Participatory surveillance and privacy negotiation in social media
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Antonio A. Casilli ‘Participatory surveillance and privacy negotiation in social media’, presentation at the Congreso Internacional Globernance Internet y el Futuro de la Democracia, Basque Parliament, Vitoria-Gasteiz, 20th December 2011
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In this new ecology of images, the actual taking of a photograph –if that is still the case– is merely one step in a long chain of abstractions in which the image is manipulated, recontextualized, sometimes in combinations with other images, at times these processes happen in unpredictable or irreverent ways. In other words, where does the image begin and end? While there is an over-abundance of photos and images around today, I will highlight 3 different positions that I think are crucial when discussing these specific aspects of contemporary images, and show how they relate to storytelling. This is an abstracted sense of storytelling taking place below the surface, while different narratives start to emerge. First, the digital as a tool in which traditional models of institutional cultural authority and disciplinary expertise still rule, here a digital image emphasizes but also questions the power of the original image through different modes of circulation; Secondly, the effect of optimization or automatic evaluation of image content in semi-automated algorithms; and related to that 3. The construction of value through machine vision [obscure algorithmic processes].
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2011 SBS Sydney | Martin Stewart-Weeks, The Resilient State: Smarter, Connected
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3) The shift is occurring in three waves: infrastructure, knowledge flows, and institutions, moving power to citizens, employees, and consumers.
4) A resilient state improves connection between distributed expertise, manages transitions, renews self-government, and redefines the center-edge relationship.
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