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The document outlines an idea for a comedy/mystery film targeted at teenagers. The film would follow two teenagers who witness a crime but have their faces hidden from the audience. While trying to avoid the criminal, they attempt to solve clues to catch him, but miss obvious hints. It describes the opening scene of a chase to a closing shop and contact made with the criminal. It provides details on the music, production company, locations, and inspiration for the film. Representation elements like filming locations and props are meant to set a mysterious atmosphere.
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The film challenges conventions of film noir by not including a femme fatale and making one of the police officers the killer instead of a psychotic criminal. It incorporates aspects of film noir like two differing authoritative figures, black and white scenes, and dark shadows. The film also includes mystery through a flashback scene and crime through a final murder scene. It draws inspiration from Frank Miller's Sin City and The Usual Suspects by using title sequences between action scenes rather than at the beginning or end.
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1) The film is a thriller about a secret drug dealer whose life takes a turn when a drug deal goes wrong.
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3) Three people receive mysterious phone calls directing them to an abandoned building where they discover the bloodied man and the caller's identity.
Redrum proposal
1) The document proposes a short horror film called REDRUM about a teenager who discovers her old camera and begins seeing a hooded figure.
2) As strange occurrences escalate in her home, she performs a ritual called "redrum" and sees the word written in blood on her mirror with the figure behind her.
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Murder in the Dark is a thriller mystery film involving a detective who is hypnotized into killing women for the mafia, including his partner. As he investigates the case, he begins to lose his mind and goes on a killing rampage against the mafia. After interrogating the mafia leader, he is suspended from the case. When he wakes from a 4-month coma, he is stripped of his badge and banned from being a detective for 3 years. Still pursuing the case, he eventually figures out that he killed his partner, unable to accept it, he kills himself.
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The document outlines a student film project called "BloodNote" about a teen horror genre. It will follow two main characters: character A, an innocent student, and character B, a mysterious student. Character A finds a bloody note in the library accusing character B of murder. As character A reads the note, character B approaches him ominously. The film will utilize music, camera skills, and editing to tell the story. A group of students including Lauren Murphy plan to combine scripts and choose sound effects to produce the one-minute film.
The Fugitive and Ferris opening titles
The document provides analysis of the opening scenes of two films: The Fugitive and Ferris Bueller's Day Off. For The Fugitive, the opening establishes a dark and suspenseful tone through its use of dark colors, diegetic sirens, and a bloody crime scene. This foreshadows the criminal themes of the film. For Ferris Bueller's Day Off, the opening aims to introduce the comedic character of Ferris through its lack of suspenseful music, light font, and portrayal of Ferris' cheeky and confident nature, which works to get the audience on his side as the protagonist.
My ideas and inspiration
This document discusses the influences on the author's ideas for a horror film opening title sequence. It notes how title sequences from films like Nightmare on Elm Street and Seven intrigued the author with their effective use of mise-en-scene, camera work, sound, and colors to set a mood without revealing the full plot. Observing techniques in crime mysteries on TV also helped with storytelling ideas. The author aims to incorporate low, ominous music; varied shots from different angles; and dark colors in line with horror conventions for their opening sequence depicting a girl running and screaming in a dark forest while being chased by an unknown figure.
A Nightmare On Elm Street
The summary analyzes the opening sequence of the film "A Nightmare on Elm Street". It describes how the sequence establishes the villain through shots of him making a glove with knives shown in a red-tinged setting, then introduces the likely first victim, a blonde female shown in a white dressing gown in a isolated, dangerous tunnel setting linked to where the killer was shown. It analyzes how visual techniques like music, lighting and character introductions set up conventions of the horror genre and lead the audience to identify the villain and expect the female to be the first victim based on common tropes.
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Case study once upon a time in america
Once Upon a Time in America is a 1984 crime film directed by Sergio Leone. It follows a gangster named Noodles in 1920s New York City. The film uses noir style techniques like chiaroscuro lighting to create mystery. Key locations include a dimly lit room where the femme fatale Eve is killed by detectives to show their dominance, and a damp alleyway used for criminal deals. Archetypes include the femme fatale Eve, who is killed for getting in the way, and detective characters portrayed as corrupt like the mobsters. Mise-en-scene details like Eve's pearls symbolizing her deviance and detectives/mobsters both wearing trilby hats and trench coats indicate
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Pitch
The document provides details about the plot, characters, locations, and music for a student film about two detectives investigating a murder. The plot involves the detectives arriving at a crime scene where a man was killed by a flower pot. Flashbacks and forwards will be used to unravel the story. Six characters are needed to portray the detectives, a police officer, a relative of the deceased, the deceased man, and a witness. The main locations will be the driveway and interior of the house where the crime occurred. The filmmakers intend to use suspenseful music similar to the soundtrack of "Man on a Ledge" to set the mood.
