Narrative Theory and Music Video.
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Narrative theory describes how stories are structured and told in music videos to make them comprehensible for audiences. Theories by Todorov, Propp, and Levi-Strauss establish common structural elements of narratives, including equilibrium disruptions, character archetypes like heroes and villains, and inclusion of binary opposites to aid audience understanding. Todorov's theory outlines stages of equilibrium, disequilibrium, recognition, reparation, and new equilibrium, while Propp identifies character functions and Levi-Strauss incorporates opposing concepts.
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1. One Direction is represented as a manufactured boy band with constructed star personas. Their image and representation are deliberately crafted using media language by the institutions that created and promote them.
2. Richard Dyer's star theory discusses how a star is not a real person but a text constructed from various media materials to form their star persona. Boy bands in particular have very deliberately constructed star personas.
3. The major institutions involved in creating and promoting One Direction include Simon Cowell's Syco production company and record label, ITV which broadcasts The X Factor, and Columbia Records. These institutions collaborate or work together through synergy to maximize profits.
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Roland Barthes developed a theory of narrative codes that can be used to analyze any text. The five codes are: (1) enigma codes that create puzzles and questions, (2) semantic codes that imbue meanings through settings and objects, (3) symbolic codes that represent binary oppositions, (4) action codes that signify something is about to happen, and (5) cultural codes that reference shared social knowledge. Most of Barthes' codes can be effectively used in music videos to convey meaning visually without dialogue. Semantic and symbolic codes work particularly well to set genre and emphasize differences. Action codes also fit by hinting at what may occur. Cultural codes work best in fantasy videos that follow magical or moral
Narrative theory
The document discusses several theories of narrative structure:
- Vladimir Propp's theory that Russian fairy tales follow a structure of character types like the hero and villain who drive the plot through their actions and motives.
- Todorov's theory that most narratives follow a basic structure of equilibrium, disequilibrium caused by disruption, and a new equilibrium restored at the end.
- The classical Hollywood narrative structure which resolves all mysteries by the end to give a sense of closure. Causality and cause/effect relationships are also important aspects of narrative.
Narrative theorists todorov and propp
This document provides information about Todorov's and Propp's theories of narrative structure and instructs the reader to analyze music videos using these theories. Todorov's theory describes 5 stages of narrative: equilibrium, disruption, realization, attempt to repair, restoration of equilibrium. Propp's theory analyzed folk tales and identified 8 common character types including hero, villain, donor, dispatcher, and princess. The reader is asked to understand and apply these theories by analyzing example music videos and discussing their own videos.
Evaluation Notes Pictures
This document discusses and compares the album covers of several popular bands. It describes key elements included on the front, inside, and back covers such as the band and album names, pictures representing the theme or location of the music, and lists of songs. Common design techniques are noted, like using simple backgrounds to make other elements stand out and including continuity between the different sides of the cover through matching art styles or themes.
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Narrative theories
The document discusses several narrative theories that can apply to music videos:
- Todorov's theory outlines 5 stages - equilibrium, disequilibrium, recognition, reparation, and new equilibrium.
- Propp's theory examines character roles like the hero, villain, donor, etc.
- Barthes identified 5 codes that activate the audience: action, enigma, symbolic, semic, and cultural.
- Levi-Strauss studied how stories unconsciously reflect a culture's beliefs through binary opposites.
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This document summarizes several narrative theories:
- Propp's theory identifies character types like hero, villain, and helper that advance the narrative. The music video features a girl seeking a boy's love as the "hero."
- Levi-Strauss's theory involves binary opposites like good/evil that the audience can identify with. The music video illustrates opposites through outfits changing between warm indoor and cold outdoor.
- Barthes' theory identifies codes like enigma and action that engage the audience. The music video intrigues the audience with the girl singing about her relationship woes.
Narrative
This document discusses various narrative theories that can be used to analyze media texts such as music videos. It introduces the theories of Todorov, Propp, and Levi-Strauss for understanding traditional narrative structures. Todorov's theory presents most narratives as having a beginning, middle, and end, with stages of equilibrium, disruption, recognition, reparation, and new equilibrium. Propp's theory identifies common character types in narratives. Levi-Strauss suggests opposing main characters are often used. The document discusses applying these theories to analyze the narratives and characters within music videos. It questions how far traditional theories can explain narratives in modern media forms.
