Nigerian institutions
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advanced evaluation on nigerian institutions
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Q2) evaluation
For their A2 Media Portfolio, the author created a Nollywood comedy/drama film trailer along with a film poster and magazine to promote the trailer. They researched successful codes and conventions of Nigerian comedy films to make their production entertaining. The author demonstrates how their two products - the trailer and magazine/poster - work effectively together through consistent use of a house theme, style, and mystery elements to intrigue audiences.
Q2) evaluation
For their A2 Media Portfolio, the author created a Nollywood comedy/drama film trailer along with a film poster and magazine to promote the trailer. They researched successful codes and conventions of Nigerian comedy films to make their production entertaining. The author demonstrates how their two products - the trailer and magazine/poster - work effectively together through consistent branding elements like colors, logos and reviews that create intrigue and suggest the film is worth watching. They challenged conventions of Nollywood trailers and posters but still used standard magazine and film promotion techniques, showing their combination of pieces was an effective way to market the film trailer.
Nigerian institutions
Nollywood refers to the Nigerian film industry which dates back to the late 19th century. There are several major film production and distribution companies in Nigeria, including Silvergroup Distribution, Blue Pictures, and FilmOne Distribution. These companies produce and distribute many popular Nigerian films but on smaller budgets than the major Hollywood studios. Nollywood has grown to become the second largest film industry in the world in terms of output, according to UNESCO's 2009 rating.
Blaxploitation
Blaxploitation films from the 1970s exploited black stereotypes, leading civil rights groups to form a coalition against them. Spike Lee's films explored race relations in America but were also controversial. His film "Do The Right Thing" incorporated some Blaxploitation elements like criminal behavior. Lee criticized white director Quentin Tarantino for excessively using racial slurs, believing Blaxploitation should be limited to black directors. To avoid accusations of Blaxploitation, the document recommends its author focus on positive stereotypes and comedy when creating their film trailer.
Blaxploitation
Spike Lee's films explored race relations in the U.S. but were controversial as some accused them of perpetuating stereotypes. Organizations like the NAACP opposed the genre of blaxploitation films. Spike Lee criticized Quentin Tarantino's use of racial slurs and elements of blaxploitation, saying the genre should be limited to black directors. To avoid accusations of blaxploitation, the film trailer "Lagos Girls in London" will focus on positive Nigerian stereotypes and comedy.
Template of front cove.. updated
The document describes the process of designing and refining the front cover, contents page, and a double-page spread for a magazine. The designer created templates and tested different designs, positioning, colors, fonts, and images. Feedback was gathered from existing magazines. The final drafts included conventional magazine elements like mastheads, coverlines, barcodes, and consistent styling across pages. The double-page spread was the most challenging but included subheadings, columns, and footer like samples from other magazines.
Template of front cove.. updated
The document describes the process of designing and refining the front cover, contents page, and double-page spread for a magazine. The author creates initial templates and layouts, then iteratively makes changes to elements like fonts, positioning, colors and images based on research of real magazine designs. The final drafts include conventional features like mastheads, coverlines, issue dates and barcodes on the front cover, and subheadings, images and a footer on the double-page spread and contents page. Bringing the elements together cohesively with a consistent style was the goal.
Recommended
Q2) evaluation
For their A2 Media Portfolio, the author created a Nollywood comedy/drama film trailer along with a film poster and magazine to promote the trailer. They researched successful codes and conventions of Nigerian comedy films to make their production entertaining. The author demonstrates how their two products - the trailer and magazine/poster - work effectively together through consistent use of a house theme, style, and mystery elements to intrigue audiences.
Q2) evaluation
For their A2 Media Portfolio, the author created a Nollywood comedy/drama film trailer along with a film poster and magazine to promote the trailer. They researched successful codes and conventions of Nigerian comedy films to make their production entertaining. The author demonstrates how their two products - the trailer and magazine/poster - work effectively together through consistent branding elements like colors, logos and reviews that create intrigue and suggest the film is worth watching. They challenged conventions of Nollywood trailers and posters but still used standard magazine and film promotion techniques, showing their combination of pieces was an effective way to market the film trailer.
