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lam4The document discusses initial ideas for three different film genres: 1) A horror/thriller film told from the murderer's point of view with a potential supernatural twist. It would target teenagers/young adults. 2) A drama/thriller about a teenager coping with a parent's suicide that turns out not to be suicide and leads them into trouble. It would target audiences from teenagers to adults. 3) A social realism film about an underground rave resembling 1970s/80s raves with something going wrong at the end. It would target teenagers/young adults and adults familiar with original raves.
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Question 1
This document summarizes how the production of the thriller "Invisible Lives" uses and develops conventions of real media products. It draws inspiration from films like "The Third Man" in its location and use of low-key lighting. The costumes of the male stalker and female victims are inspired by films such as "Once Upon a Time in America," "The Girl with the Dragon Tattoo," and "Kill Bill Vol 1." While reinforcing some stereotypes of gender, it challenges stereotypes of age by using young victims and an older male perpetrator. Though it doesn't use a conventional claustrophobic location, it employs the genre convention of dark, wet streets in its opening scenes.
The final girl
The document discusses the "final girl theory" developed by Carol Clover. The final girl is the last character left alive at the end of a slasher film who confronts the killer. She is typically an intelligent, curious, and vigilant character who moves the narrative forward. According to Clover, final girls sometimes have unisex names and occasionally share a history with the killer. While some have criticized the theory as predictable, Clover argued it subverted the typical sexualized representation of women in horror films by positioning the audience to identify with the surviving female character rather than the killer.
Conventions of a ‘slasher’ film
The document summarizes key conventions of slasher films. It discusses common character archetypes like the final girl, killer, and friends. It also outlines typical elements like the weapon (often a blade), isolated settings familiar to audiences, and low-key lighting that creates shadows and mystery. Narrative theories like Vladimir Propp's character types and Claude Levi-Strauss's binary oppositions are also relevant to slasher film structures and themes involving innocence versus experience.
Conventions of a chick flick
Chick-flicks are films that focus on love and relationships, designed to appeal mainly to women. While films targeting women have existed since the early days of cinema, the term "chick flick" refers specifically to emotionally heavy or relationship-based movies, often released around Valentine's Day. Some early examples include 1950s melodramas and 1961's Breakfast at Tiffany's, but the genre became more popular with 1980s teen dramas directed by John Hughes. Modern chick flicks frequently adapt stories like Cinderella or draw from popular novels and classics. They tend to feature upbeat pop music in most scenes and slower, sadder music during emotional moments.
Target Audience for Period Drama's
The target audience for period dramas is typically women aged 17-50. Period dramas can appeal to a wide age range due to their complex characters and plotlines. They often feature strong female protagonists and romantic storylines, which appeal more to women. However, some period dramas target a broader audience by including more violence or darker themes. This document concludes that the target audience for their period drama production will be women aged 17-50 due to its romantic plotline.
GCSE Film Studies: Pitch examples
This pitch proposes a comedy thriller film called "Left" that follows a conflicted student who gets lured into a blackmail plot involving death and strawberry milkshakes. The plot involves the student's peer being kidnapped from a coffee shop, leaving only her phone behind. Feeling guilty, the student withholds the phone and allows himself to be blackmailed in an attempt to win back the love of his life. The film promises scandal, romance, intrigue, and mind-bending plot twists in the tradition of classic crime thrillers. It aims to appeal to a young adult demographic with its mix of edgy romance, action, villains, and teenage angst alongside blind love and comedy.
Evaluation Question Two
The document discusses the author's thriller film and its representation of social groups. The film aims to attract a target audience of middle-class couples in their 20s who can relate to the main characters. It is rated 15+ due to scenes of violence and crude language depicting a hitman's murders. The author represents the male character as dominant and secretive and the female character as innocent and naive, following stereotypical views. These decisions were meant to give the audience what they wanted based on surveys to increase the film's popularity.
Evaluation 2.docx
The document discusses the author's thriller film and its representation of social groups. The film aims to attract a target audience of middle-class couples in their 20s who can relate to the main characters. It is rated 15+ due to scenes of violence and crude language depicting a hitman's murders. The author represents the male character as dominant and secretive and the female character as innocent and naive, following stereotypical views. These decisions were meant to give the audience what they wanted based on surveys to increase the film's popularity.
