This document provides information about the artist Aziz Anzabi and his artwork. It includes descriptions of several of his oil paintings that aim to depict social problems and the human condition using surrealism and elements of Qajar art. Brief biographical information is given on Anzabi, noting he was born in Tehran in 1970 and uses mythology and rituals as main concepts in his sculptures and paintings. Descriptions and images are provided of some of his works, including "Sad but True" about climate change, and "Eye See You All Day" depicting social awareness.
Pecha kucha presentation in reflection of vienna scriptLily Prescott
This document provides information about various artists and art movements in Vienna between the late 19th and early 20th centuries. It discusses Gustav Klimt and the Vienna Secession movement he helped found in 1897. It also describes the works of Egon Schiele, Friedensreich Hundertwasser, Alfred Kubin and their exploration of new styles that broke conventions. Rembrandt is mentioned as an inspiration due to his unique mark-making techniques. The document analyzes the styles, materials and subjects explored by these artists and how they pushed boundaries and influenced the development of art in Vienna.
The document discusses the Shahnameh (Book of Kings), an epic poem of mythical Persian kings that was transmitted orally for centuries before being recorded in the 11th century CE by the poet Firdawsi. It examines how the Shahnameh was used and illustrated in different historical periods in Iran, from the Seljuks to the Safavids. Specific examples discussed include a 13th century ceramic beaker depicting a story from the Shahnameh and illustrations of stories from the Shahnameh and other works in Mongol and Timurid manuscripts from the 14th-15th centuries. The role of the painter Bihzad in developing new styles of illustration is also mentioned.
Tokyo National Gallery - A Brief History of Japanese ArtJerry Daperro
Opened in 1968, the Tokyo National Museum includes an excellent and eclectic collection of non-Japanese Eastern art, in particular Chinese and Korean arts that ranges from textiles to sculpture and ceramics. Because of the vast scope of its exhibits, this slideshow is concentrated only on the development of art in Japan, with emphasis on the development of Japanese paintings. From the pre-historic artefacts, it is evident how little we known about the ancient cultures that existed in Japan before history. It fires our imagination as what kind of cultures that these people left behind. “Between the fourth century and the ninth century, Japan's many kingdoms and tribes gradually came to be unified under a centralized government, nominally controlled by the Emperor.” Wikipedia. This slideshow is a sketch of the major developments in paintings from its beginning in the 11C to early 20C.
The Song dynasty lasted from 960 to 1279 CE and was a culturally brilliant era in Chinese history. It was divided into the Northern and Southern Song. During this period, advances were made in intellectual and artistic fields. The document describes several pieces of artwork from the Song dynasty including a fan with a poem by Empress Yang, a painting illustrating surrealistic floral and bird styles, an architectural transcription on silk, an ink dot landscape, and a large scale calligraphy hand scroll by Mi Fu.
Roman sculptures typically depicted humans or gods, while Elizabethan sculptures usually featured famous people. Egyptian sculptures focused on gods and were commonly made of gold or cement, and Renaissance sculptures often had religious meanings. A 16th Century Samurai Sculpture is 5.5 inches of cast pewter showing warriors, and the Venus of Willendorf is a 4-inch prehistoric female figure made of limestone.
This document provides definitions for various art-related terms organized alphabetically. It describes styles, periods, and genres of art from different cultures around the world, including aboriginal, abstraction, African, American, ancient, Art Deco, Art Nouveau, Asian, avant-garde, Baroque, Buddhist, classical, contemporary, Cubism, Egyptian, Expressionism, folk, Futurism, Gothic, Graffiti, Greek, Gupta, Han, Heian, Hindu, Impressionism, Islamic, Mannerism, Medieval, Ming, Minimalism, modern, and Momoyama art. Each entry briefly explains the characteristics and origins of the term.
Tretyakov Gallery, Moscow _ Picture Gallery, The Masterpieces (1)guimera
This document contains descriptions of several artworks from the State Tretyakov Gallery in Moscow, Russia. It includes summaries of Mikhail Vrubel's 1900 painting "Swan Princess", depicting the character from Pushkin's fairy tale, Boris Kustodiev's 1915 painting "A Beauty", portraying an idealized Russian woman, Mikhail Vrubel's 1890 painting "Demon (Sitting)" representing the artist's quest for beauty, and brief descriptions of other portraits and paintings held in the gallery.
Pecha kucha presentation in reflection of vienna scriptLily Prescott
This document provides information about various artists and art movements in Vienna between the late 19th and early 20th centuries. It discusses Gustav Klimt and the Vienna Secession movement he helped found in 1897. It also describes the works of Egon Schiele, Friedensreich Hundertwasser, Alfred Kubin and their exploration of new styles that broke conventions. Rembrandt is mentioned as an inspiration due to his unique mark-making techniques. The document analyzes the styles, materials and subjects explored by these artists and how they pushed boundaries and influenced the development of art in Vienna.
The document discusses the Shahnameh (Book of Kings), an epic poem of mythical Persian kings that was transmitted orally for centuries before being recorded in the 11th century CE by the poet Firdawsi. It examines how the Shahnameh was used and illustrated in different historical periods in Iran, from the Seljuks to the Safavids. Specific examples discussed include a 13th century ceramic beaker depicting a story from the Shahnameh and illustrations of stories from the Shahnameh and other works in Mongol and Timurid manuscripts from the 14th-15th centuries. The role of the painter Bihzad in developing new styles of illustration is also mentioned.
Tokyo National Gallery - A Brief History of Japanese ArtJerry Daperro
Opened in 1968, the Tokyo National Museum includes an excellent and eclectic collection of non-Japanese Eastern art, in particular Chinese and Korean arts that ranges from textiles to sculpture and ceramics. Because of the vast scope of its exhibits, this slideshow is concentrated only on the development of art in Japan, with emphasis on the development of Japanese paintings. From the pre-historic artefacts, it is evident how little we known about the ancient cultures that existed in Japan before history. It fires our imagination as what kind of cultures that these people left behind. “Between the fourth century and the ninth century, Japan's many kingdoms and tribes gradually came to be unified under a centralized government, nominally controlled by the Emperor.” Wikipedia. This slideshow is a sketch of the major developments in paintings from its beginning in the 11C to early 20C.
The Song dynasty lasted from 960 to 1279 CE and was a culturally brilliant era in Chinese history. It was divided into the Northern and Southern Song. During this period, advances were made in intellectual and artistic fields. The document describes several pieces of artwork from the Song dynasty including a fan with a poem by Empress Yang, a painting illustrating surrealistic floral and bird styles, an architectural transcription on silk, an ink dot landscape, and a large scale calligraphy hand scroll by Mi Fu.
Roman sculptures typically depicted humans or gods, while Elizabethan sculptures usually featured famous people. Egyptian sculptures focused on gods and were commonly made of gold or cement, and Renaissance sculptures often had religious meanings. A 16th Century Samurai Sculpture is 5.5 inches of cast pewter showing warriors, and the Venus of Willendorf is a 4-inch prehistoric female figure made of limestone.
This document provides definitions for various art-related terms organized alphabetically. It describes styles, periods, and genres of art from different cultures around the world, including aboriginal, abstraction, African, American, ancient, Art Deco, Art Nouveau, Asian, avant-garde, Baroque, Buddhist, classical, contemporary, Cubism, Egyptian, Expressionism, folk, Futurism, Gothic, Graffiti, Greek, Gupta, Han, Heian, Hindu, Impressionism, Islamic, Mannerism, Medieval, Ming, Minimalism, modern, and Momoyama art. Each entry briefly explains the characteristics and origins of the term.
