O&C poster 3
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The document describes the creative process behind designing a campaign poster for a food drive. It explains that the poster uses the same maroon background and white banner at the bottom as the designer's previous two posters to tie the designs together cohesively and prominently feature the organization's logo. The final poster focuses solely on providing information about the food drive event in varying sizes and capitalization of font to emphasize key details while keeping the design simple and reader-focused.
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O&c poster 1
This document outlines the 10 step process taken to create a campaign poster for Crossroads Foundation. Key points include:
1) The poster uses a limited color scheme of maroon (#7b3c3c), darker maroon (#8b5454), and white (#ffffff) to reflect the Crossroads brand identity.
2) The name "Crossroads Foundation" is repeatedly typed in a lighter maroon shade and tilted text to fill half the poster.
3) The text is then rasterized and overlaid with white to stand out from the background.
4) Additional information is added at the bottom about the food drive details and Crossroads website in two complementary fonts.
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The document discusses font choices, color schemes, images, and sizing for an ancillary product (double-page magazine spread) and poster promoting a documentary. For the magazine spread, light blue, white, and black colors were chosen for text clarity. Font sizes of 28, 16, and 14 were used for the title, paragraph, and side text respectively. Images from the documentary were included to intrigue readers. A serif font was used for continuity. The poster uses black and white colors for simplicity and a large sans-serif font for visibility from a distance.
122 190824 The Fundamentals of Creative Design 04-06 by Gavin Ambrose/Paul Haris
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introduction
- Color saturation refers to the purity or intensity of a color, with more saturated colors appearing bolder.
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O&c poster 1
This document outlines the 10 step process taken to create a campaign poster for Crossroads Foundation. Key points include:
1) The poster uses a limited color scheme of maroon (#7b3c3c), darker maroon (#8b5454), and white (#ffffff) to reflect the Crossroads brand identity.
2) The name "Crossroads Foundation" is repeatedly typed in a lighter maroon shade and tilted text to fill half the poster.
3) The text is then rasterized and overlaid with white to stand out from the background.
4) Additional information is added at the bottom about the food drive details and Crossroads website in two complementary fonts.
Editing My Cover Image For My Music Magazine
To edit a cover image for a music magazine, the author first opened the image file in an A4 layout. She then adjusted the brightness of the lighter model using hue and saturation tools. Next, she duplicated the background layer and applied a Gaussian blur filter of 1.2-3 pixels to the duplicate layer to blur the background and make the models stand out. Finally, she used the rubber tool to erase blurriness from the models while preserving the blurred background, and applied an overlay effect to merge background colors.
Question 2 new
The document discusses font choices, color schemes, images, and sizing for an ancillary product (double-page magazine spread) and poster promoting a documentary. For the magazine spread, light blue, white, and black colors were chosen for text clarity. Font sizes of 28, 16, and 14 were used for the title, paragraph, and side text respectively. Images from the documentary were included to intrigue readers. A serif font was used for continuity. The poster uses black and white colors for simplicity and a large sans-serif font for visibility from a distance.
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lesson 8 in empowerment technologies.
Note: pictures used in this presentation is not mine. you can found them on google..
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The document describes the improvements made over multiple drafts of an image editing project. The first draft involved adding a background image and title/text. The second draft removed the complicated background and made the text easier to read. Font size and image/text positioning were also adjusted. The third draft removed a dividing line and used a gradient layer instead to merge the image and text backgrounds subtly. More text was added and further improvements were still needed for the final draft.
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O&c poster 2
This document summarizes the steps taken to create a campaign poster for Crossroads Foundation. The poster uses typography to form the shapes of a rice bowl and chopsticks, with facts about food shortage and hunger written inside. It maintains the same red background and white banner from the previous poster for consistency. Additional text at the bottom provides more context about Crossroads Foundation and its mission. The design aims to creatively convey the issue of food shortage while tying the poster visually to the previous one through shared elements.
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O&C poster 2
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The document summarizes the creative process behind designing a campaign poster for the Crossroads Foundation. Key elements included choosing a dark maroon background to match the foundation's website, adding the logo and URL at the bottom in white for visibility, utilizing typography by arranging words and statistics about hunger to form the shape of a rice bowl and chopsticks, and including an introductory paragraph about the foundation's mission using two fonts for emphasis. The poster was created in Adobe Photoshop with the goal of raising awareness of hunger issues and collecting canned food donations for the local charity.
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- The first design used the company's house style images in the background with text on top. Additional versions tested color changes.
- Subsequent banners experimented with layouts, adding the product image, and varying text sizes and placements.
- Later designs duplicated the can image throughout the background, and tested color overlays and opacity adjustments.