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Question 1
This document summarizes how the production of the thriller "Invisible Lives" uses and develops conventions of real media products. It draws inspiration from films like "The Third Man" in its location and use of low-key lighting. The costumes of the male stalker and female victims are inspired by films such as "Once Upon a Time in America," "The Girl with the Dragon Tattoo," and "Kill Bill Vol 1." While reinforcing some stereotypes of gender, it challenges stereotypes of age by using young victims and an older male perpetrator. Though it doesn't use a conventional claustrophobic location, it employs the genre convention of dark, wet streets in its opening scenes.
The final girl
The document discusses the "final girl theory" developed by Carol Clover. The final girl is the last character left alive at the end of a slasher film who confronts the killer. She is typically an intelligent, curious, and vigilant character who moves the narrative forward. According to Clover, final girls sometimes have unisex names and occasionally share a history with the killer. While some have criticized the theory as predictable, Clover argued it subverted the typical sexualized representation of women in horror films by positioning the audience to identify with the surviving female character rather than the killer.
Conventions of a ‘slasher’ film
The document summarizes key conventions of slasher films. It discusses common character archetypes like the final girl, killer, and friends. It also outlines typical elements like the weapon (often a blade), isolated settings familiar to audiences, and low-key lighting that creates shadows and mystery. Narrative theories like Vladimir Propp's character types and Claude Levi-Strauss's binary oppositions are also relevant to slasher film structures and themes involving innocence versus experience.
Conventions of a chick flick
Chick-flicks are films that focus on love and relationships, designed to appeal mainly to women. While films targeting women have existed since the early days of cinema, the term "chick flick" refers specifically to emotionally heavy or relationship-based movies, often released around Valentine's Day. Some early examples include 1950s melodramas and 1961's Breakfast at Tiffany's, but the genre became more popular with 1980s teen dramas directed by John Hughes. Modern chick flicks frequently adapt stories like Cinderella or draw from popular novels and classics. They tend to feature upbeat pop music in most scenes and slower, sadder music during emotional moments.
Target Audience for Period Drama's
The target audience for period dramas is typically women aged 17-50. Period dramas can appeal to a wide age range due to their complex characters and plotlines. They often feature strong female protagonists and romantic storylines, which appeal more to women. However, some period dramas target a broader audience by including more violence or darker themes. This document concludes that the target audience for their period drama production will be women aged 17-50 due to its romantic plotline.
GCSE Film Studies: Pitch examples
This pitch proposes a comedy thriller film called "Left" that follows a conflicted student who gets lured into a blackmail plot involving death and strawberry milkshakes. The plot involves the student's peer being kidnapped from a coffee shop, leaving only her phone behind. Feeling guilty, the student withholds the phone and allows himself to be blackmailed in an attempt to win back the love of his life. The film promises scandal, romance, intrigue, and mind-bending plot twists in the tradition of classic crime thrillers. It aims to appeal to a young adult demographic with its mix of edgy romance, action, villains, and teenage angst alongside blind love and comedy.
Evaluation Question Two
The document discusses the author's thriller film and its representation of social groups. The film aims to attract a target audience of middle-class couples in their 20s who can relate to the main characters. It is rated 15+ due to scenes of violence and crude language depicting a hitman's murders. The author represents the male character as dominant and secretive and the female character as innocent and naive, following stereotypical views. These decisions were meant to give the audience what they wanted based on surveys to increase the film's popularity.
Evaluation 2.docx
The document discusses the author's thriller film and its representation of social groups. The film aims to attract a target audience of middle-class couples in their 20s who can relate to the main characters. It is rated 15+ due to scenes of violence and crude language depicting a hitman's murders. The author represents the male character as dominant and secretive and the female character as innocent and naive, following stereotypical views. These decisions were meant to give the audience what they wanted based on surveys to increase the film's popularity.