Tretyakov Gallery, Moscow _ Picture Gallery, The Masterpieces (1)guimera
This document contains descriptions of several artworks from the State Tretyakov Gallery in Moscow, Russia. It includes summaries of Mikhail Vrubel's 1900 painting "Swan Princess", depicting the character from Pushkin's fairy tale, Boris Kustodiev's 1915 painting "A Beauty", portraying an idealized Russian woman, Mikhail Vrubel's 1890 painting "Demon (Sitting)" representing the artist's quest for beauty, and brief descriptions of other portraits and paintings held in the gallery.
Tretyakov Gallery, Moscow _ Picture Gallery, The Masterpieces (2)guimera
The document provides details on several artworks from the State Tretyakov Gallery in Moscow, Russia. It includes descriptions of paintings such as Portrait of Peter III by Aleksey Petrovich Antropov, Boyarina Morozova by Vasily Ivanovich Surikov depicting a 17th century religious figure, A Cafe in Paris by Konstantin Alekseyevich Korovin showing an Impressionist scene, and The Bathing of the Red Horse by Kuzma Petrov-Vodkin containing Communist symbolism. It also describes religious icons such as the Holy Trinity by Andrei Rublev and the 16th century "Blessed Be the Host of the King of Heaven." Each artwork
Islamic calligraphy originated from the Arabic script and was used by Muslims to represent God in their languages as they denied using images. Calligraphy became a major artistic expression in Islamic cultures, especially for preserving the Quran, as figurative art was seen as idolatrous. The work of calligraphers was collected and appreciated. East Asian calligraphy also originated from China and is closely related to ink and wash painting, emphasizing motion and dynamic life.
William Shakespeare was baptized in 1564 in Stratford-upon-Avon, England. He married Anne Hathaway in 1582 and had three children. In the 1590s, Shakespeare began working as an actor and playwright in London. He wrote comedies, histories, and tragedies, including Romeo and Juliet, Hamlet, and Macbeth. Shakespeare was a partner in an acting company called the Lord Chamberlain's Men. He died in 1616 in Stratford-upon-Avon and is considered one of the greatest English writers in history, though some have questioned whether he truly authored the plays attributed to him.
Symbolism began in late 19th century Europe as a philosophy using imagery and metaphor to represent inner experiences and realities beyond ordinary observation. It influenced arts through dream-like themes and the use of symbols like flowers. Russian Symbolism affected all arts and saw painting as a philosophical force. Important Russian Symbolists included poets Scriabin and Bely, who experimented with symbolism in theater through effects of light, color, and dream-like spaces.
William Shakespeare was born in 1564 in Stratford-upon-Avon, England. He attended the local grammar school where he studied Latin, rhetoric, and literature. In the 1580s, Shakespeare arrived in London and began his career as an actor and playwright. Some of his most famous works include Romeo and Juliet, Hamlet, Othello, King Lear, and Macbeth. By the early 1600s, Shakespeare had achieved great success and wealth in London through his involvement with acting companies and theaters. After around 1608, he spent more time in Stratford with his family until his death in 1616. Shakespeare is renowned for his plays and poems and is considered one of the greatest writers
by Aayushi Shrimali And Akanksha Manna (University of Delhi) (kalindi college)History Hons /3rd year
origin
background
jahangir
shahjahan
later mughal school ,prominent painters and influences
Umm Kulthum was a legendary Egyptian singer in the mid-20th century who has inspired modern fashion designers with her refined style and powerful influence. She carefully crafted a public image featuring conservative yet elegant dresses and maintained popularity despite restrictions on female artists at the time. Designers like Tome, Rabih Kayrouz, and Alessandro Dell'Acqua have drawn inspiration from Umm Kulthum's signature covered silhouettes, rich fabrics, and embellishments for upcoming collections. Her iconic status has also influenced the popular "Umm Kulthum bag" by Lebanese brand Sarah's Bag.
Osman Hamdi Bey was an Ottoman artist who studied in Paris and painted in an academic style. His paintings provided a more accurate portrayal of Ottoman women and Islamic culture than the exaggerated Orientalist works popular in Europe at the time. Hamdi Bey depicted everyday domestic scenes that showed women as educated and active members of society. This challenged the sexualized and exoticized depictions common in European harem scenes. His works, such as The Tortoise Trainer and Girl Reciting the Quran, highlighted Islamic values of education, community, and intellectualism.
The document discusses how art and politics are closely intertwined, using examples from Roman emperor Augustus and modern politicians. It explains how Augustus used portraits like the Augustus of Primaporta sculpture to communicate his ideology and vision of the Pax Romana. Similarly, modern politicians carefully craft their public images to convey their agendas.
The document provides an overview of art from prehistoric times to modern art. Some of the key developments mentioned include Paleolithic cave paintings from 32,000 years ago featuring animals. King Hammurabi of Babylon established one of the first legal codes in history around 1750 BC. Sculptures from ancient Egypt, India, and Mesopotamia depicted important figures. During the Renaissance, landscape painting gained popularity in the 15th-14th centuries. Modern art in the late 19th century was characterized by experimentation and new styles like Cubism, Impressionism, Expressionism, Abstract art, and Surrealism.
The document summarizes several modern art movements from the 1940s through the 1970s, including Abstract Expressionism, Post-War European art, Pop Art, Op Art, Kinetic Art, and Minimalism. It provides examples of key artists and works for each movement. Abstract Expressionism emerged in 1940s New York and emphasized emotional content and the sensuousness of paint. Post-War European art reflected social and political issues. Pop Art used imagery from popular culture and mass media. Op Art and Kinetic Art utilized optical illusions and motion. Minimalism featured basic geometric forms and large scales to engage viewers in the space around the works.
Portraits are created to depict individuals and are usually commissioned by royalty, wealthy patrons, or created by artists for their own purposes. Throughout history, portraits have been created by painters, sculptors, photographers, and filmmakers to represent both real people and deities. The document discusses the evolution of portrait painting from early examples from ancient Mesopotamia and China to works by famous European artists like Rembrandt, Van Gogh, Picasso, and Braque.
This document discusses two Pakistani artists, Anwar Jalal Shemza and Syed Sadequain Ahmed Naqvi. Anwar Jalal Shemza was a painter, writer and editor from Kashmir who lived from 1928-1985 and worked in both Pakistan and the UK as an arts teacher. He helped establish modernist art in Pakistan. Syed Sadequain Ahmed Naqvi was a calligrapher born in 1930 in British India who began his career in 1940 and became renowned for his mural artwork in Pakistan, India and elsewhere. Both artists made significant contributions to Pakistani art and culture in the post-partition era.
Jaisini's painting "Marble Lady" references the Greek myth of Pygmalion and his statue Galatea brought to life. The painting depicts a cold marble statue of a woman, representing an ideal of female perfection that is eternally distant and desirable. It explores the male gaze and how images of women are defined by the desires of both masculine and non-masculine spectators. Jaisini aims to integrate sensuality into art and challenge social restrictions through his works.
This document discusses the five major purposes of art throughout history: ceremonial, narrative, functional, persuasive, and expressive. Ceremonial art was made for religious or ceremonial purposes to honor gods. Narrative art tells stories. Functional art was made for everyday use. Persuasive art aims to influence people's opinions, like propaganda. Expressive art expresses the artist's personal feelings, though this was a modern concept. In ancient societies, artists worked in teams and were valued for their skills, not creativity or individuality, remaining anonymous under powerful patrons.
This document discusses various self-portraits created by artists from different time periods and cultures. It provides background information on each work, discussing elements like the artistic intent, symbolism, and how the pieces relate to concepts like individualism and identity. Some of the key artists mentioned include Michelangelo, Jan van Eyck, Parmigianino, Hokusai, Van Gogh, Frida Kahlo, Tseng Kwong Chi, and Marina Abramović. The document also explores the broader genre of portraiture and how it has traditionally honored important historical figures but is used in contemporary art to examine issues like class, race, and representation.
