Arctic monkeys summer holiday work
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The music video depicts the lead singer Alex Turner hallucinating as he walks through the streets of London at night after leaving a pub. The one-shot tracking camera style aims to portray what he is seeing and experiencing due to hallucinating. Scenes show him interacting with people through text and hallucinating different situations with various people he encounters. The video uses point of view shots to show his hallucinated perspective versus reality.
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Arctic monkeys summer holiday work
This document analyzes and summarizes the music video "why'd you only call me when you're high" by Arctic Monkeys. The video follows the lead singer Alex Turner as he hallucinates while walking through the city at night after leaving a pub. Through point of view shots, the video shows Turner's hallucinations and how they impact his attempt to get to a girl's house as he texts her. The hallucinations create different meanings in Turner's head and portray his state of mind.
Love actually
The document provides a summary of the opening scenes and title sequence of the film "Love Actually". It describes the production company logos that are shown at the beginning to establish expectations of quality. It then discusses a montage showing different people hugging and kissing at an airport, accompanied by slow music. A voiceover identifies the location as an airport arrival gate. Throughout the montage, different shots are used to show facial expressions. As the voiceover ends, the words "love actually is all around" appear on screen, revealing the title of the film. The music fades out as the title displays against a black background before fading into the next scene of an older male character in a recording studio.
Timeline of proposal
Ben wakes up hungover and leaves his house, walking down the street while smoking. The video cuts between Ben walking and his band performing in a dimly lit room. As Ben walks, he passes an altercation where two angry men are confronting another man alone. Ben seems unaffected but the situation reflects the song's lyrics of "running away". The video continues cutting between Ben and the band's performance, focusing on different band members and shots that match the tempo. It ends with Ben arriving where the band is, pulling out a gun and shooting his on-stage doppelganger, symbolizing his rebirth and no longer bowing to those who drag him down.
Media music video analysis
The document analyzes the first 30 seconds of three music videos:
1. "You Give Me Something" by James Morrison, which shows the singer busking in New York City. Shots of non-performance last 1.5 seconds while performance shots are 3-4 seconds.
2. "Lucky" by Jason Mraz and Colbie Caillat, which is set in two contrasting locations. Shots last around 2 seconds for non-performance and 4 seconds for performance.
3. "Who Says" by John Mayer, set in two times of night in New York City. Shots of non-performance are about 1 second and performance shots are around 2 seconds.
Video analysis wake me up
The music video for Avicii's "Wake Me Up" tells the narrative story of two girls who do not feel they belong in their rural hometown. The older girl takes the younger one to another town, where they discover they feel more at ease. The video depicts their journey through rural scenery and one scene in a club using a variety of camera shots and angles. While some lyrics match the story, others do not due to being more negative when the characters are happily enjoying themselves in their new community.
Video analysis
The video features two R&B/pop artists on a radio/TV. Scenes show a medium shot of an old radio, suggesting the vintage style and old classics genre of the song. Pictures of the artists are shown with posters of other bands in the background, further indicating the rap and RnB genre. Shots of the artists in hoodies, polo shirts and checkered shirts in an urban environment also connote an indie rap genre. The video cuts between different angles and shots at a fast pace to match the quick beat of the song. It follows a narrative story that includes humor with a man getting paid with fake money, and a chase scene shown with slow motion shots. Props and graffiti in the
Tom odell treatment
This music video treatment proposes telling the story of a failed relationship through a series of memories captured on camera. In the intro, the artist walks down the street listening to music and meets a girl, signaling the start of their relationship. Throughout the video, handheld camera footage will show happy and difficult shared experiences through images and locations linked to the song lyrics. As cracks in the relationship emerge, the footage becomes more disturbed, changing to black and white to portray the strain. In the climactic ending, the couple argues and the artist destroys things in anger during the performance. When he takes out his headphones again at the end, the girl is gone, showing the relationship has ended.
Text analysis 2
The video summary compares the music video for The Script's song to Stereophonics' "Devil" video. It notes that The Script video uses quick editing at the beginning to portray a sense of being lost, while "Devil" has a more ominous tone. Both videos feature the lead singer in a leather jacket and incorporate lyrics into the narrative. However, The Script video conveys hope through its lighting and empty city setting, while "Devil" has a darker tone. Overall, the videos have different meanings but use some similar filmmaking techniques to communicate different messages.
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Arctic monkeys summer holiday work
This document analyzes and summarizes the music video "why'd you only call me when you're high" by Arctic Monkeys. The video follows the lead singer Alex Turner as he hallucinates while walking through the city at night after leaving a pub. Through point of view shots, the video shows Turner's hallucinations and how they impact his attempt to get to a girl's house as he texts her. The hallucinations create different meanings in Turner's head and portray his state of mind.
