The intercity bus terminal was designed on the way to Aksaray, 5km away from the city center , due to the existing bus terminal’s incompatibility to handle the needs. The convenience of the linkage to the local road of Nigde and to the city center were the reasons why this area is preferred.
M.F. Hussain - Famous Painters For Kids – Mocomi.comMocomi Kids
Muqbool Fida Hussain, popularly known as simply MF, was an Indian modernist painter, Read more about M.F. Hussain, visit: http://mocomi.com/m-f-hussain/
The intercity bus terminal was designed on the way to Aksaray, 5km away from the city center , due to the existing bus terminal’s incompatibility to handle the needs. The convenience of the linkage to the local road of Nigde and to the city center were the reasons why this area is preferred.
M.F. Hussain - Famous Painters For Kids – Mocomi.comMocomi Kids
Muqbool Fida Hussain, popularly known as simply MF, was an Indian modernist painter, Read more about M.F. Hussain, visit: http://mocomi.com/m-f-hussain/
Building Science 2 - Acoustic Design Case Study (Pentas 1, KLPAC)Hafizie Van De Merwe
A case study on acoustic design of Pentas 1, KLPAC, Kuala Lumpur. All rights reserved to School of Architecture, Building and Design of Taylor's University.
Abstract art is a form of visual art that does not attempt to represent or depict external reality, but instead uses colors, shapes, and textures to create a visual language of its own. The emphasis in abstract art is on the formal elements of art, such as line, color, and composition, rather than on representation of the world around us.
Abstract art emerged in the early 20th century as artists sought to move away from traditional forms of representation and create something new and original. It has since become a major movement in the art world, with many different styles and approaches to abstract art.
Some notable artists associated with abstract art include Wassily Kandinsky, Kazimir Malevich, Piet Mondrian, and Jackson Pollock. The movement has also influenced other forms of art, such as music, literature, and architecture.
Today, abstract art continues to evolve and push the boundaries of what we consider art to be. It remains a vibrant and exciting field for artists and art enthusiasts alike.
PG students preparing for the nid entrance exam can have a glimpse of the type of questions asked. The sample questions given here are similar to what was asked in the past nid admission test. AFD invites all design school aspirants to attempt this mock test paper and success in the design aptitude test in 2012.
The presentation is about the Shanghai Long-distance Bus Station. The station is being managed by Shanghai Nanzhan Long Distance Passenger Transportation Co. Ltd.
A presentation looking at the influences on those animators who created films considered as 'Visual Music'. This is a slide show of images, and needs notes. It also contains films, which are presented here as still images, you will need to look them up, possibly using Youtube/Vimeo and the respective links at the end of the presentation.
Building Science 2 - Acoustic Design Case Study (Pentas 1, KLPAC)Hafizie Van De Merwe
A case study on acoustic design of Pentas 1, KLPAC, Kuala Lumpur. All rights reserved to School of Architecture, Building and Design of Taylor's University.
Abstract art is a form of visual art that does not attempt to represent or depict external reality, but instead uses colors, shapes, and textures to create a visual language of its own. The emphasis in abstract art is on the formal elements of art, such as line, color, and composition, rather than on representation of the world around us.
Abstract art emerged in the early 20th century as artists sought to move away from traditional forms of representation and create something new and original. It has since become a major movement in the art world, with many different styles and approaches to abstract art.
Some notable artists associated with abstract art include Wassily Kandinsky, Kazimir Malevich, Piet Mondrian, and Jackson Pollock. The movement has also influenced other forms of art, such as music, literature, and architecture.
Today, abstract art continues to evolve and push the boundaries of what we consider art to be. It remains a vibrant and exciting field for artists and art enthusiasts alike.
PG students preparing for the nid entrance exam can have a glimpse of the type of questions asked. The sample questions given here are similar to what was asked in the past nid admission test. AFD invites all design school aspirants to attempt this mock test paper and success in the design aptitude test in 2012.
