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Alexander Street Press 
First came collections, and then… 
How Alexander Street video is evolving to meet the 
changing landscape 
Eileen Lawrence 
Senior Vice President 
lawrence@alexanderstreet.com
Before: VIDEO COLLECTIONS Now: COLLECTIONS WITH VIDEO 
Environmental science 
World newsreels 
Nursing, allied health 
Education 
Anthropology 
History 
Art, architecture 
Counseling 
Opera, dance 
2006 
Plays 
Feature films 
Human Rights 
Business 
Psychology experiments 
Engineering 
Documentaries 
2014
Out of the basement means… 
Not in a silo— “lives” with other formats 
Music 
Newspapers 
Websites 
Monographs 
Primary Works 
Journals 
Video 
Tools
Out of the basement means… 
Not in a silo— “lives” with other formats 
Falstaff's death scene, for which the speeches were 
lifted bodily from Henry IV, Part 2, is boldly invented. 
The shrunken, heartbroken old companion of 
Henry's escapades (George Robey, famed British 
low comedian) hears again, obsessively, the terrible 
speech ("A man ...so old and so profane....") in 
which the King casts him off. In this new context, for 
the first time perhaps, the piercing line, "The king 
has kill'd his heart," is given its full power. In the 
transition scene which takes the audience from 
Falstaff's death to the invasion of France, the 
Chorus makes a final appearance alone against the 
night sky, then recedes and fades as the movie 
takes over from him. 
(James Agee’s 1946 review)
Out of the basement means… 
Not in a silo— “lives” with other formats 
Falstaff's death scene, for which the speeches were 
lifted bodily from Henry IV, Part 2, is boldly invented. 
The shrunken, heartbroken old companion of 
Henry's escapades (George Robey, famed British 
low comedian) hears again, obsessively, the terrible 
speech ("A man ...so old and so profane....") in 
which the King casts him off. In this new context, for 
the first time perhaps, the piercing line, "The king 
has kill'd his heart," is given its full power. In the 
transition scene which takes the audience from 
Falstaff's death to the invasion of France, the 
Chorus makes a final appearance alone against the 
night sky, then recedes and fades as the movie 
takes over from him. 
(Jame’s Agee, 1946 review) 
“A man ...so old… 
The Transition Scene
Out of the basement means… 
As easy to use as text (search, browse)
Out of the basement means… 
As easy to use as text (clip, assemble)
Out of the basement means… 
Easy to use for teaching, learning
Out of the basement means… 
Video is part of overall search results 
all ASP content -- 
video, audio, full-text 
search.alexanderstreet.com 
(unified search interface) 
your library’s video and audio 
Your video content 
(Media Hosting Service)
Out of the basement means… 
Video is mobile
Library trends changing ASP publishing 
Some libraries do continue to purchase whole collections 
• Makes sense when a collection supports a program 
• We continue to publish discipline-specific collections 
(but now they are multi-format) 
But other libraries want to select relevant films 
• New models for acquiring video 
• EBA (evidence-based acquisitions) 
• PDA (patron-driven acquisitions) 
• Acquisitions really means “acquisitions” 
• Single titles 
• Topical bundles
New acquisition models: 
EBA and PDA 
PDA (patron-driven acquisitions) 
• Patrons have unlimited access to >20,000 films. 
• Patrons determine what you buy (trigger after set # of user views). 
• Library sets the spending cap. 
• Option for perpetual rights or annual subscription, library’s choice. 
• Sign up now for pilot beginning January 2015. 
EBA (evidence-based acquisitions) 
• Patrons have unlimited access to >41,000 films. 
• Patrons influence what you buy, but library decides what to buy. 
• No automatic purchase trigger. 
• Library decides spending budget. 
• Library owns perpetual rights. 
• Dozens of libraries globally now completing 2014 pilot year.
New acquisition model: 
Small, affordable topical bundles 
The John Cleese Management Bundle 
• Asian Theater Video Bundle 
• Primary Education Video Bundle 
• Social Work Video Bundle 
• others
Scholarship trends drive our activities 
What’s newest—Syllabus Project: 
• “Call for syllabi” over the past 6 months and continuing. 
• We create custom clips and playlists matched to your 
syllabus—essentially, custom course packs for your 
programs. 
• See what’s common among customers who participate 
(e.g., “Introduction to Art History”), serve many institutions. 
What’s next on the horizon—Open Access 
What’s next after that—we’re watching and listening to you!