Narrative theory
This document provides an overview of several narrative theories used in media studies, including Todorov's theory of equilibrium, Propp's character types, Barthes' enigma code, and Levi-Strauss' binary opposition theory. Todorov's theory suggests that most stories follow a pattern of equilibrium, disruption, resolution, repairing damage, and returning to equilibrium. Propp identified seven character types that classify characters' roles and functions. Barthes' enigma code proposes that stories create and resolve questions to engage audiences. Levi-Strauss analyzed narratives in terms of sets of binary oppositions such as good vs evil. Examples are provided for each theory.
Narrative theory
This document provides an overview of several narrative theories used in media studies, including Todorov's theory of equilibrium, Propp's character types, Barthes' enigma code, and Levi-Strauss' binary opposition theory. Todorov's theory suggests that most stories follow a pattern of equilibrium, disruption, resolution, repairing damage, and returning to equilibrium. Propp identified 7 character types that commonly appear in narratives. Barthes' enigma code proposes that narratives create and resolve questions to engage audiences. Levi-Strauss analyzed narrative structures in terms of sets of binary oppositions such as good vs evil.
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Narrative theory explains how stories are structured and convey meaning. There are several key narrative theories discussed in the document, including Todorov's theory of equilibrium, which states that stories follow a disruption-restoration structure; Levi-Strauss's binary opposition theory, which explains meaning through contrasts; and Barthes' enigma theory about creating questions for audiences. Television news uses these narrative theories to structure stories and engage audiences. The document provides an example of how the BBC uses theories like enigma, equilibrium, and binary opposites to report on a music festival aimed at improving the reputation of a town known for crime.
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This document discusses different theories for analyzing media forms and narratives. It introduces GENRE as an acronym to analyze film posters and magazine covers. It also discusses mise-en-scene as describing the design aspects of films through costumes, cinematography, props, and lighting. Additionally, it covers conventions as generally accepted ways of doing something in a genre and Todorov's narrative theory that stories follow a structure of equilibrium, disequilibrium, recognition, and new equilibrium. Finally, it outlines Propp's characterization theory identifying stock character roles like hero, villain, donor, and helper in narratives.
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The document discusses different elements of music videos including performance, narrative, and symbolism. It provides examples of each element from specific music videos. Performance elements show the artist singing and include shots of them performing. Narratives tell a story, either through the lyrics or visually. They typically follow a beginning, middle, end structure. Symbolism uses visual motifs and colors to represent ideas beyond what is literally shown.
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This document outlines various narrative theories that can be used to analyze media texts, including music videos. It introduces Todorov's theory of classic narrative structure with beginning, middle, end stages. Propp's character archetypes in stories are described. Levi-Strauss discusses binary oppositions between characters. Barthes' semiotics theory analyzes signs and codes. The objectives are to understand and apply these theories to analyze music videos and other media, and determine how well traditional narrative theories fit modern media forms.
Narrative theory
This document provides an overview of several narrative theories used in media studies:
- Todorov's theory suggests that most stories follow a pattern of equilibrium, disruption, resolution, repairing damage, and returning to equilibrium.
- Levi-Strauss's binary opposition theory examines how texts reveal their structure through sets of opposing values like good and evil.
- Barthes's enigma code theory proposes that narratives create and resolve questions to engage audiences.
- Propp's character type theory defines seven common character roles in stories, such as heroes, villains, helpers, and princesses.
The document explains these classic narrative theories can be applied to analyze the elements and structures that compose meaningful
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This document discusses different theories of narrative structure that can be applied when analyzing music videos:
1. Tzvetan Todorov's theory identifies 5 conventional stages of a classic narrative: equilibrium, disequilibrium, recognition, reparation, and new equilibrium.
2. Claude Levi-Strauss analyzed narratives in terms of binary oppositions where one side is portrayed as "right" or identifiable.