The presentation is about the Shanghai Long-distance Bus Station. The station is being managed by Shanghai Nanzhan Long Distance Passenger Transportation Co. Ltd.
A presentation looking at the influences on those animators who created films considered as 'Visual Music'. This is a slide show of images, and needs notes. It also contains films, which are presented here as still images, you will need to look them up, possibly using Youtube/Vimeo and the respective links at the end of the presentation.
sound/tracks:Real-Time Synaesthetic Sonification and Visualisation of Passing...Chih Cheng
When travelling on a train, many people enjoy
looking out of the window at the landscape passing by.
The continuously changing view outside the window
is captured with a camera and translated intoMIDI events
that are replayed instantaneously.
This allows for a reflection of the visual impression, adding
a sound dimension to the visual experience and deepening
the state of contemplation.
The application is intended to
be run on both mobile phones (with built-in camera) and
on laptops (with a connected Web-cam).
Copyright Piracy in Case of Musical Work – A Critical Analysisinventionjournals
The Copyright Act has travelled for a long way from the British period to the modern period. The first copyright act was passed, by the Governor General of India, in the year 1847. The origin of copyright law had a nexus with the invention of the printing machine by the Gutenberg in the 15th century. In Europe, the printing was invented and widely established during the period of 15th and 16th century. Because of this invention, there was a glowing and wide spread increase in printing and publication of books, which inter alia, led into the duplication of work done by the other authors without any prior sanction from the concerned authors. This practice caused great hardship to the author/s of the work. In this article, the authors are going to analysis the copyright piracy in case of musical work
AV Clash – Online Tool for Mixing and Visualizing Audio Retrieved from Freesound.org Database
Presented at Doctor of Arts workshop, Aalto University, School of Art and Design, Media Lab, 12/11/2010
Heat Seeker - An Interactive Audio-Visual Project for Performance, Video and Web
Presented at IADIS Visual Communication Conference Albert-Ludwigs-Universität Freiburg, 27.7.2010
Nuno N. Correia is a doctor of arts student at Aalto University, School of Art and Design: http://mlab.taik.fi/
More information:
http://www.nunocorreia.com
mail(at)nunocorreia.com
NCorreia, Master And Margarita, 2010-03Nuno Correia
Master and Margarita - An Interactive Audiovisual Adaptation of Bulgakov’s Novel
Nuno N. Correia is a doctor of arts student at Media Lab, University of Art and Design Helsinki: http://mlab.taik.fi/
More information:
http://www.nunocorreia.com
mail(at)nunocorreia.com
Progress regarding Nuno N. Correia's doctoral research plan at 11/2009
Nuno N. Correia is a doctor of arts student at Media Lab, University of Art and Design Helsinki: http://mlab.taik.fi/
More information:
http://www.nunocorreia.com
mail(at)nunocorreia.com
Expert Accessory Dwelling Unit (ADU) Drafting ServicesResDraft
Whether you’re looking to create a guest house, a rental unit, or a private retreat, our experienced team will design a space that complements your existing home and maximizes your investment. We provide personalized, comprehensive expert accessory dwelling unit (ADU)drafting solutions tailored to your needs, ensuring a seamless process from concept to completion.
Can AI do good? at 'offtheCanvas' India HCI preludeAlan Dix
Invited talk at 'offtheCanvas' IndiaHCI prelude, 29th June 2024.
https://www.alandix.com/academic/talks/offtheCanvas-IndiaHCI2024/
The world is being changed fundamentally by AI and we are constantly faced with newspaper headlines about its harmful effects. However, there is also the potential to both ameliorate theses harms and use the new abilities of AI to transform society for the good. Can you make the difference?
Unleash Your Inner Demon with the "Let's Summon Demons" T-Shirt. Calling all fans of dark humor and edgy fashion! The "Let's Summon Demons" t-shirt is a unique way to express yourself and turn heads.
https://dribbble.com/shots/24253051-Let-s-Summon-Demons-Shirt
7 Alternatives to Bullet Points in PowerPointAlvis Oh
So you tried all the ways to beautify your bullet points on your pitch deck but it just got way uglier. These points are supposed to be memorable and leave a lasting impression on your audience. With these tips, you'll no longer have to spend so much time thinking how you should present your pointers.
