Modern art refers to the artistic movements and styles that emerged during the late 19th century and early 20th century. These movements rejected traditional academic art and instead explored new forms of artistic expression. Some notable movements and artists associated with modern art include Impressionism, Post-Impressionism, Fauvism, Expressionism, and Cubism.
Contemporary art refers to the art that has been created in recent decades, typically from the 1960s to the present day. It is characterized by a wide range of styles and mediums, including installation art, conceptual art, performance art, and digital art. Many contemporary artists focus on social and political issues, as well as exploring new technologies and artistic techniques.
While modern art and contemporary art share some similarities, they also have some notable differences. Modern art was largely concerned with formal qualities of art, such as color, line, and shape, while contemporary art is often more concerned with concepts and ideas. Additionally, modern art was primarily focused on painting and sculpture, while contemporary art encompasses a wide range of mediums and practices.
Some notable artists associated with contemporary art include Damien Hirst, Jeff Koons, Yayoi Kusama, Ai Weiwei, and Banksy. Contemporary art continues to be a vibrant and exciting field, constantly pushing the boundaries of what we consider to be art.
ESMOD Berlin Annual Panel - (What Comes After) Metamodernism - Digital Booklet Esmod Berlin
ESMOD Berlin is pleased to present a digital publication from our inaugural Annual Panel held in May of this year. The panel discussed (What Comes After) Metamodernism, a term coined to describe the shift in contemporary culture away from the trademarks of post modernism. The panels’ brief was to explore the dominant oscillation in culture between disillusionment and meaningfulness, between apathy and empathy with key questions such as; In what direction are the globalized youth going and why? Where is there an overlap with the recent past? Where do we find a combination in the analog and digital in designing individual concepts of life?
Bringing together experts from across various cultural fields the panel discussion was led by Paul Feigelfeld from the Digital Cultures Research Lab Centre, Leuphana University, and included special guests speaker Alex Lieu, Chief Creative Officer and Lead Design Director of 42 Entertainment based in California. 42 Entertainment are one of the leading companies in transmedia marketing whom blur the boundaries between marketing and entertainment. 42 Entertainment are most well known for their innovative campaign for American industrial rock band Nine Inch Nails for their album Year Zero, which extrapolated the theme of a dystopian future beyond the album through leaking unreleased recordings online, and planting USB sticks in the toilets of concerts venues, which lead fans down a thrilling rabbit hole into a world of online and offline acts of underground resistance.
Dealing with the life and work of digital dissents, German Author and Director Angela Richter also participated in the panel discussion. Richter spoke about her time working with Wikileakers Founder and digital activist Julian Assange, of whom she wrote a play Assassinate Assange, premiering in 2012. Other notable panelists included Joerg Koch, Founder and Editor-in-Chief of German culture magazine 032c, as well as Dutch cultural philosopher Robin van den Akker, whom with his colleague Timotheus Vermeulen, coined the term metamodernsm and founded the online magazine Notes on Metamodernsim.
Traversing topics such as sci-fi literature, digital hacktivism, sustainable architecture, fashion and DIY maker culture, the publication aims to capture some of the intense and surprising discussions that took place. The ESMOD Berlin Annual Panel is a program conceived for students from a number of international schools, including L'Institut Francais de la Mode, Paris; ESMOD Berlin International Masters Programme – Sustainability in Fashion, Berlin; and Dessau Institute of Architecture. The booklet also aims to deliver an insight into how the students negotiated the concepts and questions raised during discussion.
Download the digital booklet HERE and for further information please contact Lizzie Delfs, Public Relations Manager, International Masters Programme – Sustainability in Fashion, ESMOD Berlin International University of Art for Fashion, m
Modern art refers to the artistic movements and styles that emerged during the late 19th century and early 20th century. These movements rejected traditional academic art and instead explored new forms of artistic expression. Some notable movements and artists associated with modern art include Impressionism, Post-Impressionism, Fauvism, Expressionism, and Cubism.