The document provides a timeline of fine art from prehistoric times to the present across various eras. Some of the key artworks mentioned include a Venus figurine from Mal'ta dating back to 21,000 BC, 5th century BC statues of Nike and Eros from Ancient Greece, and paintings and portraits from the Renaissance, Baroque, Neoclassical, Romantic, Modern and Contemporary eras. The timeline highlights notable artists and artworks that emerged during different historical periods of human civilization.
Mannerism (from maniera, manner, or style), the artistic style prevailed in Italy from the end of the High Renaissance in the 1520s until Baroque style 1590. Early Mannerism (c.1520-35) is known for its "anti-classical" or "anti-Renaissance" style, which later evolved into High Mannerism (c.1535-1580), a more intricate, inward-looking, and academic style intended to cater to more sophisticated patrons. The term used for anti-classical indicates that the naturalism painting style is during the high renaissance departure to an artificial and exaggerated painting style, also known as Mannerism.
Este documento presenta perspectivas de la agricultura y el desarrollo rural en las Américas para 2013. Fue elaborado por la CEPAL, la FAO y el IICA. Incluye análisis del contexto macroeconómico, sectores agrícolas como ganadería y pesca, bienestar rural e institucionalidad. El capítulo especial analiza la tenencia de tierras en América Latina y el Caribe, incluyendo tendencias en políticas de tierras y desafíos como la titularización precaria en algunos países. El documento
TIC para el desarrollo rural de CentroamericaHugo Chavarria
Este documento propone utilizar las Tecnologías de la Información y Comunicación (TIC) como instrumento para el desarrollo rural en Centroamérica en el marco de la Estrategia Centroamericana de Desarrollo Rural Territorial (ECADERT). Se analizan experiencias exitosas de uso de TIC en territorios rurales de otros lugares y se propone caracterizar el estado actual de las TIC en Centroamérica y en la Unión Europea y América Latina para luego desarrollar una estrategia TIC para la ECADERT que aproveche
Popplet es una aplicación para organizar y compartir ideas. Permite crear "popplets" o bloques de ideas conectados entre sí. Los usuarios pueden añadir texto, imágenes, dibujos y enlazar popplets para mostrar las relaciones entre conceptos. Popplet es adecuado para estudiantes de primaria en adelante y los proyectos creados se pueden compartir en línea.
Tretyakov Gallery, Moscow _ Picture Gallery, The Masterpieces (2)guimera
The document provides details on several artworks from the State Tretyakov Gallery in Moscow, Russia. It includes descriptions of paintings such as Portrait of Peter III by Aleksey Petrovich Antropov, Boyarina Morozova by Vasily Ivanovich Surikov depicting a 17th century religious figure, A Cafe in Paris by Konstantin Alekseyevich Korovin showing an Impressionist scene, and The Bathing of the Red Horse by Kuzma Petrov-Vodkin containing Communist symbolism. It also describes religious icons such as the Holy Trinity by Andrei Rublev and the 16th century "Blessed Be the Host of the King of Heaven." Each artwork
Islamic calligraphy originated from the Arabic script and was used by Muslims to represent God in their languages as they denied using images. Calligraphy became a major artistic expression in Islamic cultures, especially for preserving the Quran, as figurative art was seen as idolatrous. The work of calligraphers was collected and appreciated. East Asian calligraphy also originated from China and is closely related to ink and wash painting, emphasizing motion and dynamic life.
William Shakespeare was baptized in 1564 in Stratford-upon-Avon, England. He married Anne Hathaway in 1582 and had three children. In the 1590s, Shakespeare began working as an actor and playwright in London. He wrote comedies, histories, and tragedies, including Romeo and Juliet, Hamlet, and Macbeth. Shakespeare was a partner in an acting company called the Lord Chamberlain's Men. He died in 1616 in Stratford-upon-Avon and is considered one of the greatest English writers in history, though some have questioned whether he truly authored the plays attributed to him.
Symbolism began in late 19th century Europe as a philosophy using imagery and metaphor to represent inner experiences and realities beyond ordinary observation. It influenced arts through dream-like themes and the use of symbols like flowers. Russian Symbolism affected all arts and saw painting as a philosophical force. Important Russian Symbolists included poets Scriabin and Bely, who experimented with symbolism in theater through effects of light, color, and dream-like spaces.
William Shakespeare was born in 1564 in Stratford-upon-Avon, England. He attended the local grammar school where he studied Latin, rhetoric, and literature. In the 1580s, Shakespeare arrived in London and began his career as an actor and playwright. Some of his most famous works include Romeo and Juliet, Hamlet, Othello, King Lear, and Macbeth. By the early 1600s, Shakespeare had achieved great success and wealth in London through his involvement with acting companies and theaters. After around 1608, he spent more time in Stratford with his family until his death in 1616. Shakespeare is renowned for his plays and poems and is considered one of the greatest writers
by Aayushi Shrimali And Akanksha Manna (University of Delhi) (kalindi college)History Hons /3rd year
origin
background
jahangir
shahjahan
later mughal school ,prominent painters and influences
Umm Kulthum was a legendary Egyptian singer in the mid-20th century who has inspired modern fashion designers with her refined style and powerful influence. She carefully crafted a public image featuring conservative yet elegant dresses and maintained popularity despite restrictions on female artists at the time. Designers like Tome, Rabih Kayrouz, and Alessandro Dell'Acqua have drawn inspiration from Umm Kulthum's signature covered silhouettes, rich fabrics, and embellishments for upcoming collections. Her iconic status has also influenced the popular "Umm Kulthum bag" by Lebanese brand Sarah's Bag.
Osman Hamdi Bey was an Ottoman artist who studied in Paris and painted in an academic style. His paintings provided a more accurate portrayal of Ottoman women and Islamic culture than the exaggerated Orientalist works popular in Europe at the time. Hamdi Bey depicted everyday domestic scenes that showed women as educated and active members of society. This challenged the sexualized and exoticized depictions common in European harem scenes. His works, such as The Tortoise Trainer and Girl Reciting the Quran, highlighted Islamic values of education, community, and intellectualism.
The document discusses how art and politics are closely intertwined, using examples from Roman emperor Augustus and modern politicians. It explains how Augustus used portraits like the Augustus of Primaporta sculpture to communicate his ideology and vision of the Pax Romana. Similarly, modern politicians carefully craft their public images to convey their agendas.
The document provides an overview of art from prehistoric times to modern art. Some of the key developments mentioned include Paleolithic cave paintings from 32,000 years ago featuring animals. King Hammurabi of Babylon established one of the first legal codes in history around 1750 BC. Sculptures from ancient Egypt, India, and Mesopotamia depicted important figures. During the Renaissance, landscape painting gained popularity in the 15th-14th centuries. Modern art in the late 19th century was characterized by experimentation and new styles like Cubism, Impressionism, Expressionism, Abstract art, and Surrealism.
The document summarizes several modern art movements from the 1940s through the 1970s, including Abstract Expressionism, Post-War European art, Pop Art, Op Art, Kinetic Art, and Minimalism. It provides examples of key artists and works for each movement. Abstract Expressionism emerged in 1940s New York and emphasized emotional content and the sensuousness of paint. Post-War European art reflected social and political issues. Pop Art used imagery from popular culture and mass media. Op Art and Kinetic Art utilized optical illusions and motion. Minimalism featured basic geometric forms and large scales to engage viewers in the space around the works.
Portraits are created to depict individuals and are usually commissioned by royalty, wealthy patrons, or created by artists for their own purposes. Throughout history, portraits have been created by painters, sculptors, photographers, and filmmakers to represent both real people and deities. The document discusses the evolution of portrait painting from early examples from ancient Mesopotamia and China to works by famous European artists like Rembrandt, Van Gogh, Picasso, and Braque.
This document discusses two Pakistani artists, Anwar Jalal Shemza and Syed Sadequain Ahmed Naqvi. Anwar Jalal Shemza was a painter, writer and editor from Kashmir who lived from 1928-1985 and worked in both Pakistan and the UK as an arts teacher. He helped establish modernist art in Pakistan. Syed Sadequain Ahmed Naqvi was a calligrapher born in 1930 in British India who began his career in 1940 and became renowned for his mural artwork in Pakistan, India and elsewhere. Both artists made significant contributions to Pakistani art and culture in the post-partition era.