Love actually
The document provides a summary of the opening scenes and title sequence of the film "Love Actually". It describes the production company logos that are shown at the beginning to establish expectations of quality. It then discusses a montage showing different people hugging and kissing at an airport, accompanied by slow music. A voiceover identifies the location as an airport arrival gate. Throughout the montage, different shots are used to show facial expressions. As the voiceover ends, the words "love actually is all around" appear on screen, revealing the title of the film. The music fades out as the title displays against a black background before fading into the next scene of an older male character in a recording studio.
Timeline of proposal
Ben wakes up hungover and leaves his house, walking down the street while smoking. The video cuts between Ben walking and his band performing in a dimly lit room. As Ben walks, he passes an altercation where two angry men are confronting another man alone. Ben seems unaffected but the situation reflects the song's lyrics of "running away". The video continues cutting between Ben and the band's performance, focusing on different band members and shots that match the tempo. It ends with Ben arriving where the band is, pulling out a gun and shooting his on-stage doppelganger, symbolizing his rebirth and no longer bowing to those who drag him down.
Media music video analysis
The document analyzes the first 30 seconds of three music videos:
1. "You Give Me Something" by James Morrison, which shows the singer busking in New York City. Shots of non-performance last 1.5 seconds while performance shots are 3-4 seconds.
2. "Lucky" by Jason Mraz and Colbie Caillat, which is set in two contrasting locations. Shots last around 2 seconds for non-performance and 4 seconds for performance.
3. "Who Says" by John Mayer, set in two times of night in New York City. Shots of non-performance are about 1 second and performance shots are around 2 seconds.
Video analysis wake me up
The music video for Avicii's "Wake Me Up" tells the narrative story of two girls who do not feel they belong in their rural hometown. The older girl takes the younger one to another town, where they discover they feel more at ease. The video depicts their journey through rural scenery and one scene in a club using a variety of camera shots and angles. While some lyrics match the story, others do not due to being more negative when the characters are happily enjoying themselves in their new community.
Video analysis
The video features two R&B/pop artists on a radio/TV. Scenes show a medium shot of an old radio, suggesting the vintage style and old classics genre of the song. Pictures of the artists are shown with posters of other bands in the background, further indicating the rap and RnB genre. Shots of the artists in hoodies, polo shirts and checkered shirts in an urban environment also connote an indie rap genre. The video cuts between different angles and shots at a fast pace to match the quick beat of the song. It follows a narrative story that includes humor with a man getting paid with fake money, and a chase scene shown with slow motion shots. Props and graffiti in the
Tom odell treatment
This music video treatment proposes telling the story of a failed relationship through a series of memories captured on camera. In the intro, the artist walks down the street listening to music and meets a girl, signaling the start of their relationship. Throughout the video, handheld camera footage will show happy and difficult shared experiences through images and locations linked to the song lyrics. As cracks in the relationship emerge, the footage becomes more disturbed, changing to black and white to portray the strain. In the climactic ending, the couple argues and the artist destroys things in anger during the performance. When he takes out his headphones again at the end, the girl is gone, showing the relationship has ended.
Text analysis 2
The video summary compares the music video for The Script's song to Stereophonics' "Devil" video. It notes that The Script video uses quick editing at the beginning to portray a sense of being lost, while "Devil" has a more ominous tone. Both videos feature the lead singer in a leather jacket and incorporate lyrics into the narrative. However, The Script video conveys hope through its lighting and empty city setting, while "Devil" has a darker tone. Overall, the videos have different meanings but use some similar filmmaking techniques to communicate different messages.
The conversation
The opening sequence of a film focuses on the main character who is being watched by someone who may be spying or investigating him, though it initially appears they could be an assassin. While the scene has a busy feel due to arguing, singing and music heard in the background sounds, the audio does not match up to the person the camera focuses on at the end. The extra background sounds are likely from people in a park scene performing or walking through, with some static noise also audible.
39 steps
The document provides analysis of the mise-en-scene, sound, camera shots, and editing techniques used in the first three minutes of the film 39 Steps. It summarizes that the black and white filming establishes the early 20th century setting. Upbeat non-diegetic music and lighting create an atmosphere of excitement for a glamorous theater occasion. Shadows and shots of a mysterious man in a trench coat create intrigue about the unfolding mystery genre narrative. Formal staging of two suited men on stage signals the start of a comedy performance to a sophisticated, upper-class audience. Linear editing moves the story along without disorienting the viewer as they are introduced to this world.
Assignmetn 26
The music video will tell a narrative story through a single continuous shot of a man walking through run-down areas of town at night, grieving over life decisions and having lost someone dear to him. Flashbacks will show happier times they spent together. The goal is to portray emotions of sadness and regret through the character's journey to a cemetery, while highlighting the artist's journey from a tough childhood to finding solace in music rather than a life of crime.