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For his first design, the author created an Irn Bru can design with overlapping text in different colors to make the text stand out. He added a blue stripe and silhouette to make the packaging look more professional. For his second design, he tried a battery-shaped can but it did not work with the brand colors. He then created a simple design with orange background and blue details, struggling with color shades. His third design combined elements he liked, using simple shapes. He added a watermarked silhouette to tie the design together professionally. For posters, his first stained glass design had technical issues. His second used scattered cans and the phrase "Keep Calm and have a Bru." For web banners, his first used brand colors and
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For a class project, the student designed various packaging concepts for an energy drink called Irn Bru, including can designs, posters, and web banners. Their third can design featured simple shapes and fonts balanced well together with a watermarked silhouette in the center. For posters, their second design used the phrase "Keep Calm and Have a Bru" with scattered cans and a light blue filter. Their second web banner featured circular shapes separating the text and a flipped "32" to add visual interest. Overall, the student was happy with how their designs incorporated consistent branding elements while experimenting with different concepts.
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Cse615 dyer poster design slideshow assign 9.4
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This document outlines several packaging design ideas for an energy drink called Irn-Bru 32. The first design changes the font and makes it bolder and 3D. The second design uses a blue base color instead of orange and includes designing a diet version similarly. The third design uses blue and green diagonal colors with an orange splash effect and 3D text. Across the designs, colors, fonts, and added elements like symbols are tweaked to make the packaging more eye-catching and appropriate for marketing an energy drink to younger audiences.
As media evaluation 7 !!!!!!!!!!!!!!
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The document discusses different types of olive oil, properties of olive trees, and health benefits of olive oil. It describes three main types of olive oil: natural olive oil which comes directly from olives and has varying levels of acidity, refined olive oil which has an acidity of 0.3% and is used for cooking, and Riviera olive oil which is refined but can be consumed. It notes olive trees can live 300-400 years and their growth depends on climate and soil conditions. The document also lists several health benefits of olive oil including for heart health, cholesterol, diabetes, cancer prevention, and skin and hair.
O&c poster 2
This document summarizes the steps taken to create a campaign poster for Crossroads Foundation. The poster uses typography to form the shapes of a rice bowl and chopsticks, with facts about food shortage and hunger written inside. It maintains the same red background and white banner from the previous poster for consistency. Additional text at the bottom provides more context about Crossroads Foundation and its mission. The design aims to creatively convey the issue of food shortage while tying the poster visually to the previous one through shared elements.
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This document summarizes the creative process and technical steps taken to produce a promotional video for a school food drive. The creator chose an upbeat soundtrack to set the tone and allow for timed "blackouts." Various filming techniques like panning, zooming, and close-ups were used to make the footage more interesting. Editing tools in iMovie like cuts, zooms, and fade transitions linked the scenes together and enhanced the dynamic nature of the music. Text slides were added through Photoshop and iMovie's zoom feature to convey key information and a call to action over the video footage.
O&C poster 2
This document outlines the steps taken to create a campaign poster for Crossroads Foundation. It describes filling the background with a red color to match the previous poster. It includes adding the Crossroads logo and URL at the bottom. The main design element is a rice bowl and chopsticks made using text describing food shortage facts. This is inspired by analyzing an existing "Shelter" poster. Additional context on Crossroads is included at the bottom using two font styles. The poster is designed to raise awareness of the food drive campaign through cohesive design and relevant messaging.
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The document analyzes several successful advertising campaigns including Volkswagen's "Think Small" campaign from 1959, Nike's "Just Do It" slogan from 1988, the "Got Milk?" campaign from 1993, and Invisible Children's "Kony 2012" campaign. It notes design elements that contributed to their effectiveness such as minimalism, simplicity, use of space, catchy slogans, and visually striking logos and colors.
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The document discusses security issues related to cloud computing including traditional problems like data loss and downtime as well as new issues introduced by cloud architectures like lack of a security perimeter, increased attack surface from virtualization, and challenges around data confidentiality, integrity and availability when data is stored, processed and transmitted remotely in the cloud. Virtualization introduces additional security risks around hypervisor vulnerabilities, VM isolation, and state restoration that could allow compromised VMs to persist.
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Preliminary Research - Analysing Promotional Campaigns
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Similar to O&C poster 3
Originality and Creativity 1
The document summarizes the creative process behind designing a campaign poster for the Crossroads Foundation. Key elements included choosing a dark maroon background to match the foundation's website, adding the logo and URL at the bottom in white for visibility, utilizing typography by arranging words and statistics about hunger to form the shape of a rice bowl and chopsticks, and including an introductory paragraph about the foundation's mission using two fonts for emphasis. The poster was created in Adobe Photoshop with the goal of raising awareness of hunger issues and collecting canned food donations for the local charity.
Task7- Production Development (webbanner)
The document describes the process of designing a web banner for Irn-Bru. It discusses several design ideas and iterations:
- The first design used the company's house style images in the background with text on top. Additional versions tested color changes.