Evaluation Question Two
The document discusses the representation of social groups in the author's thriller film. It aims to portray a young middle-class couple to relate to its target 15-25 year old audience. Scenes of violence include a hitman murdering victims and involve violent language. The man is depicted as dominant and secretive, sticking to stereotypes, while the woman is innocent and naive. These decisions aimed to give the audience what stereotypical portrayals they preferred based on surveys. Older generations are more likely victims while younger men are more likely villains. The film portrays women stereotypically through the wife's roles and naivety. Actors were chosen partly due to availability to fit the main character roles. A
Aspects of Genre
Period dramas typically feature young, heroic white protagonists and focus on themes of love, family, and relationships set within a particular patriarchal society of the past. Documentary dramas, also known as docudramas, re-enact real historical events through research and sometimes first-person accounts. Crime genres revolve around a protagonist investigating a death or crime like murder, robbery, or suicide, typically ending with the revelation of who committed the act and justice prevailing. Soap operas are ongoing serial dramas without narrative resolution that end on cliffhangers and explore different emotional atmospheres over time through changing plots.
Evaluation: Q1
The document is an evaluation response that discusses how a short social realism film challenges and conforms to conventions of the genre. It begins with a documentary-style opening using a character monologue to introduce the protagonist and create empathy. This challenges expectations by not establishing initial equilibrium. However, it also uses conventions like realistic settings and exploring a contemporary taboo issue. Camerawork is mostly naturalistic to maintain continuity but some shots like extreme close-ups are used to convey mood. Overall, the response analyzes how the film both challenges expectations and adheres to realist conventions.
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WRITING LOGLINES
If you are having trouble formulating a concise log-line for your story, chances are your plot is suffering from DGD (Dramatic Grammar Deficiency), or - worse - that you are failing to grasp the emotional logic of what is actually going on as evidenced by the actions and interactions of the characters. If this is not the case, then basically what you have to do is, look at the beginning of the second act of your story. That is the main chunk of it. You imply Act 1 with your protagonist’s adjective of manner that contrasts them against the new world of Act 2 they have dived deep into. You also must imply the consequences of the protagonist failing in your log-line to make things not boring when you tell someone about it so they’ll want to know more.
That’s literally all there is to it.
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Social realism is a genre that aims to portray realistic depictions of everyday life, often focusing on working-class characters and social issues. It typically uses handheld camera work, unknown actors, and gritty urban settings to represent the struggles of ordinary people. Films in the social realism genre commonly deal with controversial topics like poverty, relationships, and minority groups that were not typically represented in other films at the time. The genre became prominent in British cinema starting in the late 1950s as filmmakers sought to authentically capture the realities of working-class lives on screen.
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This document provides a summary of the plot of the film "Blockbuster" and discusses some key aspects of blockbuster films and film theory. The plot involves a cursed teddy monkey toy that murders the girlfriend of the boy who bought it for Valentine's Day. It then repeats this cycle annually. The document also outlines characteristics of blockbuster films, such as large budgets and wide release, and discusses several narrative and audience theories that are relevant to the film's marketing strategy, including the two-step flow theory.
Django Unchained Presentation.
This document provides an analysis of the Western genre and conventions through examining the film Django Unchained. It discusses the typical elements of Westerns like climactic shootouts between heroes and villains. The document also analyzes how the trailer for Django Unchained represents people and reinforces or challenges stereotypes, noting it depicts the historical mistreatment of blacks during the era of slavery in 1858.
Evaluation q2
The document discusses how different social groups are represented in the media product. It introduces the main characters - the victim is a young teenage girl portrayed through stereotypical cues. The antagonist is a mysterious male killer following conventions of the genre. The protagonist is a male detective representing law enforcement and opposing the antagonist. These representations of the victim, antagonist, and protagonist follow stereotypes commonly seen in successful thriller films.
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This document provides an analysis of the Western genre and conventions through examining the film Django Unchained. It discusses the typical elements of Westerns like climactic shootouts between heroes and villains. The document also analyzes how people, places, and objects are represented in the trailer for Django Unchained, noting its portrayal of slavery and mistreatment of black people aligns with historical accuracy. As the main character is a black cowboy, it challenges some stereotypes about the typical characters featured in Westerns.
Media Evaluation Q2
The media product represents a lower social group of teenage males through its all-male teenage cast. Stereotypes of young males like wearing hoodies and bonding like in Fast and Furious were portrayed naturally. The isolated house location also fits thriller conventions. The victims behave typically for teenage boys, wearing hoodies and jeans and messing around, challenging expectations of male roles. The killer's identity is unknown, representing gender equality. As a UK production, it represents the varied views of teenage males in Britain as the future despite being victims.