Music Video Treatment
The proposed music video treatment aims to tell the story of an isolated old man who has lost his wife through a narrative storyline and performance by the artist. Shots of the man alone in his dark, empty home would contrast with warmly lit scenes to show his changing emotions. Pictures of the man and his wife would establish her absence. The artist's performance would introduce a parallel storyline. Edited close-ups of the men's hands and faces would draw parallels between their experiences with loss. Scenes of the man in his garden suggest finding freedom and peace while thinking of his late wife. The video aims to interpret the song through both characters' stories of lost love.
A v script olivia
This document appears to be a shot list or storyboard for a media studies project titled "Unknown" produced by Olivia Unterhalter. It details various camera shots including close-ups of characters' faces, mid-shots of characters talking or lying dead, and establishing shots of locations like stairs or a bedroom. It also includes audio notes listing characters' dialogues and monologues as well as sound effects like camera clicking or video game sounds. The shots document scenes with the characters Anna, Ben, and Ellie Evans at different locations in a home.
Music Video Analysis Radiohead Just
The music video for Radiohead's "Just" follows conventions of rock videos by presenting a bleak and surreal narrative. It shows a man undressing and taking a bath, intercut with shots of the band playing. The man is later confronted while lying in the road, but when he speaks to explain himself his words are not shown, creating tension. Throughout, the band maintains a position of power, observing the action from above. By the end, everyone lies in the road except the band, reflecting the video's overall confusing and frustrating tone.
Music video evaluation - Jake Bugg 'Two Fingers'
The music video tells a narrative story of the artist Jake Bugg's life. It shows him hanging out with friends, then scenes of conflict at home with his mother and her boyfriend drinking and fighting. Shots show Bugg packing up and leaving home, represented by a shot of him at the airport with friends. The video contrasts scenes of his difficult home life with shots of him performing music, suggesting he uses his artistry as an escape from his problems at home.
Analysis of a music video
The music video is for the song "Take Off" by Chipmunk featuring Trey Songz. It was released on July 15th 2011. The video uses various shot types and angles to convey meaning and establish the location and artists. It tells a story of love and betrayal between Trey Songz and a female character through their lyrics and interactions captured in the shots. Overall it is an interesting video that catches the audience's attention through its visual narrative.
Text analysis 1
The music video opens with the female protagonist approaching the male protagonist holding power over him as he sits bound. Throughout the video, tense scenes show their love-hate relationship unfolding, with the female alternately portrayed as his "angel" and "devil" through flashbacks and changes in appearance. The narrative builds intrigue and confusion before revelations in the chorus, mirroring the song's lyrics. Red lighting emphasizes the dark, devious atmosphere of their relationship. The video aims to create a suspenseful narrative that aligns with the rock music genre through its dark tone, tense scenes, and limited color palette.
Music video narrative.
Michael Jackson's "Smooth Criminal" music video narrative fits well with the song lyrics. The video starts with Michael entering a nightclub, as mentioned in the lyrics. Throughout the video, the dark, shadowy décor matches descriptions in the lyrics. During the chorus, shadows are shown as he sings about a "black day". Close-up shots of people peering around imply a struggle happened as described in the song. Sounds of banging, police sirens, and a woman in a jail cell further imply the character "Annie" was murdered. The costumes, lighting, and facial expressions create an edgy atmosphere of suspicion between the criminal characters mentioned in the song.
Media video breakdown
This document provides a time-coded summary of a music video. It describes various shots including the singer Kele walking down the street and singing, close-ups of Kele's face and necklace, and flashing lights. Throughout the video, it cuts back to the initial shot of Kele walking to provide continuity.
Misery
The document provides an analysis of the opening scenes of the film "Misery" through discussion of its technical elements including camera work, editing, mise-en-scene, sound, and how titles are used. It describes how slow camera movements and focused shots are used to draw attention to specific details. Costumes, lighting, and color are employed to foreshadow future danger. Diegetic sounds of typing, cork popping and matches establish the main character as a writer celebrating completion of his work, as non-diegetic music builds suspense for the audience.
Music video story board
1. The document describes the shots and camera movements in a music video for the song "Money Trees" by Kendrick Lamar. It includes 24 numbered sections that detail the camera angles, composition, lighting, and transitions between shots.
2. The shots start with a dolly shot introducing the artist in front of a mansion before tracking through the burgled home and out to a suburban street. Shots include the artist rapping in a car driving through poor neighborhoods and on a basketball court.
3. The camerawork aims to contrast affluence and poverty with shots of mansions, dollar bills, and run-down suburban areas. There are close-ups of the artist rapping and transitions between shots
Music Video Pitch
The document outlines a concept for a music video for the song "Pumpin Blood" by the indie pop band NONONO. It will challenge conventions by focusing on a journey with friends rather than a love story narrative. It will portray the band having fun with sparklers, smoke bombs and laughing together to show that you don't need romance to enjoy your day. The video aims to convey that you should have fun in your youth before adulthood and that friends are what keep you going.
