Music video pitch
•Download as PPTX, PDF•
0 likes•212 views
The document discusses potential music video ideas for three songs: "Be Mine" by Ellie Goulding ft. Erik Hassle, "Heaven" by DJ Sammy, and "You My Everything" by Ellie Goulding. For "Be Mine," the original idea involved a love triangle but was rejected for being too clichéd. "Heaven" was also considered but deemed too slow-paced and unclear in meaning. The final proposed idea is for "You My Everything," combining performance elements with a narrative story involving subtle drug references and inspired by the TV show Skins.
Report
Share
Report
Share
Recommended
Task stills exercise
The document discusses six different song choices for a task involving analyzing music videos. It provides a brief summary and analysis of each song's music video:
1) "Strawberry Swing" by Coldplay manipulates perspectives and tricks the eye, mirroring the genre's mainstream and alternative qualities.
2) Azealia Banks's "1991" focuses attention on the artist and uses a retro mirror effect that doesn't convey hip hop but reflects her style.
3) Katy Perry's "Last Friday Night" has an 80s teen film feel through its costumes, colors, and target audience that grew up in that era.
4) Panic! At the Disco's "This is Gospel" uses
Music video analysis laura and katie
The document provides summaries of music videos for 6 songs:
1) Beyoncé's "Love on Top" uses imagery that emphasizes Beyoncé's strength and central role.
2) Sam Smith's "La La La" depicts children who don't want to listen to their parents and leave home with friends.
3) Calvin Harris and Ellie Goulding's "I Need Your Love" shows the strong bond between the two through close-ups of their intimate interactions.
4) Ellie Goulding's "Burn" represents the lyrics through lighting imagery that makes the main character the focal point.
5) Rudimental's "Waiting All Night" tells a true story through found
Conventions of pop music video
The document discusses common conventions in pop music videos, including costumes reflecting trends or conceptual ideas, artists depicted as happy or sad depending on the song's message, audiences engaged through relatable scenes like dancing, prominent male gaze through sexualized portrayals of female artists, young characters and themes of love to attract younger viewers, references to the artist's name, and identifying motifs for particular artists.
Candy – Robbie Williams analysis
This document provides an analysis of the music video for Robbie Williams' song "Candy". It summarizes the following key points:
1) Robbie Williams plays a guardian angel role in the video, protecting a woman who thinks she can get everything she wants from men.
2) The video was intended to rebrand Robbie Williams' solo career after leaving Take That.
3) Several shots in the video link the provocative lyrics to visuals of men looking at the woman in a sexual way.
4) Robbie Williams wears pink and changes costumes throughout to represent different aspects of gender, class, and identity.
Jamie Thraves
Jamie Thraves is a British film director and music video producer known for his innovative work with artists like Coldplay, Blur, and Sam Smith. He began his career producing award-winning music videos while in university, which helped him secure a position at a production company. Some of Thraves' early music videos had low budgets but innovative styles, like the Radiohead video for "Just" which featured quick cuts and close-ups of the singer. His more elaborate videos for Coldplay and others demonstrated his directing skills and led to opportunities in feature film directing, including 2000's "The Low Down" and 2009's "The Cry of the Owl." Thraves advises using lyrics metaphorically and emotionally
Taylor swift love story
The music video for Taylor Swift's "Love Story" was produced in 2008 and depicts a Romeo and Juliet-style love story between two young people from feuding families. The video draws from Shakespeare's play by showing Swift and her love interest defying their families' wishes to stay apart. Shots of Swift singing on a balcony directly reference the famous balcony scene. While the song has country pop elements, the lavish costumes and settings portray the characters as upper class. The video aims to promote Taylor Swift's image and appeal to both male and female audiences through romantic and glamorous portrayals of the young couple.
Emil Nava
Emil Nava started his career working as a runner for film production companies like Blink Productions in London. He then worked freelance for OB Management, an artist management company. While there, he also worked with the production company Pulse. Nava gained fame for directing Jessie J's "Price Tag" music video, which had a much higher budget than his previous work. He went on to direct videos for many big artists. Now, Nava directs both music videos and advertisements, though he has less creative freedom with advertisements since the client's vision is predetermined.
