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Ross Parry, University of Leicester, UK
Doris Ruth Eikhof, CAMEo Research Institute,
University of Leicester, UK
Sally-Anne Barnes, Institute for Employment
Research, University of Warwick, UK,
Erika Kispeter, University of Warwick, UK
Development, supply,
deployment, demand:
Balancing the museum
digital skills ecosystem
 one-by-one.uk
Amgueddfa Cymru - National Museum Wales
National Museums Scotland
National Army Museum
Royal Pavilion & Museums Brighton and Hove
Derby Museums Trust
Museum of London
Museums Association
Association of Independent Museums
Arts Council England
Museum Development Network
Culture24
School of Museum Studies, and CAMEo (Research Institute for
Cultural and Media Economies),University of Leicester
Institute for Employment Research, University of Warwick
Zanvyl Krieger School of Arts & Sciences,
Johns Hopkins University, US
Faculty of Art Design & Architecture, Monash University, Australia
Heritage Lottery Fund
National Museums Directors Conference
Collections Trust
Nesta
FutureLearn

1Digital is increasingly
seen as part of
everyone’s skill set and all
roles have some kind of
digital element

2Digital is becoming
professionalised in the
museum as digital roles
and responsibilities
become standard
practice

3As digital becomes
institutionalised,
museums are
restructuring and
evolving

4Museums are exploring,
learning and demanding
new digital skills as they
innovate and create with
digital

5There is a deeper
understanding by
museums of the digital
skills, knowledge and
expertise needed

6Museums are engaging
increasingly in evidence-
based digital practice

7Currently, there is little
evidence that museums
are systematically
assessing and identifying
digital skills needs

There is little evidence of
in-house formal and
planned training around
digital skills or digital
literacy
8

9There are different
practices in how digital
responsibilities and skills
are distributed managed
and shared across UK
museums
Centralised
Digital Model
Hub & Spoke
Digital Model
Distributive
Digital Model
Centralised
Digital Model
Skills are centralised; it is
difficult to build digital literacies
and to instil confidence in
others.
Digital activity is co-ordinated
and consistent.
Consequently, there can be a
lack of innovation and
creativity, a slowness to adopt
digital, and digital is not
integral to thinking.
Hub & Spoke
Digital Model
Skills are located in the hub and
across spokes; skills are shared
and there is potential to build on
individual digital literacies and
to instil confidence.
Digital skills can be developed
more easily as a sense of
shared digital learning, test and
learn ethos accepted
There is a need to have digitally
confident people in place, and a
need to allow people to test and
learn.
Distributive
Digital Model
Skills are shared; individual digital
literacies are built upon, instilling
confidence in others.
When fully distributed, there is a
strong learning culture, easily
able to develop digital literacy
amongst workforce.
There is a need to have a shared
understanding across organisation,
clear strategy, where not fully
distributed then at risk of
learning/ideas not shared.

10There is evidence of an
assumption in museums
that 'digital skills' relate to
a specific set of technical
competencies
Prioritising specific
technical skills
Recruiting
a particular
set of qualifications
and expertise
Siloed and
traditional
forms of
training
Limitations in how finite
technical competencies
can be used
demand
deployment
supply
development
The museum
digital skills
ecosystem
Prioritising specific
technical skills
Recruiting
a particular
set of qualifications
and expertise
Siloed and
traditional
forms of
training
Limitations in how finite
technical competencies
can be used
Prioritising a wider
digital literacy
Recruiting
varied
forms of competence
and confidence
Flexibility in how adaptable
workforce can have influence
An agile
and responsive
learning culture
The museum
digital skills
ecosystem
development
deployment
supply
demand
Prioritising specific
technical skills
Recruiting
a particular
set of qualifications
and expertise
Siloed and
traditional
forms of
training
Limitations in how finite
technical competencies
can be used
Prioritising a wider
digital literacy
Recruiting
varied
forms of competence
and confidence
Flexibility in how adaptable
workforce can have influence
An agile
and responsive
learning culture
adapting demand
adapting deployment
adaptingsupply
adaptingdevelopment
The museum
digital skills
ecosystem
 one-by-one.uk