Windsurfing (V M )
Windsurfing is a surface water sport that involves riding waves or wind using a windsurf board with a sail. The sport requires balance and knowledge of how to control the board and sail to move across the water. All photos and music referenced in the document belong to their original creators according to the author's copyright statement.
Analysis of a music video
The music video is for the song "Take Off" by Chipmunk featuring Trey Songz. It was released on July 15th 2011. The video uses various shot types and angles to convey meaning and establish the location and artists. It tells a story of love and betrayal between Trey Songz and a female character through their lyrics and interactions captured in the shots. Overall it is an interesting video that catches the audience's attention through its visual narrative.
Existing music video research
This document analyzes and summarizes key elements of three music videos: Arctic Monkeys' "Why'd You Only Call Me When You're High?" and "I Bet You Look Good on the Dance Floor", and Jake Bugg's "Lightening Bolt". It finds that the videos capture a sense of realism through location, costumes, and lighting. Specifically, it notes the videos depict gritty, urban settings and casual clothing to set a downbeat, realistic tone. It also observes the videos use close-ups of the artists and long shots to engage viewers and set the scene. The document concludes it has learned indie pop videos emphasize realism and use editing techniques like close-ups and long shots to involve the audience.
Question 1
The music video challenges conventions in several ways:
1) It does not include typical performance shots of the artist, but instead integrates shots of the characters at the artist's concert to further the narrative.
2) It uses a nonlinear, fragmented narrative structure to tell the story through the main character's reflections in the bath rather than a linear storyline.
3) It represents the main character as trying to cleanse herself of past mistakes by including scenes of her in the bath and burning words that represent her feelings.
Question 1 evaluation
The document discusses the codes and conventions of electronic dance music videos and how the student's music video project incorporates and challenges some of these conventions. It follows conventions such as using slow motion shots, matching edits to the music pacing, low lighting, and close-ups of the artist. However, it challenges conventions by incorporating all three common music video types (narrative, concept, performance) into one video. The student aims to create a personal feel through the relationship portrayed and uses flashbacks to tell a disjointed narrative that engages the audience. Color grading also develops the main character from an initial cold state to one of rage.
Somebodyelse deconstruction
The music video tells a narrative story through the main singer's experiences after a breakup. It begins with him alone in a room wearing clown makeup, representing his attempt to disguise his true feelings. Throughout the video, he visits different locations like a restaurant and bar, seeing his ex-girlfriends moving on, making him nostalgic. Through editing techniques like a shot reverse shot, it's revealed the singer has been replacing his ex in the scenes, implying he is the cause of his own unhappiness. The video uses lighting, location, and the singer's interactions with mirrors to portray his emotional journey from avoiding facing his feelings to accepting reality and himself.
Evaluation q1
This document summarizes and discusses various shots from the student's music video project that demonstrate techniques used. It provides analysis of several shots that: 1) show links between lyrics and visuals, 2) represent how a record company would want their artist portrayed, 3) illustrate the music genre used, 4) demonstrate camera techniques like close-ups and manual focus, 5) showcase lighting techniques, and 6) exemplify the mise-en-scene style of a decadent fairy tale. The student also discusses shots that show intertextual references or techniques adopted from other music videos.
Video Analysis
The document provides analysis of the video techniques used in 5 music videos:
1. Metallica - One uses blacked out band members, western stock footage, and an abandoned warehouse setting to reflect the dark tone of the song. Close-ups and angles emphasize the importance of the music and drumming. Stock footage is cut with the music.
2. Michael Jackson - Thriller uses horror film-inspired settings, costumes, and camera techniques to portray a movie-like feel. Close-ups show transformation and screaming details. Shots establish settings and conversation-like tracking.
3. Bring Me The Horizon - Sleepwalking uses locations and subtle, handheld shots to portray the fragile nature of sleepwalking. Cross
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The conversation
The opening sequence of a film focuses on the main character who is being watched by someone who may be spying or investigating him, though it initially appears they could be an assassin. While the scene has a busy feel due to arguing, singing and music heard in the background sounds, the audio does not match up to the person the camera focuses on at the end. The extra background sounds are likely from people in a park scene performing or walking through, with some static noise also audible.
39 steps
The document provides analysis of the mise-en-scene, sound, camera shots, and editing techniques used in the first three minutes of the film 39 Steps. It summarizes that the black and white filming establishes the early 20th century setting. Upbeat non-diegetic music and lighting create an atmosphere of excitement for a glamorous theater occasion. Shadows and shots of a mysterious man in a trench coat create intrigue about the unfolding mystery genre narrative. Formal staging of two suited men on stage signals the start of a comedy performance to a sophisticated, upper-class audience. Linear editing moves the story along without disorienting the viewer as they are introduced to this world.
