The Photo Composition techniques shown in the presentation will help you to capture perfect photo.
Photos shown in the presentation are captured using mobile and by applying compostion techniques and principles.
Thank you being here and looking at this presentation.
Week 2, Language Of Design
Presentation from Introduction to Graphic Design, Columbia College Chicago. Much of the content taken from readings, including the textbooks: Timothy Samara's "Design Elements" and "Design Evolution." Other references cited in presentation. Please note: many slides are intended for class discussion and might not make sense out of context.
Week 8, Using Whitespace
Presentation from Introduction to Graphic Design, Columbia College Chicago. Much of the content taken from readings, including the textbooks: Timothy Samara's "Design Elements" and "Design Evolution." Other references cited in presentation. Please note: many slides are intended for class discussion and might not make sense out of context.
Since photography is a two dimensional
medium, we have to select our arrangement
sensibly to convey the sense of depth that
was present in the real scene.
Week 2, Language Of Design
Presentation from Introduction to Graphic Design, Columbia College Chicago. Much of the content taken from readings, including the textbooks: Timothy Samara's "Design Elements" and "Design Evolution." Other references cited in presentation. Please note: many slides are intended for class discussion and might not make sense out of context.
Week 8, Using Whitespace
Presentation from Introduction to Graphic Design, Columbia College Chicago. Much of the content taken from readings, including the textbooks: Timothy Samara's "Design Elements" and "Design Evolution." Other references cited in presentation. Please note: many slides are intended for class discussion and might not make sense out of context.
Since photography is a two dimensional
medium, we have to select our arrangement
sensibly to convey the sense of depth that
was present in the real scene.
The first step to understanding photographs is to dissect what i.docxadelaider1
The first step to understanding photographs is to dissect what it is that you are is seeing on the most basic levels. Once we spell out what it is we are looking at we can begin to talk about how various elements within the photograph affect our perception or response to the image.
CHOOSE
one photograph from this
folder
to write about.
INCLUDE
the photograph at the beginning of the document.
INTRODUCE
the photograph. Begin by stating the name of the artist, photograph, and year it was made.
DESCRIPTION:
Go through the following elements (in whatever order you please) and for each,
describe what you see (quite literally)
ex: The image has very low contrast, the darkest tones and the lightest tones are both very grey.
describe the effect of each element on the reading of the image as a whole
Try using these statements to guide you:
It makes me think of….
It reminds me of….
It makes it/me feel….
ex: The lack of contrast in the image makes it feel dull, or sullen, and a bit lifeless.
Ex: The ______ (element descriptors) contribute to an overall feeling of _______.
ELEMENTS:
Contrast
: Is there a big difference between the brightness of the highlights and the shadows of the image? (High or low contrast)
Lighting/Exposure
Where is the light coming from?
Is it harsh or soft lighting?
Is the overall image very dark or very light?
Color
Are there warm (reds and oranges) or cold colors (blues and greens)?
Saturated (deep tones of colors) or unsaturated (lighter tones)?
Is the photograph in greyscale (black and white)?
Focus
What part of the photograph is in focus (not blurry)? What parts are out of focus?
What is causing the blur? Take a guess! Lens out of focus? Motion blur?
Line
What kinds of lines are visible; rectilinear, curvilinear?
How does line lead your eye around the photograph? Notice how your eyes move around the page and describe it.
Focal Point
What part of the photograph seems to be the focal point, or the most notable part? Is there one part your eye is drawn back to as you look longer?
Texture
What are the textures in the photo, do the surfaces look soft, rough, scratchy, smooth?
Subject Matter
What is being depicted in the image? What objects, people, or places do we see, what
don’t
we see?
How are the observed nouns? Are they in action, still, with expression?
Describe these in as much detail as possible! Instead of words like
normal
,
average,
or
typical,
describe what it is that you mean. Write so that we can picture the image without ever seeing it.
RESPOND
to the image.
What larger concepts might the image be connected to?
Why did you choose the image?
Did you find the photograph interesting, captivating, moving, or challenging? Why?
.
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Macroeconomics- Movie Location
This will be used as part of your Personal Professional Portfolio once graded.
Objective:
Prepare a presentation or a paper using research, basic comparative analysis, data organization and application of economic information. You will make an informed assessment of an economic climate outside of the United States to accomplish an entertainment industry objective.
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2. RULE OF THIRDS
Rule of thirds is a guideline which
applies to the process of
composing visual images.
The concept behind the rule of
thirds is the human eye focuses on
center.
In rule of thirds 2 vertical and 2
horizontal lines, so the focus
placed at the center to capture the
detail in the photograph.
RULE OF THIRDS
3. EMPHASIZING THE PATTERN
The idea of repeating something
can seem boring. But the human
brain actually likes patterns.
They are great focal points for
viewers.
Patterns in photography create
attention. Think of something easy
to overlook. When framed to
highlight the pattern.
PATTERN
4. BREAKING THE PATTERN
The break can be achieved by
introducing an element in a
contrasting color, with a different
shape or texture.
Removing one of the elements
that make up the pattern can also
work. Focus on the break to create
emphasis.
The pattern consists of different
pattern, shapes, and colours etc.
PATTERN
5. FORMAL BALANCE
The most obvious type of balance
is one in which the image is
identical on the left and right
halves.
Perfect, pixel-level.photo is more
than enough for us to notice a
balanced composition
BALANCE
6. INFORMAL BALANCE
It’s a concept that can be difficult
to be specific about because it can
be achieved in a variety of ways.
Simply put, informal balance
occurs when dissimilar elements
balance each other out on each
side of the frame. The size of each
element can be irrelevant.
BALANCE
8. UNITY
Describes the visual relationship
between elements in
a photograph.
It helps create a cohesive image.
Using similar colors or tones,
concepts or elements cultivates a
sense of unity.
UNITY
9. CONTRAST
In photography is the visual ratio
of different tones in an image.
This difference is what creates the
textures, highlights, shadows,
colors and clarity in a photograph.
TONAL CONTRAST
difference in bright and dark areas
in a photo.
This composition is what makes
the subjects within the photo
appear defined or undefined.
CONTRAST
10. HIGH CONTRAST
A high contrast image has a wide
range of tones full of blacks and
whites with dark shadows and
bright highlights.
CONTRAST
11. LOW CONTRAST
A high contrast image has a wide
range of tones full of blacks and
whites with dark shadows and
bright highlights.
A low contrast image blends light
and dark areas, creating a more
flat or soft photo.
There are hardly any highlights and
shadows and the images are
composed mostly in shades of
gray.
CONTRAST
12. COLOUR CONTRAST
Color contrast has to do with how
colors interact with one another
where they lie on the color wheel.
The photo’s looks so attractive due
to contrast balance which adds
more depth to colours.
CONTRAST
13. MOVEMENT
Movement in photography
describes the relationship
between the camera’s shutter
speed and a subject.
SUSPENDED MOVEMENT
Suspended movement illustrates
one of the camera’s most
remarkable attributes.
The ability to freeze a literal split
second, to capture details
imperceptible to the human eye.
MOVEMENT
14. MOTION BLUR
motion blur can be a striking
representation of dynamic energy
when incorporated deliberately.
motion blur, usually produced at
very slow shutter speed.
The photo captured while it is
motion looks blur due to its slow
shutter speed.
MOVEMENT
15. Visual flow
Visual flow is dynamic, continuous,
and unforced. Repeating elements
can establish rhythm and build
momentum to carry the eye from
one point to the next.
Visual flow takes the viewer’s eye
on a graceful, often gently
meandering, visual journey
through photographic
composition.
MOVEMENT