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Curtis Wong
Principal Researcher
Microsoft Research, Redmond lab
Realising the Opportunities
of Digital Humanities
Sandra Collins
Director Digital Repository of Ireland
Fiona Ross,
Director National Library of Ireland
John Keating
Associate Director An Foras Feasa, NUI Maynooth
Hans Walter Gabler
Emeritus Professor Ludwig-Maximilians-Universität, Germany
William Kilbride
Executive Director Digital Preservation Coalition UK
Fellow panelists
Research
Scholarship
Learning
Access
Publishing
Computational Analysis
Semantic Linked Data
Multimedia
Data Modeling
Text Analytics
Data Visualization
Digital Publishing
Digital Image Rendering
Archaeology
Philosophy
History
Art
Music
Literature
Linguistics
Cultural Studies
What is Digital Humanities?
Disciplines Technologies Practices
Research
Scholarship
Learning
Access
Publishing
Computational Analysis
Semantic Linked Data
Multimedia
Data Modeling
Text Analytics
Data Visualization
Digital Publishing
Digital Image Rendering
Archaeology
Philosophy
History
Art
Music
Literature
Linguistics
Cultural Studies
Science
My experience..
Disciplines Technologies Practices
• Leonardo daVinci – Interpretive guide for public understanding and scholarly
access of the Codex Leicester.TED 1997
• WorldWideTelescope– Exploratory Imagery and data storytelling
environment populated by deep semantically linked information sources –
TED 2008 &TEDxCalTech 2011
• Rich Interactive Narratives – Platform to enable easy creation of interactive
storytelling in cultural and historical exploratory contexts
• Chronozoom– Open Source platform to show cultural and historical
interactive content in an interactive zooming timeline canvas
Examples of Digital Humanities for Learning
Leonardo daVinci 1997
Disciplines
• Art
• Science
WorldWideTelescope 2008
Disciplines
• Science
• Culture
WWT – DataVisualization 2010
Disciplines
• Science
• Archaeology
RichInteractiveNarratives 2010
Disciplines
• Culture
• History
• Archaeology
Chronozoom2.0beta2012
Disciplines
• History
• Science
• Culture
• Literature
• Emerging easier to use applications and platforms will spur
production of compelling experiences for formal and informal
learning as more education goes online
• Growth in creation of compelling heritage experiences will
motivate more opportunities for digitized and tagged content
Conclusions
Opportunities
• An engaged audience for humanities can expand the market for
more experiences
• Growing appreciation for heritage experiences could help garner
better support for continued investment
Challenges
• Creating audience awareness of new content and differentiation
for quality content
• Leonardo daVinci - out of print but stay tuned…
• WorldWideTelescope.org –Ten million+ users and counting
• Rich Interactive Narratives - http://www.digitalnarratives.net/
• Chronozoom - http://www.chronozoomproject.org/
• Email: curtis.wong@microsoft.com
Links:
ArtMuseum.net 1998
Disciplines
• Art
• Science