Assignmetn 26
The music video will tell a narrative story through a single continuous shot of a man walking through run-down areas of town at night, grieving over life decisions and having lost someone dear to him. Flashbacks will show happier times they spent together. The goal is to portray emotions of sadness and regret through the character's journey to a cemetery, while highlighting the artist's journey from a tough childhood to finding solace in music rather than a life of crime.
Music Video Treatment
The proposed music video treatment aims to tell the story of an isolated old man who has lost his wife through a narrative storyline and performance by the artist. Shots of the man alone in his dark, empty home would contrast with warmly lit scenes to show his changing emotions. Pictures of the man and his wife would establish her absence. The artist's performance would introduce a parallel storyline. Edited close-ups of the men's hands and faces would draw parallels between their experiences with loss. Scenes of the man in his garden suggest finding freedom and peace while thinking of his late wife. The video aims to interpret the song through both characters' stories of lost love.
A v script olivia
This document appears to be a shot list or storyboard for a media studies project titled "Unknown" produced by Olivia Unterhalter. It details various camera shots including close-ups of characters' faces, mid-shots of characters talking or lying dead, and establishing shots of locations like stairs or a bedroom. It also includes audio notes listing characters' dialogues and monologues as well as sound effects like camera clicking or video game sounds. The shots document scenes with the characters Anna, Ben, and Ellie Evans at different locations in a home.
Music Video Analysis Radiohead Just
The music video for Radiohead's "Just" follows conventions of rock videos by presenting a bleak and surreal narrative. It shows a man undressing and taking a bath, intercut with shots of the band playing. The man is later confronted while lying in the road, but when he speaks to explain himself his words are not shown, creating tension. Throughout, the band maintains a position of power, observing the action from above. By the end, everyone lies in the road except the band, reflecting the video's overall confusing and frustrating tone.
Music video evaluation - Jake Bugg 'Two Fingers'
The music video tells a narrative story of the artist Jake Bugg's life. It shows him hanging out with friends, then scenes of conflict at home with his mother and her boyfriend drinking and fighting. Shots show Bugg packing up and leaving home, represented by a shot of him at the airport with friends. The video contrasts scenes of his difficult home life with shots of him performing music, suggesting he uses his artistry as an escape from his problems at home.
Analysis of a music video
The music video is for the song "Take Off" by Chipmunk featuring Trey Songz. It was released on July 15th 2011. The video uses various shot types and angles to convey meaning and establish the location and artists. It tells a story of love and betrayal between Trey Songz and a female character through their lyrics and interactions captured in the shots. Overall it is an interesting video that catches the audience's attention through its visual narrative.
Text analysis 1
The music video opens with the female protagonist approaching the male protagonist holding power over him as he sits bound. Throughout the video, tense scenes show their love-hate relationship unfolding, with the female alternately portrayed as his "angel" and "devil" through flashbacks and changes in appearance. The narrative builds intrigue and confusion before revelations in the chorus, mirroring the song's lyrics. Red lighting emphasizes the dark, devious atmosphere of their relationship. The video aims to create a suspenseful narrative that aligns with the rock music genre through its dark tone, tense scenes, and limited color palette.
Music video narrative.
Michael Jackson's "Smooth Criminal" music video narrative fits well with the song lyrics. The video starts with Michael entering a nightclub, as mentioned in the lyrics. Throughout the video, the dark, shadowy décor matches descriptions in the lyrics. During the chorus, shadows are shown as he sings about a "black day". Close-up shots of people peering around imply a struggle happened as described in the song. Sounds of banging, police sirens, and a woman in a jail cell further imply the character "Annie" was murdered. The costumes, lighting, and facial expressions create an edgy atmosphere of suspicion between the criminal characters mentioned in the song.
Media video breakdown
This document provides a time-coded summary of a music video. It describes various shots including the singer Kele walking down the street and singing, close-ups of Kele's face and necklace, and flashing lights. Throughout the video, it cuts back to the initial shot of Kele walking to provide continuity.
Misery
The document provides an analysis of the opening scenes of the film "Misery" through discussion of its technical elements including camera work, editing, mise-en-scene, sound, and how titles are used. It describes how slow camera movements and focused shots are used to draw attention to specific details. Costumes, lighting, and color are employed to foreshadow future danger. Diegetic sounds of typing, cork popping and matches establish the main character as a writer celebrating completion of his work, as non-diegetic music builds suspense for the audience.
Music video story board
1. The document describes the shots and camera movements in a music video for the song "Money Trees" by Kendrick Lamar. It includes 24 numbered sections that detail the camera angles, composition, lighting, and transitions between shots.
2. The shots start with a dolly shot introducing the artist in front of a mansion before tracking through the burgled home and out to a suburban street. Shots include the artist rapping in a car driving through poor neighborhoods and on a basketball court.