Nigerian institutions
Nollywood refers to the Nigerian film industry which dates back to the late 19th century. There are several major film production and distribution companies in Nigeria, including Silvergroup Distribution, Blue Pictures, and FilmOne Distribution. These companies produce and distribute many popular Nigerian films but on smaller budgets than the major Hollywood studios. Nollywood has grown to become the second largest film industry in the world in terms of output, according to UNESCO's 2009 rating.
Blaxploitation
Blaxploitation films from the 1970s exploited black stereotypes, leading civil rights groups to form a coalition against them. Spike Lee's films explored race relations in America but were also controversial. His film "Do The Right Thing" incorporated some Blaxploitation elements like criminal behavior. Lee criticized white director Quentin Tarantino for excessively using racial slurs, believing Blaxploitation should be limited to black directors. To avoid accusations of Blaxploitation, the document recommends its author focus on positive stereotypes and comedy when creating their film trailer.
Blaxploitation
Spike Lee's films explored race relations in the U.S. but were controversial as some accused them of perpetuating stereotypes. Organizations like the NAACP opposed the genre of blaxploitation films. Spike Lee criticized Quentin Tarantino's use of racial slurs and elements of blaxploitation, saying the genre should be limited to black directors. To avoid accusations of blaxploitation, the film trailer "Lagos Girls in London" will focus on positive Nigerian stereotypes and comedy.
Template of front cove.. updated
The document describes the process of designing and refining the front cover, contents page, and a double-page spread for a magazine. The designer created templates and tested different designs, positioning, colors, fonts, and images. Feedback was gathered from existing magazines. The final drafts included conventional magazine elements like mastheads, coverlines, barcodes, and consistent styling across pages. The double-page spread was the most challenging but included subheadings, columns, and footer like samples from other magazines.
Template of front cove.. updated
The document describes the process of designing and refining the front cover, contents page, and double-page spread for a magazine. The author creates initial templates and layouts, then iteratively makes changes to elements like fonts, positioning, colors and images based on research of real magazine designs. The final drafts include conventional features like mastheads, coverlines, issue dates and barcodes on the front cover, and subheadings, images and a footer on the double-page spread and contents page. Bringing the elements together cohesively with a consistent style was the goal.
Template of front cove.. updated
The document describes the process of designing and refining the template for the front cover, contents page, and spreads of a magazine. The author created an initial template and tested different designs and layouts, such as changing fonts, positioning of elements, and colors. Feedback was gathered by comparing to existing magazines. The template was iteratively improved through testing various design options and getting inspiration from other publications.
Template of front cover..... updated
The document describes the process of designing the front cover of a magazine. The designer created a template to layout the magazine features and included a masthead with the title. They experimented with changing design elements like the background color, font styles, and positioning of coverlines and masthead. After reviewing other magazines for inspiration, the designer settled on a bold masthead font and simple coverline fonts. Minor tweaks were made to further improve visual balance, such as repositioning graphic elements and coverlines.
Front, content, and dps template
This document provides templates for a front cover, contents page, and double page spread. It was created by Ruqayyah Opeolu and contains layout examples for structuring different parts of a publication or book. The templates give a visual guide for formatting titles, images, and text across pages in a consistent stylistic manner.
Front, content, and dps template
This document provides templates for a front cover, contents page, and double page spread layout. It was created by Ruqayyah Opeolu and contains basic formatting and design elements for those core document sections. The templates can serve as a starting point for organizing and presenting information in a printed work.
Research of fonts x
The document discusses Ruqayyah Opeolu's research of fonts for her music magazine. She chose several fonts from the Dafont website including "My Girl Is Retro" for its retro style, "Savrao stencil" and "Crackvetica" for their sans serif typography, "Urban jungle" for its cool look, and "Prisma" for its clean cut edges. She initially considered "Empire straight" and "Sandre regular" as masthead fonts but found them difficult to read from a distance. Ultimately, she decided on "Sandre regular" as the masthead font and "Prisma" and "Crackvetica" for the coverlines
Research of fonts x
The document discusses Ruqayyah Opeolu's research and selection of fonts for her music magazine. She chose several fonts like "My Girl Is Retro", "Savrao stencil", and "Crackvetica" from the Dafont website for their sans-serif typography and unique designs that would make the magazine stand out. Fonts like "Urban jungle" and "Prisma" were selected for their cool, attention-grabbing looks. Ultimately, Ruqayyah decided on "Sandre Regular" as the masthead font since it was bold and uncommon for music magazines, and used "Prisma" and "Crackvetica" for the coverlines.
