Improving Accessible Publication Delivery Globally With DAISY OnlineDAISY Consortium
[Presented at CSUN 2015] The DAISY Online Delivery protocol is a web service Application Programming Interface (API) that facilitates the delivery of digital content from service providers to end users. Can be used to deliver various types of accessible content (DAISY, EPUB, Braille, podcasts etc.). More information is provided on the DAISY Consortium website at [http://www.daisy.org/projects/daisy-online-delivery/].
Handshake Between Content and Readers: Testing Mainstream Reading SystemsDAISY Consortium
Mainstream reading devices and apps do not guarantee information access for all
readers. All the hard work of enhancing an EPUB 3 document for people with
disabilities is lost if the EPUB 3 reader itself is not accessible.
By crowdsourcing accessibility evaluations of mainstream reading
systems in a systematic way and making these evaluations publicly available
developers and device manufacturers can be advised to make
specific improvements to enable access to information for all.
Power of Social Media: Connecting Students of All Ages and AbilitiesDAISY Consortium
For people with a disability, such as a hearing, sight or mobility impairment, social media websites and applications have their own barriers. We discussed how the accessibility issues found in each of the most popular social media tools can be overcome. Special thanks to George Kerscher and Aaron Page for their insights.
Improving Accessible Publication Delivery Globally With DAISY OnlineDAISY Consortium
[Presented at CSUN 2015] The DAISY Online Delivery protocol is a web service Application Programming Interface (API) that facilitates the delivery of digital content from service providers to end users. Can be used to deliver various types of accessible content (DAISY, EPUB, Braille, podcasts etc.). More information is provided on the DAISY Consortium website at [http://www.daisy.org/projects/daisy-online-delivery/].
Handshake Between Content and Readers: Testing Mainstream Reading SystemsDAISY Consortium
Mainstream reading devices and apps do not guarantee information access for all
readers. All the hard work of enhancing an EPUB 3 document for people with
disabilities is lost if the EPUB 3 reader itself is not accessible.
By crowdsourcing accessibility evaluations of mainstream reading
systems in a systematic way and making these evaluations publicly available
developers and device manufacturers can be advised to make
specific improvements to enable access to information for all.
Power of Social Media: Connecting Students of All Ages and AbilitiesDAISY Consortium
For people with a disability, such as a hearing, sight or mobility impairment, social media websites and applications have their own barriers. We discussed how the accessibility issues found in each of the most popular social media tools can be overcome. Special thanks to George Kerscher and Aaron Page for their insights.
Making newspapers accessible: Production to playbackDAISY Consortium
Presented by Daniel Ainasoja in Paris at EEAF, June 8th, 2015.
For over 12 years, Daniel has been working for non-profit organizations developing software and hardware tools to make newspapers and books accessible for the visually impaired and print disabled. Daniel presently works as an International Sales Manager at Pratsam, CEO at the open source organization Kolibre and CEO at the Association of Swedish Talking Newspapers in Finland.
Presented at the 2015 M-Enabling Summit on June 1st, 2015. For more information about various accessible mobile applications for reading please go to [http://www.daisy.org/tools/mobile-applications].
Print wins! — And considers itself to be the key pillar in multichannel scen...Andreas Weber
Analysis by Andreas Weber
For more than a thousand years, print has been one of the most important cultural tools globally for allowing innovations to become reality!
Why should things be any different today?
Three main facts for a sustainable success with print:
1. It is proven that print wins and its importance is strengthened through multichannel because it makes communication powerful, relevant and humane.
2. In communication, reach is not the measure of all things, relevant dialogue is (one conversation).
3. Multichannel innovations that include print do not make analogue media superfluous, but integrate them seamlessly.
Hybrid Publishing Lab - Contec - Frankfurt Book Fair. Oct 2013Simon Worthington
The Hybrid Publishing Consortium is the technology arm of the lab and is made up of a team of six researchers, developing software for multi-format publishing. The Consortium has two goals–creating robust public infrastructures for publishing and lowering the cost of digital innovation for publishers.
We employ a dual approached to digital workflows to achieve these goals–single source and dynamic publishing.
Single source publishing
Single source is the key to unlocking multi-format conversion, allowing for conversion to almost any format, like converting to formats for–eReaders, tablets or print-on-demand.
For most publishers multi-format publishing is still a nightmare. The technology available is either inefficient or too expensive.
How does single source work? At the core its about document structure. Firstly having a document that is machine readable. Secondly using open standards to keep the document components separate–content, layout and metadata. This way they can be independently edited or made use of by a user or computational process.
In partnership with the company LShift we are developing a single source software framework, called, Academic Typesetr, based on LShift’s existing technology. LShift are one of the top software companies from London’s, Tech City.
