified date. Safety precautions for COVID-19 include mandatory masks except during shooting, frequent hand sanitizer use, and no shared food. The shoot will take place at multiple outdoor locations from 1 PM to 8:30 PM, including a park, beach, and abandoned bus field, with blocking, shooting, travel, and lunch breaks throughout. Props needed include food, blankets, accessories, and lighting equipment.
Mime review
This document discusses and reviews a mime performance piece titled "8:46 am" about the events of 9/11. The mime artist portrayed the events of 9/11 through detailed movements in silence, helping viewers remember what happened that day. The background music helped set the tense atmosphere. The reviewer gave the piece 5/5 stars, praising the artist's passion and the unique way the performance retold the events without words through clear and impactful movement.
Music video analysis
The video for Bastille's song "Pompeii" tells a story through imagery that relates to the lyrics. It begins with the lead singer alone on a rooftop overlooking an empty city. As the music starts, he is shown walking down stairs and riding a bike through deserted streets, reflecting feelings of stagnation. Shots of the abandoned city connect to lyrics about walls tumbling down, representing chaos. The video uses the historical disaster in Pompeii as a metaphor for what the protagonist experiences. It concludes with extreme long shots of him alone in the desert as the song ends.
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La ciencia y el vocabulario científico.
La ciencia es un método para obtener conocimientos acerca de la naturaleza.
La ciencia incluye el examen de la naturaleza con el propósito de entenderla y de describir algunos de sus aspectos
Ppp osgds y rochester
The document outlines a school's plans to become more sustainable by using solar energy and implementing various green initiatives. It discusses using solar panels to generate energy for the school and creating a water filtration system using organic materials. The school aims to educate students on sustainability and has programs for recycling, composting food waste, and using native plants in their greenhouse. They conducted a survey that found most people support the school's sustainability efforts but recognize improvements can still be made. The long term goal is for the school to be certified as a sustainable, LEED-compliant institution.
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Pitch
The document outlines a concept for a music video for the song "Pumpin Blood" by the indie pop band NONONO. It will challenge conventions by focusing on a journey with friends rather than a love story narrative. It will portray the band having fun with sparklers, smoke bombs and laughing together to show that you don't need a romantic relationship to enjoy your day. The video aims to convey that you should have fun in your youth before adult responsibilities and that friends are what keep you going.
Pitch
The document outlines a concept for a music video for the song "Pumpin Blood" by the artist NONONO. It will challenge indie pop conventions by focusing on a journey with friends rather than a love story narrative. The video aims to portray that you can have an enjoyable day without love through scenes of the band laughing and having fun with sparklers and smoke bombs. It suggests the overall meaning is to have fun in your youth before adulthood responsibilities arrive and implies that friends are what keep you going.
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This document outlines a proposed music video treatment that follows a group of friends on a day trip. The video would begin with shots of people rushing to work contrasted with shots of the band making their way to the airport. It then shows the band taking a train to the beach where they perform. Later scenes show the friends enjoying a theme park and pier. Montage sequences incorporate footage from the different locations while the band also performs in a studio. The video treatment proposes various shots and editing techniques to tie the story and locations together through the song.
Final music video synopsis
This document outlines a proposed music video treatment that follows a group of friends on a day trip. The video would begin with shots of people rushing to work contrasted with shots of the band making their way to the airport. It then shows the band taking a train to the beach where they perform. Later scenes show the friends enjoying a theme park and pier. Montage sequences incorporate footage from the different locations with sparklers and colored smoke. The video treatment concludes with a studio performance that references movements from earlier scenes.
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Final pitch media
- The target audience for the song "Friends Forever" is males aged 17-25 interested in grime and hip-hop genres, and females of the same age range.
- The genre is grime, and the song can be found at a provided YouTube link.
- Locations featured in the video include Brighton beach, a drama hall, and areas in south London like Bermondsey Square.
- The video will use contrasts of day and night lighting and locations to represent the positives and negatives of friendship.
Assignment 31 – group 4 pitch
This document proposes three music video ideas for assignments:
1. A performance video of Lil Uzi Vert rapping with dancers that switches between indoor and outdoor settings.
2. A narrative/performance video of Lauv singing on his bucket list travels and in the hospital before dying.
3. A narrative/performance video by James Arthur featuring a red rose that symbolizes love and changes color as the relationship deteriorates, ending with him finding an empty hospital bed.
Treatment Presentation for Music Video
The song chosen for the music video is "I Bet You Look Good On The Dancefloor" by Arctic Monkeys. It received the most votes in a survey and the singer's unique voice will identify the band even if the song is unknown. The video will take influences from other narrative/live performance videos and feature good camera angles and shots. The performers will be represented in a conventional, modern indie rock style through their actions, setting, and stylish but casual clothing. The target audience is 15-25 year olds who will be reached through social media platforms. The concept portrays the band performing at a party as a boy and girl meet and enjoy themselves on the dance floor.