Q1
The media product uses conventions of thriller movies by starting with a murder and interrogation scene to set up suspense around identifying the killer. Examples of conventions included are fast-paced music, low key lighting during flashbacks, depictions of blood and murder. Inspiration was drawn from movie openings like Vertigo and Jaws that start in a tense, mysterious fashion without giving everything away. The goal was to capture the thriller genre and leave questions unanswered until later in the story. Actors were costumed according to their roles to make the story convincing.
Sweeney todd analysis sg
The opening sequence of Sweeney Todd establishes the key themes, mood, and setting of the film through animated imagery and music. It depicts Victorian London transforming into a scene of blood and horror through a raining city turning to blood and blood splashing in a barber shop. Main characters and the title are then introduced as the blood flows through cogs, down sewers, and a trap door where the title falls in red letters against a dramatic musical score, foreshadowing the film's vengeance-driven and gruesome plot.
Improved Powerpoint
A young girl is walking home alone at night while listening to music. She finds that her house has been broken into, but nothing is stolen. The intruder is revealed to be her father's DEA agent friend, who is kidnapping the girl because she knows about his affair with an underage girl. The rest of the film follows the girl's father as he searches for his missing daughter over the next two months, unaware that his friend was the kidnapper and is intentionally misleading the search.
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Proposal media
The proposal is for a thriller trailer about two friends who find a black mask on the road. One friend has a troubled past. When he gets home, he hears strange noises and finds the mask has appeared in his room.
The target audience for the trailer is people aged 16-25 who enjoy thrillers. Production will be low-budget as the filmmakers will self-shoot with no crew. Filming will take place in a house, requiring no location fees. The trailer's unique selling point is an unexpected twist in the story.
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The document discusses a horror movie trailer evaluation. It summarizes that the trailer fits the horror genre through its inclusion of body horror scenes like a character getting scratched and a stabbing. It was also influenced by psychological horror films like Evil Dead and Psycho. The trailer fits conventions through its haunted house setting, use of camera angles to create fear, and main character screaming. It aims to recreate the creepy music style of The Conjuring. The auteur influences included Alfred Hitchcock for Psycho's psychological horror and George Romero for gore and challenging stereotypes in Night of the Living Dead. The trailer was distinctive for its gore scenes and reflection of modern life and social issues.
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Similar to Pitch
Film proposal
Two teenagers, Molly and Jack, set out to film a supposed criminal's hangout for online fame. They encounter much more danger than expected, with multiple close calls with the criminal. They are eventually caught and the footage cuts out, with their disappearances remaining a cold case. The film proposal describes a found footage horror film told from the camera footage the teens filmed, following their reckless decision and its terrifying consequences as a warning to teenagers.
Pitch
1) The film is a thriller about a secret drug dealer whose life takes a turn when a drug deal goes wrong.
2) The opening sequence shows a bloodied man stumbling out of an elevator to set the scene, leaving viewers questioning what happened.
3) Three people receive mysterious phone calls directing them to an abandoned building where they discover the bloodied man and the caller's identity.
Redrum proposal
1) The document proposes a short horror film called REDRUM about a teenager who discovers her old camera and begins seeing a hooded figure.
2) As strange occurrences escalate in her home, she performs a ritual called "redrum" and sees the word written in blood on her mirror with the figure behind her.
3) The next day, she fades away while talking to a friend, revealing that the figure murdered her. The film aims to attract a young adult audience through its suspenseful plot and themes they can relate to.
Trailer pitch
The document discusses potential plot ideas, locations, music, and cinematography for a trailer project. Plot Idea 1 involves three friends covering up an accidental killing at a party, with one friend spiraling into insanity from guilt. Plot Idea 2 is about two female students who get in trouble with a drug dealer after one steals from him. The document provides suggestions for fast-paced editing, long shots to convey loneliness, and clever cinematography. It also discusses the need to work as a team to utilize existing filmmaking skills.