Question 4
The target audience for the media product is 16-18 year olds. This age group can relate to and empathize with the teenage main characters. Both male and female teenagers are targeted by including strong male and female leads that break from typical gender stereotypes. While most of the 6th form students involved in producing the film are white British, the film's focus on suspense means all ethnicities could engage with the narrative. The target audience would be interested in thrillers and pop culture references, enjoy activities like exercise and socializing, and get thrill from watching mysterious events unfold safely in the cinema.
Question 4 draft
The target audience for this media product is 16-18 year olds. This age group can relate to and empathize with the teenage main characters. Having creators and characters of the same age means there is a deep understanding of this demographic. Both male and female teenagers are targeted by including identifiable characters of both genders portrayed equally. While the characters are white British, the film's themes of mystery and thriller would appeal to a wide British audience. Prior knowledge of film genres and youth culture references help audiences engage with the film's intertextuality.
Question 4 Updated
The target audience for this media product is 16-18 year olds. This age group was chosen because the main characters are also 16-18, allowing them to relate to and empathize with the characters. Both male and female teenagers are targeted by including both male and female characters portrayed equally. While most of the actors and characters are white British, the film's themes of mystery and thriller would still appeal to a diverse British audience. The target audience is interested in popular youth culture, going to the cinema, and exploring modern anxieties through thriller films.
Genre research
Thrillers often feature a character in danger or pursuit who is typically seen from the protagonist's point of view. Scenes may also show the villain's perspective to establish their motives. Action scenes keep the audience in suspense. Common themes include societal problems like kidnapping and murder. Heroes are usually police or FBI aiming to solve the case, while villains are dominant males not to be trusted. Settings are often dull urban cities shot in a way to create vulnerability or eerie atmospheres for suspense. Seminal thriller films include Pulp Fiction, The Dark Knight, and Psycho. Alfred Hitchcock was a renowned thriller director nominated for best director multiple times, influencing the genre through manipulation of audience fears.
Scrum Pain
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Evaluation Question Two
The document discusses the representation of social groups in the author's thriller film. It aims to portray a young middle-class couple to relate to its target 15-25 year old audience. Scenes of violence include a hitman murdering victims and involve violent language. The man is depicted as dominant and secretive, sticking to stereotypes, while the woman is innocent and naive. These decisions aimed to give the audience what stereotypical portrayals they preferred based on surveys. Older generations are more likely victims while younger men are more likely villains. The film portrays women stereotypically through the wife's roles and naivety. Actors were chosen partly due to availability to fit the main character roles. A
Aspects of Genre
Period dramas typically feature young, heroic white protagonists and focus on themes of love, family, and relationships set within a particular patriarchal society of the past. Documentary dramas, also known as docudramas, re-enact real historical events through research and sometimes first-person accounts. Crime genres revolve around a protagonist investigating a death or crime like murder, robbery, or suicide, typically ending with the revelation of who committed the act and justice prevailing. Soap operas are ongoing serial dramas without narrative resolution that end on cliffhangers and explore different emotional atmospheres over time through changing plots.
Evaluation: Q1
The document is an evaluation response that discusses how a short social realism film challenges and conforms to conventions of the genre. It begins with a documentary-style opening using a character monologue to introduce the protagonist and create empathy. This challenges expectations by not establishing initial equilibrium. However, it also uses conventions like realistic settings and exploring a contemporary taboo issue. Camerawork is mostly naturalistic to maintain continuity but some shots like extreme close-ups are used to convey mood. Overall, the response analyzes how the film both challenges expectations and adheres to realist conventions.
Django unchained
Django Unchained is Quentin Tarantino's 2012 western film starring Jamie Foxx as Django, a slave who is freed by a bounty hunter named Dr. King Schultz (Christoph Waltz) and seeks to rescue his wife Broomhilda (Kerry Washington) from plantation owner Calvin Candie (Leonardo DiCaprio). While the film contains intense violence and over 100 uses of the n-word, which caused some controversy, the film is seen as a postmodern revisionist western that highlights how few films have addressed the issue of slavery. It provides an entertaining and thrilling story of Django's empowerment and fight for equality, using stylistic techniques like musical mashups of genres to
Top 10 greatest love movies
The document lists the top 10 romantic movies as chosen by a panel and provides a brief reason for each choice. The panel loved Love & Basketball because it highlighted the importance of friendship in developing romantic relationships. They also enjoyed Twilight for modernizing the classic Romeo and Juliet story and appealing to different generations. At number one, The Notebook was chosen for showcasing the challenges of commitment in marriage through the chemistry between its leads and by being loosely based on a true story.