3. The camerawork aims to contrast affluence and poverty with shots of mansions, dollar bills, and run-down suburban areas. There are close-ups of the artist rapping and transitions between shots
Music Video Pitch
The document outlines a concept for a music video for the song "Pumpin Blood" by the indie pop band NONONO. It will challenge conventions by focusing on a journey with friends rather than a love story narrative. It will portray the band having fun with sparklers, smoke bombs and laughing together to show that you don't need romance to enjoy your day. The video aims to convey that you should have fun in your youth before adulthood and that friends are what keep you going.
Windsurfing (V M )
Windsurfing is a surface water sport that involves riding waves or wind using a windsurf board with a sail. The sport requires balance and knowledge of how to control the board and sail to move across the water. All photos and music referenced in the document belong to their original creators according to the author's copyright statement.
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Similar to Arctic monkeys summer holiday work
Analysis of a music video
The music video is for the song "Take Off" by Chipmunk featuring Trey Songz. It was released on July 15th 2011. The video uses various shot types and angles to convey meaning and establish the location and artists. It tells a story of love and betrayal between Trey Songz and a female character through their lyrics and interactions captured in the shots. Overall it is an interesting video that catches the audience's attention through its visual narrative.
Existing music video research
This document analyzes and summarizes key elements of three music videos: Arctic Monkeys' "Why'd You Only Call Me When You're High?" and "I Bet You Look Good on the Dance Floor", and Jake Bugg's "Lightening Bolt". It finds that the videos capture a sense of realism through location, costumes, and lighting. Specifically, it notes the videos depict gritty, urban settings and casual clothing to set a downbeat, realistic tone. It also observes the videos use close-ups of the artists and long shots to engage viewers and set the scene. The document concludes it has learned indie pop videos emphasize realism and use editing techniques like close-ups and long shots to involve the audience.
Question 1
The music video challenges conventions in several ways:
1) It does not include typical performance shots of the artist, but instead integrates shots of the characters at the artist's concert to further the narrative.
2) It uses a nonlinear, fragmented narrative structure to tell the story through the main character's reflections in the bath rather than a linear storyline.
3) It represents the main character as trying to cleanse herself of past mistakes by including scenes of her in the bath and burning words that represent her feelings.
Question 1 evaluation
The document discusses the codes and conventions of electronic dance music videos and how the student's music video project incorporates and challenges some of these conventions. It follows conventions such as using slow motion shots, matching edits to the music pacing, low lighting, and close-ups of the artist. However, it challenges conventions by incorporating all three common music video types (narrative, concept, performance) into one video. The student aims to create a personal feel through the relationship portrayed and uses flashbacks to tell a disjointed narrative that engages the audience. Color grading also develops the main character from an initial cold state to one of rage.
Somebodyelse deconstruction
The music video tells a narrative story through the main singer's experiences after a breakup. It begins with him alone in a room wearing clown makeup, representing his attempt to disguise his true feelings. Throughout the video, he visits different locations like a restaurant and bar, seeing his ex-girlfriends moving on, making him nostalgic. Through editing techniques like a shot reverse shot, it's revealed the singer has been replacing his ex in the scenes, implying he is the cause of his own unhappiness. The video uses lighting, location, and the singer's interactions with mirrors to portray his emotional journey from avoiding facing his feelings to accepting reality and himself.
Evaluation q1
This document summarizes and discusses various shots from the student's music video project that demonstrate techniques used. It provides analysis of several shots that: 1) show links between lyrics and visuals, 2) represent how a record company would want their artist portrayed, 3) illustrate the music genre used, 4) demonstrate camera techniques like close-ups and manual focus, 5) showcase lighting techniques, and 6) exemplify the mise-en-scene style of a decadent fairy tale. The student also discusses shots that show intertextual references or techniques adopted from other music videos.
Video Analysis
The document provides analysis of the video techniques used in 5 music videos:
1. Metallica - One uses blacked out band members, western stock footage, and an abandoned warehouse setting to reflect the dark tone of the song. Close-ups and angles emphasize the importance of the music and drumming. Stock footage is cut with the music.
2. Michael Jackson - Thriller uses horror film-inspired settings, costumes, and camera techniques to portray a movie-like feel. Close-ups show transformation and screaming details. Shots establish settings and conversation-like tracking.
3. Bring Me The Horizon - Sleepwalking uses locations and subtle, handheld shots to portray the fragile nature of sleepwalking. Cross
Evaluation Task 1
In what ways does your media product use, develop or challenge forms and conventions of real media products?
Vic's Media - A2
Skrillex - Ruffneck Bass Analysis
The document analyzes and summarizes the music video for Skrillex's song "Ruffneck Bass" directed by Tony T. It notes that the video promotes Skrillex's new single through interesting visuals depicting drug use and violence. The video represents Skrillex's dark style through its abstract and weird imagery. It also analyzes how the visuals strongly relate to the music through effects that mimic the song's drops, rises, and sounds. The target audience is fans of Skrillex and ravers who would find the strange video appealing and fun to watch.