For the system our design mantra is, ‘leave the user in their natural habitat’. For the writer this is Word or Google Docs and for the graphic designer, InDesign.
Academic Typesetr will be released as Free Software before the end of the year, with the lab running a series of dynamic publishing prototypes over 2014.
Dynamic publishing
Once you have a machine readable document, then you can start further automation of the workflow–distribution, rights management, and reading analytics–to name a few areas.
With automated distribution the idea of ‘publishing-on-demand’ is introduced, where the user makes a request to a repository via an API to access content for reuse and re-mixing. The user can be a library or Web 2.0 reading platform. This model enables bulk distribution into teaching and education for the BYOD market. An example being the US publisher, Flat World Knowledge.
We view dynamic publishing as a place where scholars and publishers can finally turn the corner with digital publishing, to access new audiences and new revenues.
Produsage and Beyond: Exploring the Pro-Am InterfaceAxel Bruns
Staff Seminar
Thursday 29 Oct., 2-4 p.m.
Seminar Room, Journalism & Media Research Centre, 1-3 Eurimbla St (corner High St), Randwick
The concept of produsage (Bruns 2008) describes the user-led collaborative approach to content creation which is prevalent in open source, citizen journalism, and the Wikipedia, as well as many other social media spaces. While many produsage projects have emerged initially to challenge dominant players in industry, their successful establishment as viable and sustainable alternatives also opens the door for an exploration of manageable cooperative arrangements between industry and community. Many challenges remain for such Pro-Am (Leadbeater & Miller 2004) models, however - not least an often deep-seated sense of mutual distrust -, and successful Pro-Am models may be most likely to succeed when sponsored by trusted third parties (public broadcasters, NGOs). This presentation explores pitfalls and possibilities in the Pro-Am space.
eCommunication: The 10 Paradigms of Media in the Digital Age by Jose Luis Orihuela. II A20 COST Conference: Towards New Media Paradigms. Content, Producers, Organizations and Audiences (Pamplona, 27-28 de junio de 2003). Published in: Towards New Media Paradigms: Content, Producers, Organisations and Audiences, Ediciones Eunate, Pamplona, 2004, pp. 129-135.
Inclusive Publishing in the Educational EnvironmentDAISY Consortium
Bernhard Heinser's presentation (Dublin, November 29, 2012: Universal Design for Digital Document Creation and Publication). There is a need for publishing standards, processes, tools and best practices that allow publishers to create, distribute, and sell accessible materials.
Properly designed information systems can make information accessible to all people. The DAISY Consortium has worked consistently and effectively to push evolving standards and technologies in that direction.
Making newspapers accessible: Production to playbackDAISY Consortium
Presented by Daniel Ainasoja in Paris at EEAF, June 8th, 2015.
For over 12 years, Daniel has been working for non-profit organizations developing software and hardware tools to make newspapers and books accessible for the visually impaired and print disabled. Daniel presently works as an International Sales Manager at Pratsam, CEO at the open source organization Kolibre and CEO at the Association of Swedish Talking Newspapers in Finland.
Presented at the 2015 M-Enabling Summit on June 1st, 2015. For more information about various accessible mobile applications for reading please go to [http://www.daisy.org/tools/mobile-applications].
Print wins! — And considers itself to be the key pillar in multichannel scen...Andreas Weber
Analysis by Andreas Weber
For more than a thousand years, print has been one of the most important cultural tools globally for allowing innovations to become reality!
Why should things be any different today?
Three main facts for a sustainable success with print:
1. It is proven that print wins and its importance is strengthened through multichannel because it makes communication powerful, relevant and humane.
2. In communication, reach is not the measure of all things, relevant dialogue is (one conversation).
3. Multichannel innovations that include print do not make analogue media superfluous, but integrate them seamlessly.
Hybrid Publishing Lab - Contec - Frankfurt Book Fair. Oct 2013Simon Worthington
The Hybrid Publishing Consortium is the technology arm of the lab and is made up of a team of six researchers, developing software for multi-format publishing. The Consortium has two goals–creating robust public infrastructures for publishing and lowering the cost of digital innovation for publishers.
We employ a dual approached to digital workflows to achieve these goals–single source and dynamic publishing.
Single source publishing
Single source is the key to unlocking multi-format conversion, allowing for conversion to almost any format, like converting to formats for–eReaders, tablets or print-on-demand.
For most publishers multi-format publishing is still a nightmare. The technology available is either inefficient or too expensive.
How does single source work? At the core its about document structure. Firstly having a document that is machine readable. Secondly using open standards to keep the document components separate–content, layout and metadata. This way they can be independently edited or made use of by a user or computational process.
In partnership with the company LShift we are developing a single source software framework, called, Academic Typesetr, based on LShift’s existing technology. LShift are one of the top software companies from London’s, Tech City.