- Subsequent banners experimented with layouts, adding the product image, and varying text sizes and placements.
- Later designs duplicated the can image throughout the background, and tested color overlays and opacity adjustments.
- The final banner incorporates a row of colored and tinted can images in blues and oranges, with shadowed text placed over it. Animation ideas are also proposed.
Production blog
1. The document describes the process of creating banners and a flyer for a company over 3 weeks. In week 1, various designs were tried for the banners before settling on a simple layout with text over a dark blue background and image. Week 2 involved creating the flyer, with a patterned background and sections for contact details and information in different fonts and colors. Week 3 finished the flyer by designing the front cover consistently with the banners using the company name in italics with added graphic elements.
TASK 7- EVALUATIONS
For his first design, the author created an Irn Bru can design with overlapping text in different colors to make the text stand out. He added a blue stripe and silhouette to make the packaging look more professional. For his second design, he tried a battery-shaped can but it did not work with the brand colors. He then created a simple design with orange background and blue details, struggling with color shades. His third design combined elements he liked, using simple shapes. He added a watermarked silhouette to tie the design together professionally. For posters, his first stained glass design had technical issues. His second used scattered cans and the phrase "Keep Calm and have a Bru." For web banners, his first used brand colors and
TASK 7- EVALUATIONS
For a class project, the student designed various packaging concepts for an energy drink called Irn Bru, including can designs, posters, and web banners. Their third can design featured simple shapes and fonts balanced well together with a watermarked silhouette in the center. For posters, their second design used the phrase "Keep Calm and Have a Bru" with scattered cans and a light blue filter. Their second web banner featured circular shapes separating the text and a flipped "32" to add visual interest. Overall, the student was happy with how their designs incorporated consistent branding elements while experimenting with different concepts.
Induction project 2021 pro forma
The document outlines an induction project focused on pop art. It includes tasks for researching pop art styles, planning products inspired by pop art, creating final products like a poster, and evaluating the process and final products. Strengths of the poster included accurate use of pop art colors, styles, and layout. Areas for improvement were increasing text size, adding background patterns, and filling space. Problems addressed were image and text visibility, which were solved using spacing and drop shadows. Feedback received suggested centering elements, which improved neatness.
The Evolution of a Sign
The designer created several iterations of a sign to promote participation in a neighborhood association. The first sign used a green background, short message, and pictures representing the community. Based on feedback, subsequent designs rearranged the pictures and added questions. Later versions experimented with different color schemes and fonts to improve readability and grab more attention. The final sign incorporated a neighborhood name, darker blue background, and loosened image layout.
The product
This document summarizes the process of designing and building flats for a theatrical production. The initial design incorporated white and red colors to match the production scheme. After prototyping, the design was modified for practicality and size. Materials were sourced according to a list. The flats were constructed using MDF boards, braces, nuts, bolts and paint. Decorative elements like posters and logos were added to complete the backdrop. The finished product held up well during performances and complemented the overall set design.
Cmp induction project 2021 pro forma
This document outlines the tasks for an induction project using Photoshop. It includes researching web sources, producing final products like a print poster and blog post, and evaluating the project. For evaluation, it describes strengths like eye-catching colors and skills used. Areas for improvement include enhancing image exposure and layer naming. Working well with others benefited the project through font and background decisions. Feedback was received on font colors and text alignment, which was used to improve the project. Problems faced included low resolution images and a dotted overlay covering some images.
Cse615 dyer poster design slideshow assign 9.4
- The document describes the design process for a poster promoting support services at Chemeketa Yamhill Valley Campus.
- The goal was to make students aware of support services and feel cared for and supported. The target audience was new college students.
- Through multiple iterations, the designer experimented with layout, imagery, fonts, and color schemes to create visual interest while clearly communicating the message of support. The final landscape design balanced elements and used repetition effectively.
Post - production (canon)
The document describes the process of creating print advertisements for a Canon campaign. Images were selected, edited in Photoshop by changing colors and adding logos, and arranged into contact sheets. Six example advertisements were created with different color schemes, slogans, and layouts. Feedback indicated that the black and white ads were less successful while colorful ads 2, 5, and 6 performed better. The document concludes that ad 1 is the most successful final product as it is simple, attention-grabbing, and adheres to branding codes and conventions.
Devlopment
This document outlines several packaging design ideas for an energy drink called Irn-Bru 32. The first design changes the font and makes it bolder and 3D. The second design uses a blue base color instead of orange and includes designing a diet version similarly. The third design uses blue and green diagonal colors with an orange splash effect and 3D text. Across the designs, colors, fonts, and added elements like symbols are tweaked to make the packaging more eye-catching and appropriate for marketing an energy drink to younger audiences.
As media evaluation 7 !!!!!!!!!!!!!!