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MW18 Presentation: Development, Supply, Deployment, Demand: Balancing The Museum Digital Skills Ecosystem:First Findings

  • 1. Ross Parry, University of Leicester, UK Doris Ruth Eikhof, CAMEo Research Institute, University of Leicester, UK Sally-Anne Barnes, Institute for Employment Research, University of Warwick, UK, Erika Kispeter, University of Warwick, UK Development, supply, deployment, demand: Balancing the museum digital skills ecosystem  one-by-one.uk
  • 2.
  • 3. Amgueddfa Cymru - National Museum Wales National Museums Scotland National Army Museum Royal Pavilion & Museums Brighton and Hove Derby Museums Trust Museum of London Museums Association Association of Independent Museums Arts Council England Museum Development Network Culture24 School of Museum Studies, and CAMEo (Research Institute for Cultural and Media Economies),University of Leicester Institute for Employment Research, University of Warwick Zanvyl Krieger School of Arts & Sciences, Johns Hopkins University, US Faculty of Art Design & Architecture, Monash University, Australia Heritage Lottery Fund National Museums Directors Conference Collections Trust Nesta FutureLearn
  • 4.
  • 5.
  • 6.
  • 7.  1Digital is increasingly seen as part of everyone’s skill set and all roles have some kind of digital element
  • 8.  2Digital is becoming professionalised in the museum as digital roles and responsibilities become standard practice
  • 9.  3As digital becomes institutionalised, museums are restructuring and evolving
  • 10.  4Museums are exploring, learning and demanding new digital skills as they innovate and create with digital
  • 11.  5There is a deeper understanding by museums of the digital skills, knowledge and expertise needed
  • 12.  6Museums are engaging increasingly in evidence- based digital practice
  • 13.  7Currently, there is little evidence that museums are systematically assessing and identifying digital skills needs
  • 14.  There is little evidence of in-house formal and planned training around digital skills or digital literacy 8
  • 15.  9There are different practices in how digital responsibilities and skills are distributed managed and shared across UK museums
  • 16. Centralised Digital Model Hub & Spoke Digital Model Distributive Digital Model
  • 17. Centralised Digital Model Skills are centralised; it is difficult to build digital literacies and to instil confidence in others. Digital activity is co-ordinated and consistent. Consequently, there can be a lack of innovation and creativity, a slowness to adopt digital, and digital is not integral to thinking.
  • 18. Hub & Spoke Digital Model Skills are located in the hub and across spokes; skills are shared and there is potential to build on individual digital literacies and to instil confidence. Digital skills can be developed more easily as a sense of shared digital learning, test and learn ethos accepted There is a need to have digitally confident people in place, and a need to allow people to test and learn.
  • 19. Distributive Digital Model Skills are shared; individual digital literacies are built upon, instilling confidence in others. When fully distributed, there is a strong learning culture, easily able to develop digital literacy amongst workforce. There is a need to have a shared understanding across organisation, clear strategy, where not fully distributed then at risk of learning/ideas not shared.
  • 20.  10There is evidence of an assumption in museums that 'digital skills' relate to a specific set of technical competencies
  • 21. Prioritising specific technical skills Recruiting a particular set of qualifications and expertise Siloed and traditional forms of training Limitations in how finite technical competencies can be used demand deployment supply development The museum digital skills ecosystem
  • 22. Prioritising specific technical skills Recruiting a particular set of qualifications and expertise Siloed and traditional forms of training Limitations in how finite technical competencies can be used Prioritising a wider digital literacy Recruiting varied forms of competence and confidence Flexibility in how adaptable workforce can have influence An agile and responsive learning culture The museum digital skills ecosystem development deployment supply demand
  • 23. Prioritising specific technical skills Recruiting a particular set of qualifications and expertise Siloed and traditional forms of training Limitations in how finite technical competencies can be used Prioritising a wider digital literacy Recruiting varied forms of competence and confidence Flexibility in how adaptable workforce can have influence An agile and responsive learning culture adapting demand adapting deployment adaptingsupply adaptingdevelopment The museum digital skills ecosystem