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The document outlines a concept for a music video for the song "Pumpin Blood" by the indie pop band NONONO. It will challenge conventions by focusing on a journey with friends rather than a love story narrative. It will portray the band having fun with sparklers, smoke bombs and laughing together to show that you don't need a romantic relationship to enjoy your day. The video aims to convey that you should have fun in your youth before adult responsibilities and that friends are what keep you going.
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Pitch presentation
The document outlines a concept for a music video for the song "Pumpin Blood" by the indie pop band NONONO. It will challenge conventions by focusing on a journey with friends rather than a love story narrative. The video aims to portray that you can have an enjoyable day without love through scenes of the band laughing and having fun with sparklers and smoke bombs. It is targeted towards college-aged females and will imply that friends are what keep you going.
Arctic monkeys summer holiday work
The music video depicts the lead singer Alex Turner hallucinating as he walks through the streets of London at night after leaving a pub. The one-shot tracking camera style aims to portray what he is seeing and experiencing due to hallucinating. Scenes show him interacting with people through text and hallucinating different situations with various people he encounters. The video uses point of view shots to show his hallucinated perspective versus reality.
Planning sheet for filming
This document provides a breakdown of scenes and shots for the short film "Upon Thames". It includes details of the cast, technical equipment, costumes, props, locations, and transportation for multiple scenes. Scene descriptions involve a victim lying on the floor, a suspect on the phone, boys exchanging a substance, a ribbon found in grass, a victim running from something, a couple arguing in a pub, a girl pleading outside a pub, a hooded figure walking, someone burning a letter, a couple fighting, a boy staring at the camera darkly, a girl washing a bloody shirt, a girl in pain cutting carrots violently, a suspect putting a bag in the bin, and a scratched hand on a kettle. Locations
Assignmetn 26
The music video will tell a narrative story through a single continuous shot of a man walking through run-down areas of town at night, grieving over life decisions and having lost someone dear to him. Flashbacks will show happier times they spent together. The goal is to portray emotions of sadness and regret through the character's journey to a cemetery, while highlighting the artist's journey from a tough childhood to finding solace in music rather than a life of crime.
Bring back borstal
The documentary series follows young offenders who volunteer to experience the strict regime of a 1930s-style Borstal facility. In the third episode, the young men are given assignments working in the community, which yields some surprising results. Research suggests that 70% of young men who experienced the Borstal system in the past did not return to prison. The documentary aims to see if today's troubled youth can benefit from such an old-fashioned disciplinary approach.
New pitch
The documentary will profile Roman Jugg, a former guitarist and keyboardist for the 1980s band The Damned. It will take an informative yet sentimental look at Jugg's history in the band and what the music scene was like in 1980s England. Interviews will include Jugg as well as people who knew him and The Damned, like family, friends, and Jugg's daughter. The target audiences are people aged 40-50 who may remember the era and band, as well as younger people aged 15-25 to show how the music scene has changed since the 1970s.
By Delisa Fountain
The document summarizes a viewing of the musical "Memphis" shown on the big screen at a movie theater in Lansing, Michigan. It discusses how the musical revolves around race relations and 1950s music culture. Though watching it as a movie lacked the energy of a live performance, it was still captivating and easy to follow the story. The musical itself will be performed live at the Wharton Center from March 21 to April 1, 2012.
Choice of song and why
This document outlines ideas for a music video featuring a rap song. It proposes a laidback, streetwear style costume featuring tracksuits, sneakers, jeans, hoodies, and popular brands. Locations near Waterloo Station and in the countryside are suggested to film scenes of the rapper walking, sitting on a hill, and partying with friends. Camera techniques like close-ups, tracking shots, and low angles are recommended to portray the rapper's movement and empowerment. Props like smoke bombs and UV lights could set the scene at a party. Lighting would be natural during the day but use backlight at night. The target audience is seen as 16-24 year olds to reflect the song's themes of
Recommended
Pitch presentation
The document outlines a concept for a music video for the song "Pumpin Blood" by the indie pop band NONONO. It will challenge conventions by focusing on a journey with friends rather than a love story narrative. The video aims to portray that you can have an enjoyable day without love through scenes of the band laughing and having fun with sparklers and smoke bombs. It is targeted towards college-aged females and will imply that friends are what keep you going.
Arctic monkeys summer holiday work
The music video depicts the lead singer Alex Turner hallucinating as he walks through the streets of London at night after leaving a pub. The one-shot tracking camera style aims to portray what he is seeing and experiencing due to hallucinating. Scenes show him interacting with people through text and hallucinating different situations with various people he encounters. The video uses point of view shots to show his hallucinated perspective versus reality.