Jaisini's painting "Marble Lady" references the Greek myth of Pygmalion and his statue Galatea brought to life. The painting depicts a cold marble statue of a woman, representing an ideal of female perfection that is eternally distant and desirable. It explores the male gaze and how images of women are defined by the desires of both masculine and non-masculine spectators. Jaisini aims to integrate sensuality into art and challenge social restrictions through his works.
This document discusses the five major purposes of art throughout history: ceremonial, narrative, functional, persuasive, and expressive. Ceremonial art was made for religious or ceremonial purposes to honor gods. Narrative art tells stories. Functional art was made for everyday use. Persuasive art aims to influence people's opinions, like propaganda. Expressive art expresses the artist's personal feelings, though this was a modern concept. In ancient societies, artists worked in teams and were valued for their skills, not creativity or individuality, remaining anonymous under powerful patrons.
This document discusses various self-portraits created by artists from different time periods and cultures. It provides background information on each work, discussing elements like the artistic intent, symbolism, and how the pieces relate to concepts like individualism and identity. Some of the key artists mentioned include Michelangelo, Jan van Eyck, Parmigianino, Hokusai, Van Gogh, Frida Kahlo, Tseng Kwong Chi, and Marina Abramović. The document also explores the broader genre of portraiture and how it has traditionally honored important historical figures but is used in contemporary art to examine issues like class, race, and representation.
The document provides a timeline of fine art from prehistoric times to the present across various eras. Some of the key artworks mentioned include a Venus figurine from Mal'ta dating back to 21,000 BC, 5th century BC statues of Nike and Eros from Ancient Greece, and paintings and portraits from the Renaissance, Baroque, Neoclassical, Romantic, Modern and Contemporary eras. The timeline highlights notable artists and artworks that emerged during different historical periods of human civilization.
Mannerism (from maniera, manner, or style), the artistic style prevailed in Italy from the end of the High Renaissance in the 1520s until Baroque style 1590. Early Mannerism (c.1520-35) is known for its "anti-classical" or "anti-Renaissance" style, which later evolved into High Mannerism (c.1535-1580), a more intricate, inward-looking, and academic style intended to cater to more sophisticated patrons. The term used for anti-classical indicates that the naturalism painting style is during the high renaissance departure to an artificial and exaggerated painting style, also known as Mannerism.
Este documento presenta perspectivas de la agricultura y el desarrollo rural en las Américas para 2013. Fue elaborado por la CEPAL, la FAO y el IICA. Incluye análisis del contexto macroeconómico, sectores agrícolas como ganadería y pesca, bienestar rural e institucionalidad. El capítulo especial analiza la tenencia de tierras en América Latina y el Caribe, incluyendo tendencias en políticas de tierras y desafíos como la titularización precaria en algunos países. El documento
TIC para el desarrollo rural de CentroamericaHugo Chavarria
Este documento propone utilizar las Tecnologías de la Información y Comunicación (TIC) como instrumento para el desarrollo rural en Centroamérica en el marco de la Estrategia Centroamericana de Desarrollo Rural Territorial (ECADERT). Se analizan experiencias exitosas de uso de TIC en territorios rurales de otros lugares y se propone caracterizar el estado actual de las TIC en Centroamérica y en la Unión Europea y América Latina para luego desarrollar una estrategia TIC para la ECADERT que aproveche
Popplet es una aplicación para organizar y compartir ideas. Permite crear "popplets" o bloques de ideas conectados entre sí. Los usuarios pueden añadir texto, imágenes, dibujos y enlazar popplets para mostrar las relaciones entre conceptos. Popplet es adecuado para estudiantes de primaria en adelante y los proyectos creados se pueden compartir en línea.
This document is a report from We Are Social that provides global and regional statistics on digital trends as of January 2014. Some key findings include: there were over 2 billion internet users worldwide in 2014 representing 35% internet penetration globally; nearly 1.9 billion people actively used social media accounting for 26% of the world's population; and over 6.5 billion mobile subscriptions amounted to a 93% mobile penetration rate worldwide. The report also analyzes and compares regional data on internet, social media, and mobile connectivity.
This document discusses various digital safety topics including online predators, cyberbullying, sexting, social media, and establishing professional boundaries online. It provides tips for teachers on how to educate students about recognizing inappropriate online contact and content, reporting issues, using privacy settings, and interacting respectfully online. The document also includes sample chat acronyms, explanations of social media profiles/settings, and considerations for creating an acceptable use policy.
The document provides an overview of the Golden Age of Islam, characterized by significant developments in the arts, sciences, and intellectual pursuits between the 8th-14th centuries. Key factors that supported this period included the translation of classical Greek and other works which combined with original Muslim contributions; the establishment of libraries, hospitals and observatories; tolerance of other faiths; and state patronage of scholarship. Major advances were made in fields such as philosophy, mathematics, astronomy, medicine, architecture, art, and literature. The universal emphasis on knowledge in the Quran encouraged scientific inquiry.
The document discusses the history of sculpture and paintings in India. It notes that some of the earliest sculptures in India date back to the Indus Valley civilization in stone and bronze. As Hinduism, Buddhism, and Jainism developed, India produced intricate bronze sculptures and temple carvings. During the Mughal Empire from the 16th to 19th centuries, Mughal miniature paintings flourished, depicting various scenes and portraits. The paintings combined Persian influences with Indian styles and reached their height during the reigns of Akbar, Jahangir, and Shah Jahan before declining later on. Rajasthani painting also evolved from the Mughal style in the 18th century royal courts of Rajasthan.
The document provides an overview and summary of the book "The Empire of the Great Mughals: History, Art and Culture" by Annemarie Schimmel. It discusses the Mughal Empire, the most powerful Islamic dynasty in India, which ruled from the early 16th century until being supplanted by the British in the mid-19th century. The book explores the Mughals' political, military, and economic rise, their system of rule, and the unfolding of their power and splendor. It also examines life at the Mughal court, including social hierarchies, women's lives, religions, languages, literatures, and the emperors' patronage of the arts. The Taj Mah
The document describes several ancient artifacts from the Mediterranean region, including a ziggurat and temple from ancient Mesopotamia, a palette from ancient Egypt, and votive figures and a seated scribe from the ancient Near East. It also provides details on several pharaohs and structures from ancient Egypt such as the pyramids of Giza and the Temple of Amun-Re. The document focuses on artifacts that showcase the rich cultures and civilizations that existed in the ancient Mediterranean world.
Presentation by Maria Rudko (question K)Maria Rudko
Russian culture has had a significant influence on world culture, especially in literature, classical music and ballet, painting, and other arts. Some key aspects of Russian culture that would demonstrate its legacy include:
- Works by famous Russian authors such as Pushkin, Gogol, Tolstoy, Dostoyevsky, Chekhov that have become classics of world literature.
- Iconic ballets produced by Sergei Diaghilev's Ballets Russes company in the early 20th century, with music by composers like Stravinsky, Debussy, Ravel, that revolutionized dance and influenced fashion.
- Paintings by realist artists of the 19th century like Rep
British Travelling Artists.pptxdjjdjdjdjjfjfjfjKamal458939
The document discusses several British artists who traveled to India in the late 18th century, including Tilly Kettle and William Hodges. It also discusses the Daniells (Thomas and William), who traveled extensively throughout India between 1786-1793, producing detailed etchings and paintings of landscapes and architecture. Many of these artists gained patronage from prominent British figures in India and went on to exhibit their works documenting India at the Royal Academy in London.