Contemporary art refers to the art that has been created in recent decades, typically from the 1960s to the present day. It is characterized by a wide range of styles and mediums, including installation art, conceptual art, performance art, and digital art. Many contemporary artists focus on social and political issues, as well as exploring new technologies and artistic techniques.
While modern art and contemporary art share some similarities, they also have some notable differences. Modern art was largely concerned with formal qualities of art, such as color, line, and shape, while contemporary art is often more concerned with concepts and ideas. Additionally, modern art was primarily focused on painting and sculpture, while contemporary art encompasses a wide range of mediums and practices.
Some notable artists associated with contemporary art include Damien Hirst, Jeff Koons, Yayoi Kusama, Ai Weiwei, and Banksy. Contemporary art continues to be a vibrant and exciting field, constantly pushing the boundaries of what we consider to be art.
ESMOD Berlin Annual Panel - (What Comes After) Metamodernism - Digital Booklet Esmod Berlin
ESMOD Berlin is pleased to present a digital publication from our inaugural Annual Panel held in May of this year. The panel discussed (What Comes After) Metamodernism, a term coined to describe the shift in contemporary culture away from the trademarks of post modernism. The panels’ brief was to explore the dominant oscillation in culture between disillusionment and meaningfulness, between apathy and empathy with key questions such as; In what direction are the globalized youth going and why? Where is there an overlap with the recent past? Where do we find a combination in the analog and digital in designing individual concepts of life?
Bringing together experts from across various cultural fields the panel discussion was led by Paul Feigelfeld from the Digital Cultures Research Lab Centre, Leuphana University, and included special guests speaker Alex Lieu, Chief Creative Officer and Lead Design Director of 42 Entertainment based in California. 42 Entertainment are one of the leading companies in transmedia marketing whom blur the boundaries between marketing and entertainment. 42 Entertainment are most well known for their innovative campaign for American industrial rock band Nine Inch Nails for their album Year Zero, which extrapolated the theme of a dystopian future beyond the album through leaking unreleased recordings online, and planting USB sticks in the toilets of concerts venues, which lead fans down a thrilling rabbit hole into a world of online and offline acts of underground resistance.
Dealing with the life and work of digital dissents, German Author and Director Angela Richter also participated in the panel discussion. Richter spoke about her time working with Wikileakers Founder and digital activist Julian Assange, of whom she wrote a play Assassinate Assange, premiering in 2012. Other notable panelists included Joerg Koch, Founder and Editor-in-Chief of German culture magazine 032c, as well as Dutch cultural philosopher Robin van den Akker, whom with his colleague Timotheus Vermeulen, coined the term metamodernsm and founded the online magazine Notes on Metamodernsim.
Traversing topics such as sci-fi literature, digital hacktivism, sustainable architecture, fashion and DIY maker culture, the publication aims to capture some of the intense and surprising discussions that took place. The ESMOD Berlin Annual Panel is a program conceived for students from a number of international schools, including L'Institut Francais de la Mode, Paris; ESMOD Berlin International Masters Programme – Sustainability in Fashion, Berlin; and Dessau Institute of Architecture. The booklet also aims to deliver an insight into how the students negotiated the concepts and questions raised during discussion.
Download the digital booklet HERE and for further information please contact Lizzie Delfs, Public Relations Manager, International Masters Programme – Sustainability in Fashion, ESMOD Berlin International University of Art for Fashion, m
Between Filth and Fortune- Urban Cattle Foraging Realities by Devi S Nair, An...Mansi Shah
This study examines cattle rearing in urban and rural settings, focusing on milk production and consumption. By exploring a case in Ahmedabad, it highlights the challenges and processes in dairy farming across different environments, emphasising the need for sustainable practices and the essential role of milk in daily consumption.
Book Formatting: Quality Control Checks for DesignersConfidence Ago
This presentation was made to help designers who work in publishing houses or format books for printing ensure quality.
Quality control is vital to every industry. This is why every department in a company need create a method they use in ensuring quality. This, perhaps, will not only improve the quality of products and bring errors to the barest minimum, but take it to a near perfect finish.