Codes & conventions
The document discusses various codes and conventions used in magazine design, including the ratio of image to text, direct address of the audience, mastheads, themes, typography, layouts, and theories about audience targeting. It provides examples from specific magazine covers, analyzing the use of celebrity endorsement, themes created by color choices, how the layout directs the audience's gaze, and what each example reveals about the intended audience in terms of demographics, socioeconomic groups, and psychological needs.
Codes & conventions
The document discusses various codes and conventions used in magazine design, including the ratio of image to text, direct address of the reader, masthead and cover lines. It also references theories related to magazine audiences, such as uses and gratification theory, socio-economic models, and demographic models. Specific examples analyzed include the covers of magazines like VIBE, Q, XXL, and others. Elements like layout, typography, celebrity endorsement, and color schemes are examined in terms of how they target particular readership demographics and fulfill audience needs and desires.
Codes & conventions
The document discusses various codes and conventions used in magazine design, including the ratio of image to text, direct address of the reader, masthead and cover lines, themes, typography, layout, audience targeting models, and content featured. It provides examples of how different magazines apply these conventions in their covers, such as using celebrity images and provocative clothing to attract certain demographics. Theories around how audiences interact with media, like uses and gratification theory and theories of the male gaze, are also referenced in analyzing magazine covers.
Codes & conventions
The document discusses various codes and conventions used in magazine design, including the ratio of image to text, direct address of the reader, masthead and cover lines. It also references theories related to magazine audiences, such as uses and gratification theory, socio-economic models, and demographic models. Specific magazine covers are analyzed in terms of layout, typography, application of celebrity endorsement as a marketing tool, and how they target particular audiences through their use of images, text and design elements.
Media Evaluation
The document discusses how the media product uses conventions of real media. It uses a clear color scheme and house style to familiarize audiences with the brand. Shot types like medium close-ups on the cover are commonly used in magazines like VIBE. The masthead and barcode also use conventions seen in traditional magazines.
The document then discusses who the target audience is. The audience represents social groups C2-E and ages 16-28, who are fans of hip-hop/rap music.
It also discusses how the product would attract its audience. Features like bright colors, shots of young models, and star marketing techniques make the magazine appealing. The language and themes also reflect the working class target demographic.
Evaluation questions
The document contains responses to 7 questions about a media production project. For question 1, the response discusses how the magazine develops conventions of real media through its limited color palette, shot types, masthead placement, and inclusion of barcodes. For question 2, the response explains that the magazine represents working class audiences who enjoy rap/hip hop music. It also notes some negative stereotypes the clothing could invoke. For question 3, the response argues that a company called InterMedia Partners would be a good fit to distribute the magazine since they already distribute a similar publication and the magazine offers ticket giveaways.
Evaluation
The document contains responses to 7 questions about a media production project. For question 1, the response discusses how the magazine develops conventions of real media through its limited color palette, shot types, masthead placement, and inclusion of barcodes. For question 2, the response explains that the magazine represents working class audiences who enjoy rap/hip-hop music. For question 3, the response argues that InterMedia Partners would be a suitable distributor since they already distribute a similar magazine and the magazine offers ticket giveaways.
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Template of front cove.. updated
The document describes the process of designing and refining the template for the front cover, contents page, and spreads of a magazine. The author created an initial template and tested different designs and layouts, such as changing fonts, positioning of elements, and colors. Feedback was gathered by comparing to existing magazines. The template was iteratively improved through testing various design options and getting inspiration from other publications.
Template of front cover..... updated
The document describes the process of designing the front cover of a magazine. The designer created a template to layout the magazine features and included a masthead with the title. They experimented with changing design elements like the background color, font styles, and positioning of coverlines and masthead. After reviewing other magazines for inspiration, the designer settled on a bold masthead font and simple coverline fonts. Minor tweaks were made to further improve visual balance, such as repositioning graphic elements and coverlines.
Front, content, and dps template
This document provides templates for a front cover, contents page, and double page spread. It was created by Ruqayyah Opeolu and contains layout examples for structuring different parts of a publication or book. The templates give a visual guide for formatting titles, images, and text across pages in a consistent stylistic manner.
Front, content, and dps template
This document provides templates for a front cover, contents page, and double page spread layout. It was created by Ruqayyah Opeolu and contains basic formatting and design elements for those core document sections. The templates can serve as a starting point for organizing and presenting information in a printed work.