Planning sheet for filming
This document provides a breakdown of scenes and shots for the short film "Upon Thames". It includes details of the cast, technical equipment, costumes, props, locations, and transportation for multiple scenes. Scene descriptions involve a victim lying on the floor, a suspect on the phone, boys exchanging a substance, a ribbon found in grass, a victim running from something, a couple arguing in a pub, a girl pleading outside a pub, a hooded figure walking, someone burning a letter, a couple fighting, a boy staring at the camera darkly, a girl washing a bloody shirt, a girl in pain cutting carrots violently, a suspect putting a bag in the bin, and a scratched hand on a kettle. Locations
Assignmetn 26
The music video will tell a narrative story through a single continuous shot of a man walking through run-down areas of town at night, grieving over life decisions and having lost someone dear to him. Flashbacks will show happier times they spent together. The goal is to portray emotions of sadness and regret through the character's journey to a cemetery, while highlighting the artist's journey from a tough childhood to finding solace in music rather than a life of crime.
Bring back borstal
The documentary series follows young offenders who volunteer to experience the strict regime of a 1930s-style Borstal facility. In the third episode, the young men are given assignments working in the community, which yields some surprising results. Research suggests that 70% of young men who experienced the Borstal system in the past did not return to prison. The documentary aims to see if today's troubled youth can benefit from such an old-fashioned disciplinary approach.
New pitch
The documentary will profile Roman Jugg, a former guitarist and keyboardist for the 1980s band The Damned. It will take an informative yet sentimental look at Jugg's history in the band and what the music scene was like in 1980s England. Interviews will include Jugg as well as people who knew him and The Damned, like family, friends, and Jugg's daughter. The target audiences are people aged 40-50 who may remember the era and band, as well as younger people aged 15-25 to show how the music scene has changed since the 1970s.
By Delisa Fountain
The document summarizes a viewing of the musical "Memphis" shown on the big screen at a movie theater in Lansing, Michigan. It discusses how the musical revolves around race relations and 1950s music culture. Though watching it as a movie lacked the energy of a live performance, it was still captivating and easy to follow the story. The musical itself will be performed live at the Wharton Center from March 21 to April 1, 2012.
Choice of song and why
This document outlines ideas for a music video featuring a rap song. It proposes a laidback, streetwear style costume featuring tracksuits, sneakers, jeans, hoodies, and popular brands. Locations near Waterloo Station and in the countryside are suggested to film scenes of the rapper walking, sitting on a hill, and partying with friends. Camera techniques like close-ups, tracking shots, and low angles are recommended to portray the rapper's movement and empowerment. Props like smoke bombs and UV lights could set the scene at a party. Lighting would be natural during the day but use backlight at night. The target audience is seen as 16-24 year olds to reflect the song's themes of
Music photographer research
RUKES is a renowned music photographer known for documenting electronic dance music worldwide. He became well-known for photographing artists like Deadmau5, Avicii, and Swedish House Mafia at concerts and festivals. His photos capture the atmosphere of crowds and events from the artist's point of view.
Jehst
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for "Starting Over", the first single from the album, features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by having a narrative concept and lacking stereotypical elements like scantily-clad women. It focuses on the meaning and message of refusing to conform to mainstream pressures while staying true to Jehst's underground roots.
Video Analysis
This document provides a summary and analysis of the music video for Bobby Valentino's song "Turn the Page". It analyzes various shots from the video, including close-ups of the singer and his girlfriend in different settings, shots portraying tension and hurt between the couple, and animation scenes representing turning the pages of a book. It also describes shots of the singer's live performance, him chasing after his girlfriend on a motorcycle as she is preparing to leave on a bus, and their emotional reunion at the bus stop.
Shooting schedule
This document provides a cast list and production schedule for a short film. It lists the characters, actors, locations, dates and times for filming various scenes. The main characters are Royal-Tee, played by Glenn, and "Lil homie", played by Rhys. Other characters include "Pop Dukes", played by Mr. Ward, and Royal-Tee's brother, played by Ephraim. Scenes will be filmed in various locations like the kitchen, quad, street and pier between Monday 2/12/2013 and Saturday 14/12/2013. Crew members and required costumes and props are also outlined for each scene.
Call sheet
The call sheet provides the schedule and safety precautions for an upcoming music video shoot. Masks will be worn except during active shooting, hand sanitizer and individually packaged food and drinks will be provided, and anyone with COVID-19 symptoms cannot attend. The shoot will take place across three outdoor locations and involve setting up, blocking scenes, and active shooting between 1:00 PM and 8:40 PM. Required materials include food, props, and camera equipment.
My reflection about the erasmus to croatia
Lucas traveled to Croatia for his first Erasmus program, which was also his first solo international trip. At first, he felt uncomfortable as one of the younger students, but after sharing his hometown and country in presentations, the other students began treating him as an equal. Lucas had an incredible experience making friends from many countries and learning more English than he ever had before. He recommends the Erasmus program to anyone wanting to improve their language skills and learn about other cultures.