WRITING LOGLINES
If you are having trouble formulating a concise log-line for your story, chances are your plot is suffering from DGD (Dramatic Grammar Deficiency), or - worse - that you are failing to grasp the emotional logic of what is actually going on as evidenced by the actions and interactions of the characters. If this is not the case, then basically what you have to do is, look at the beginning of the second act of your story. That is the main chunk of it. You imply Act 1 with your protagonist’s adjective of manner that contrasts them against the new world of Act 2 they have dived deep into. You also must imply the consequences of the protagonist failing in your log-line to make things not boring when you tell someone about it so they’ll want to know more.
That’s literally all there is to it.
Fish Tank
Social realism is a genre that aims to portray realistic depictions of everyday life, often focusing on working-class characters and social issues. It typically uses handheld camera work, unknown actors, and gritty urban settings to represent the struggles of ordinary people. Films in the social realism genre commonly deal with controversial topics like poverty, relationships, and minority groups that were not typically represented in other films at the time. The genre became prominent in British cinema starting in the late 1950s as filmmakers sought to authentically capture the realities of working-class lives on screen.
Hannahkelly
This document provides a summary of the plot of the film "Blockbuster" and discusses some key aspects of blockbuster films and film theory. The plot involves a cursed teddy monkey toy that murders the girlfriend of the boy who bought it for Valentine's Day. It then repeats this cycle annually. The document also outlines characteristics of blockbuster films, such as large budgets and wide release, and discusses several narrative and audience theories that are relevant to the film's marketing strategy, including the two-step flow theory.
Django Unchained Presentation.
This document provides an analysis of the Western genre and conventions through examining the film Django Unchained. It discusses the typical elements of Westerns like climactic shootouts between heroes and villains. The document also analyzes how the trailer for Django Unchained represents people and reinforces or challenges stereotypes, noting it depicts the historical mistreatment of blacks during the era of slavery in 1858.
Evaluation q2
The document discusses how different social groups are represented in the media product. It introduces the main characters - the victim is a young teenage girl portrayed through stereotypical cues. The antagonist is a mysterious male killer following conventions of the genre. The protagonist is a male detective representing law enforcement and opposing the antagonist. These representations of the victim, antagonist, and protagonist follow stereotypes commonly seen in successful thriller films.
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Django Unchained Presentation.
This document provides an analysis of the Western genre and conventions through examining the film Django Unchained. It discusses the typical elements of Westerns like climactic shootouts between heroes and villains. The document also analyzes how people, places, and objects are represented in the trailer for Django Unchained, noting its portrayal of slavery and mistreatment of black people aligns with historical accuracy. As the main character is a black cowboy, it challenges some stereotypes about the typical characters featured in Westerns.
Media Evaluation Q2
The media product represents a lower social group of teenage males through its all-male teenage cast. Stereotypes of young males like wearing hoodies and bonding like in Fast and Furious were portrayed naturally. The isolated house location also fits thriller conventions. The victims behave typically for teenage boys, wearing hoodies and jeans and messing around, challenging expectations of male roles. The killer's identity is unknown, representing gender equality. As a UK production, it represents the varied views of teenage males in Britain as the future despite being victims.
Question 4
The target audience for the media product is 16-18 year olds. This age group can relate to and empathize with the teenage main characters. Both male and female teenagers are targeted by including strong male and female leads that break from typical gender stereotypes. While most of the 6th form students involved in producing the film are white British, the film's focus on suspense means all ethnicities could engage with the narrative. The target audience would be interested in thrillers and pop culture references, enjoy activities like exercise and socializing, and get thrill from watching mysterious events unfold safely in the cinema.
Question 4 draft
The target audience for this media product is 16-18 year olds. This age group can relate to and empathize with the teenage main characters. Having creators and characters of the same age means there is a deep understanding of this demographic. Both male and female teenagers are targeted by including identifiable characters of both genders portrayed equally. While the characters are white British, the film's themes of mystery and thriller would appeal to a wide British audience. Prior knowledge of film genres and youth culture references help audiences engage with the film's intertextuality.