Between Filth and Fortune- Urban Cattle Foraging Realities by Devi S Nair, An...Mansi Shah
This study examines cattle rearing in urban and rural settings, focusing on milk production and consumption. By exploring a case in Ahmedabad, it highlights the challenges and processes in dairy farming across different environments, emphasising the need for sustainable practices and the essential role of milk in daily consumption.
Between Filth and Fortune- Urban Cattle Foraging Realities by Devi S Nair, An...
Notes on Audio-Vision and related concepts
1. Notes on:
Visual Music,
Audio-Vision,
Synaesthetic Cinema,
Audiovisual Composition"
Nuno N. Correia, 2013
mail@nunocorreia.com
2. Visual Music"
• When defining visual music, Ox and Keefer (2008)
distinguish between four “differently formed visual
structures”:"
– A visualization of music, which translates sound into visuals,
“with the original syntax being emulated in the new visual
rendition”. According to Ox and Keefer, this can also be
defined as intermedia."
– A time-based visual composition, which is similar to the
structure of a kind or style of music – “as if it were an aural
piece”. It can have sound, or exist silent."
– A direct translation of image to sound – “literally, what you see
is also what you hear”. Some of Norman McLaren’s works
(where scratchings on film produce simultaneously image and
sound) fit in this category."
– A static visual composition, “as in Klee”."
4. Audiovisual Contract"
• Sound does not correspond "naturally" to an image."
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• Audiovisual contract:"
– "a kind of symbolic contract that the audio-viewer
enters into, agreeing to think of sound and image
as forming a single entity" (Chion 1994, p.216)."
"
5. Added Value"
• Added value: "
– "the expressive and informative value with which
a sound enriches a given image "
– so as to create the definitive impression, in the
immediate or remembered experience one has
of it, "
– that this information or expression 'naturally'
comes from what is seen, "
– and is already contained in the image
itself" (Chion 1994, p.5)."
6. Added Value"
• Added value works reciprocally: "
– on the one hand, "sound shows us the image differently
than what the image shows alone"; "
– on the other hand, image "makes us hear sound
differently than if the sound were ringing out in the
dark" (Chion 1994, p.21)."
• Added value is the most important of the relations
between sound and image (Chion 1994, p.5). "
7. Synchresis"
• Based on the idea of synchronization (and also
synthesis), Chion created the notion of synchresis:"
– "the forging of an immediate and necessary
relationship between something one sees and
something one hears at the same time" (Chion
1994, p.224)."
8. Synchresis"
• According to Chion, synchresis allows for numerous
combinations of possible sounds with possible
images: "for a shot of a hammer, any one of a
hundred sounds will do" (Chion 1994, p.63)."
• But random associations may not generate
synchresis: "play a stream of random audio and
visual events, and you will find that certain ones will
come together through synchresis and other
combinations will not" (Chion 1994, p.63)"
9. Senses as Channels"
• Chion states that there is no "sensory given" that is
isolated from the start: "the senses are channels,
highways more than territories or domains”."
• He clarifies this, stating that "when Kinetic
sensations organized into art are transmitted
through a single sensory channel", they can convey
all the other senses via that one channel. (Chion
1994, p.137). "
• He exemplifies with the inherent visuality of concrete
music, and the implied sound behind silent movies. "
11. Expanded Cinema"
• Expanded cinema has been expanding for a long
time. "
• Since it left the underground and became a popular
avant-garde form in the late 1950's the new cinema
primarily has been an exercise in technique, "
– the gradual development of a truly cinematic language
with which to expand further man's communicative powers
and thus his awareness. "
• If expanded cinema has had anything to say, the
message has been the medium."