RnB Codes and Conventions
Rhythm and blues, also known as R&B, originated in the 1940s and was marketed to urban African American record labels. By the 1970s, R&B had evolved into a blanket term encompassing soul, funk, and disco. The genre has changed significantly over time from its origins. Music videos for R&B songs conventionally feature urban landscapes, clubs/bars, exotic locations, solo artists expressing personal narratives through close-ups and reflections, and props like money, flashy cars, and revealingly dressed women. Group artist videos commonly include choreographed dances and synchronized movements. Usher's 2001 and 2010 music videos demonstrate how R&B video styles have changed with technology over the decades.
Music and sound
Music and sound are important elements in horror films and trailers to set the mood and make scenes scarier for viewers. Different types of music and sounds can be used to elicit various emotional responses from audiences. A film like Insidious effectively transitions between soft lullabies and violent action music to depict shifts in the narrative from calm to frightening moments. Researching how music is applied in stages of films can help apply these techniques to one's own work.
Jehst 'Starting Over' - music video analysis
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for the first single "Starting Over" features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by featuring a narrative concept and lacking scantily clad women or luxury items, instead focusing on meaning and humility as Jehst ignores pressures to conform to mainstream styles.
Detailed outline of ideas put on power point
The document discusses various elements that could be included in a music video:
- An acoustic guitar will be used since the song features guitar (paragraph 1)
- Scenes at a park with swings can show a couple having fun (paragraph 2)
- Close-up shots are important to show emotion and can be very impactful, as demonstrated by Sinead O'Connor's music video (paragraph 3)
- The boy could fade out of scenes to depict him having passed away from the girl's memories (paragraph 4)
- Singing on a stage with lights and a microphone would make the performance seem professional (paragraph 5)
- A close-up of the girl hugging her boyfriend who
TruTunez Electronic Press Kit
Dexter Curry is a hip hop artist from Iowa City, IA who performs under the names TruTunez, GuttaTunez, and TruLove. He takes on different personas as TruTunez the lyricist, GuttaTunez the "turnup" artist, and TruLove the romantic. Dexter Curry uses these multiple personas to tell stories through his unique approach to rap music.
Target audience
The target audience for "The Lodge" trailer is males and females aged 17-25 years old. The trailer was inspired by the TV shows "Ripper Street" and "Skins," taking different aspects from each to incorporate into the trailer. Elements from "Skins" include its use of Maslow's hierarchy of needs and caregiver theory to involve and relate the audience to characters. Elements from "Ripper Street" include using older style music over modern footage, flipping its concept of modern music over older era footage.
STREET ART: THE TOASTERS
Three street artists known as The Toasters have been placing a stenciled image of a toaster in cities around the world since 1999. Using stickers, posters, and spray paint, the toaster image has appeared on streets, at music festivals, in sports stadiums, and on museum walls, spreading the artists' message in its purest and also abstract forms for over 15 years. The student chose to analyze The Toasters' street art project because they enjoy graffiti and are drawn to the striking colors commonly used, including black, white, orange, blue, yellow, and pink, applied through spray paint.
Ramone visit part 3
Ramone visited their aunt Sommer in Maui. During the trip, they listened to their friend Sydney sing and play guitar. Ramone also got to visit the Maui Arts & Cultural Center, where they played with a sound board and pretended to be a rockstar. Ramone had an enjoyable time visiting Maui with their aunt and can't wait to visit again soon.
Shooting Script
This document provides a shooting script for the music video of the song "Important Little Boy" by Ugo. It outlines various shots that would be used to film the artist rapping and performing at different locations. These include establishing long shots, low angle shots to depict power and dominance, close-ups to show emotion, and rule of thirds compositions. Location changes are also specified to match lyrics. The goal is to visually represent the song's themes through the artist's positioning and interactions within gritty, urban environments.
Presentation4
The document discusses the development of a music video. Scenes of the artist performing were filmed in front of a green screen and later edited with different background images. Additional scenes showing the artist's everyday life were filmed in black and white to represent memories. Towards the end, the theme changes from black and white to color to represent a change in the artist's state of mind. Different camera techniques like close-ups and handheld shots were used to set the location and provide realism.
Dont wake me up By Abul
This video analysis summarizes the music video "Don't Wake Me Up" by Avicii. It begins in a country setting contrasted with an urban city setting at the end. The main character, portrayed by a white girl, is meant to feel different from the similarly dressed background people, as indicated by a sign on her arm. Costumes show the contrast between the main character, dressed modernly, and the backgrounds dressed in old, dirty clothes. Camera work includes bird's-eye views, mirror shots, and low angle shots. Fast editing with establishing shots, eye line matches, and contrasts show the transition from country to city genres.
Schedule
The document outlines a 7-week production schedule for filming a music video. Week 1 involves filming the opening scene on a dark road. Week 2 includes shooting in various locations in Camden, such as the market. Week 3 consists of filming people walking in Hampstead Heath and capturing expressions of sadness. Week 4 entails recording in a bar with scenes of the main character getting drunk and washing her face. Week 5 has a party scene. Week 6 shoots outside a wall showing emotions. Week 7 gets shots of London landmarks.