Stael's preproduction powerpoint
This document contains Staely's presentation about their movie idea titled "Beneath The Core". The movie idea is about a psychopathic woman who is a police officer by day and a serial killer by night, targeting male criminals. Her motivation stems from witnessing her father physically abuse her mother as a child. The opening scene would show a flashback to this trauma as a child, then cut to the present with the woman walking from a school covered in blood after killing her latest victim.
Movie opening research
The document discusses a student film project that will be a crime-thriller genre. It analyzed three influential crime-thriller films - Taken, The Silence of the Lambs, and A Walk Among the Tombstones. It summarizes the opening two minutes of each film, noting Taken opens with home video footage, Silence of the Lambs with names fading over mountain scenery, and A Walk Among the Tombstones with police radio chatter and a conversation in a car. The conclusion is that crime-thriller openings can be very different, from active to peaceful.
Pitch
The document discusses initial ideas for three different film genres:
1) A horror/thriller film told from the murderer's point of view with a potential supernatural twist. It would target teenagers/young adults.
2) A drama/thriller about a teenager coping with a parent's suicide that turns out not to be suicide and leads them into trouble. It would target audiences from teenagers to adults.
3) A social realism film about an underground rave resembling 1970s/80s raves with something going wrong at the end. It would target teenagers/young adults and adults familiar with original raves.
Pitch
The document discusses initial ideas for three different film genres:
1) A horror/thriller film told from the murderer's point of view with a potential supernatural twist. It would target teenagers/young adults.
2) A drama/thriller about a teenager coping with a parent's suicide that turns out not to be suicide and leads them into trouble. It would target audiences from teenagers to adults.
3) A social realism film about an underground rave resembling 1970s/80s raves with something going wrong at the end. It would target teenagers/young adults and adults familiar with original raves.
Redrum Proposal
The document proposes a short horror film called REDRUM about a teenager who discovers an old camera. When reviewing photos, they see a mysterious figure in the background. Over the next few days, the figure begins stalking and haunting the teenager. During a ritual to contact spirits, the figure appears behind the teenager and kills them. The film would use single-camera techniques over 5 minutes to create suspense through limited dialogue and jump scares, culminating in the teenager's death and a message that "no one is safe."
Planning
The document contains ideas for 4 thriller film trailers from 4 different individuals. Idea 1 involves a man given a USB stick containing a computer virus to take down a target. Idea 2 follows a hitman and hitwoman hired to assassinate each other by a corrupt boss. Idea 3 is a psychological thriller about two characters isolated in a building who encounter a stalking antagonist. Idea 4 takes place in a locked down school where an infected person breaks in and bites a staff member, threatening the others inside. The document also includes casting, locations, and production schedules for a film project titled S.L.A.M.
Media pitch.pptx luke jamie calum
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Producing Our Film Concept
The document outlines the process of developing a film concept from individual ideas to a final group concept. It describes how each member came up with their own initial concept, received feedback from their group, and then worked together to develop a joint concept. This included pitching the idea to an audience and incorporating their feedback. The final concept is about a serial killer who stalks and kidnaps victims, with the police investigating a series of apparent suicides until discovering the killer's motives for financial gain.
Teaster tralier powerpoint.[1]
The document outlines plans for a 10-day short film project with a social realist/indie genre. It will take inspiration from films like Trainspotting using abstract shots to grab attention. The story involves a young woman finding disturbing photos on her stolen phone showing her death. She tries to trace the people in the photos to prevent the predicted outcome from occurring. Locations include an apartment building and dark room to create suspense and isolate the main character.
Teaster tralier powerpoint.
The document outlines plans for a 10-day short film project with a social realist/indie genre. It will take inspiration from films like Trainspotting using abstract shots to grab attention. The story involves a young woman finding disturbing photos on her stolen phone showing her death. She tries to trace the people in the photos to prevent the predicted outcome from occurring. Locations include an apartment building and dark room to create suspense and isolate the main character.
Teaster tralier powerpoint.
The document outlines plans for a 10-day short film project with a social realist/indie genre. It will take inspiration from films like Trainspotting using abstract shots to grab attention. The story involves a young woman finding disturbing photos on her stolen phone showing her death. She tries to trace the people in the photos to prevent the predicted outcome from occurring. Locations include an apartment building and dark room to create suspense and isolate the main character.