• Youngblood 1970, p. 75"
12. Expanded Cinema"
• Slavko Vorkapich: "
– "Most of the films made so far are examples not of
creative use of motion-picture devices and techniques, but
of their use as recording instruments only.” "
– “There are extremely few motion pictures that may be
cited as instances of creative use of the medium, "
– and from these only fragments and short passages may
be compared to the best achievements in the other arts”."
• Youngblood 1970, p. 75"
13. Synaesthetic Cinema"
• The new cinema has emerged as the only aesthetic
language to match the environment in which we live."
• Emerging with it is a major paradigm: a conception
of the nature of cinema so encompassing and
persuasive that it promises to dominate all image-
making in much the same way as the theory of
general relativity dominates all physics today. I call it
synaesthetic cinema."
• Youngblood 1970, p. 76"
14. Synaesthetic Cinema"
• The new artist and the new scientist recognize that
chaos is order on another level, and they set about
to find the rules of structuring by which nature has
achieved it. "
• That's why the scientist has abandoned absolutes
and the filmmaker has abandoned montage."
• Youngblood 1970, p. 76"
15. Synaesthetic Cinema"
• Synaesthetic cinema is the only aesthetic language
suited to the post-industrial, post-literate, man-made
environment with its multi- dimensional simulsensory
network of information sources. "
• It's the only aesthetic tool that even approaches the
reality continuum of conscious existence in the
nonuniform, nonlinear, nonconnected electronic
atmosphere of the Paleocybernetic Age."
• Youngblood 1970, p. 77"
17. Audiovisual Composition"
• Conventionally, audiovisual composition may be
taken to mean the process of putting sound and
music to visual material in order to create a
'soundtrack' to an existing film or animation. "
• The study of this type of practice is often referred to
as 'sound on film', 'audio for video' or 'sound design'. "
• The theoretical debates which surround this practice
are informed in particular by Michel Chion's Audio-
Vision:Sound on Screen."
• Grierson 2005, p. 9"
18. Audiovisual Composition"
• However, Chion also introduces concepts which
point to a more complex type of audiovisual practice.
With this in mind, it is illuminating that Chion takes
exception to the idea of the 'soundtrack'. According
to Chion, there is no such thing as a soundtrack."
• Grierson 2005, p. 9"
• Chion's justification for this view is bound up with his
notion of added value. This is, in essence, the idea
that through the combination of audio and visual
elements, a third audiovisual element is generated."
• Grierson 2005, p. 10"
19. Audiovisual Composition"
• Therefore, the audiovisual work is more than a
combination of its component parts. "
• As such, the practice of audiovisual composition is
not simply the production of audio with video. "
• It is the process of composing audiovisual works
which exploit added value."
• Grierson 2005, p. 10"
"
20. Audiovisual Composition"
• So in audiovisual composition and analysis, added
value shifts the focus from separate audio and visual
components, to the relationship between audio and
visual components. "
• This is particularly the case where a work has been
designed from the outset with great attention to
detail regarding the composition of both the sonic
and visual material and their effect together, "
• and even more so if the work attempts to exploit
ideas about the formal relationships between sonic
and visual material."
• Grierson 2005, p. 10"
21. Bibliography"
• Chion, M., 1994. Audio-Vision: Sound on Screen, New
York: Columbia University Press."
• Grierson, M., 2005. Audiovisual Composition. Kent:
University of Kent.
Available at: http://www.strangeloop.co.uk/Dr.
%20M.Grierson%20-%20Audiovisual%20Composition
%20Thesis.pdf."
• Ox, J. & Keefer, C., 2008. On Curating Recent Digital
Abstract Visual Music. In Abstract Visual Music. The
New York Digital Salon.
Available at: http://www.centerforvisualmusic.org/
Ox_Keefer_VM.htm."
• Youngblood, G., 1970. Expanded Cinema, New York: P.
Dutton & Co.
Available at: http://www.vasulka.org/Kitchen/
PDF_ExpandedCinema/ExpandedCinema.html."
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