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Curtis Wong

  • 1. Curtis Wong Principal Researcher Microsoft Research, Redmond lab Realising the Opportunities of Digital Humanities
  • 2. Sandra Collins Director Digital Repository of Ireland Fiona Ross, Director National Library of Ireland John Keating Associate Director An Foras Feasa, NUI Maynooth Hans Walter Gabler Emeritus Professor Ludwig-Maximilians-Universität, Germany William Kilbride Executive Director Digital Preservation Coalition UK Fellow panelists
  • 3. Research Scholarship Learning Access Publishing Computational Analysis Semantic Linked Data Multimedia Data Modeling Text Analytics Data Visualization Digital Publishing Digital Image Rendering Archaeology Philosophy History Art Music Literature Linguistics Cultural Studies What is Digital Humanities? Disciplines Technologies Practices
  • 4. Research Scholarship Learning Access Publishing Computational Analysis Semantic Linked Data Multimedia Data Modeling Text Analytics Data Visualization Digital Publishing Digital Image Rendering Archaeology Philosophy History Art Music Literature Linguistics Cultural Studies Science My experience.. Disciplines Technologies Practices
  • 5. • Leonardo daVinci – Interpretive guide for public understanding and scholarly access of the Codex Leicester.TED 1997 • WorldWideTelescope– Exploratory Imagery and data storytelling environment populated by deep semantically linked information sources – TED 2008 &TEDxCalTech 2011 • Rich Interactive Narratives – Platform to enable easy creation of interactive storytelling in cultural and historical exploratory contexts • Chronozoom– Open Source platform to show cultural and historical interactive content in an interactive zooming timeline canvas Examples of Digital Humanities for Learning
  • 8. WWT – DataVisualization 2010 Disciplines • Science • Archaeology
  • 11. • Emerging easier to use applications and platforms will spur production of compelling experiences for formal and informal learning as more education goes online • Growth in creation of compelling heritage experiences will motivate more opportunities for digitized and tagged content Conclusions Opportunities • An engaged audience for humanities can expand the market for more experiences • Growing appreciation for heritage experiences could help garner better support for continued investment Challenges • Creating audience awareness of new content and differentiation for quality content
  • 12. • Leonardo daVinci - out of print but stay tuned… • WorldWideTelescope.org –Ten million+ users and counting • Rich Interactive Narratives - http://www.digitalnarratives.net/ • Chronozoom - http://www.chronozoomproject.org/ • Email: curtis.wong@microsoft.com Links:

Editor's Notes

  1. I’d would like to thank Luke Drury, President of the Royal Irish Academy, Sandra Collins, Directory of the Digital Repository of Ireland, the Digital Enterprise Research Institute, the Digital Humanities Observatory and the Digital Research Infrastructure for the Arts and Humanities for organizing this workshop and the generous sponsors Science Foundation Ireland, The Higher Education Authority, Royal Irish Academy, NUI Maynooth, NUI Galway, Digital Enterprise Research Institute and the Digital Humanities Observatory.
  2. Honored to be participating in this with the other distinguished panelists.
  3. What is Digital Humanities? Application of technologies to the academic disciplines that make up the humanities.
  4. Digital humanities scholars use computational methods either to answer existing research questions or to challenge existing theoretical paradigms, generating new questions and pioneering new approaches. One goal is to systematically integrate computer technology into the activities of humanities scholars, [1] such as the use of text-analytic techniques; GIS; commons-based peer collaboration; interactive games and multimedia in the traditional arts and humanities disciplines like it is done in contemporary empirical social sciences. Another goal is to create scholarship that is more than texts and papers. This includes the integration of multimedia, metadata and dynamic environments.
  5. Each of these projects is a working application or platform who’s purpose is to explore how the application of digital technology can facilitate learning in ways that can’t be done better via any other linear media and to leverage interactivity facilitate development of contextual learning.
  6. Develop new kind of interpretive tool to empower learning in new ways. Enable access to scholars and deep informational resources Engage with story and encourage interaction and exploration
  7. Massive cloud data application with hundreds of TB’s of imagery, information and data within a 3D virtual exploratory environment. Semantically linked to related content User Generated guided tours – paths through the data environment with a virtual camera – similar to Avatar Users can create and share annotated paths through the environment which are rendered in real time but fully interactive at any time to connect to deep web resources Same architecture can be used to create and share other kinds of paths and stories on the Earth for cultural and historical surveys
  8. Data visualization can reveal rich spatial and temporal patterns which faciltate the development of a mental model which can go a long way to help people understand the fundamental processes that are driving the data.
  9. Comprehensive digital archives that are well meta tagged and broadly accessible will provide the raw materials from which many people will be able to tell rich will facilitate the production and distribution of rich interactive stories. That can be the seed for a virtuous cycle where more stories and imagery.
  10. http://chronozoomui.cloudapp.net/cz.htm#/t55@x=0&y=0&w=1.2140691173027953&h=1.05
  11. Leverage scholarly and educational investment of an Exhibition for a larger audience over a longer period of time. Hyperlink to related thematic exhibitions Full contextual resource materials from archives Social participation