The document discusses two music photographers, David LaChapelle and Rankin. It provides details on their styles, with LaChapelle known for surreal, sexualized photos using unusual props and exaggerated personalities. Rankin takes simple, up-close portraits where the artist stares at the camera, making them the center of attention. The author likes LaChapelle's colorful, attention-grabbing style and Rankin's ability to connect with audiences through direct eye contact and a sense of innocence in the portraits. They plan to emulate Rankin's simplistic technique of shoulder-up close-ups for their magazine cover photo.