This document discusses the history of art from its earliest beginnings to the Renaissance era. It notes that Paleolithic cave paintings were likely used for religious ceremonies or to document hunts. Art throughout early history focused on religious themes. Mesopotamian art centered around modern day Iraq and Iran, where developing cultures created cuneiform writing and figures that may have represented fertility. During the Renaissance, art became more realistic and three-dimensional as artists studied human anatomy and perspective. Overall, the document examines how art has evolved alongside the development of civilizations and been used to communicate ideas.
European artists in the 18th century brought new styles of visual art to India under British rule, including techniques like oil painting that enabled realistic depictions. Two popular traditions were picturesque landscape painting that depicted India's scenery for British audiences, and portrait painting of the wealthy and powerful. A third genre called "history painting" dramatized episodes of British imperial history. Meanwhile, local court artists adapted to the new styles while some rulers like Tipu Sultan resisted and promoted traditional miniature painting. In the 19th century, popular art forms like scroll painting emerged in cities and pilgrimage centers. Later artists sought a visual style that was both modern and distinctly Indian.
Islamic art developed beginning in the 7th century CE and includes visual art from cultures ruled by Islamic populations. It drew from various influences, including Roman, Byzantine, Sasanian, Central Asian, and Chinese styles. Repeating geometric and floral designs known as arabesques, which symbolize the infinite nature of God, are a common element. While Islamic art has focused on patterns and calligraphy over figures, depictions of people, including the prophet Muhammad, have appeared throughout history. A variety of media are used in Islamic art, such as calligraphy, painting, carpets, ceramics, and metalwork.
Event presentation: The Habsburg Splendor ExhibitionShelby Reininger
The document summarizes an exhibit at the Kunsthistorisches Museum in Vienna showcasing works from the collection of the Habsburg Dynasty. The exhibit is divided into three sections chronicling the rise and fall of the Habsburg Empire from the 13th to early 20th centuries. It features a variety of art mediums including paintings, sculptures, armor and other objects that illustrate the Habsburgs' power and patronage of the arts as well as the history of Europe during their reign.
Event presentation: The Habspurg Splendor Exhibit Shelby Reininger
The document summarizes an exhibit at the Kunsthistorisches Museum in Vienna showcasing works from the collection of the Habsburg Dynasty. The exhibit is divided into three sections chronicling the rise and fall of the Habsburg Empire from the 13th to early 20th centuries. It features a variety of artwork including paintings, sculptures, armor and other objects that illustrate the Habsburgs' power and patronage of the arts as well as the history of Europe during their reign.
During the 18th century in Russia, painting styles transitioned from a traditional religious icon style to a more westernized portrait style emphasizing facial expressions and contrasting colors. Alexei Petrovich Antropov was an influential painter during this transition in the 1730s-1740s, mentoring Dimitrii Levitskii. Levitskii later became a favored painter of Catherine the Great, known for his portraits of theater students and Nikolai Novikov. This period marked both social changes in Russia and the acceptance of western artistic techniques.
The document summarizes the literary period known as the Classical or Augustan Age in English literature from 1660-1745. It was characterized by neoclassical ideals that imitated classical models such as Virgil and Horace. Major writers included Dryden, Pope, Swift, and Addison. While focused on reason and order, the period also saw the emergence of nature poetry and graveyard poetry that anticipated Romantic themes. Overall, Augustan literature placed emphasis on clarity, reason, and correct imitation of classical styles, establishing important foundations for English prose and criticism, if not producing great poetry on par with its classical influences.
Concerning a civilization, five thousand years of continuous existence speak for themselves. “Splendors of ImperialChina,” and the catalogue volumes issued to commemorate it, should generate a true sense of admiration and respect for a culture and civilization little known in the West, but from which there is a great deal to be learned. China is becoming the World First Economy in very near future...
https://www.facebook.com/pages/Ancient-China-Mystic-Symbol-Wealth-Luck/274742932699052
This document discusses several famous Persian calligraphers throughout history:
- Mir-Ali Tabrizi who lived in the 14th-15th century and invented the Nas-Taliq style of calligraphy.
- Mir-Emad Hassani who lived in the 16th century and modified the Nas-Taliq style.
- Mirza Mohammad Reza Kalhor who lived in the 19th century and had his own style while following Mir Emad's rules of calligraphy.
- Emad-ol-Kottab who lived in the 15th century and mentored many prominent calligraphers.
The document discusses various periods in the history of art from prehistoric cave paintings through contemporary art. Prehistoric cave paintings from thousands of years ago depicted animals and were believed to have had a magical purpose. Greek art had a lasting influence and emphasized the human form. During the Roman era, art became more realistic as the Romans copied and adapted Greek styles. Art evolved and changed dramatically over the Medieval, Renaissance, Baroque, 18th century, Romantic, and Modern periods. Contemporary art encompasses diverse forms from the late 20th century to the present.
Across many ancient cultures spanning from the Stone Age to the Renaissance, depictions of pubic hair on artistic representations of the human body varied depending on the time period, culture, and subject matter. Early Venus figurines from the Stone Age showed generic triangles representing female genitals but did not clearly depict pubic hair. Later ancient Egyptian, Greek, and Roman art sometimes showed pubic hair on figures while other times kept the areas bare or ambiguous. In medieval Christian art, pubic areas were often obscured but hair could sometimes be seen, and Renaissance art showed somewhat more explicit details. Depictions of pubic hair in artistic works corresponded with whether it was common or acceptable in the culture being represented.
The document discusses the history of painting in India. It describes how Indian painting has a long tradition dating back to pre-historic rock paintings. It then discusses different styles and periods of Indian painting, including Mughal paintings during the 16th-19th centuries which blended Indian, Persian, and Islamic styles and often depicted royal hunts and ceremonies. Miniature paintings also flourished during this time under royal patronage. The document provides details on the development and contributions of different rulers like Akbar to establishing painting ateliers and schools in India.
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,Iranian art ,Iranian contemporary art ,famous Iranian artist ,Middle east art ,European art
This document provides a biography of the artist Andy Warhol. It discusses his background and upbringing in Pittsburgh, Pennsylvania. It describes his early career in commercial illustration and how he later became a prominent figure in the pop art movement of the 1960s. Some of his most famous works and artistic innovations are mentioned, such as his silkscreen paintings, studio known as The Factory, and founding of Interview Magazine. It also provides details about his death in 1987 and funeral in Pittsburgh. The document then provides short biographies of the artists Baqer Al-Shaikh and Michelangelo, discussing their backgrounds, styles of work, and important works.
Edward Hopper was an American realist painter known for his oil paintings and prints depicting urban and rural scenes. Some of his most famous works include Nighthawks and Chop Suey. He was born in 1882 in New York and studied art in New York City. While he struggled early in his career with illustration work, his paintings began receiving recognition in the 1920s. He married fellow artist Josephine Nivison in 1924. Hopper lived and worked in New York City and summered in Truro, Massachusetts, where he found inspiration for his spare and contemplative scenes of American life. He died in 1967, leaving behind a significant body of work that reflects his personal vision.
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,middle east art ,european art
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,middle east art ,european art
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,middle east art ,european art
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art
Louise Bourgeois was a French-American artist known for her large-scale sculptures and installation art that explored themes of domesticity, sexuality, and the subconscious. Her work was highly autobiographical, dealing with trauma from her childhood including witnessing her father's affair with her English governess. Throughout her long career, she transitioned between different mediums but is best known for sculptures that incorporated symbolic objects. Some of her most famous works include Femme Maison, Destruction of the Father, and the giant spider sculpture Maman. Bourgeois continued creating art into her late 90s, receiving her first retrospective at the Museum of Modern Art in 1982, and is now considered one of the most influential artists
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art ,tony cragg ,massoud arabshahi
This document provides biographical information on four artists:
1) František Kupka, a Czech painter who was a pioneer of abstract art and co-founder of Orphism. He developed interest in color theory and abstraction around 1910.