Question 4 Updated
The target audience for this media product is 16-18 year olds. This age group was chosen because the main characters are also 16-18, allowing them to relate to and empathize with the characters. Both male and female teenagers are targeted by including both male and female characters portrayed equally. While most of the actors and characters are white British, the film's themes of mystery and thriller would still appeal to a diverse British audience. The target audience is interested in popular youth culture, going to the cinema, and exploring modern anxieties through thriller films.
Genre research
Thrillers often feature a character in danger or pursuit who is typically seen from the protagonist's point of view. Scenes may also show the villain's perspective to establish their motives. Action scenes keep the audience in suspense. Common themes include societal problems like kidnapping and murder. Heroes are usually police or FBI aiming to solve the case, while villains are dominant males not to be trusted. Settings are often dull urban cities shot in a way to create vulnerability or eerie atmospheres for suspense. Seminal thriller films include Pulp Fiction, The Dark Knight, and Psycho. Alfred Hitchcock was a renowned thriller director nominated for best director multiple times, influencing the genre through manipulation of audience fears.
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This document discusses various horror subgenres including slasher, supernatural, psychological, gothic, and possession films. It provides examples of conventions for each subgenre and analyzes classic films that exemplify the conventions, such as Halloween for slasher, The Sixth Sense for supernatural, The Shining for psychological, and The Woman in Black for gothic horror. The document aims to outline the evolution and expanding popularity of horror subgenres since the 1970s as audiences demanded new ways to be terrified beyond traditional constraints.
Genre theory assignment 1
This document discusses genre theory and its application to film analysis. It provides examples of different film genres like action, horror, musical, and science fiction. It explains that genres have common visual imagery, technical styles, character tropes, settings, and narrative structures that audience expect. The document analyzes several films like Leon, Mean Girls, and Independence Day: Resurgence using genre theory concepts. It also discusses the auteur theory and provides examples of auteur directors like Tarantino, Burton, Cameron, and Besson who have distinctive styles and themes.
Laura Eddleston. Media evaluation!
The media product is a psychological thriller film titled "Delusion Requiem". It uses several conventions of the thriller genre including props, lighting, music, and setting. While it incorporates typical elements, it also challenges conventions by keeping the killer's identity secret and having the characters dress normally. The film represents teenagers and aims its audience at males and females ages 16-18. It would likely be distributed by larger studios known for thriller films and aims to attract its target teenage audience.
CCR task 1.pptx
The document discusses conventions of the slasher horror genre that are used or challenged in the opening title sequence. It uses conventions such as a psychotic killer stalking teenagers, dim lighting, jump scares, and common weapons. It challenges conventions by using a male instead of female as the "disposable character" killed early on. Social groups and issues represented include teenage drama, violence, bullying, and peer pressure faced by high school friends.
Background on thriller
Thrillers use techniques like suspense, plot twists, and mystery to stimulate viewers' emotions. Key characteristics include an unpredictable plot that builds to a climax, as well as elements like red herrings, cliffhangers, themes of kidnapping or revenge, and characters like protagonists, antagonists, and victims. Cinematography in thrillers employs techniques such as low lighting, shadows, and close-ups to create tension. Editing uses techniques like jump cuts and match cuts between action scenes to further mystery and suspense. Sound design with diegetic and non-diegetic elements also stimulates emotion. Popular thriller characters include heroes, villains, helpers, and victims.
Unit 10: Video Production
1) The document provides information on common conventions in comedy and crime thriller films. Comedies typically have upbeat settings like suburbs and use lighting and shots to elicit humor, while crime thrillers build tension with techniques like low-key lighting and quick cuts.
2) It then summarizes the plots of Superbad and Project X, coming-of-age comedies about teenage boys, and analyzes their use of conventions.
3) Finally, it summarizes the crime thriller Silence of the Lambs and how it follows conventions like a disruption causing the protagonist to restore order, while also breaking conventions through its female protagonist. It then does the same for Se7en.
Key conventions
There are six key conventions of the horror genre that are discussed in the document. These include the setting, technical codes, themes, narrative structure, and character types. The setting is often isolated and abandoned places like villages, rural areas, or haunted houses. Technical codes include point-of-view camera shots and diegetic/non-diegetic sounds. Common themes involve binaries of good/evil, hidden evil, and haunted pasts. Narratives typically follow classic Hollywood structures and involve protagonists battling threats. Character types include victims, heroes, killers, and groups of friends.