Risk assessment
This document assesses risks for filming the music video "Pumpin Blood" and assigns risk levels from 7-9. It identifies risks such as using sparklers, filming in crowded train stations and theme parks, beach and train scenes, electrical equipment, and exposed wiring. Control measures are outlined for each risk, such as safe handling of sparklers, storing equipment securely, and avoiding dangerous rides or areas to prevent crew and actor injuries.
Magazine institution research
This document discusses four magazine publishing companies - Bauer Media, IPC Media, Immediate Media, and Development Hell.
Bauer Media produces both mainstream and niche magazines, targeting a wide variety of audiences. As Europe's largest privately owned publisher, it owns 300 magazines across 15 countries. IPC Media also produces both mainstream and niche magazines, targeting audiences through publications like Rugby World and Gardening. Immediate Media focuses on magazines for families and children, as well as specialist audiences. Development Hell solely produces the dance music magazine Mixmag, targeting a younger audience interested in that genre.
Planning for photographs
The document lists props and equipment needed for a photo shoot at the British Museum, including a black fedora hat, silver feather necklace, black sheer shirt, black leather jacket, black cutout boots, black skinny jeans, and a Nikon d90 camera.
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Music photographer research
RUKES is a renowned music photographer known for documenting electronic dance music worldwide. He became well-known for photographing artists like Deadmau5, Avicii, and Swedish House Mafia at concerts and festivals. His photos capture the atmosphere of crowds and events from the artist's point of view.
Jehst
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for "Starting Over", the first single from the album, features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by having a narrative concept and lacking stereotypical elements like scantily-clad women. It focuses on the meaning and message of refusing to conform to mainstream pressures while staying true to Jehst's underground roots.
Video Analysis
This document provides a summary and analysis of the music video for Bobby Valentino's song "Turn the Page". It analyzes various shots from the video, including close-ups of the singer and his girlfriend in different settings, shots portraying tension and hurt between the couple, and animation scenes representing turning the pages of a book. It also describes shots of the singer's live performance, him chasing after his girlfriend on a motorcycle as she is preparing to leave on a bus, and their emotional reunion at the bus stop.
Shooting schedule
This document provides a cast list and production schedule for a short film. It lists the characters, actors, locations, dates and times for filming various scenes. The main characters are Royal-Tee, played by Glenn, and "Lil homie", played by Rhys. Other characters include "Pop Dukes", played by Mr. Ward, and Royal-Tee's brother, played by Ephraim. Scenes will be filmed in various locations like the kitchen, quad, street and pier between Monday 2/12/2013 and Saturday 14/12/2013. Crew members and required costumes and props are also outlined for each scene.
Call sheet
The call sheet provides the schedule and safety precautions for an upcoming music video shoot. Masks will be worn except during active shooting, hand sanitizer and individually packaged food and drinks will be provided, and anyone with COVID-19 symptoms cannot attend. The shoot will take place across three outdoor locations and involve setting up, blocking scenes, and active shooting between 1:00 PM and 8:40 PM. Required materials include food, props, and camera equipment.
My reflection about the erasmus to croatia
Lucas traveled to Croatia for his first Erasmus program, which was also his first solo international trip. At first, he felt uncomfortable as one of the younger students, but after sharing his hometown and country in presentations, the other students began treating him as an equal. Lucas had an incredible experience making friends from many countries and learning more English than he ever had before. He recommends the Erasmus program to anyone wanting to improve their language skills and learn about other cultures.
RnB Codes and Conventions
Rhythm and blues, also known as R&B, originated in the 1940s and was marketed to urban African American record labels. By the 1970s, R&B had evolved into a blanket term encompassing soul, funk, and disco. The genre has changed significantly over time from its origins. Music videos for R&B songs conventionally feature urban landscapes, clubs/bars, exotic locations, solo artists expressing personal narratives through close-ups and reflections, and props like money, flashy cars, and revealingly dressed women. Group artist videos commonly include choreographed dances and synchronized movements. Usher's 2001 and 2010 music videos demonstrate how R&B video styles have changed with technology over the decades.
Music and sound
Music and sound are important elements in horror films and trailers to set the mood and make scenes scarier for viewers. Different types of music and sounds can be used to elicit various emotional responses from audiences. A film like Insidious effectively transitions between soft lullabies and violent action music to depict shifts in the narrative from calm to frightening moments. Researching how music is applied in stages of films can help apply these techniques to one's own work.
Jehst 'Starting Over' - music video analysis
Jehst is a pioneering British hip-hop artist who is releasing a new album after a long hiatus. The video for the first single "Starting Over" features Jehst dressed as a postman delivering letters to cameo appearances of other British rappers. The video challenges conventions of typical hip-hop videos by featuring a narrative concept and lacking scantily clad women or luxury items, instead focusing on meaning and humility as Jehst ignores pressures to conform to mainstream styles.