The document summarizes the progression of the author's magazine project from early drafts to the final product. It describes improvements made in areas like Photoshop skills, use of images and fonts, magazine layout and conventions. The author learned about using different font sizes, styles and colors to draw attention and engage readers. Professional quality images were added. The double page layout was refined with a cleaner design. Overall, the author gained confidence in magazine codes and conventions and learned to analyze genres and interpret ideas through various formats.
Evaluation - Q.2
The document discusses the importance of synergy between a creator's main products and ancillary texts. The creator ensured synergy by maintaining consistent house styles, colors, fonts, and characters across their film cover, teaser poster, and production company name. Yellow, black, red, and white were used throughout to represent the drama genre. The same century gothic font was used across products to enhance recognition as a single franchise. Placement of characters and editing techniques also displayed continuity and strengthened the film's brand identity. In conclusion, maintaining high synergy between related materials through shared visual elements is a key element of effective multi-product branding.
Task7- Evaluation
The document provides an evaluation of a rebranding project for Irn-Bru 32, an energy drink. The evaluation discusses the design process and choices made in creating a new can design, web banners, and magazine poster. It highlights areas that worked well, such as consistent use of color scheme and fonts, and areas that could be improved, such as the back of the can design. The evaluation also notes how development stages helped refine the final products.
Posters
The document discusses different design concepts for a concert poster. It describes tweaking a photo to emphasize gold elements and adding stamps and a logo. It then explains a 3D concept using boxes and lines that was considered but not chosen. Finally, it outlines the selected final design which uses photo reflection, color scheme, enlarged logo and Facebook logo to represent the artist and direct audiences.
As media evaluation 7
Through drafting magazine pages multiple times, the author learned about magazine conventions and improved their Photoshop skills. Feedback helped them realize the importance of font choice, professional images, and creative design elements like shadows and opacity adjustments. Comparing drafts to the final product showed progress in adding more engaging content like multiple images, consistent formatting, and easy-to-read headings and features. Attention to detail like gutters and color coordination helped attract the target audience and achieve a neat, professional style.
Development
Here are some suggestions for revising the storyboard based on the feedback:
- Adjust the target age range to 6-9 years old as suggested. Make any necessary changes to simplify vocabulary, concepts, etc.
- Add page dimensions (e.g. 10 pages, size 21cm x 22cm as stated in proposal)
- Provide more context for the audience such as location, gender, etc. Could set it in a suburban neighborhood with both boys and girls as readers.
- Simplify some of the illustrations to be clearer for younger viewers. Less complex backgrounds.
- Add dialogue or thought bubbles to convey story more clearly through images alone.
- Consider changing plank crossing to a bridge to
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The document provides planning details for a series of idents for a fictional arts and progressive channel. It includes concepts for 3 idents featuring a cat, dancer, and pianist interacting with animated graphics. Motion graphics and compositing techniques like tracking shapes to the subject and merging footage and animations are described. Ident 2, featuring a dancer, is selected for production due to its artistic theme fitting the channel and viability of filming techniques. Sound and pre-production planning like storyboards, timescales, and risk assessments are also outlined.
Planning Cover School Magazine
The document describes the process of planning and designing the cover and contents page for a school magazine. It discusses testing different color combinations and layouts with surveys, creating two mock-ups of potential cover designs, and refining the design based on feedback. The final cover features the school logo and title prominently over a photo with a yellow and blue gradient background. The contents page transitions are also described, starting with a single yellow line and building to include a photo and handwritten page numbers.
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O&C poster 3
- 1. Originality and Creativity campaign poster #3 Name: Minju Kim 11R
- 2. Step #1 Explanation What has been done… I filled an A4 photoshop document background layer with the colour #7b3c3c. This is the same background colour as my last two posters. WHY? I chose this colour because it reflects my colour scheme; and embodies Crossroads Foundation. I did not choose to vary the colour from my last two posters as I think that having the same background colour ties all the posters together, demonstrating cohesiveness.
- 3. Step #2 Explanation What has been done… I created the same white strip at the bottom of my poster with the Crossroads logo as my last two posters. WHY? I chose to include this white banner in this poster as well as the last one as I feel that it is a good way of tying all the posters together. Additionally, I really like the stark contrast of the white on maroon. It also gives me a space to place the crossroads logo, a part of embodying crossroads in my posters.
- 4. Step #3 Explanation What has been done… To complete my poster, I wrote out all the details of the food drive in Helvetica Neue Ultralight. I varied the capitalisation and size of the words. WHY? I chose to put only the details of the food drive and nothing else on this poster, as I wanted to keep this one simple and strictly information based. I varied the font size and capitalisation of the words to make the poster look more visually interesting, and also to emphasise the main words. Again, I chose white as it fit my colour scheme and stood out against the dark maroon.