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CONTEMPORARY PHILIPPINE ARTS
AND REGION 12
NATIONAL ARTIST
OF THEATER IN THE
PHILIPPINES
Prepared by: Derrick Yson
Lamberto Vera Avellana's legacy is one that has

lived in both theater and film.
Avellana's Barangay Theater Guild propagated

many dramatic and theatrical performances of

foreign and local plays, from the readings of

Shakespeare's tragedies to Nick Joaquin's A

Portrait of the Artist as Filipino.
His contributions to film started early on, and he

was dubbed as “The Boy Wonder of Philippine

Movies” in 1939.
From being a stage actor, Avellana took on the

challenge as film director and has directed

landmark films such as Kandelerong Pilak (the

first Filipino film to be shown at the prestigious

Cannes International Film Festival), Sakay, Anak

Dalita, and Badjao
LAMBERTO VERA AVELLANA
1915–1991
Year of Conferment: 1976
When the Philippines were still under American
rule, Atang de la Rama battled for the
supremacy of the kundiman.
She was popularized the song “Mutya ng Pasig"
by Deogracias Rosario nd Nicanor Abelardo.
In 1987, former President Corazon C. Aquino
declared her as a National Artist for Theater and
Music.
She starred in zarzuelas such as Marina,
Mascota, and Sueño de Un Vals.
For Atang, the zarzuela and kundiman “express
best the Filipino soul.” Not only was de la Rama
a la Kana a stage performer, she was also
credited to have penned the zarzuelas Anak ni
Eba, Aking Ina, and Puri at Buhay.
1905–1991
Year of Conferment: 1987
HONORATA “ATANG” MARQUEZ DE LA RAMA-HERNANDEZ
Wilfrido Ma. Guerrero was a talented writer,
director, educator, and artist who wrote a
number of outstanding plays, 41 of which were
circulated.
At the young age of 14, Guerrero wrote his first
play entitled No Todo Es Risa in Spanish.


This revolutionary outreach program staged
over 2 500 performances in almost two
decades of runs.
His works include Half an Hour in a Convent,
Wanted: A Chaperon, Forever, Condemned, In
Unity, Three Rats, Our Strange Ways, and The
Forsaken House. 1911–1995
Year of Conferment: 1997
WILFRIDO MARIA BARREDO GUERRERO
He was a director, actor, educator, critic,
translator, poet, and dramatist.


This national artist was also known for
translating western classics into Tagalog
including the works of Shakespeare (The
Merchant of Venice), Arthur Miller (Death of
a Salesman), Samuel Beckett (Waiting for
Godot), and August Strindberg (Miss Julie).


Tinio's work as a director is well
remembered as someone “whose original
insights into the scripts he handled brought
forth productions notable for their visual
impact and intellectual cogency.”


Perhaps the highlight of Tinio's colorful
career was when he became the artistic
director of the CCP's resident theater
company, Tanghalang Pilipino.
1937–1997
Year of Conferment: 1997
ROLANDO SANTOS TINIO
DAISY PARDO HONTIVEROS-AVELLANA
She is considered to be the First Lady of the
Philippine Theater.
Born in Roxas City, Capiz in 1917, Avellana was
not only a notable actress but was a passionate
director and writer.
Her contributions to Philippine theater, as cited,
had brought "a new level of excellence by staging
and performing in breakthrough productions of
classic Filipino and foreign plays.”


Her performances were exquisite and alluring,
taking in roles in productions such as Othello,
Macbeth in Black, Casa de Bernarda Alba, and
Tatarin. 1917–2013
Year of Conferment: 1999

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National Artist of Theater in the Philippines Presentation

  • 1. CONTEMPORARY PHILIPPINE ARTS AND REGION 12 NATIONAL ARTIST OF THEATER IN THE PHILIPPINES Prepared by: Derrick Yson
  • 2. Lamberto Vera Avellana's legacy is one that has lived in both theater and film. Avellana's Barangay Theater Guild propagated many dramatic and theatrical performances of foreign and local plays, from the readings of Shakespeare's tragedies to Nick Joaquin's A Portrait of the Artist as Filipino. His contributions to film started early on, and he was dubbed as “The Boy Wonder of Philippine Movies” in 1939. From being a stage actor, Avellana took on the challenge as film director and has directed landmark films such as Kandelerong Pilak (the first Filipino film to be shown at the prestigious Cannes International Film Festival), Sakay, Anak Dalita, and Badjao LAMBERTO VERA AVELLANA 1915–1991 Year of Conferment: 1976
  • 3. When the Philippines were still under American rule, Atang de la Rama battled for the supremacy of the kundiman. She was popularized the song “Mutya ng Pasig" by Deogracias Rosario nd Nicanor Abelardo. In 1987, former President Corazon C. Aquino declared her as a National Artist for Theater and Music. She starred in zarzuelas such as Marina, Mascota, and Sueño de Un Vals. For Atang, the zarzuela and kundiman “express best the Filipino soul.” Not only was de la Rama a la Kana a stage performer, she was also credited to have penned the zarzuelas Anak ni Eba, Aking Ina, and Puri at Buhay. 1905–1991 Year of Conferment: 1987 HONORATA “ATANG” MARQUEZ DE LA RAMA-HERNANDEZ
  • 4. Wilfrido Ma. Guerrero was a talented writer, director, educator, and artist who wrote a number of outstanding plays, 41 of which were circulated. At the young age of 14, Guerrero wrote his first play entitled No Todo Es Risa in Spanish. This revolutionary outreach program staged over 2 500 performances in almost two decades of runs. His works include Half an Hour in a Convent, Wanted: A Chaperon, Forever, Condemned, In Unity, Three Rats, Our Strange Ways, and The Forsaken House. 1911–1995 Year of Conferment: 1997 WILFRIDO MARIA BARREDO GUERRERO
  • 5. He was a director, actor, educator, critic, translator, poet, and dramatist. This national artist was also known for translating western classics into Tagalog including the works of Shakespeare (The Merchant of Venice), Arthur Miller (Death of a Salesman), Samuel Beckett (Waiting for Godot), and August Strindberg (Miss Julie). Tinio's work as a director is well remembered as someone “whose original insights into the scripts he handled brought forth productions notable for their visual impact and intellectual cogency.” Perhaps the highlight of Tinio's colorful career was when he became the artistic director of the CCP's resident theater company, Tanghalang Pilipino. 1937–1997 Year of Conferment: 1997 ROLANDO SANTOS TINIO
  • 6. DAISY PARDO HONTIVEROS-AVELLANA She is considered to be the First Lady of the Philippine Theater. Born in Roxas City, Capiz in 1917, Avellana was not only a notable actress but was a passionate director and writer. Her contributions to Philippine theater, as cited, had brought "a new level of excellence by staging and performing in breakthrough productions of classic Filipino and foreign plays.” Her performances were exquisite and alluring, taking in roles in productions such as Othello, Macbeth in Black, Casa de Bernarda Alba, and Tatarin. 1917–2013 Year of Conferment: 1999