Detailed outline of ideas put on power point
The document discusses various elements that could be included in a music video:
- An acoustic guitar will be used since the song features guitar (paragraph 1)
- Scenes at a park with swings can show a couple having fun (paragraph 2)
- Close-up shots are important to show emotion and can be very impactful, as demonstrated by Sinead O'Connor's music video (paragraph 3)
- The boy could fade out of scenes to depict him having passed away from the girl's memories (paragraph 4)
- Singing on a stage with lights and a microphone would make the performance seem professional (paragraph 5)
- A close-up of the girl hugging her boyfriend who
TruTunez Electronic Press Kit
Dexter Curry is a hip hop artist from Iowa City, IA who performs under the names TruTunez, GuttaTunez, and TruLove. He takes on different personas as TruTunez the lyricist, GuttaTunez the "turnup" artist, and TruLove the romantic. Dexter Curry uses these multiple personas to tell stories through his unique approach to rap music.
Target audience
The target audience for "The Lodge" trailer is males and females aged 17-25 years old. The trailer was inspired by the TV shows "Ripper Street" and "Skins," taking different aspects from each to incorporate into the trailer. Elements from "Skins" include its use of Maslow's hierarchy of needs and caregiver theory to involve and relate the audience to characters. Elements from "Ripper Street" include using older style music over modern footage, flipping its concept of modern music over older era footage.
STREET ART: THE TOASTERS
Three street artists known as The Toasters have been placing a stenciled image of a toaster in cities around the world since 1999. Using stickers, posters, and spray paint, the toaster image has appeared on streets, at music festivals, in sports stadiums, and on museum walls, spreading the artists' message in its purest and also abstract forms for over 15 years. The student chose to analyze The Toasters' street art project because they enjoy graffiti and are drawn to the striking colors commonly used, including black, white, orange, blue, yellow, and pink, applied through spray paint.
Ramone visit part 3
Ramone visited their aunt Sommer in Maui. During the trip, they listened to their friend Sydney sing and play guitar. Ramone also got to visit the Maui Arts & Cultural Center, where they played with a sound board and pretended to be a rockstar. Ramone had an enjoyable time visiting Maui with their aunt and can't wait to visit again soon.
Shooting Script
This document provides a shooting script for the music video of the song "Important Little Boy" by Ugo. It outlines various shots that would be used to film the artist rapping and performing at different locations. These include establishing long shots, low angle shots to depict power and dominance, close-ups to show emotion, and rule of thirds compositions. Location changes are also specified to match lyrics. The goal is to visually represent the song's themes through the artist's positioning and interactions within gritty, urban environments.
Presentation4
The document discusses the development of a music video. Scenes of the artist performing were filmed in front of a green screen and later edited with different background images. Additional scenes showing the artist's everyday life were filmed in black and white to represent memories. Towards the end, the theme changes from black and white to color to represent a change in the artist's state of mind. Different camera techniques like close-ups and handheld shots were used to set the location and provide realism.
Dont wake me up By Abul
This video analysis summarizes the music video "Don't Wake Me Up" by Avicii. It begins in a country setting contrasted with an urban city setting at the end. The main character, portrayed by a white girl, is meant to feel different from the similarly dressed background people, as indicated by a sign on her arm. Costumes show the contrast between the main character, dressed modernly, and the backgrounds dressed in old, dirty clothes. Camera work includes bird's-eye views, mirror shots, and low angle shots. Fast editing with establishing shots, eye line matches, and contrasts show the transition from country to city genres.
Schedule
The document outlines a 7-week production schedule for filming a music video. Week 1 involves filming the opening scene on a dark road. Week 2 includes shooting in various locations in Camden, such as the market. Week 3 consists of filming people walking in Hampstead Heath and capturing expressions of sadness. Week 4 entails recording in a bar with scenes of the main character getting drunk and washing her face. Week 5 has a party scene. Week 6 shoots outside a wall showing emotions. Week 7 gets shots of London landmarks.
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Risk assessment
This document assesses risks for filming the music video "Pumpin Blood" and assigns risk levels from 7-9. It identifies risks such as using sparklers, filming in crowded train stations and theme parks, beach and train scenes, electrical equipment, and exposed wiring. Control measures are outlined for each risk, such as safe handling of sparklers, storing equipment securely, and avoiding dangerous rides or areas to prevent crew and actor injuries.
Magazine institution research
This document discusses four magazine publishing companies - Bauer Media, IPC Media, Immediate Media, and Development Hell.