2) Guy Laramée, a Canadian interdisciplinary artist known for theater, music, sculpture and more. His work often explores anthropological themes.
3) Felice Varini, a Swiss artist known for site-specific geometric paintings only visible from certain angles.
4) Dia Azzawi, an Iraqi-born painter who incorporates Arabic script into his work and helped establish modern Arab art in London.
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art
Giorgio de Chirico was an Italian artist who founded the Metaphysical Art movement before World War 1. He painted enigmatic scenes of empty city squares and arcades that profoundly influenced the Surrealists. In the 1920s he adopted a neoclassical style but continued revisiting metaphysical themes. The document provides details on de Chirico's life, training in Germany and Italy, exhibitions in Paris, involvement with the Surrealists, changing styles over his career, major works, and his significant influence on later artists.
This document provides biographies of 5 artists: Henri Laurens, Abbas Attar, Adi Nes, Shirazeh Houshiary, and Shakir Hassan Al Said. It includes information on each artist's life, education, career, works, exhibitions, and writings. Key details include: Henri Laurens was a French sculptor who worked in the Cubist style and created monumental sculptures. Abbas Attar was an Iranian photographer known for his photojournalism on wars/revolutions and books exploring religions. Adi Nes is an Israeli artist known for homoerotic depictions of Israeli soldiers.
History of art(west and middle east)- contemporary art ,art ,contemporary art ,art-history of art ,iranian art ,iranian contemporary art ,famous iranian artist ,middle east art ,european art
History of art(west and Iranian)-contemporary art-Reza Khodadadi-Alfred Basbous-Marcos Grigorian-Middle East art -surrealism painting -Iranian art auction -Famous Iranian art -middle east artist-Famous iranian artist-humanity-Iranian#Iranian contemporary art -middle east -surrealism painting -visual art -gallery-contemporary art -Qajar art - art auction -exhibition -modern art -London -USA - UK -Aziz Anzabi-Famous Persian artist-painting-art-life-man-woman
Sadegh Tabrizi was an Iranian artist born in 1939 who helped pioneer the 'Saqqakhaneh School' of art, which explored Persian heritage. He studied miniature painting and ceramics in Iran. Tabrizi held numerous solo and group exhibitions internationally from the 1960s onward and is known for his calligraphic compositions inspired by traditional Persian art.
Tony Cragg is a British sculptor born in 1950. He is known for assemblages made of found objects and his experimentation with a variety of materials. Cragg's early works included site-specific installations and representational wall reliefs made of fragments. Notable works include "Britain Seen from the North" (1981). C
Rembrandt was a highly influential Dutch artist born in 1606 who worked as a painter, printmaker, and draughtsman. He is considered one of the greatest artists in history and had a unique style that incorporated a wide range of subjects and techniques. Rembrandt experienced both critical and financial success early in his career in Amsterdam, though he later faced personal tragedies and financial difficulties. His portraits, self-portraits, and biblical scenes are among his most famous works, and he transformed the etching process into a true art form. Rembrandt died in 1669 in Amsterdam.
Leonardo da Vinci was an Italian polymath during the Renaissance period whose expertise spanned various areas including painting, sculpting, science, engineering and more. He apprenticed under the artist Verrocchio and worked for Ludovico Sforza in Milan. Some of his most famous works include the Mona Lisa and The Last Supper. He is renowned for his technological ideas and inventions ahead of his time, though many were not constructed during his lifetime.
This document provides biographical information about two artists - Hossein Zenderoudi and Frank Stella. It discusses Zenderoudi's background and influences, and highlights how he pioneered a new style of art in Iran that incorporated calligraphy. It also analyzes Zenderoudi's artistic evolution and focus on global communication. The document then briefly outlines Frank Stella's background, influences, and career progression from minimalist paintings in the 1960s to relief sculptures in later decades.
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Mr. Brainwash ❤️ Beautiful Girl _ FRANK FLUEGEL GALERIE.pdfFrank Fluegel
Mr. Brainwash Beautiful Girl / Mixed Media / signed / Unique
Year: 2023
Format: 96,5 x 127 cm / 37.8 x 50 inch
Material: Fine Art Paper with hand-torn edges.
Method: Mixed Media, Stencil, Spray Paint.
Edition: Unique
Other: handsigned by Mr. Brainwash front and verso.
Beautiful Girl by Mr. Brainwash is a mixed media artwork on paper done in 2023. It is unique and of course signed by Mr. Brainwash. The picture is a tribute to his own most successful work of art, the Balloon Girl. In this new creation, however, the theme of the little girl is slightly modified.
In Mr. Brainwash’s mixed media artwork titled “Beautiful Girl,” we are presented with a captivating depiction of a little girl adorned in a summer dress, with two playful pigtails framing her face. The artwork exudes a sense of innocence and whimsy, as the girl is shown in a dreamy state, lifting one end of her skirt and looking down as if she were about to dance. Through the use of mixed media, Mr. Brainwash skillfully combines different artistic elements to create a visually striking composition. The vibrant colors and bold brushstrokes bring the artwork to life, evoking a sense of joy and happiness. The attention to detail in the girl’s expression and body language adds depth and character to the piece, allowing viewers to connect with the young protagonist on a personal and emotional level. “Beautiful Girl” is a testament to Mr. Brainwash’s unique artistic style, blending elements of street art, pop art, and contemporary art to create a visually captivating and emotionally resonant artwork.
The use of mixed media in “Beautiful Girl” adds an additional layer of complexity to the artwork. By combining different artistic techniques and materials, such as stencils, spray paint, and collage, Mr. Brainwash creates a dynamic and textured composition that grabs the viewer’s attention. The juxtaposition of different textures and patterns adds depth and visual interest to the piece, while also emphasizing the artist’s eclectic and experimental approach to art-making. The inclusion of collage elements, such as newspaper clippings and torn posters, further enhances the artwork’s urban and contemporary feel. Overall, “Beautiful Girl” is a visually captivating and thought-provoking artwork that showcases Mr. Brainwash’s talent for blending different artistic elements to create a truly unique and engaging piece.
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4. Life that is forgotten
In this painting I tried to show the Cause of migration of people or Self-imposed exile. The four people that have a disappeared face are the most Major world powers of the nation and the king is a sign of a Puppet government which for them the people’s life doesn't matter and they don't evaluate people’s life. They are all watching people fighting and they are like the
watchers of a football match and don't care for their lives and what is happening in their lives. And the woman which is going with a suitcase and colourful balloons is a sign of her sweet wishes and with the thoughts and hopes she has she is leaving her country. I used a shadow the opposite way of her to show that even though she is leaving her roots and family are in her country for always
Original
Oil and Acrylic on Canvas
100cm x 100cm
5. Meeting with:
Diego Rodríguez de Silva y Velázquez
(Spanish pronunciation: baptized June 6, 1599 – August 6, 1660)
was a Spanish painter who was the leading artist in the court of King Philip IV and one of the most important painters of the Spanish Golden Age. He was an individualistic artist of the contemporary Baroque period, important as a portrait artist. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family, other notable European figures, and commoners, culminating in the production of his masterpiece Las Meninas (1656).
From the first quarter of the nineteenth century, Velázquez's artwork was a model for the realist and impressionist painters, in particular Édouard Manet. Since that time, famous modern artists, including Pablo Picasso, Salvador Dalí and Francis Bacon, have paid tribute to Velázquez by recreating several of his most famous works
6. Knowing more about
Qajar art refers to the art, architecture, and art-forms of the Qajar dynasty of the late Persian Empire, which lasted from 1781 to 1925.
The boom in artistic expression that occurred during the Qajar era was the fortunate side effect of the period of relative peace that accompanied the rule of Agha Muhammad Khan and his descendants. With his ascension, the bloody turmoil that had been the eighteenth century in Persia came to a close, and made it possible for the peacetime arts to again flourish.
Qajar painting
[Most notably, Qajar art is recognizable for its distinctive style of portraiture.