Music Video Analsis
This document contains summaries of two music videos:
1) Jack Penate's "Have I Been a Fool" depicts the artist running through a neighborhood and interacting with various girls, representing his promiscuous behavior as a "rockstar" stereotype. It uses lighting and camerawork to convey intimacy between him and the girls.
2) You Me at Six's "Kiss and Tell" shows the band performing at a wild house party, portraying the rock and roll lifestyle through quick cuts, crowds, and rough camera movements meant to immerse the viewer. The video balances performance scenes with depictions of the ongoing party.
'679' Fetty wap music video analysis.
The music video for "679" by Fetty Wap takes place at a lavish house party. Through the use of quick cuts, the video presents the fast-paced lifestyle of rap and hip hop. Fetty pursues a woman throughout the party. Stereotypical representations include the objectification of women, the emphasis on wealth, drinking, and partying. Elements like costume, lighting, camerawork, and editing work to immerse the viewer in the world of the video and genre of rap.
Presentation
The document discusses a music video concept for the James Blunt song "Bones" by Bradley White. The concept involves a main character named Sam who cycles through memories of a girl he loves as he journeys to her house on a winter morning. The video would include shots from a GoPro of Sam cycling and close-ups to convey emotion, as well as flashbacks of the girl. At the destination, the girl drops her sketchbook in the river and Sam dives in to retrieve it, finding a drawing of them together before they smile at each other. The document discusses influences, target audience, and conventions like close-ups, intertextuality, linking the music and visuals, and aspects of the pop rock
Ferris bueller's day off - Twist and Shout Scene
The scene features Ferris Bueller singing "Twist and Shout" to entertain his friends. The diegetic music makes the audience feel like they are present. As Ferris performs, the camera shows his friends enjoying the performance from various angles, involving the audience. The editing pace increases with the up-tempo song, making the scene more exciting. Bright costumes and everyone dancing happily convey the positive atmosphere. Overall, the scene uses music, camerawork, editing and mise-en-scene to entertain the audience and make them want to join in Ferris' fun journey.
Gold steps analysis
The video aims to relate to a teenage audience. Scenes show teenagers looking bored until a band's truck drives by, inspiring the teens to have fun chasing and dancing to the music. Shots include close-ups of the band playing and the singer spray painting their name, appealing to younger viewers. Throughout, various shots are used to depict the teens' excitement and happiness at finding fun, as well as crowd surfing at a nighttime concert showing the band's connection to their fans.
Gold steps analysis
The video aims to relate to a teenage audience. Scenes show teenagers looking bored until a band's truck drives by, inspiring the teens to have fun chasing and dancing to the music. Shots include close-ups of the band playing and the singer spray painting their name, appealing to younger viewers. Throughout, various shots are used to depict the teens' excitement and happiness at finding fun, as well as crowd surfing at a nighttime concert showing the band's connection to their fans.
Analysis of genre conventions
Pop music is a genre that originated in western culture, characterized by short-medium length songs with repeated choruses and hooks. It borrows from many styles but must have catchy melodies and lyrics about topics like love. Popular pop artists today include Justin Bieber, Ariana Grande, and Ed Sheeran. Music videos for pop songs typically feature colorful, upbeat performances and narratives about romantic interests of teenage girls. Cinematography employs techniques like jump cuts and lighting adjustments to highlight characters. Pop videos often portray women in stereotypical gender roles and focus on their relationships with men.
Music Video Treatment
The document provides a treatment outline for a music video for Camila Cabello's song "Havana". The video will tell the story of a girl named Bella recounting a romance she had over summer vacation. It will feature interpretative narrative scenes and dance performances. Flashback sequences will show Bella's encounter with a boy at a party in an abandoned building. The ending will feature a plot twist revealing the boy with another girl. Key influences, techniques, theories, characters, locations, target audience, visual style choices, equipment needs and contingency plans are outlined.
Music Video PowerPoint
The document provides ideas for a music video project recreating different eras of music and fashion. It includes potential song choices from various decades ranging from the 1950s to 2000s. The proposed concept is for students to dress up in costumes representing each era and lip sync and dance to the songs on a stage. The video would transition between decades, showing the evolution of music and fashion over time. It discusses the intended nostalgic tone and how recreating vintage styles could appeal to older audiences while still targeting current students.
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Organisation of planning
This document summarizes the planning stages of a music video production. It shows evidence of organizing locations, purchasing supplies like smoke grenades, and scheduling studio time. The group planned outfits and equipment for shooting at the beach and airport, making decisions about clothing, footwear, and gear like cameras, lights, and effects items to bring.