Bauer Media produces both mainstream and niche magazines, targeting a wide variety of audiences. As Europe's largest privately owned publisher, it owns 300 magazines across 15 countries. IPC Media also produces both mainstream and niche magazines, targeting audiences through publications like Rugby World and Gardening. Immediate Media focuses on magazines for families and children, as well as specialist audiences. Development Hell solely produces the dance music magazine Mixmag, targeting a younger audience interested in that genre.
Planning for photographs
The document lists props and equipment needed for a photo shoot at the British Museum, including a black fedora hat, silver feather necklace, black sheer shirt, black leather jacket, black cutout boots, black skinny jeans, and a Nikon d90 camera.
Seminar
The document discusses the results of a study on the impact of climate change on global wheat production. Researchers found that rising temperatures will significantly reduce wheat yields across different regions of the world by the end of the century. Under a high emissions scenario, the study projects a global average decrease in wheat production of 6% by 2050, and a 17% decrease by 2100, threatening global food security.
Mis en scene plan
This document outlines the mis en scene plans for shooting a music video at various locations including Liverpool Street station, Canary Wharf underground, Heathrow Airport, Southend beach, Southend Adventure Island theme park, and a white studio. For each location, it details the setting, props, costumes, hair and makeup, facial expressions, body language, and lighting and color schemes. The goal is to convey the contrast between dull adult life and the freedom of youth through the different on-location shoots and capture the band's passion and energy in the studio performance.
Magazine institution research
The magazines produced are a mix of mainstream like Kerrang! and Grazia and more niche titles like Land Rover International and Your Horse. The target audiences vary widely from women interested in fashion through Grazia to those interested in bird watching or photography. Bauer Media is a large, privately owned UK media group consisting of 300 magazines across 15 countries, demonstrating its vast scale. In addition to magazines, it offers online, TV and radio services through various brands.
Codes and conventions of Music Videos
Rock music videos typically feature low-key lighting, dark settings like streets or studios, and performers wearing dark, rebellious outfits like leather jackets. Shots include close-ups of band members and their instruments, and mid shots showing detailed movements, while long shots capture the overall narrative. The lead singer usually has an expressive, passionate face. Videos aim to match the fast pace of songs through quick editing.
Final music video synopsis
This document outlines a proposed music video treatment that follows a group of friends on a day trip. The video would begin with shots of people rushing to work contrasted with shots of the band making their way to the airport. It then shows the band taking a train to the beach where they perform. Later scenes show the friends enjoying a theme park and pier. Montage sequences incorporate footage from the different locations with sparklers and colored smoke. The video treatment concludes with a studio performance that references movements from earlier scenes.
Reece
The document discusses potential issues and solutions for filming at various locations. At Liverpool Street and Canary Wharf stations, the busy environment could pose issues, so cameras would need to be securely mounted and placed in less crowded areas. Heathrow Airport may have privacy and permission concerns, requiring consent from subjects and the airport. Filming at a beach in winter could involve windy conditions, so styling equipment and extra batteries would be needed. A theme park may damage equipment or prohibit cameras on some rides, so protective gear and charged batteries are required. A studio booking would need to confirm access to desired equipment like projectors and instruments.
Conventions of a Music Magazine
This document outlines research into the conventions of music magazines to help construct their own magazine, including a front cover, contents page, and article. The research identified common elements like bar codes and title blocks that should be included to make the magazine more professional, realistic, and clearly identifiable as a music publication.
Paper PENGEMBALIAN PAJAK
Paper ini membahas beberapa skema pengembalian pajak yang berlaku saat ini untuk PPh dan PPN. Terdapat pengembalian berdasarkan Pasal 17 ayat (1) UU KUP, Pasal 17B UU KUP, dan pengembalian untuk pajak yang seharusnya tidak terutang. Untuk pengembalian pajak yang seharusnya tidak terutang, ruang lingkupnya meliputi kesalahan pemotongan/pembayaran dan penghasilan bukan objek pajak.
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Final music video synopsis
This document provides a shot-by-shot storyboard for a music video. It follows a group of friends traveling to different locations like an airport, train station, beach, theme park, and pier. Scenes include businessmen rushing to work, the band traveling by train and arriving at the beach, performing and dancing at the beach, riding rides at a theme park at night, skateboarding to the pier, and performing in a studio with projected visuals. The video uses techniques like slow motion, reverse editing, and cutting between scenes to tell the story through the song's lyrics of being on the road again with one's heart pumping.
Final music video synopsis
This document outlines a proposed music video treatment that follows a group of friends on a day trip. The video would begin with shots of people rushing to work contrasted with shots of the band making their way to the airport. It then shows the band taking a train to the beach where they perform. Later scenes show the friends enjoying a theme park and pier. Montage sequences incorporate footage from the different locations while the band also performs in a studio. The video treatment proposes various shots and editing techniques to tie the story and locations together through the song.
Final pitch media
- The target audience for the song "Friends Forever" is males aged 17-25 interested in grime and hip-hop genres, and females of the same age range.