Origins and influences
The roots of traditional Qajar painting can be found in the style of painting that arose during the preceding Safavid empire. During this time, there was a great deal of European influence on Persian culture, especially in the arts of the royalty and noble classes. European art was undergoing a period of realism and this can be seen in the depiction of objects especially by Qajar artists. The European influence is very well evidenced in the preëminent position and prestige of oil painting. While oil paintings had been par for the course during previous periods of Persian art, it was the influence of the European masters, like Reubens and Rembrandt, the true masters of oil portraiture, that raised it to the highest level. Heavy application of paint and dark, rich, saturated colors are elements of Qajar painting that owe their influences directly to the European style.
7. Development of painting style
While the depiction of inanimate objects and still lifes is seen to be very realistic in Qajar painting, the depiction of human beings is decidedly idealised. This is especially evident in the portrayal of Qajar royalty, where the subjects of the paintings are very formulaicly placed and situated to achieve a desired effect.
Two panels of earthenware tiles painted with polychrome glazes over a white glaze. (19th)
Royal portraiture
Most famous of the Qajar artworks are the portraits that were made of the various Persian Shahs. Each ruler, and many of their sons and other relatives, commissioned official portraits of themselves either for private use or public display. The most famous of these are of course the myriad portraits which were painted of Fath Ali Shah Qajar, who, with his narrow waist, long black bifurcated beard and deepset eyes, has come to exemplify the Romantic image of the great Oriental Ruler. Many of these paintings were by the artist Mihr 'Ali. While the portraits were executed at various points throughout the life of the Shah, they adhere to a canon in which the distinctive features of the ruler are emphasized. Portraits exist of Fath Ali Shah in a very wide assortment of situations, from the armor-clad warrior king to the flower smelling gentleman, but all are similar in their depiction of the Shah, differing only slightly, usually due to the specific artist of the portrait. It is only appropriate that this particular Shah be so immortalized in this style, as it was under his rule as the second Qajar shah that the style truly flourished. One reason for this were the stronger and stronger diplomatic ties that the Qajar rulers were nurturing with European powers.
While Fath Ali Shah himself never visited Europe, many portraits of him were sent with envoys in the effort to convey the imperial majesty of the Persian court. With the rise of Nassirudin Shah, photography became much more important in the art of the period, and portraiture, while still used for official purposes, fell gradually out of favor. In addition, as Nassirudin Shah was the first Persian ruler to visit Europe, the official
8. sending of portraits was left by the wayside, a relic of times gone by.
Other portraiture
The depiction of nonroyal persons also has a very important place in the explanation and understanding of Qajar art. While naturally not commoners, the subjects of these portraits were often minor princes (of which there were many!), the grandsons, nephews, and great-nephews of the ruling or previously ruling Shahs. These princes, with the wealth and position of their families, had very little else to do but contribute to the arts, so their patronage was certainly less than detrimental to the arts of the time. Often, portraits of this class would be commissioned as depictions of family groups, depicting the male, an idealized, nubile wife, and their perfectly formed child. Other times, they would be in the form of a royal portrait, depicting solely the male commissioner, but with subtle variations making it clear that the sitter is not a Royal. One way that this was accomplished was through a cartouche that was displayed next to the head of each portrait's subject, clarifying who was being depicted, and any relevant titles (such as Soltān, shāhzādeh, &c.). For the ruling head of Persia, this cartouche is fairly regulated, ("al-soltān Official name Shāh Qājār"), while for anyone else, it may include a longer name, a lesser title or a short genealogy.
Depiction of women
One of the most unusual practices in Qajar art is the depiction of women. In such a strongly Islamic society, it seems to contradict that view that the women of Qajar Persia are depicted in much art as wearing very little in the way of modest clothing. This is strikingly at odds with the prevalent use of the chādor (Persian: چادر , , lit. "tent") in Persia.
Muqarna at the Nasir al-Mulk Mosque.
Qavam—Ghavam House facade and balcony.
"Kushk of Ahmad Shah" at the Niavaran Palace Complex.
Calligraphy in the Qajar era[edit]
Calligraphy is and has been the definitive Persian art form. There exists a prohibition in Islam against the depiction of human beings, similar to the Jewish rule against graven images, and as such, calligraphy and its associated art forms became a very important part of Islamic expression. Upon the introduction of the Arabic script to Persia, the people therein set themselves to making it their own. This is best evidenced in the creation of the Nasta'liq style of calligraphy, which is now used for most of the non-Arabic South Asian languages, such as Urdu and Kashmiri, as well as Punjabi.
9. The Shāhanshāhnāmeh painted tiles with design of birds, hunting and nice flowers from Qajar dynasty
During the reign of Fath Ali Shah Qajar, a work of literature and art was commissioned that was intended to rival the work of Ferdowsi. This book was called the Shāhanshāhnāmeh (شاهنشاهنامه , lit. "Book of the King of Kings"). It is apparent to the scholar of Persian art and literature that this book is based upon the work of art known as the Shāhnāmeh ( شاهنامه , lit. "Book of Kings") which was written by Ferdowsi in the year 1000 . The Shahnameh, in brief, chronicles the quasi- mythical founding of the Persian Empire and the heroes and villains who punctuated its inception. Also, the Shahanshahnameh is related to a long tradition of Mughal literature, in the form of the Baburnameh and the Akbarnameh, similar books which chronicle the occurrences that punctuated the reigns of their respective Mughal Shahs. This Sahanshahnameh is now situated in the National Library of Vienna, Austria. Qajar textile arts
The sartorial inclinations of the Qajar period were not so very different from those of earlier period until the latter half of the era. As is evidenced by the early portraiture of Fath Ali Shah Qajar and Mohammad Shah Qajar, the traditional styles of dress in Persia were preserved, but as Western influences became more and more prevalent, the royal portraits began to depict the Shah in a more Western, military style garb (such as the portrait of Nassirudin Shah Qajar above). This is not to say, however, that the traditional textile arts of Persia had fallen into disuse. While the Shah wished to appear advanced and western to European monarchs and diplomats, it was still his duty to exude the pride and ancient glory of the Persian Empire, so court dress retained very strong elements of traditional dress.
One of the most unusual practices in Qajar art is the depiction of women. In such a strongly Islamic society, it seems to contradict that view that the women of Qajar Persia are depicted in much art as wearing very little in the way of modest clothing. This is strikingly at odds with the prevalent use of the chādor (Persian: چادر , , lit. "tent") in Persia.
10. The unknown world
In this painting I tried to show the
emotional feelings between men and women. The happiness inside some man's heart depends on women. When a drawer of a man's heart is open you can realize his feelings. Some people in the world enjoy of women all of the time and don’t think about anything else. They are unaware of social problems. In the left hand side of the painting there are people protest which are trying to achieve the goal of social and they accept the danger of the government. The person standing in the middle is the
governor (solder) which is always looking at people to get them or arrest them to make other people think that he is a powerful person to make people scared of him
Original
Oil and Acrylic on Canvas 102cm x 102cm
11. Aziz Art
http://www.aziz-anzabi.com/
Biography:
Aziz Anzabi, original from Iran and London based, He was born in Tehran in 1970 and grew up between the Iraq and Iran's war and this has affected his art .He has finished his PHD degree in family counselling in Tehran
His focus is art in sculpture and painting.
Anzabi’s art have as main concept myths and rituals. Exploring these aspects and aiming for an unconscious emotional state within the viewer, Anzabi art takes form in both figurative and abstract styles. “My ultimate goal is to have the viewer feeling a sense of familiarity with the work, a sense of having experienced this before.”
Anzabi art describes a fantasy that shelters the individual in order to lead him throughout life. With strong surreal influences, Anzabi creates a universe proclaiming harmony.
Aziz Anzabi work has been displayed and purchased worldwide, from UK, USA, Spain, Italy and Dubai. Aziz Anzabi is also an academic, who also has written and produced books on the subjects of art such as mathematics, being previously a professor at Tehran University."
