1) The document is a student paper analyzing Mary Shelley's novel Frankenstein, specifically looking at the theme of science versus nature.
2) It provides background on Mary Shelley and a synopsis of the novel, which tells the story of Victor Frankenstein creating a monster by assembling parts of dead bodies and bringing it to life through science.
3) The paper argues that Victor represents nature while the monster represents science, and that the unnatural creation of life through science is a disruption of nature, represented by the disastrous consequences in the novel.
here i am sharing my presentation of paper no 7 Literary Theory and Criticism. Its a part of my academic activity. Its submitted to Dr. Dilip Barad Department of English MKBU.
Archetypal literary criticism is a type of critical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning," and typos, "imprint") in the narrative, symbols, images, and character types in literary work.
here i am sharing my presentation of paper no 7 Literary Theory and Criticism. Its a part of my academic activity. Its submitted to Dr. Dilip Barad Department of English MKBU.
Archetypal literary criticism is a type of critical theory that interprets a text by focusing on recurring myths and archetypes (from the Greek archē, "beginning," and typos, "imprint") in the narrative, symbols, images, and character types in literary work.
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Five realms of archetypes in tragedy and comedyAjit Kaliya
This is about Northrop Frye's archetypal criticism.His idea of how in different world objects and scenes have been used to define work as comic or tragic.
In this presentation I have talked about three literary terms with the reference of Modernist Literature. This are the three terms 1) The Theatre of the Absurd 2) The Campus Novel and 3) Angry young Men.
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The Roman Empire A Historical Colossus.pdfkaushalkr1407
The Roman Empire, a vast and enduring power, stands as one of history's most remarkable civilizations, leaving an indelible imprint on the world. It emerged from the Roman Republic, transitioning into an imperial powerhouse under the leadership of Augustus Caesar in 27 BCE. This transformation marked the beginning of an era defined by unprecedented territorial expansion, architectural marvels, and profound cultural influence.
The empire's roots lie in the city of Rome, founded, according to legend, by Romulus in 753 BCE. Over centuries, Rome evolved from a small settlement to a formidable republic, characterized by a complex political system with elected officials and checks on power. However, internal strife, class conflicts, and military ambitions paved the way for the end of the Republic. Julius Caesar’s dictatorship and subsequent assassination in 44 BCE created a power vacuum, leading to a civil war. Octavian, later Augustus, emerged victorious, heralding the Roman Empire’s birth.
Under Augustus, the empire experienced the Pax Romana, a 200-year period of relative peace and stability. Augustus reformed the military, established efficient administrative systems, and initiated grand construction projects. The empire's borders expanded, encompassing territories from Britain to Egypt and from Spain to the Euphrates. Roman legions, renowned for their discipline and engineering prowess, secured and maintained these vast territories, building roads, fortifications, and cities that facilitated control and integration.
The Roman Empire’s society was hierarchical, with a rigid class system. At the top were the patricians, wealthy elites who held significant political power. Below them were the plebeians, free citizens with limited political influence, and the vast numbers of slaves who formed the backbone of the economy. The family unit was central, governed by the paterfamilias, the male head who held absolute authority.
Culturally, the Romans were eclectic, absorbing and adapting elements from the civilizations they encountered, particularly the Greeks. Roman art, literature, and philosophy reflected this synthesis, creating a rich cultural tapestry. Latin, the Roman language, became the lingua franca of the Western world, influencing numerous modern languages.
Roman architecture and engineering achievements were monumental. They perfected the arch, vault, and dome, constructing enduring structures like the Colosseum, Pantheon, and aqueducts. These engineering marvels not only showcased Roman ingenuity but also served practical purposes, from public entertainment to water supply.
1. Name: Vyas Nupur Hiteshbhai.
Roll No: 39
Batch year: 2015-2017
Subject: Paper-5 The Romantic
Literature.
Submitted to Department of
English, MKBU , India, Gujarat[
Bhavnagar].
Topic: Write a note on science vs
nature in Frankenstein.
2. Introductory chart on the Author – Mary Shelley
Mary
Wollstonecraft
Shelly
Born 30 August1797-died in 1feb 1851
Her notable works- The last Man,
Lodore, The fortune of Perkin
Warbeck
She was novelist, short
story writer, essayist
3. Synopsis on the novel
It is story of a young student of Natural
philosophy and chemistry in the university of
Ingolstadt.
He is obsessed by the desire to discover the secret of life. He
applied his knowledge of natural philosophy and chemistry
through creating monster or creature. It is made of human
dead body corpses. The creature is look like human being.
These kind of making creature disastrous for
him and his family at the end of the novel.
5. Elements of Nature
Victor represents
Nature.
Victor undertakes to
create a human being
out of pieces of the
dead.
6. Elements of Science
Monster represents
Science.
He is not born by
Natural Birth.
He was created by Victor.
By adding chemicals into
human dead body parts.
Monster creation is
against Natural birth.
7. Conclusion
• Mary Shelley was very much influenced by the Romantic
Writer.
• Romantic Writer believed in sublime to Nature,
Individualism, Imagination etc.
• The creation of Monster is against Nature [God].
• That’s why Science is defeated by Nature (God).