3. Vladimir Propp identified character archetypes that recur across stories, like the hero, villain, princess, etc. and how they relate.
4. Narratives in music videos tend to be more fragmentary and suggestive rather than complete, using techniques like flashbacks, nonlinear ordering,
Media theory
The document summarizes several theories related to analyzing narratives in media such as music videos and films. It discusses how music videos often illustrate, amplify, or contradict the relationship between the lyrics and visuals. It also discusses Claude Levi-Strauss's theory of binary oppositions that can be used to analyze meaning in narratives, such as good vs evil. Tzvetan Todorov's narrative theory suggests stories follow a pattern of equilibrium, disruption, attempted repair, and reinstatement of equilibrium. Vladimir Propp's character theory defines common character archetypes like heroes, villains, dispatchers, and heroines.
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This document discusses various narrative theories and how they can be applied to analyze music videos. It defines narrative and describes approaches such as Todorov's 5 stages, Propp's 7 character types, and Levi-Strauss' concept of binary oppositions. Roland Barthes' narrative codes of action, enigma, semantic, and cultural are also outlined. Finally, the document discusses postmodern concepts like pastiche, intertextuality, and modular narratives. Students are instructed to choose a music video and use the provided worksheet to analyze the narrative elements.
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This document discusses two narrative theories: Todorov's and Vladimir Propp's. Todorov's theory states that narratives follow the structure of equilibrium, disequilibrium, recognition of the disruption, resolution to resolve it, and restoration of equilibrium. Vladimir Propp analyzed folktales and identified eight recurring character roles. The document asks students to consider how these theories apply and to put the stages of Todorov's theory in order.
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The document discusses various theories of narrative structure in media texts such as music videos and documentaries. It addresses concepts like narrative, diegesis, and verisimilitude, and theorists including Tim O'Sullivan, Vladimir Propp, Claude Levi-Strauss, Roland Barthes, and Tzvetan Todorov. The document provides guidance on analyzing the narrative elements, characters, and ideological implications in student projects on music videos and documentaries.
Media Theories
The document discusses several media theories related to how meaning is constructed in films. It outlines structuralism and how signs and codes convey information based on cultural understanding. It also describes Tzvetan Todorov's narrative theory of equilibrium and disequilibrium in stories. Additionally, it mentions Levi Strauss' concept of binary opposites and visual/conceptual oppositions. Finally, it briefly summarizes Vladimir Propp's eight character archetypes, Carol Clover's final girl theory, and Sigmund Freud's ideas of id, ego, superego, sadism, and masochism.
Narrative theories
The document summarizes several narrative theories:
1) Tzvetan Todorov's theory that stories follow an equilibrium-disruption-new equilibrium structure.
2) Vladimir Propp's analysis of folk tales as having recurring character types like heroes, villains, donors that fulfill narrative functions.
3) Claude Levi-Strauss's concept of narratives being driven by binary oppositions like man vs. woman, young vs. old.
Narrative
The document discusses several theories related to narratives and storytelling in media such as film and music videos:
- Tim O'Sullivan argued that all media texts tell stories, either about individual lives or culture as a whole. Narratives have common structures like establishing a theme, developing tension, and resolving the plot.
- Bordwell and Thompson distinguished between a narrative's story (events seen and inferred) and plot (events presented to the audience).
- Tzvetan Todorov's theory analyzed narratives in terms of equilibrium being disrupted, the disruption being addressed, and a new equilibrium being reached.
- Kate Domaille identified eight common narrative types including Achilles, Cinderella, and Rome
Theorists
The document discusses several theorists that have contributed to understanding narratives and documentaries, including Tzevan Todorov, Vladimir Propp, Roland Barthes, Claude Levi-Strauss, and Steven Barnett. Todorov proposed that all stories follow a structure of equilibrium, disruption, and new equilibrium. Propp identified character roles like hero, villain, and dispatcher. Barthes described codes like enigma and action that control information for audiences. Levi-Strauss examined how stories reflect a culture's beliefs through binary oppositions. Barnett's "Disney fiction" theory suggests television dumbs down documentaries for ratings over serious content.
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Question 2.