Experimental media
The video uses the technique of mirroring footage from the film 'Rashomon' along a longitudinal axis to create artistic and hypnotic images. There is a climax when the woman is seen falling to the ground with distress while static noise plays, catching the viewer's attention. As the woman falls and the image splits, it adds to the frustrating atmosphere as the fast-paced visuals are difficult for viewers' eyes to keep up with. The music then fizzles out along with the image, conveying the intended mood through visuals and music.
Music video analysis
The music video for "Why'd You Only Call Me When You're High?" by Arctic Monkeys uses several cinematic techniques. It contains long sustained shots rather than quick cuts, and many close-ups of Alex Turner's face to capture his emotional expressions. The sound starts as one song and transforms as the effects of being high intensify. Editing shows both Turner's attempts to contact someone and the hallucinations he experiences when intoxicated, reflecting the lyrics. Mise-en-scene presents a realistic bar setting through the characters' clothing and surroundings. Overall, the video enhances the song's themes through visual and auditory elements according to theories about how music videos can amplify and authenticate the musical content.
Radiohead - Lotus Flower Music Video Analysis
1) The document analyzes the music video for the Radiohead song "Lotus Flower" in terms of genre, media language, representation, and narrative.
2) The genre is described as alternative rock, shown through the abnormal setting and Thom Yorke's unusual dancing.
3) Elements of media language used include camera movements matching the music, editing matching changes in the music, and juxtaposition of dark and light tones.
4) Representation in the video relates to the song's lyrics about escapism and disappearing, shown through Yorke's dancing entering another world.
Task 8/9 - Music Video Analysis Powerpoint Finished
The music video for "Blinded By The Lights" by The Streets accurately depicts the story told in the song's lyrics through its visuals. It shows both the actions in the story and the emotions and confusion felt by the artist due to the drugs. Shaky camera work and blurred shots portray how messed up the character feels. The video represents both the good and bad effects of drug use.
Video analysis
This document analyzes the music video for "F*cked Up World" by the band The Pretty Reckless. It discusses how the band sticks to conventions of rock and metal genres in the video. Key elements analyzed include Taylor Momsen being the central focus, visual correlations between lyrics and images, and references to the song's lyrics through the mise-en-scene. The setting contains sexual and social commentary references.
Music video analysis artic monkeys
The music video depicts the main character coping with reality while under the influence of drugs, as interpreted by the song's lyrics. Scenes show his wild fantasies of the girl he likes with others. Cinematography uses medium close ups, long shots, and point of view shots. Mise-en-scene reflects the character's state through his drinking and delinquent appearance. While the editing is not synced to the song's beat, the shots correlate well to the lyrics to tell a cohesive story about a character regretting drinking too much.
Arctic Monkeys - Why'd You Only Call Me When You're High?
This 3 sentence summary provides the key details about the Arctic Monkeys music video for "Why'd You Only Call Me When You're High?":
The music video was directed by Nabil Elderkin and features frontman Alex Turner experiencing the hallucinatory effects of drugs and alcohol as he texts an ex-partner throughout the night; lighting and point-of-view shots are used to convey Alex's deteriorating mental state; the video references the song's lyrics and themes of substance abuse to tell the story.
Media 30 second analysis
The document analyzes conventions in indie music video genres based on three example videos. It finds that shots are often long takes with minimal cuts, sometimes using tracking shots. Narratives are sometimes included but performance shots are less common. Videos aim to portray more realistic emotions than pop videos and use color schemes and filters to set moods. Jump cuts are used in faster-paced synthpop to fit more narrative into videos. The analyzed videos influence the document writer's plans to incorporate conventions like long takes, color schemes, and filters to evoke nostalgia in their own indie-inspired music video.
Video essay – andrew goodwin's rules
This document provides an analysis of three music videos: "I Want to Break Free" by Queen, "Mama Said" by Lukas Graham, and "Stronger" by Kanye West. It examines each video based on six of Andrew Goodwin's rules for analyzing music videos, including relationships between lyrics/music and visuals, close-ups of artists, and intertextual references. The document concludes that each video has different focuses and styles, such as performance, narrative concepts.
Catfish and the bottlemen rango - music video analysis
This music video analysis document discusses several theories related to analyzing music videos. It begins by outlining some common characteristics of music videos like representing genre traits and having relationships between lyrics, music, and visuals. It then summarizes several theorists' perspectives on music videos, such as them representing modern mythic embodiments, having aesthetics similar to TV commercials, and containing performance and narrative elements. The document also analyzes the music video for the song "Rango" by Catfish and the Bottlemen, noting its animated concept involving sperm cells competing in a race and various symbolic elements it incorporates.