Life
Mind's eye is so powerful that it can visualize a lush green garden with flowing water just across a rugged desert.
helpless man can do nothing but to take refuge in fantasies , exploiting dreams of his mature mind to lead him to throughout his life. Fantasies rapidly vanish into thin air. My fantasy is an complete universe, that every humankind can use their humanity. It is a wrong universe miscalculations about life right now . continually blaming my self for not sizing the day and for having to bid farewell to the departed one after the other.
From dawn of creation, mankind has proclaimed the harmony "Look how clear water is falling down from between your fingers like the freedom that falls down from Humankind fingers!”
12. Statement
Myths... Rituals. I have long been intrigued and fascinated by these concepts. In my sculptures and painting, both figurative and abstract, I employ these aspects of a collective unconscious to evoke an emotional state within the viewer. In my figurative work, my goal is to capture the myriad changing state of the human condition through subtle changes in facial countenance and body language. The end result shows how the inner condition is expressed by the outward form while also conveying a timeless quality to human emotion. In my abstract sculptures, I have recreated the numinous quality of subconsciously shared images, stories, and ceremonial rites. The sculptures, themselves, are composed of abstract forms that are covered with a rich, textural surface. The end result is a complex organic piece that evokes a sense of ancient artifacts, of ritualistic objects from some unknown culture, or of imagined landscapes.
However, be it figurative or abstract, my ultimate goal is to have the viewer feel a sense of familiarity with the work...a sense of having experienced this before. I believe this feeling of arises from both the collective unconscious and a mystical center we all share.........................
13. Sad but true
The problem of people living in Kiribati Island which is a country in the lowest point of earth in Pacific Ocean and is constantly going under the water because of the global warming and this country is going to be gone forever. I try to show this problem for the people the two hands are a symbol of natural hazards that cause human Suffering that human do this themselves and the conclusion is the ruining of earth that makes humans die. and the pieces of the mirror are a sign to show that it can happen to you (the reflection)
Oil on canvas
102cm x 102cm
14. Beginning And End
In this painting I tried to show after the industrial age humans started changing the majority in the world and these changes were good to human beings but not for nature. And when humans started creations and manipulation agent’s new problems and diseases around the world started. The horse and the elephant are a symbol of the earth changing in many different ways. The person who is leaning on the the horse’s leg is a meaning of people that think this change to nature is a support to them to live and it has to be there. When it only fits for humans and damages nature. In the sky there is two people a man and a woman which are going to opposite directions and they are a couple they have chosen to be separated from each other. This is because they had problems living their expectations from each other had gone higher because of the changes made on earth and they choose to be parted because they thought they should get a better living.The other people in the painting are the people who have their normal routine in life and don’t care about the changes made on earth.
Original
Oil on canvas
102cm x 102cm
15. Eye See You All Day
In this painting I tried to show an eye of people that are aware of things around them and their feelings. The eye of the people is always aware of social problems. The people dropping off the eyes are peoples feelings about social problems that people see and their feelings drop down in different forms.
On the left hand side the three soldiers are a sign of soldiers that help government which always are keeping the aware people save from the help of government without the government knowing. The eyelashes are like the jungle. The people in the world are living like a jungle
Original
Oil on canvas
66cm x 66cm
16. Meeting with...
Salvador Domingo Felipe Jacinto Dalí i Domènech , 1st Marqués de Dalí de Pubol (May 11, 1904 – January 23, 1989), known as Salvador Dalí (Catalan pronunciation: )
was a prominent Spanish Catalan surrealist painter born in Figueres, Spain.
Dalí was a skilled draftsman, best known for the striking and bizarre images in his surrealist work. His painterly skills are often attributed to the influence of Renaissance masters. His best-known work, The Persistence of Memory, was completed in August 1931. Dalí's expansive artistic repertoire included film, sculpture, and photography, in collaboration with a range of artists in a variety of media.
Dalí attributed his "love of everything that is gilded and excessive, my passion for luxury and my love of oriental clothes"to an "Arab lineage", claiming that his ancestors were descended from the Moors.
Dalí was highly imaginative, and also enjoyed indulging in unusual and grandiose behavior. His eccentric manner and attention-grabbing public actions sometimes drew more attention than his artwork, to the dismay of those who held his work in high esteem, and to the irritation of his critics.
Biography
Early life
The Dalí family in 1910: from the upper left, aunt Maria Teresa, mother, father, Salvador Dalí, aunt Catherine (later became second wife of father), sister Ana Maria and grandmother Ana
Salvador Domingo Felipe Jacinto Dalí i Domènech was born on May 11, 1904, at 8:45 am GMT[6] in the town of Figueres, in the Empordà region, close to the French border in Catalonia, Spain Dalí's older brother, also named Salvador (born October 12, 1901), had died of gastroenteritis nine months earlier, on August 1, 1903. His father, Salvador Dalí i Cusí, was a middle-class lawyer and notary[8] whose strict disciplinary approach was tempered by his wife, Felipa Domenech Ferrés, who encouraged her son's artistic endeavors.
When he was five, Dalí was taken to his brother's grave and told by his parents that he was his brother's reincarnation,[10] a concept which he came to believe. Of his brother, Dalí said, "...[we] resembled each other like two drops of water, but we had different reflections."He "was probably a first version of myself but conceived too much in the absolute."Images of his long-dead brother would reappear embedded in his later works, including Portrait of My Dead Brother (1963).
Dalí also had a sister, Ana María, who was three years younger.In 1949, she published a book about her brother, Dalí As Seen By His Sister. His childhood friends included future FC Barcelona footballers Sagibarba and Josep Samitier. During holidays at the Catalan resort of Cadaqués, the trio played football together.
17. Dalí attended drawing school. In 1916, Dalí also discovered modern painting on a summer vacation trip to Cadaqués with the family of Ramon Pichot, a local artist who made regular trips to Paris.[8] The next year, Dalí's father organized an exhibition of his charcoal drawings in their family home. He had his first public exhibition at the Municipal Theater in Figueres in 1919, a site he would return to decades later.
In February 1921, Dalí's mother died of breast cancer. Dalí was 16 years old; he later said his mother's death "was the greatest blow I had experienced in my life. I worshipped her... I could not resign myself to the loss of a being on whom I counted to make invisible the unavoidable blemishes of my soul." After her death, Dalí's father married his deceased wife's sister. Dalí did not resent this marriage, because he had a great love and respect for his aunt.
18. Battl
in some nations like the middle east people are not allowed to express their feelings and thoughts. In this painting I tried to show this situation and the after of someone expressing their feelings and thoughts when they were not allowed to express their selves and what happened to them. The drawer which has opened in the Forehead of the man shows him expressing his thoughts which he is not allowed to express them. And in the bottom left hand side there is a Corridor which is the heart of the man and since he can't express his feelings he if fighting with his thoughts inside his heart. In this Corridor which is like prison the government is the Prison guard to keep peoples Freedom of speech. On the right hand side there is two people which are Iranians myth in Persian in a book called Shahnameh which a father ( Rostam ) kills his own son in war without knowing that he was his son (Sohrab) which at the end of Shrubs’ last words Rostam realizes that Sohrab was his own son . In this part the meaning of this is that people kill their own thoughts and feelings so they won't be killed. The other people in the painting are a sign of different social classes which without knowing the social problems carry on living.
Original
Oil and Acrylic on Canvas
100cm x 100cm
19. One more step
In this painting I tried to show from a Psychology point of view that in every man there is a woman and in every woman there is a man which either the woman is good in that person or man. In the pocket of the angel I have put a Qajar woman to represent a Psychology point of view. The thought that always angels are women has changed in my painting and I have shown that in this painting even a modern style man can be a angel.
Original
Oil and Acrylic on Canvas
102cm x 66cm