Pitch
The film Into The Darkness follows a group of teenagers who attempt to stop a violent kidnapper and murderer after he kills their best friend. The opening title sequence establishes this by showing the kidnapping and murder of a young girl from the kidnapper's point of view without explicitly showing the killing. Throughout the film, compositions use high and low angles to establish power dynamics and lighting is low to create a sense of fear and mystery around the unknown kidnapper. Questions raised in the opening sequence about the girl and kidnapper's identity are answered through twists in the plot. The independent film is pitched to larger studios for distribution and hopes to earn over $44 million like the similar but non-horror film The
Pitch
The film Into The Darkness follows a group of teenagers who attempt to stop a violent kidnapper and murderer after he kills their best friend. The opening title sequence establishes this by showing the kidnapping and murder of a young girl from the kidnapper's point of view without explicitly showing the killing. Throughout the film, compositions use high and low angles to establish power dynamics and little lighting is used to create an atmosphere of fear of the unknown. Mysteries introduced in the opening will be answered throughout the film with twists, keeping the audience questioning until the end. The independent film is pitched for distribution by larger studios similarly to other independent horror films.
Film pitch
This film pitch proposes a comedy about the world's youngest police officer, aged 16, who must tackle an armed robbery. However, being the youngest on his team, he is easily distracted, especially by women. He must learn to focus in order to solve the case. The film would be set in both indoor and outdoor locations. Its message is that anyone is capable of achieving something if they believe in themselves. The target teenage audience could relate to the story and its non-traditional approach.
Indi synopsis and mood board and wordle and other stuff
The target audience for the romantic thriller genre project is females ages 17-24 based on survey responses. Most respondents preferred horror and romance genres, so the group combined these into a romantic thriller. The opening sequence will start with mystery-esque music while showing an establishing shot of a house on a dark, cold day. Upon entering the house, the camera will reveal signs of destruction and blood throughout, building mystery and tension for young adult audiences.
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Indi synopsis and mood board and wordle and other stuff
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Tom Cruise is one of Hollywood's most iconic figures, known for his versatility, charisma, and dedication to his craft. Over the decades, his appearance has been almost as dynamic as his filmography, with one aspect often drawing significant attention: his hair. In particular, Tom Cruise long hair has become a defining feature in various phases of his career. symbolizing different roles and adding layers to his on-screen characters. This article delves into the evolution of Tom Cruise long hair, its impact on his roles. and its influence on popular culture.
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Introduction
Tom Cruise long hair has often been more than a style choice. it has been a significant element of his persona both on and off the screen. From the tousled locks of the rebellious Maverick in "Top Gun" to the sleek, sophisticated mane in "Mission: Impossible II." Cruise's hair has played a pivotal role in shaping his image and the characters he portrays. This article explores the various stages of Tom Cruise long hair. Examining how this iconic look has evolved and influenced his career and broader fashion trends.
Early Days: The Emergence of a Style Icon
The 1980s: The Birth of a Star
In the early stages of his career during the 1980s, Tom Cruise sported a range of hairstyles. but in "Top Gun" (1986), his hair began to gain significant attention. Though not long by later standards, his hair in this film was longer than the military crew cuts associated with fighter pilots. adding a rebellious edge to his character, Pete "Maverick" Mitchell.
Risky Business: The Transition Begins
In "Risky Business" (1983). Tom Cruise's hair was short but longer than the clean-cut styles dominant at the time. This look complemented his role as a high school student stepping into adulthood. embodying a sense of youthful freedom and experimentation. It was a precursor to the more dramatic hair transformations in his career.
The 1990s: Experimentation and Iconic Roles
Far and Away: Embracing Length
One of the first films in which Tom Cruise embraced long hair was "Far and Away" (1992). Playing the role of Joseph. an Irish immigrant in 1890s America, Cruise's long, hair added authenticity to his character's rugged and determined persona. This look was a stark departure from his earlier. more polished styles and marked the beginning of a more adventurous phase in his hairstyle choices.
Interview with the Vampire: Gothic Elegance
In "Interview with the Vampire" (1994). Tom Cruise long hair reached new lengths of sophistication and elegance. Portraying the vampire Lestat. Cruise's flowing blonde locks were integral to the character's ethereal and timeless allure. This hairstyle not only suited the gothic aesthetic of the film but also showcased Cruise's ability to transform his appearance for a role.