Music video basics
This document discusses different types of music videos, including performance, conceptual, and narrative videos. It provides examples and analysis of specific music videos to illustrate each type. A performance video features the artist singing and/or playing their song, such as One Direction's "That's What Makes You Beautiful" which shows the band singing in different beachside locations while wearing the same costumes. Conceptual videos are built around an idea rather than featuring a narrative story, such as REM's "Everybody Hurts" which depicts various people in cars on a highway dealing with problems. Narrative videos tell a story with a beginning, middle, and end that may or may not relate to the song's lyrics, like Sia's "Titanium
Recommended
Task stills exercise
The document discusses six different song choices for a task involving analyzing music videos. It provides a brief summary and analysis of each song's music video:
1) "Strawberry Swing" by Coldplay manipulates perspectives and tricks the eye, mirroring the genre's mainstream and alternative qualities.
2) Azealia Banks's "1991" focuses attention on the artist and uses a retro mirror effect that doesn't convey hip hop but reflects her style.
3) Katy Perry's "Last Friday Night" has an 80s teen film feel through its costumes, colors, and target audience that grew up in that era.
4) Panic! At the Disco's "This is Gospel" uses
Music video analysis laura and katie
The document provides summaries of music videos for 6 songs:
1) Beyoncé's "Love on Top" uses imagery that emphasizes Beyoncé's strength and central role.
2) Sam Smith's "La La La" depicts children who don't want to listen to their parents and leave home with friends.
3) Calvin Harris and Ellie Goulding's "I Need Your Love" shows the strong bond between the two through close-ups of their intimate interactions.
4) Ellie Goulding's "Burn" represents the lyrics through lighting imagery that makes the main character the focal point.
5) Rudimental's "Waiting All Night" tells a true story through found
Conventions of pop music video
The document discusses common conventions in pop music videos, including costumes reflecting trends or conceptual ideas, artists depicted as happy or sad depending on the song's message, audiences engaged through relatable scenes like dancing, prominent male gaze through sexualized portrayals of female artists, young characters and themes of love to attract younger viewers, references to the artist's name, and identifying motifs for particular artists.
Candy – Robbie Williams analysis
This document provides an analysis of the music video for Robbie Williams' song "Candy". It summarizes the following key points:
1) Robbie Williams plays a guardian angel role in the video, protecting a woman who thinks she can get everything she wants from men.
2) The video was intended to rebrand Robbie Williams' solo career after leaving Take That.
3) Several shots in the video link the provocative lyrics to visuals of men looking at the woman in a sexual way.
4) Robbie Williams wears pink and changes costumes throughout to represent different aspects of gender, class, and identity.
Jamie Thraves
Jamie Thraves is a British film director and music video producer known for his innovative work with artists like Coldplay, Blur, and Sam Smith. He began his career producing award-winning music videos while in university, which helped him secure a position at a production company. Some of Thraves' early music videos had low budgets but innovative styles, like the Radiohead video for "Just" which featured quick cuts and close-ups of the singer. His more elaborate videos for Coldplay and others demonstrated his directing skills and led to opportunities in feature film directing, including 2000's "The Low Down" and 2009's "The Cry of the Owl." Thraves advises using lyrics metaphorically and emotionally
Taylor swift love story
The music video for Taylor Swift's "Love Story" was produced in 2008 and depicts a Romeo and Juliet-style love story between two young people from feuding families. The video draws from Shakespeare's play by showing Swift and her love interest defying their families' wishes to stay apart. Shots of Swift singing on a balcony directly reference the famous balcony scene. While the song has country pop elements, the lavish costumes and settings portray the characters as upper class. The video aims to promote Taylor Swift's image and appeal to both male and female audiences through romantic and glamorous portrayals of the young couple.
Emil Nava
Emil Nava started his career working as a runner for film production companies like Blink Productions in London. He then worked freelance for OB Management, an artist management company. While there, he also worked with the production company Pulse. Nava gained fame for directing Jessie J's "Price Tag" music video, which had a much higher budget than his previous work. He went on to direct videos for many big artists. Now, Nava directs both music videos and advertisements, though he has less creative freedom with advertisements since the client's vision is predetermined.