It is beyond a moot point that a good book will somewhat be judged by its cover, but the content of the book remains king. No matter how beautiful the cover, if the quality of writing or presentation is off, that will be a reason for readers not to come back to the book or recommend it.
So, this presentation points designers to some important things that may be missed by an editor that they could eventually discover and call the attention of the editor.
2. History of Postmodernism
Technologic accumulation and economic
development caused to cultural changing process,
which has been called modernisation at 17. century
in Europe. Modernization, has formed new way of life
and social structure that effect all over the world.
Modernization has been unable to fulfill its mission
and solve its problems because of some reasons
after II. World War. Therefore, some intellectuals has
attempted to new way of searching. At the end,
postmodern situation has emerged and it accepted
pluralism, localization and liberty.
3. Differences between
Modernism and Postmodernism
Postmodernism is a reflection of modernism. Because of
that, to understand postmodernism form a historical point
of view, we need to first understand modernism.
Malcom Barnaid explains difference between modernism
and postmodernism; “Where modernity conceived of the
object in terms of production, post modernity conceives of
in terms of consumption.” Today, all the forms of only
purpose of being consumed and with fundamental target
of postmodernism, being appeal to wider audience.Marchel Duchamp - Fountain
4. Fashion involves many of primary elements of postmodernism, evidence of this can be
seen on the senior and junior fashion designers.
Fashion and Postmodernism
Especially new designers are using the influence of
postmodernism in their collections. Postmodernism
doesn't divide between high and low art forms.
Fashion were stereotyped as feminine and judged as
being almost lower in class then the more masculine
forms.
6. Hussein Chalayan is the one of the most
innovative designer of his era. His creative mix of
design, science and art in creating his fantastical
seasonal collections has won the designer
significant appreciation and exhibitions in some of
design and art museums around the world. Such
as, Museum of Contemporary Art in Tokyo, Palais
du Louvre, Metropolitan Museum of Art in New
York and London Design Museum. His fashion
shows are multi-sensory installations where sound,
light and sensors play a significant role.
7. The Tangent Flows - 1993
In 1993 Hussein Chalayan
graduated from the Saint Martins
Collage of Arts and Design and he
present his graduate collection
“The Tangent Flows”
8.
9. Hussein Chalayan is inspired by
life, using current events as a
theme of his works. Therefore “The
Tangent Flows” was a rebellion
against the contemporary man,
whom he believes to be pathetic.
The Tangent Flows - 1993
10. Between ‘Burka’ - SS 1998
Chalayan’s Burka ‘Between’
collection from Spring-Summer
1998 when a line-up of models
wore burkas of varying length:
floor-length to just the face being
covered, exposing the naked
model underneath.
11.
12. Burka is designed for the Muslim woman that
they were not allowed to expose their skins to
a stranger which Hussein Chalayan has
broken the notion of. Also he shows how the
religious code may remove a person’s identity.
Chalayan’s avant-garde designs have not
always been so fundamentalist, but they are
always radical and eye-catching.
Between ‘Burka’ - SS 1998
13. Before Minus Now - SS 2000
Chalayan’s Summer-Spring 2000 ’Before Minus Now’ was a collaboration
with London Based Consultants an architectural engineering firm. The
collection clearly demonstrated Chalayan’s interest in technology and
innovation in fashion context.
14.
15. Before Minus Now - SS 2000
In this collection Hussein Chalayan interested in phenomena
such as magnetism, erosion and growth and he is focusing
on creating new shapes and volumes. And he crafting
clothes from different materials such as fiber glass, paper,
Tyvek, wood and microchips.
“The artist creates and recreates the dilemma of location
against destination, of traditions against modern world, of
identity of the body against robotics, and finally East against
West.”
(Robotic Identitiy. Multimedia Fashion Shows By Hussein Chalayan - digicult.it)
16. Conclusion
New technologies use innovation they immediately present innovate and
creative permanent opportunities and ways which cannot be imagined for
the designers. Postmodernism in fashion design includes keywords which
rapidly adapts to life style variables. Such as comfort, freedom, versatility
and individuality. Traditional clothing production methods and processed
seems to be less or none used and applications are rapidly developing.