Mission: Impossible II: The Pinnacle of Long Hair
One of the most memorable instances of Tom Cruise long hair came in "Mission: Impossible II" (2000). His character, Ethan
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Morgan Freeman is Jimi Hendrix: Unveiling the Intriguing Hypothesis
In celebrity mysteries and urban legends. Few narratives capture the imagination as the hypothesis that Morgan Freeman is Jimi Hendrix. This fascinating theory posits that the iconic actor and the legendary guitarist are, in fact, the same person. While this might seem like a far-fetched notion at first glance. a deeper exploration reveals a rich tapestry of coincidences, speculative connections. and a surprising alignment of life events fueling this captivating hypothesis.
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Introduction to the Hypothesis: Morgan Freeman is Jimi Hendrix
The idea that Morgan Freeman is Jimi Hendrix stems from a mix of historical anomalies, physical resemblances. and a penchant for myth-making that surrounds celebrities. While Jimi Hendrix's official death in 1970 is well-documented. some theorists suggest that Hendrix did not die but instead reinvented himself as Morgan Freeman. a man who would become one of Hollywood's most revered actors. This article aims to delve into the various aspects of this hypothesis. examining its origins, the supporting arguments. and the cultural impact of such a theory.
The Genesis of the Theory
Early Life Parallels
The hypothesis that Morgan Freeman is Jimi Hendrix begins by comparing their early lives. Jimi Hendrix, born Johnny Allen Hendrix in Seattle, Washington, on November 27, 1942. and Morgan Freeman, born on June 1, 1937, in Memphis, Tennessee, have lived very different lives. But, proponents of the theory suggest that the five-year age difference is negligible and point to Freeman's late start in his acting career as evidence of a life lived before under a different identity.
The Disappearance and Reappearance
Jimi Hendrix's death in 1970 at the age of 27 is a well-documented event. But, theorists argue that Hendrix's death staged. and he reemerged as Morgan Freeman. They highlight Freeman's rise to prominence in the early 1970s. coinciding with Hendrix's supposed death. Freeman's first significant acting role came in 1971 on the children's television show "The Electric Company," a mere year after Hendrix's passing.
Physical Resemblances
Facial Structure and Features
One of the most compelling arguments for the hypothesis that Morgan Freeman is Jimi Hendrix lies in the physical resemblance between the two men. Analyzing photographs, proponents point out similarities in facial structure. particularly the cheekbones and jawline. Both men have a distinctive gap between their front teeth. which is rare and often highlighted as a critical point of similarity.
Voice and Mannerisms
Supporters of the theory also draw attention to the similarities in their voices. Jimi Hendrix known for his smooth, distinctive speaking voice. which, according to some, resembles Morgan Freeman's iconic, deep, and soothing voice. Additionally, both men share certain mannerisms. such as their calm demeanor and eloquent speech patterns.
Artistic Parallels
Musical and Acting Talents
Jimi Hendrix was regarded as one of t
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留信网认证的作用:
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
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5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
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Pitch
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- 3. Lots of enigma codes
- 6. The shop is closed when they get there so they start heading home
- 7. On the way back they witness a crime and are spotted by the criminal
- 8. they spend the rest of the film avoiding detection and trying convince people that they’re being hunted by a criminal,
- 10. My Idea – The Music Music Dramatic music fast paced during the chase scene something that the target audience can related to. Stops at the crossing, only the sounds of cars can be heard Changes after the lamppost scene Changes again when criminal is spotted
- 11. My Idea – Everything else! Film name: Too slow Production company: Jet productions (jet because of the jet engine.) Locations: Bitteswell road, linden drive (Lutterworth) Number of characters: 3 – 5 Inspiration: Hot fuzz Pink panther Rocknrolla Pick of destiny
- 12. My Idea – The Titles The titles will be on top of and interacting with each scene, the titles appearing like a type writer while on of the characters is typing on a laptop The last titles on screen will be the film name at the lamppost scene
- 13. Representation Filming in Lutterworth on cloudy days so the atmosphere is mysterious and dark Props like a book I plan on putting next to one of the characters mobile phones will probably be a Sherlock Holmes book, because it’s a mystery novel Both characters will be wearing hoodies with there hoods up (because of the whether, but the audience wont know that.) the hoods stay up until the lamppost scene which will also be the first dialogue – Hoodies are normal associated with teenagers being yobs