Genre Powerpoint
The document summarizes common elements found in horror, comedy, and action movies. For horror movies, it notes they typically start calmly then disrupt with scary events meant to manipulate emotions. Characters usually include victims, non-believers, and villains. Common locations are dark, isolated places like forests and abandoned buildings. Comedies often feature romantic plots or people in funny situations. Characters may be love interests or those fueling comedic scenarios. Locations are usually ordinary to viewers like homes or workplaces. Action movies revolve around chases between heroes and villains with dramatic fighting and stunts in sensational locations like skyscrapers to heighten suspense.
Assignment 15 finished research real yo
The document provides information on the inspiration for an opening film sequence project. It discusses real film openings like Se7en, Zombieland, and To Kill a Mockingbird. Genres like psychological thriller are analyzed. Characters, locations, music, and other elements are proposed and researched. Production details like the target audience, ratings, and potential production companies like New Line Cinema are covered at a high level. The document serves as a planning and inspiration tool for a fictional opening sequence that establishes mystery and intrigue.
The Horror Genre - Media Studies
The document discusses common stock characters, plots, locations, and props used in horror films. Some key stock characters mentioned include the protagonist, antagonist, final girl, and children who are often used to connect the supernatural to other characters. Common plots involve a family moving to a haunted house/location and the father going insane. Isolated locations like cabins in the woods and haunted houses are frequently used due to their ability to create fear. Weapons are a common prop that illustrate vulnerability and are used by both antagonists and protagonists.
FMP: Research Updated
Ewan Wild is researching existing films, TV shows, and other media to inspire his short film project. He analyzes several dark comedy films and TV shows including The End of the F***ing World, Dr. Strangelove, Four Lions, Shaun of the Dead, and American Psycho. He looks at how they use comedy to make serious or dark moments more impactful. Wild also considers music inspirations from Life is Strange and Scott Pilgrim vs. the World. He wants to incorporate thought voiceovers, tension building scenes, and a serious ending to his film while maintaining elements of comedy.
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Due to their ability to produce engaging content more quickly, over-the-top (OTT) app builders have made the process of creating video applications more accessible. The invitation to explore these platforms emphasizes how over-the-top (OTT) applications hold the potential to transform digital entertainment.
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https://www.theurbancrews.com/celeb/matt-rife-cancels-bloomington-show/
Authenticity in Motion Pictures: How Steve Greisen Retains Real Stories
Learn about Steve Greisen's dedication to capture the spirit of his subjects in his documentaries with honesty and integrity.
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留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
240529_Teleprotection Global Market Report 2024.pdf
The teleprotection market size has grown
exponentially in recent years. It will grow from
$21.92 billion in 2023 to $28.11 billion in 2024 at a
compound annual growth rate (CAGR) of 28.2%. The
teleprotection market size is expected to see
exponential growth in the next few years. It will grow
to $70.77 billion in 2028 at a compound annual
growth rate (CAGR) of 26.0%.
Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
哪里买(osu毕业证书)美国俄勒冈州立大学毕业证双学位证书原版一模一样
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本公司拥有海外各大学样板无数，能完美还原海外各大学 Bachelor Diploma degree, Master Degree Diploma
1:1完美还原海外各大学毕业材料上的工艺：水印，阴影底纹，钢印LOGO烫金烫银，LOGO烫金烫银复合重叠。文字图案浮雕、激光镭射、紫外荧光、温感、复印防伪等防伪工艺。材料咨询办理、认证咨询办理请加学历顾问Q/微741003700
留信网认证的作用:
1:该专业认证可证明留学生真实身份
2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
5:凡事获得留信网入网的信息将会逐步更新到个人身份内，将在公安局网内查询个人身份证信息后，同步读取人才网入库信息
6:个人职称评审加20分
7:个人信誉贷款加10分
8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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The television landscape in the UK has evolved significantly with the rise of Internet Protocol Television (IPTV). IPTV offers a modern alternative to traditional cable and satellite TV, allowing viewers to stream live TV, on-demand videos, and other multimedia content directly to their devices over the internet. This review provides an in-depth look at the top IPTV UK providers, their features, pricing, and what sets them apart.
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Pitch
- 1. Initial Ideas. Lauren Greenhough, Amy Wainwright, Melanie Cooper.