Music video basics
This document discusses different types of music videos, including performance, conceptual, and narrative videos. It provides examples and analysis of specific music videos to illustrate each type. A performance video features the artist singing and/or playing their song, such as One Direction's "That's What Makes You Beautiful" which shows the band singing in different beachside locations while wearing the same costumes. Conceptual videos are built around an idea rather than featuring a narrative story, such as REM's "Everybody Hurts" which depicts various people in cars on a highway dealing with problems. Narrative videos tell a story with a beginning, middle, and end that may or may not relate to the song's lyrics, like Sia's "Titanium
Taylor swift love story
The video starts with an establishing shot of a school where some of the action will take place, suggesting the protagonists are students. The main character is seen walking outside the school in medium shot, referencing typical American high school romance films. She sees a guy sitting under a tree and they exchange glances, with quick shots foreshadowing future events. Shot-reverse-shot is used to show the characters looking at each other, both wearing black outfits like stereotypical fairy tale prince and princess costumes. The music video features many locations, costumes, and animals typical of fairy tales but would be too expensive to replicate. Closeups of the artist's face are important for promotion and establishing a fan base. This research
Types & conventions of music videos
This document discusses different types of music videos and common conventions. The main types are narrative-based videos, which relate the visuals to the song's lyrics and story; performance-based videos, which primarily feature footage of the artist performing; and concept-based videos, which take a more abstract, metaphorical approach. Common conventions across music video genres include the use of different camera angles, camera movement, mise-en-scene reflective of mood, and editing techniques like jump cuts. The document also summarizes Andrew Goodwin's music video theory about elements like the relationship between music and visuals, inclusion of the artist, and technical aspects.
question 1
This document discusses the creative decisions made in developing a music video. It describes taking inspiration from other music videos in terms of incorporating performance, using confined car scenes to focus on a couple, and including a narrative to make the song more relatable. Equilibrium theory was also applied to the narrative structure to start with the couple happy, introduce conflict, and resolve it to increase understandability. Inspiration was drawn from other album covers and posters to design promotional materials in a simple, effective way focused on the key information.
Evaluation part 1
Our media product uses, develops, and challenges conventions of real music videos. We chose the tropical house song "I Do" by Felix Jaehn to create a video that adheres to genre conventions like beach settings and revealing costumes. However, we challenge conventions by presenting a homosexual relationship reveal at the end, as mainstream videos typically only show heterosexual couples. Throughout the video, we aim to balance following conventions, like close-up shots of the artist and synchronization of visuals to lyrics, while also promoting a message of love without oppression.
Evaluation Q1
The document discusses conventions of rock music videos and how the creators incorporated these conventions into their own video. Some conventions they followed include having a narrative (in their case, a breakup story), performances by the band, editing to match the music, casual clothing worn by the artist, ordinary settings, use of emotions, dark lighting, and fading out at the end. They also discuss how they applied these conventions to other promotional materials like the digipak and magazine advert.
Music video deconstruction tom
This music video shows Tom Odell performing his song "Can't Pretend" at Dean Street Studios, playing the piano and singing. As a performance-style video, it focuses on Tom and other musicians playing their instruments passionately. Though the lyrics describe wounds and love, the video does not depict these literal meanings, instead prioritizing the musical performance. Tom's casual style reflects the indie singer-songwriter genre without explicit branding from his record label.
Treatment
1) The concept for the music video is based on the lyrics of the song "Kamikaze" by Mo, which discuss themes of freedom, partying, and pushing boundaries.
2) The storyline follows a rebellious teenage girl who has an argument with her parents and runs away, spending the night partying with drugs and alcohol to assert her independence and freedom.
3) The video will end with the implication that the main character has overdosed after a night of partying, mirroring the suicidal meaning behind the song's title "Kamikaze".