The document analyzes the coherence of print production work and a music video created to promote a band.
While the print production and music video use consistent costumes and props to establish the band's style, aspects like font, color scheme, and lighting differ between the two mediums. The print uses a polished, studio-lit aesthetic versus the vintage, natural lighting of the video.
However, the author concludes that maintaining consistent imagery is more important than other elements in linking the pieces together as a coherent marketing package for the target audience.
Question 2.
1) While the print production pieces and music video shared some consistent elements like costumes, they differed in other important ways like fonts, lighting, and color schemes.
2) The print pieces used a slab serif font, red and black colors, and polished lighting to look airbrushed, whereas the video used a sans serif font, rustic colors, and natural lighting to look homemade.
3) However, the shared costumes and props across all pieces help maintain the band's style and allow the target audience to recognize the pieces as part of the same marketing package despite the inconsistencies.
'This is the Life' Music Video Pitch
The document outlines plans for a music video to promote the band Two Door Cinema Club and their song "This Is The Life". The target audience is 14-25 year olds who enjoy indie music. Ideas for the video include stop motion animation, jump cuts, and black and white filming with grain. Musical influences include Bombay Bicycle Club and Foals. Desired techniques, potential locations, cast, schedule, and problems are also discussed.
Question 3 updated
The document discusses magazine distribution options. It analyzes that mainstream distributors like Bauer and IPC Media, which distribute popular music magazines like NME and Kerrang, may be suitable because they can reach a wide audience to earn back the high distribution costs. Independent distributors have smaller scale and can target niche audiences, but the magazine aims to appeal widely. Mainstream distribution provides high consumption but also high costs, while independent is lower profile but risks low sales. Multi-platform consumption through internet, radio and TV like NME could also be used to increase brand popularity and sales.
Question 3
The document discusses potential magazine distributors for a new music magazine. It considers both mainstream distributors like Bauer and IPC Media, which have distributed popular music magazines like NME, Kerrang, and Q, as well as independent distributors like Vice. While independent distributors can target niche audiences, a mainstream distributor would be better suited since the magazine aims to appeal to a wide range of people. Mainstream distributors provide high-level distribution but also come with high costs, while independent distributors have lower distribution but also smaller audiences. The document also discusses using multi-platform strategies like those of NME to further increase readership.
Question 3
The document discusses magazine distribution options. It analyzes that mainstream distributors like Bauer and IPC Media, which distribute popular music magazines like NME and Kerrang, may be suitable because they can reach a wide audience to earn back the high distribution costs. Independent distributors have smaller scale and can target niche audiences, but the magazine aims to appeal widely. Mainstream distribution provides large scale exposure but high costs, while independent is lower profile but risks low sales. Multi-platform consumption across internet, radio and TV like NME could also be used to increase brand popularity and sales.
Question 2
The document discusses how a student magazine represents social groups. It portrays stereotypical images of "indie" people who are typically aspirers, radicals or underachievers interested in drinking, smoking, clubbing and music. It also features accomplished musicians as role models. While it presents a normal image of teenagers partying and rebelling, it does not challenge dominant ideology that sees this as cool behavior. The magazine aims to appeal to its target demographic through clothing styles, fonts and props that convey nonconformity and a love of music.
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Introduction
Leonardo DiCaprio is synonymous with Hollywood stardom and acclaimed performances. has a unique connection with one of America's most beloved sports events—the Super Bowl. The "Leonardo DiCaprio Super Bowl" phenomenon combines the worlds of cinema and sports. drawing attention from fans of both domains. This article delves into the multifaceted relationship between DiCaprio and the Super Bowl. exploring his appearances at the event, His involvement in Super Bowl advertisements. and his cultural impact that bridges the gap between these two massive entertainment industries.
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Leonardo DiCaprio: The Hollywood Icon
Early Life and Career Beginnings
Leonardo Wilhelm DiCaprio was born in Los Angeles, California, on November 11, 1974. His journey to stardom began at a young age with roles in television commercials and educational programs. DiCaprio's breakthrough came with his portrayal of Luke Brower in the sitcom "Growing Pains" and later as Tobias Wolff in "This Boy's Life" (1993). where he starred alongside Robert De Niro.