- The genre is grime, and the song can be found at a provided YouTube link.
- Locations featured in the video include Brighton beach, a drama hall, and areas in south London like Bermondsey Square.
- The video will use contrasts of day and night lighting and locations to represent the positives and negatives of friendship.
Assignment 31 – group 4 pitch
This document proposes three music video ideas for assignments:
1. A performance video of Lil Uzi Vert rapping with dancers that switches between indoor and outdoor settings.
2. A narrative/performance video of Lauv singing on his bucket list travels and in the hospital before dying.
3. A narrative/performance video by James Arthur featuring a red rose that symbolizes love and changes color as the relationship deteriorates, ending with him finding an empty hospital bed.
Indie pop slideshow
Indie pop originated in the UK in the 1980s, combining elements of punk rock's DIY ethic with melodic and relatively angst-free music. Well-known indie pop artists include The Smiths, Fun, and Florence and the Machine. Common conventions of indie pop music videos include using a narrative that relates to the song's lyrics, applying filters over clips to convey a mood, employing mise en scène that links to the narrative, and focusing camera angles on the performers. For example, Scouting for Girls' "Heartbeat" video tells a story of lost and found love through a filter showing heartbeats and settings that inspire romance.
Ndubz music video analysis
The document provides background information on the British R&B band Ndubz. It discusses their rough upbringing in Camden, London and how they gained popularity through self-released singles and albums. Ndubz has since signed with Polydor Records, released three albums, and had eight top 40 hits. Their promotion strategies include merchandise, tours, and a website that engages fans.
Treatment Presentation for Music Video
The song chosen for the music video is "I Bet You Look Good On The Dancefloor" by Arctic Monkeys. It received the most votes in a survey and the singer's unique voice will identify the band even if the song is unknown. The video will take influences from other narrative/live performance videos and feature good camera angles and shots. The performers will be represented in a conventional, modern indie rock style through their actions, setting, and stylish but casual clothing. The target audience is 15-25 year olds who will be reached through social media platforms. The concept portrays the band performing at a party as a boy and girl meet and enjoy themselves on the dance floor.
Presentation
The document discusses a music video concept for the James Blunt song "Bones" by Bradley White. The concept involves a main character named Sam who cycles through memories of a girl he loves as he journeys to her house on a winter morning. The video would include shots from a GoPro of Sam cycling and close-ups to convey emotion, as well as flashbacks of the girl. At the destination, the girl drops her sketchbook in the river and Sam dives in to retrieve it, finding a drawing of them together before they smile at each other. The document discusses influences, target audience, and conventions like close-ups, intertextuality, linking the music and visuals, and aspects of the pop rock
1st Music Video Pitch
The group proposes a music video concept for the band Citizens! that depicts three couples at different stages of their relationships through a narrative. They plan to film at various campus and public locations showing the couples interacting. Costumes and makeup will stereotype the couples as preppy, popular, and emo. Scenes include a chase ending and special effects. Risk assessments are outlined. The group discusses production roles, schedules, and next steps like storyboarding and permissions.
Music Video Analsis
This document contains summaries of two music videos:
1) Jack Penate's "Have I Been a Fool" depicts the artist running through a neighborhood and interacting with various girls, representing his promiscuous behavior as a "rockstar" stereotype. It uses lighting and camerawork to convey intimacy between him and the girls.
2) You Me at Six's "Kiss and Tell" shows the band performing at a wild house party, portraying the rock and roll lifestyle through quick cuts, crowds, and rough camera movements meant to immerse the viewer. The video balances performance scenes with depictions of the ongoing party.
Music video pitch presentation
The band The And Ensemble is pitching a music video for their song. The video will reference the movie Grease through costumes and recreating scenes, but will be modernized with technology. It will show the singer Abby going on a series of bad dates through a dating app. The video will have a lighthearted, fun tone that mirrors the band's personalities. It will use techniques like intertextuality and pastiche to appeal to audiences and establish the band's popularity.
Music Video Pitch
The band The And Ensemble is pitching a music video for their song. The video will reference the film Grease through costumes and recreating scenes, but will be modernized with technology. It will show the singer Abby going on a series of bad dates through a dating app. The video will have a lighthearted, fun tone that mocks the band members. It will use techniques like intertextuality and pastiche to appeal to audiences and establish the band's popularity.
Music video pitch presentation
The band The And Ensemble is pitching a music video for their song. The video will reference the film Grease through costumes and recreating scenes, but will be modernized with technology. It will show the singer Abby going on a series of bad dates through a dating app. The video will have a lighthearted, fun tone that mocks the band members. It will appeal to students aged 16-23 and use references to Grease and dating apps to engage audiences and compete with other artists. The band has experience making videos and the $500 budget will cover locations, costumes, hair/makeup, props, and equipment from the university.
'679' Fetty wap music video analysis.