Organisation for photoshoot
The document discusses a group planning their photo shoot by sharing screenshots of emails deciding on the best day for everyone. They communicate effectively to schedule the shoot quickly so they can complete their digipaks and advertising. Evidence also shows the group requesting their teacher's permission to use a media room and backdrop for the shoot. In conclusion, the photo shoot was successful because the group's organization allowed them to get all needed pictures.
Organisation for photoshoot
This group planned their photoshoot by exchanging a series of emails to find the most suitable day for everyone as members had different schedules. They communicated highly to schedule their photoshoot quickly so they could move on to creating their digipaks and album advert.
Reeeeeece
The document discusses potential issues and solutions for filming at various locations. At Liverpool Street and Canary Wharf stations, the busy environment could pose issues, so cameras would need to be securely mounted and placed in less crowded areas. Heathrow Airport may have privacy concerns for filming individuals, so permission and releases would be required. Filming at the beach in winter could face windy conditions, so styling equipment and extra batteries would need to be brought. Theme parks present risks of equipment damage on rides, so protective gear and restrictions on some rides would need to be considered. For a music studio, booking in advance and confirming equipment availability is important.
Mis en scene plan
This document outlines the mis en scene plans for shooting a music video at various locations including Liverpool Street station, Canary Wharf underground, Heathrow Airport, Southend beach, Southend Adventure Island theme park, and a white studio. For each location, it details the setting, props, costumes, hair and makeup, facial expressions, body language, and lighting and color schemes. The goal is to convey the contrast between dull adult life and the freedom of youth through the different on-location shoots and capture the band's passion and energy in the studio performance.
Codes and conventions
The document discusses codes and conventions for different music genres in music videos. For rock videos, it notes they are predominantly performance-based, use low key lighting and spotlights on band members, fast pace editing to match songs, dark settings and outfits, and expressive lead singers. Pop videos are described as having high key lighting, colorful backgrounds, fashionable outfits, and portraying artists as happy. Dance videos focus on concepts and performances, use high key lighting, colorful settings like clubs, and fashionable clothing.
Planning for photographs
The photographer planned their shoot by taking the artist to a location with good lighting to make the pictures look professional. They had the artist hold a guitar as a prop since she plays guitar. The photographer also dressed the artist in a laid back outfit of an oversized shirt and jacket to fit the indie style for the shoot.
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Pitch presentation
- 1. Song title: Pumpin Blood Artist: NONONO
- 2. INDIE GENRE We are going to challenge one of the indie-pop conventions that instead of a love story narrative, it would consist of a journey with friends. Indie- pop conventions Low-budget settings e.g. cities, beach Performance partnered with narrative Live band performance Lyrics matching the visuals Long shots, close up shots, handheld shots, establishing shots, wide shots, tracking, titling and panning camera movements Filter e.g. black and white
- 3. STAR IMAGE OF THE ARTIST
- 4. Primary Audience: Females aged 18-20 In college or university High active social life e.g. Twitter, Tumblr, Facebook, Instagram Enjoys going concerts, festivals, gigs, reading latest fashion and music magazines. Spends time with their families and friends. Ideologies: Uses music to express how their emotions, believes that music influences them in what they do. Music helps to make them feel at peace and forget about stressful situations. They value their family and friends. Enjoys taking photos and visiting photography and art exhibitions. They are eager to travel and explore the world.
- 5. OVERALL CONCEPT/MEANING OF VIDEO Theme: youth and fun. The band would be seen in our music video always excited and ready for their adventure. e.g. running with sparklers, colour smoke bombs and laughing with friends. Video portrays that you don’t always need love from the opposite sex in order to have a enjoyable day. Meaning: have fun whilst you can since your still young before you get into the ‘real world’. Video will imply that your friends is what keeps you going and that you can rely on them.
- 6. INTERTEXTUAL REFERENCES The Breakfast Club – the ‘fist pump’ Ferris Bueller’s Day off – taking advantage & enjoying the day as much as you can
- 7. NARRATIVE SYNOPSIS: BEGINNING (instrumental) The scene begins with a time-lapse birds eye view shot of busy stations (Canary Wharf, Liverpool Street) setting with business men and women walking, reverse editing would be used to match the beat in the beginning of the song. An establishing shot of the airport is used, then a long shot to show a business man/woman with a suitcase going one way and the camera tracks the band going the opposite direction- a slow motion effect is used to highlight this. The camera continues to track the band from behind them and tilts up to show the arrivals sign, then the first verse begins.
- 8. SETTING/LOCATION Liverpool Street Station Canary Wharf Station Heathrow Airport Studio Southend Beach Southbank Skate park
- 9. PROPS Drums Guitar x2 Microphone Suitcase Sparklers Smoke bomb Tripod DSLR Reflector