Research of fonts x
The document discusses Ruqayyah Opeolu's research of fonts for her music magazine. She chose several fonts from the Dafont website including "My Girl Is Retro" for its retro style, "Savrao stencil" and "Crackvetica" for their sans serif typography, "Urban jungle" for its cool look, and "Prisma" for its clean cut edges. She initially considered "Empire straight" and "Sandre regular" as masthead fonts but found them difficult to read from a distance. Ultimately, she decided on "Sandre regular" as the masthead font and "Prisma" and "Crackvetica" for the coverlines
Research of fonts x
The document discusses Ruqayyah Opeolu's research and selection of fonts for her music magazine. She chose several fonts like "My Girl Is Retro", "Savrao stencil", and "Crackvetica" from the Dafont website for their sans-serif typography and unique designs that would make the magazine stand out. Fonts like "Urban jungle" and "Prisma" were selected for their cool, attention-grabbing looks. Ultimately, Ruqayyah decided on "Sandre Regular" as the masthead font since it was bold and uncommon for music magazines, and used "Prisma" and "Crackvetica" for the coverlines.
Codes & conventions
The document discusses various codes and conventions used in magazine design, including the ratio of image to text, direct address of the audience, mastheads, themes, typography, layouts, and theories about audience targeting. It provides examples from specific magazine covers, analyzing the use of celebrity endorsement, themes created by color choices, how the layout directs the audience's gaze, and what each example reveals about the intended audience in terms of demographics, socioeconomic groups, and psychological needs.
Codes & conventions
The document discusses various codes and conventions used in magazine design, including the ratio of image to text, direct address of the reader, masthead and cover lines. It also references theories related to magazine audiences, such as uses and gratification theory, socio-economic models, and demographic models. Specific examples analyzed include the covers of magazines like VIBE, Q, XXL, and others. Elements like layout, typography, celebrity endorsement, and color schemes are examined in terms of how they target particular readership demographics and fulfill audience needs and desires.
Codes & conventions
The document discusses various codes and conventions used in magazine design, including the ratio of image to text, direct address of the reader, masthead and cover lines, themes, typography, layout, audience targeting models, and content featured. It provides examples of how different magazines apply these conventions in their covers, such as using celebrity images and provocative clothing to attract certain demographics. Theories around how audiences interact with media, like uses and gratification theory and theories of the male gaze, are also referenced in analyzing magazine covers.
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The document discusses various codes and conventions used in magazine design, including the ratio of image to text, direct address of the reader, masthead and cover lines. It also references theories related to magazine audiences, such as uses and gratification theory, socio-economic models, and demographic models. Specific magazine covers are analyzed in terms of layout, typography, application of celebrity endorsement as a marketing tool, and how they target particular audiences through their use of images, text and design elements.
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The document discusses how the media product uses conventions of real media. It uses a clear color scheme and house style to familiarize audiences with the brand. Shot types like medium close-ups on the cover are commonly used in magazines like VIBE. The masthead and barcode also use conventions seen in traditional magazines.
The document then discusses who the target audience is. The audience represents social groups C2-E and ages 16-28, who are fans of hip-hop/rap music.
It also discusses how the product would attract its audience. Features like bright colors, shots of young models, and star marketing techniques make the magazine appealing. The language and themes also reflect the working class target demographic.
Evaluation questions
The document contains responses to 7 questions about a media production project. For question 1, the response discusses how the magazine develops conventions of real media through its limited color palette, shot types, masthead placement, and inclusion of barcodes. For question 2, the response explains that the magazine represents working class audiences who enjoy rap/hip hop music. It also notes some negative stereotypes the clothing could invoke. For question 3, the response argues that a company called InterMedia Partners would be a good fit to distribute the magazine since they already distribute a similar publication and the magazine offers ticket giveaways.
Evaluation
The document contains responses to 7 questions about a media production project. For question 1, the response discusses how the magazine develops conventions of real media through its limited color palette, shot types, masthead placement, and inclusion of barcodes. For question 2, the response explains that the magazine represents working class audiences who enjoy rap/hip-hop music. For question 3, the response argues that InterMedia Partners would be a suitable distributor since they already distribute a similar magazine and the magazine offers ticket giveaways.
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