Rise to Stardom
DiCaprio's career skyrocketed with his performance in "What's Eating Gilbert Grape" (1993). earning him his first Academy Award nomination. He continued to gain acclaim with roles in "Romeo + Juliet" (1996) and "Titanic" (1997). the latter of which cemented his status as a global superstar. Over the years, DiCaprio has showcased his versatility in films like "The Aviator" (2004). "Start" (2010), and "The Revenant" (2015), for which he finally won an Academy Award for Best Actor.
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Leonardo DiCaprio, A name synonymous with Hollywood excellence. is not only known for his stellar acting career but also for his impressive real estate investments. The "Leonardo DiCaprio house" is a topic that piques the interest of many. as the Oscar-winning actor has amassed a diverse portfolio of luxurious properties. DiCaprio's homes reflect his varied tastes and commitment to sustainability. from retreats to historic mansions. This article will delve into the fascinating world of Leonardo DiCaprio's real estate. Exploring the details of his most notable residences. and the unique aspects that make them stand out.
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Leonardo DiCaprio House: Malibu Beachfront Retreat
A Prime Location
His Malibu beachfront house is one of the most famous properties in Leonardo DiCaprio's real estate portfolio. Situated in the exclusive Carbon Beach. also known as "Billionaire's Beach," this property boasts stunning ocean views and private beach access. The "Leonardo DiCaprio house" in Malibu is a testament to the actor's love for the sea and his penchant for luxurious living.
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Sustainable Features
Leonardo DiCaprio is a well-known environmental activist. whose Malibu house reflects his commitment to sustainability. The property incorporates solar panels, energy-efficient appliances, and sustainable building materials. The landscaping around the house is also designed to be water-efficient. featuring drought-resistant plants and intelligent irrigation systems.
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The Hollywood Hills house incorporates several green features that are in line with DiCaprio's environmental values. The home has solar panels, energy-efficient lighting, and a rainwater harvesting system. Additionally, the landscaping designed to support local wildlife and promote
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AUT毕业证假文凭【微信95270640】购买（奥克兰理工大学毕业证成绩单硕士学历）Q微信95270640代办AUT学历认证留信网伪造奥克兰理工大学学位证书精仿奥克兰理工大学本科/硕士文凭证书补办奥克兰理工大学 diplomaoffer,Transcript购买奥克兰理工大学毕业证成绩单购买AUT假毕业证学位证书购买伪造奥克兰理工大学文凭证书学位证书,专业办理雅思、托福成绩单，学生ID卡，在读证明，海外各大学offer录取通知书，毕业证书，成绩单，文凭等材料:1:1完美还原毕业证、offer录取通知书、学生卡等各种在读或毕业材料的防伪工艺（包括 烫金、烫银、钢印、底纹、凹凸版、水印、防伪光标、热敏防伪、文字图案浮雕，激光镭射，紫外荧光，温感光标）学校原版上有的工艺我们一样不会少，不论是老版本还是最新版本，都能保证最高程度还原，力争完美以求让所有同学都能享受到完美的品质服务。
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Orpah Winfrey Dwayne Johnson: Titans of Influence and Inspiration
Introduction
In the realm of entertainment, few names resonate as Orpah Winfrey Dwayne Johnson. Both figures have carved unique paths in the industry. achieving unparalleled success and becoming iconic symbols of perseverance, resilience, and inspiration. This article delves into the lives, careers. and enduring legacies of Orpah Winfrey Dwayne Johnson. exploring how their journeys intersect and what we can learn from their remarkable stories.
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Early Life and Backgrounds
Orpah Winfrey: From Humble Beginnings to Media Mogul
Orpah Winfrey, often known as Oprah due to a misspelling on her birth certificate. was born on January 29, 1954, in Kosciusko, Mississippi. Raised in poverty by her grandmother, Winfrey's early life was marked by hardship and adversity. Despite these challenges. she demonstrated a keen intellect and an early talent for public speaking.