Inspiration
This document discusses various music videos and films that have inspired the author's own music video concept. It describes aspects taken from videos such as the use of handheld camera in "R U Mine?" by Arctic Monkeys, the incorporation of band members in "Basket Case" by Green Day, and the black and white filter and one continuous shot in "Control". Films mentioned include the comic book theme and zoomed shots in Scott Pilgrim vs. The World and the black and white filter and dreamlike shot of the main character in Control. The author aims to incorporate opening sequences, subtitled names, close-up instrument shots, and the idea of the music not starting until a key action from these inspirational works.
Islas favourite music video
The music video for Ellie Goulding's "On My Mind" tells the story of her relationship with an ex-boyfriend through different locations and settings. It depicts her feeling trapped as he yells at her, and later seeking revenge by riding a horse to his casino. At the end, she rides away to symbolize breaking free from the suffocating relationship. While including some stereotypical elements of pop music videos like a narrative, it goes against the stereotype of including a dance routine. The video analyzes Ellie's movements and how they match the song, supporting Carol Vernallis's music video theories.
13. music video worksheet
The music video for Celine Dion's song "Ashes" from the Deadpool 2 soundtrack does not meet expectations for a film soundtrack song. While the film is upbeat, the song is slow and emotional. Additionally, the song is more fitting for a romance film rather than an action film like Deadpool 2. The lyrics of "Ashes" reference Deadpool's character who dies but comes back invincible, symbolizing rebuilding from remains. When the song gets more emotional, more upsetting scenes from the film are shown, portraying Deadpool's relationship. Deadpool subverts the male gaze by dancing in stiletto heels. Celine Dion is prominently featured and recognized throughout the video. The video also references
Sing street evaluation
When the main character arrived at his new school, he witnessed students bullying each other, smoking, and drinking alcohol. During a school performance by his band, he fantasized that the band was playing to a large crowd and that his dream girl had arrived. The scene showed the typical stereotypes of Irish students through their scruffy uniforms and risky behaviors. It transitioned between shots of the band performing and the main character's fantasy through invisible editing.
Andrew goodwins robbie candy
The music video for Robbie Williams' song "Candy" features visuals that generally match the lyrics and music. Robbie Williams is portrayed as an angel watching over and helping the woman, referred to as "Candice". Locations and effects used are common in pop music videos. Throughout, there are shots of Robbie Williams dancing, looking at the camera, and focusing on Candice to promote his likable artist image and connect with the audience. The increasing intensity of negative events happening to him at the end matches the rising tempo of the music.
Inspirations and Influences
The document provides inspiration and influences for a music video. It discusses taking elements from Ellie Goulding's "On My Mind" music video by incorporating horses to portray freedom and escapism. It also draws inspiration from My Chemical Romance's "Teenagers" by featuring a live band performance. Common elements seen in EDM music videos like party and festival scenes will also be included. The main narrative will focus on a couple breaking up, inspired by many songs about breakups being sung by women. Action before narrative will show the main character's fate through flashbacks and memories to engage the viewer in the simple storyline.
Music video analysis powerpoint file
This document provides an analysis of Aiden Grimshaw's 2015 music video for his song "Virtually Married" according to Andrew Goodwin's 7 key areas for analyzing music videos. It finds that the video demonstrates several characteristics of its indie dance genre, including its color scheme, editing style, and visual aesthetic. It also establishes relationships between the lyrics and visuals, as well as between the music and visuals, with the tone and pacing of the video reflecting the song. As a relatively new artist, the video aims to develop motifs for Grimshaw through many close-ups and medium shots of him to establish his style. Finally, the analysis finds no clear intertextual references to other works in the video,
Music videos analysis
This document discusses different types of music videos and provides examples. It describes narrative music videos as telling a story related to the song's lyrics, with Justin Timberlake's "Cry Me a River" used as an example. Performance videos primarily promote the artist, as seen in Eminem's "Not Afraid." Conceptual videos often convey symbolic meanings and ideas, exemplified by REM's "Everybody Hurts." The document also notes how the examples influenced the creators' own music video plans, particularly favoring a narrative approach and conceptual message over a performance focus.