Alexander Street Press 
Eileen Lawrence 
Senior Vice President 
lawrence@alexanderstreet.com

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Out of the Basement: Impact of Video on New Library Resources and Library Collections and Services (Eileen Lawrence)

  • 1. Alexander Street Press First came collections, and then… How Alexander Street video is evolving to meet the changing landscape Eileen Lawrence Senior Vice President lawrence@alexanderstreet.com
  • 2. Before: VIDEO COLLECTIONS Now: COLLECTIONS WITH VIDEO Environmental science World newsreels Nursing, allied health Education Anthropology History Art, architecture Counseling Opera, dance 2006 Plays Feature films Human Rights Business Psychology experiments Engineering Documentaries 2014
  • 3. Out of the basement means… Not in a silo— “lives” with other formats Music Newspapers Websites Monographs Primary Works Journals Video Tools
  • 4. Out of the basement means… Not in a silo— “lives” with other formats Falstaff's death scene, for which the speeches were lifted bodily from Henry IV, Part 2, is boldly invented. The shrunken, heartbroken old companion of Henry's escapades (George Robey, famed British low comedian) hears again, obsessively, the terrible speech ("A man ...so old and so profane....") in which the King casts him off. In this new context, for the first time perhaps, the piercing line, "The king has kill'd his heart," is given its full power. In the transition scene which takes the audience from Falstaff's death to the invasion of France, the Chorus makes a final appearance alone against the night sky, then recedes and fades as the movie takes over from him. (James Agee’s 1946 review)
  • 5. Out of the basement means… Not in a silo— “lives” with other formats Falstaff's death scene, for which the speeches were lifted bodily from Henry IV, Part 2, is boldly invented. The shrunken, heartbroken old companion of Henry's escapades (George Robey, famed British low comedian) hears again, obsessively, the terrible speech ("A man ...so old and so profane....") in which the King casts him off. In this new context, for the first time perhaps, the piercing line, "The king has kill'd his heart," is given its full power. In the transition scene which takes the audience from Falstaff's death to the invasion of France, the Chorus makes a final appearance alone against the night sky, then recedes and fades as the movie takes over from him. (Jame’s Agee, 1946 review) “A man ...so old… The Transition Scene
  • 6. Out of the basement means… As easy to use as text (search, browse)
  • 7. Out of the basement means… As easy to use as text (clip, assemble)
  • 8. Out of the basement means… Easy to use for teaching, learning
  • 9. Out of the basement means… Video is part of overall search results all ASP content -- video, audio, full-text search.alexanderstreet.com (unified search interface) your library’s video and audio Your video content (Media Hosting Service)
  • 10. Out of the basement means… Video is mobile
  • 11. Library trends changing ASP publishing Some libraries do continue to purchase whole collections • Makes sense when a collection supports a program • We continue to publish discipline-specific collections (but now they are multi-format) But other libraries want to select relevant films • New models for acquiring video • EBA (evidence-based acquisitions) • PDA (patron-driven acquisitions) • Acquisitions really means “acquisitions” • Single titles • Topical bundles
  • 12. New acquisition models: EBA and PDA PDA (patron-driven acquisitions) • Patrons have unlimited access to >20,000 films. • Patrons determine what you buy (trigger after set # of user views). • Library sets the spending cap. • Option for perpetual rights or annual subscription, library’s choice. • Sign up now for pilot beginning January 2015. EBA (evidence-based acquisitions) • Patrons have unlimited access to >41,000 films. • Patrons influence what you buy, but library decides what to buy. • No automatic purchase trigger. • Library decides spending budget. • Library owns perpetual rights. • Dozens of libraries globally now completing 2014 pilot year.
  • 13. New acquisition model: Small, affordable topical bundles The John Cleese Management Bundle • Asian Theater Video Bundle • Primary Education Video Bundle • Social Work Video Bundle • others
  • 14. Scholarship trends drive our activities What’s newest—Syllabus Project: • “Call for syllabi” over the past 6 months and continuing. • We create custom clips and playlists matched to your syllabus—essentially, custom course packs for your programs. • See what’s common among customers who participate (e.g., “Introduction to Art History”), serve many institutions. What’s next on the horizon—Open Access What’s next after that—we’re watching and listening to you!
  • 15. Alexander Street Press Eileen Lawrence Senior Vice President lawrence@alexanderstreet.com