Party rock anthem lmfao
The music video for "Party Rock Anthem" by LMFAO depicts two characters waking up in a hospital overrun by zombies. Unlike typical zombies, these zombies shuffle to the music. Throughout the video, the two main characters are transformed into zombies themselves and start a shuffling movement that spreads to all the other zombies. The video uses a variety of shots and fast-paced editing to depict the characters and story. It also contains numerous references and homages to the zombie movie 28 Days Later.
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Task 8/9 - Music Video Analysis Powerpoint Finished
Task 8/9 - Music Video Analysis Powerpoint Finished
Arctic Monkeys - Why'd You Only Call Me When You're High?
Arctic Monkeys - Why'd You Only Call Me When You're High?
Catfish and the bottlemen rango - music video analysis
Catfish and the bottlemen rango - music video analysis
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Evaluation 3
The document provides feedback from a teacher on drafts and final versions of a digipak and magazine advertisement created by students. For the digipak draft, the teacher said it was good that images linked to the music video but could be improved with more images and close-ups of the artist's face. The final digipak addressed this with more images. For the magazine ad draft, the teacher said it clearly showed both actors but could advertise the record label and purchase locations more. The final magazine ad overlayed more linked images and extended the bottom to add more advertising.
Michael Jackson digipak
This album was released after Michael Jackson's death to celebrate the music he was working on but did not have a chance to release. The front cover features an image of Jackson with his hands up and the title "This is It," suggesting this is the final work from Jackson. The back cover shows Jackson in a famous pose without his face, symbolizing that performing and music was his passion.
Eminem digipak analysis
The album Recovery by Eminem focuses on themes of rehabilitation and recovery, as evidenced by the medical symbol used in the title and imagery throughout the digipak. The front cover shows a man walking along a road, alluding to a journey of recovery. Inside, a red cross symbolizes first aid or medical aid. Photos depict the artist alone in a glass box, representing feelings of isolation from addiction or depression. The back cover places Eminem alone in Detroit, reinforcing the theme of loneliness during recovery from medical conditions.
Foo fighter summer holiday work
The music video for "Walk" by The Foo Fighters depicts the lead singer Dave Grohl as a frustrated character wandering through a city carrying only his guitar. The video uses tracking shots of Grohl walking and shows him interacting angrily with others before finally reuniting with the band to play, finding happiness. The video explores Grohl's character's frustration with life through various scenarios within typical city locations, ultimately resolving when he reconnects with the band through music.
Evaluation 3 powerpoint
This document discusses different methods for distributing media products, including cinema release, online streaming services like Netflix and Amazon Prime, and DVD/Blu-ray releases. It recommends distributing the boxing film "Knockout" through DreamWorks studios, which would release it first in cinemas for 2-3 months, then digitally 4-5 months later, followed by DVD/Blu-ray and later on TV. DreamWorks utilizes multiple distribution platforms over time to maximize the potential audience for a media product.
Secondary research.
This document discusses secondary research on other boxing films to see how well they performed financially when released. It shows an image ranking the top 18 boxing films ever made by their box office takings to analyze how similar films have done commercially.
Risk assesment
To minimize risks of injury during filming of a boxing video, the main actor did warm up and cool down exercises before and after training scenes to prevent muscle strains, and his hands were properly wrapped with boxing tape to support his wrists and protect his knuckles and fingers when using boxing gloves during training with pads, heavy bags, and speed balls.
Media research
This document discusses applying fake cuts to a boxer's head in a film to simulate a fight and provides screenshots from films of the same genre for inspiration on shots and openings to include in their own film.
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Arctic monkeys summer holiday work
- 1. Holiday work – music video 2 Ben Tresidder
- 2. Concept The second video I have chosen to analyse is ‘why’d you only call me when your high?’ The concept of this video is the lead singer, Alex Turner, hallucinating as he walks out of a pub and along the dark streets of a city at night.
- 3. Technical Similar the the last video I analysed, the tracking shot is used for the majority of the video. However in this video the camera moves about more to try and portray what he is seeing and how he is hallucinating. The setting of the music video is a city at night, what looks to be London. This works well with the music video because lots of events happen within the streets of London at night and there are lots of bright lights all around the city, which to someone who is hallucinating can all be seen very differently in their head, to what is actually happening in reality.
- 4. Representation Alex Turner is shown in and leaving a busy pub before the music to the video starts playing. The music video shows him in conversation with a girl over text, showing how he is trying to get to here house. This is obviously made a lot more difficult because of the fact that he is hallucinating and seeing people do things which in reality they are not actually doing.
- 5. Meanings created Within the music video, we see him (Alex Turner) hallucinating at different people. Each of these people are shown to be in different situations, which create different meanings in the lead singers head. This is shown by the camera showing point of view shots of what he is seeing, and then turning back to having him in a third persons view, showing what is actually happening in reality.
- 6. Genre conventions This band has a mixed variety of music videos; some being narrative based and others being performance based. The band does this so that they’re audience can keep being entertained by the Arctic Monkey’s music videos, weather that be watching them perform or a narrative story like this music video.