The music video for "679" by Fetty Wap takes place at a lavish house party. Through the use of quick cuts, the video presents the fast-paced lifestyle of rap and hip hop. Fetty pursues a woman throughout the party. Stereotypical representations include the objectification of women, the emphasis on wealth, drinking, and partying. Elements like costume, lighting, camerawork, and editing work to immerse the viewer in the world of the video and genre of rap.
Music Video Treatment
The document provides a treatment outline for a music video for Camila Cabello's song "Havana". The video will tell the story of a girl named Bella recounting a romance she had over summer vacation. It will feature interpretative narrative scenes and dance performances. Flashback sequences will show Bella's encounter with a boy at a party in an abandoned building. The ending will feature a plot twist revealing the boy with another girl. Key influences, techniques, theories, characters, locations, target audience, visual style choices, equipment needs and contingency plans are outlined.
Castle on the hill music video analyis
The music video begins by introducing a character resembling Ed Sheeran. It shows him with a group in misty fields through establishing shots. Flashbacks show the group socializing in various settings like pubs and races. Shots focus on the main character and follow him. The video cuts between flashbacks of the group as teenagers and shots of Ed Sheeran as an adult walking the same roads. Through matching shots, it's implied he's returned to where he grew up. The video describes what his friends are now doing through different shots of each one. It shows how their lives have changed while still connecting to their shared past.
media presentation
This music video is both a performance and narrative video. It follows One Direction spending the day on a beach, where they meet and spend time with girls. The video uses various shots like close-ups, long shots, and tracking shots to advance both the story and the band's performance of the song. It takes place in a typical pop music video setting of a sunny beach. Costumes and vehicles create a summery vibe, while lighting shifts from natural daylight to softer tones as the day ends.
My proforma
This music video production will tell a story of self-discovery and romance through interpreting the song "Keeping A Secret" by Bleachers. It will be filmed using an iPhone across various train stations and locations in England. The director will be the sole crew and cast member, filming himself and another actor. Edits will be done using Davinci Resolve, Premiere Pro, and After Effects. Risks include COVID-19, falls, and equipment damage, which will be mitigated through safety practices and using personal equipment. Contingency plans include filming at alternative locations if needed.
Mv 2 production assignment so far
The document provides guidance for a music video assignment, including sections to plan ideas, research techniques from other music videos, choose a song, develop a concept and storyline, and conduct pre-production planning for locations, equipment, personnel, and budget needs. It is a template for students to fill in details of their music video project from initial planning through pre-production assessment.
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Pitch
- 1. Song title: Pumpin Blood Artist: NONONO
- 2. INDIE GENRE We are going to challenge one of the indie-pop conventions that instead of a love story narrative, it would consist of a journey with friends. Indie- pop conventions Low-budget settings e.g. cities, beach Performance partnered with Live band performance narrative Lyrics matching the visuals Long shots, close up shots, handheld shots, establishing shots, wide shots, tracking, titling and panning camera movements Filter e.g. black and white
- 3. STAR IMAGE OF THE ARTIST
- 4. Primary Audience: Females aged 18-20 University High active social life e.g. Twitter, Tumblr, Facebook, Instagram Enjoys going concerts, festivals, gigs, reading latest fashion and music magazines. Spends time with their families and friends. Ideologies: Uses music to express how their emotions, believes that music influences them in what they do. Music helps to make them feel at peace and forget about stressful situations. They value their family and friends. Enjoys taking photos and visiting photography and art exhibitions. They are eager to travel and explore the world.
- 5. OVERALL CONCEPT/MEANING OF VIDEO Theme: youth and fun. The band would be seen in our music video always excited and ready for their adventure. e.g. running with sparklers, colour smoke bombs and laughing with friends. Video portrays that you don’t always need love from the opposite sex in order to have a enjoyable day. Meaning: have fun whilst you can since your still young before you get into the ‘real world’. Video will imply that your friends is what keeps you going and that you can rely on them.
- 6. INTERTEXTUAL REFERENCES The Breakfast Club – the ‘fist pump’ Ferris Bueller’s Day off – taking advantage & enjoying the day as much as you can
- 7. NARRATIVE SYNOPSIS: BEGINNING (instrumental) The scene begins with a time-lapse birds eye view shot of busy stations (Canary Wharf, Liverpool Street) setting with business men and women walking, reverse editing would be used to match the beat in the beginning of the song. An establishing shot of the airport is used, then a long shot to show a business man/woman with a suitcase going one way and the camera tracks the band going the opposite direction- a slow motion effect is used to highlight this. The camera continues to track the band from behind them and tilts up to show the arrivals sign, then the first verse begins.
- 9. SETTING/LOCATION Liverpool Street Station Canary Wharf Station Heathrow Airport Studio Southend Beach Southbank Skate park
- 10. PROPS Drums Guitar x2 Microphone Suitcase Sparklers Smoke bomb Tripod DSLR Reflector