For the system our design mantra is, ‘leave the user in their natural habitat’. For the writer this is Word or Google Docs and for the graphic designer, InDesign.
Academic Typesetr will be released as Free Software before the end of the year, with the lab running a series of dynamic publishing prototypes over 2014.
Dynamic publishing
Once you have a machine readable document, then you can start further automation of the workflow–distribution, rights management, and reading analytics–to name a few areas.
With automated distribution the idea of ‘publishing-on-demand’ is introduced, where the user makes a request to a repository via an API to access content for reuse and re-mixing. The user can be a library or Web 2.0 reading platform. This model enables bulk distribution into teaching and education for the BYOD market. An example being the US publisher, Flat World Knowledge.
We view dynamic publishing as a place where scholars and publishers can finally turn the corner with digital publishing, to access new audiences and new revenues.
Produsage and Beyond: Exploring the Pro-Am InterfaceAxel Bruns
Staff Seminar
Thursday 29 Oct., 2-4 p.m.
Seminar Room, Journalism & Media Research Centre, 1-3 Eurimbla St (corner High St), Randwick
The concept of produsage (Bruns 2008) describes the user-led collaborative approach to content creation which is prevalent in open source, citizen journalism, and the Wikipedia, as well as many other social media spaces. While many produsage projects have emerged initially to challenge dominant players in industry, their successful establishment as viable and sustainable alternatives also opens the door for an exploration of manageable cooperative arrangements between industry and community. Many challenges remain for such Pro-Am (Leadbeater & Miller 2004) models, however - not least an often deep-seated sense of mutual distrust -, and successful Pro-Am models may be most likely to succeed when sponsored by trusted third parties (public broadcasters, NGOs). This presentation explores pitfalls and possibilities in the Pro-Am space.
eCommunication: The 10 Paradigms of Media in the Digital Age by Jose Luis Orihuela. II A20 COST Conference: Towards New Media Paradigms. Content, Producers, Organizations and Audiences (Pamplona, 27-28 de junio de 2003). Published in: Towards New Media Paradigms: Content, Producers, Organisations and Audiences, Ediciones Eunate, Pamplona, 2004, pp. 129-135.
Inclusive Publishing in the Educational EnvironmentDAISY Consortium
Bernhard Heinser's presentation (Dublin, November 29, 2012: Universal Design for Digital Document Creation and Publication). There is a need for publishing standards, processes, tools and best practices that allow publishers to create, distribute, and sell accessible materials.
Properly designed information systems can make information accessible to all people. The DAISY Consortium has worked consistently and effectively to push evolving standards and technologies in that direction.
Oliver Berger //Abstract, Werdegang, Projekte & ReferenzenOliver Berger
Da ich kein Freund "klassischer" Bewerbungen bin und mir das Facebook Timeline Format als sehr gut geeignet erschien, habe ich mich dazu entschlossen, Informationen zu mir, meinem beruflichen Werdegang, betreuten Projekten und einige Referenzen auf diese Art und Weise zugänglich zu machen.
Antje Schmidt "Sharing is Caring - Hamburg Extension"Antje Schmidt
This is a written version of a speech given at the opening of the conference “Sharing is Caring — Hamburg Extension. 20/21 April 2017 at the Museum für Kunst und Gewerbe Hamburg
This is a written version of a speech given at the opening of the conference “Sharing is Caring — Hamburg Extension. 20/21 April 2017 at the Museum für Kunst und Gewerbe Hamburg
Breakoutsessie over ICT 19: Technologies for creative industries, social media and convergence tijdens het Horizon 2020 voorlichtingsevent van CLICKNL Media & ICT en Gaming
The Future Is User-Led: The Path towards Widespread ProdusageAxel Bruns
Paper presented at the PerthDAC conference, Perth, Australia, 15-18 September 2007. For more information (including the full paper), see http://snurb.info/node/719.
In the emerging social software, ‘Web2.0’ environment, the production of ideas takes place in a collaborative, participatory mode which breaks down the boundaries between producers and consumers and instead enables all participants to be users as much as producers of information and knowledge, or what can be described as produsers. These produsers engage not in a traditional form of content production, but are instead involved in produsage – the collaborative and continuous building and extending of existing content in pursuit of further improvement. This paper examines the overall characteristics of produsers and produsage, and identifies key questions for the produsage model.
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Finally, Certified Accessible Educational Materials from Publishers DAISY Consortium
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The New Age of Producing, Distributing, and Consuming Accessible Information
1. The New Age of Producing,
Distributing, and
Consuming Accessible
Information
A paradigm shift
Bernhard Heinser
b.heinser@sbs.ch
IFLA - eBooks for everyone!