Winfrey's journey to success began with a scholarship to Tennessee State University. where she studied communication. Her first job in media was as a co-anchor for the local evening news in Nashville. This role paved the way for her eventual transition to talk show hosting. where she found her true calling.
Dwayne Johnson: From Wrestling Royalty to Hollywood Superstar
Dwayne Johnson, also known by his ring name "The Rock," was born on May 2, 1972, in Hayward, California. He comes from a family of professional wrestlers, with both his father, Rocky Johnson. and his grandfather, Peter Maivia, being notable figures in the wrestling world. Johnson's early life was spent moving between New Zealand and the United States. experiencing a variety of cultural influences.
Before entering the world of professional wrestling. Johnson had aspirations of becoming a professional football player. He played college football at the University of Miami. where he was part of a national championship team. But, injuries curtailed his football career, leading him to follow in his family's footsteps and enter the wrestling ring.
Career Milestones
Orpah Winfrey: The Queen of All Media
Winfrey's career breakthrough came in 1986 when she launched "The Oprah Winfrey Show." The show became a cultural phenomenon. drawing millions of viewers daily and earning many awards. Winfrey's empathetic and candid interviewing style resonated with audiences. helping her tackle diverse and often challenging topics.
Beyond her talk show, Winfrey expanded her empire to include the creation of Harpo Productions. a multimedia production company. She also launched "O, The Oprah Magazine" and OWN: Oprah Winfrey Network, further solidifying her status as a media mogul.
Dwayne Johnson: From The Ring to The Big Screen
Dwayne Johnson's wrestling career took off in the late 1990s. when he became one of the most charismatic and popular figures in WWE. His larger-than-life persona and catchphrases endeared him to fans. making him a household name. But, Johnson had ambitions beyond the wrestling ring.
In the early 20
The Future of Independent Filmmaking Trends and Job Opportunities
The landscape of independent filmmaking is evolving at an unprecedented pace. Technological advancements, changing consumer preferences, and new distribution models are reshaping the industry, creating new opportunities and challenges for filmmakers and film industry jobs. This article explores the future of independent filmmaking, highlighting key trends and emerging job opportunities.
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留信网认证的作用:
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2:同时对留学生所学专业登记给予评定
3:国家专业人才认证中心颁发入库证书
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6:个人职称评审加20分
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8:在国家人才网主办的国家网络招聘大会中纳入资料，供国家高端企业选择人才
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我们所定的价格是非常合理的，而且我们现在做得单子大多数都是代理和回头客户介绍的所以一般现在有新的单子 我给客户的都是第一手的代理价格，因为我想坦诚对待大家 不想跟大家在价格方面浪费时间
对于老客户或者被老客户介绍过来的朋友，我们都会适当给一些优惠。
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Narrative Theory and Music Video.
- 1. Media Concepts: Narrative Theory. Narrative theory is the way in which a story is told in a music video, keeping the video comprehendible for the audience. ‘Narrative’ is the coherence given to a series of facts.
- 2. Todorov’s Theory. Todorov’s theory seperates music video into different stages. Equilibrium: I state of ‘perfection’ where everything is as it should be. Disequilibrium: The equilibrium is disrupted. Recognition: Recognition that the disequilibrium has occurred. Reparation: An attempt to repair the state of disequilibrium. New equilibrium.
- 3. Todorov’s Theory. Todorovclaims that narrative must undergo a transformation. The characters featured in the music video must undergo this transformation by going through the disruption. Equilibrium Dis-equilibrium Recognition Reparation New Equilibrium
- 4. Vladimir Propp’s Theory. This narrative theory is created through a variety of character functions: Hero: Seeks something Villain: Obstructs hero Princess: Hero’s reward Father: Giver of reward Donor: Provides information and help Helper: Helps the hero Dispatcher: Sends the hero on a quest False hero In Propp’s theory, these character types are established to increase understanding from the point of view of the audience.
- 5. Claude Levi-Strauss’ Theory. This is as narrative theory built from the inclusion of binary opposites in a media text; one side will be represented as the ‘right’ side which the audience can identify with and support. Examples of these oppositions are things such as: Good and evil Past and present Normal and strange Known and unknown Heaven and earth