Paris, 23 August 2014
1
2. The commercial market adopts
EPUB 3 (including education and STEM)
EPUB 3 is the best solution for
accessibility purposes
Bernhard Heinser
b.heinser@sbs.ch
Presumptions
IFLA - eBooks for everyone!
Paris, 23 August 2014
2
3. Consuming Electronic
Publications - Key Aspects
Navigability (absolutely necessary for everybody, print
disabled or not)
Rendering modalities (text, audio [human narration /
text-to-speech], image, video, [Braille output through Braille display])
Perception channels (one modality can be
alternatively replaced / complemented by other modalities,
synchronization of the rendering modalities)
Bernhard Heinser
b.heinser@sbs.ch
IFLA - eBooks for everyone!
Paris, 23 August 2014
3
4. Current Model
Separate Work Flows
Publishing industry / print oriented /
mainstream formats / mainstream distribution channels
Products are not accessible
Specialized agencies / multimedia oriented /
special formats / special distribution channels
Accessibility is added through ex post
format conversion processes
Bernhard Heinser
b.heinser@sbs.ch
IFLA - eBooks for everyone!
Paris, 23 August 2014
4
5. Future Model
Integrated Work Flows
►The publishing industry brings (electronic)
publications to the market that are born
accessible
►Where necessary, the industry is supported
by the accessibility experts before the
product is delivered
Bernhard Heinser
b.heinser@sbs.ch
IFLA - eBooks for everyone!
Paris, 23 August 2014
5
6. Required Changes
Publishing industry:
From print oriented to multiple
output formats oriented work flows
Specialized agencies :
From producers of accessible material
to service providers for the publishing
industry
Bernhard Heinser
b.heinser@sbs.ch
IFLA - eBooks for everyone!
Paris, 23 August 2014 6
7. Who benefits?
The publishing industry (considerably
enlarged market)
Persons with Disabilities throughout
the world (several hundreds of millions)
The States (implementing the UN Convention on
the Rights of Persons with Disabilities)
The whole society (Inclusion)
Bernhard Heinser
b.heinser@sbs.ch
IFLA - eBooks for everyone!
Paris, 23 August 2014 7
8. Conclusion in the Light of
Converging Interests
INCLUSIVE PUBLISHING
All stakeholders are invited to
combine their efforts in order to
implement a system that benefits
EVERYBODY
Bernhard Heinser
b.heinser@sbs.ch
IFLA - eBooks for everyone!
Paris, 23 August 2014 8
Editor's Notes
Until recently, it was a dream and not even thinkable, actually, that the new age of producing and consuming accessible information I am going to anticipate over the next 20 minutes could be the result of a natural evolution, if I may say.
The key words in this respect are: digital age; multimedia integration; mainstream standardization for electronic publications (including textbooks and STEM material); and the demand of the consumers.
Those elements greatly inures to the benefit of both the persons with print disabilities and the publishing industry.
My projection is based on the following two main presumptions.
The commercial market adopts EPUB 3
What the current market delivers in terms of eBooks is mainly limited to fiction. The products are electronic one-to-one copies of the print book. No advanced functionalities, no popular non-fiction, no textbooks, no scientific material. In short: a very poor landscape.
This will change with the adoption of the EPUB 3 standard that allows for what the market waits for since years, the enhanced eBook.
The standard is continuously complemented and further developed: dictionaries, glossaries, annotations, EDUPUB (EPUB 3 textbook profile). Big players in the publishing industry like Elsevier, Pearson, O’Reilly, Hachette, IBM, de Gruyter and others have announced they adopt or will adopt EPUB as their format for electronic publications.
EPUB 3 is the best solution for accessibility purposes
Accessibility was and is one of the key goals of the EPUB standardization processes since the beginning of the development. DAISY and much more accessibility relevant aspects are fully integrated into and covered by the standard.
In other words: the industry standard for electronic publications allows for the production of accessible eBooks and accessible enhanced eBooks.
Why electronic documents are best suited for accessibility? There are three basic aspects.
Navigability
Knowing where I am in a document, being able to immediately go to the chapter I want to read, being aware I currently read a footnote etc.) is absolutely key for any effective reading.
Ensuring navigability in an electronic book means: it is not longer enough to rely on the typographically rendered structure of the document. The publishing industry is compelled to capture the underlying structural information and to make it a part of the electronic product - which is by the way an enormous benefit for print disabled persons.
Rendering modalities
By experience we know that digital technology has powerful multimedia capabilities. We are familiar with consuming Text, Sound, Images, Videos on web pages. EPUB 3 products have the same and even improved integrated multimedia capabilities, mainly through what is called media overlays, the synchronization of media streams (so far: text/audio).
Perception Channels
The multimedia capability of the technology opens doors widely regarding accessibility as it implies that one rendering modality can be replaced and/or complemented by other modalities.