Question 1 ev qs
The document summarizes a music video created by the author that incorporates conventions from real media texts like Beyoncé's "Diva" video while also subverting some conventions. The video uses animated characters like Gorillaz and includes scenes of a vulnerable teenage boy and an eroticized female protagonist. It is based on Madonna's "Like a Virgin" cover but challenges conventions by having a narrative focus rather than performance. The video includes various camera shots and angles that generally uphold music video conventions but are used to capture emotional expression rather than vanity.
Music video market analysis
The document analyzes several successful EDM music videos from the past year in order to understand what made them popular and gain insights for a new music video. It summarizes the views, awards, and target audiences of music videos by Calvin Harris, Mike Posner, and DJ Snake. Common factors that contributed to their success included high production quality, engaging narratives, and appealing settings and imagery that matched the EDM genre.
A2 jessie j price tag
The music video for Jessie J's "Price Tag" demonstrates several conventions of the pop genre. It has a bright, colorful, and happy feel that fits the catchy pop music. There are clear relationships between the lyrics and visuals - scenes literally represent lyrics like when she sings "money" while standing under a money tree. The editing and pace of the video also relates to the music, speeding up when the music is faster. Closeups of Jessie J are frequent and she wears crystal lip motifs seen in other videos. Some shots focus on her body in revealing clothing. The video also references films like Men In Black and A Trip to the Moon through scenes that mirror them.
Vcuqteam7
This document presents the design of a structure blending ancient and modern Scotland, featuring a wooden frame with tempered glass, floor plans and sections showing the layout, and details on using LED lights beneath the glass to simulate the northern lights.
Actividad 1. diagnostico
Este documento describe un proyecto para desarrollar la destreza del razonamiento lógico matemático en estudiantes de tercer grado utilizando recursos educativos abiertos (REA). El proyecto se llevará a cabo en una escuela rural con recursos limitados, donde los maestros buscan innovaciones tecnológicas para mejorar la enseñanza. El objetivo es que los estudiantes interactúen con nuevos recursos didácticos de REA para lograr mayores competencias en matemáticas.
Comunicacion humana
Este documento resume la historia de varias herramientas de comunicación humana como la imprenta, el telégrafo y el teléfono. La imprenta comenzó como un método artesanal para reproducir textos e imágenes y alcanzó su máximo desarrollo con la Biblia de Gutenberg. El telégrafo fue la primera forma de comunicación eléctrica y permitió transmitir mensajes codificados a distancia. El teléfono, inventado por Alexander Graham Bell, permitió transmitir señales acústicas eléctricamente y ha evolucionado hasta
More Related Content
What's hot
Taylor swift love story
The video starts with an establishing shot of a school where some of the action will take place, suggesting the protagonists are students. The main character is seen walking outside the school in medium shot, referencing typical American high school romance films. She sees a guy sitting under a tree and they exchange glances, with quick shots foreshadowing future events. Shot-reverse-shot is used to show the characters looking at each other, both wearing black outfits like stereotypical fairy tale prince and princess costumes. The music video features many locations, costumes, and animals typical of fairy tales but would be too expensive to replicate. Closeups of the artist's face are important for promotion and establishing a fan base. This research
Types & conventions of music videos
This document discusses different types of music videos and common conventions. The main types are narrative-based videos, which relate the visuals to the song's lyrics and story; performance-based videos, which primarily feature footage of the artist performing; and concept-based videos, which take a more abstract, metaphorical approach. Common conventions across music video genres include the use of different camera angles, camera movement, mise-en-scene reflective of mood, and editing techniques like jump cuts. The document also summarizes Andrew Goodwin's music video theory about elements like the relationship between music and visuals, inclusion of the artist, and technical aspects.
question 1
This document discusses the creative decisions made in developing a music video. It describes taking inspiration from other music videos in terms of incorporating performance, using confined car scenes to focus on a couple, and including a narrative to make the song more relatable. Equilibrium theory was also applied to the narrative structure to start with the couple happy, introduce conflict, and resolve it to increase understandability. Inspiration was drawn from other album covers and posters to design promotional materials in a simple, effective way focused on the key information.
Evaluation part 1
Our media product uses, develops, and challenges conventions of real music videos. We chose the tropical house song "I Do" by Felix Jaehn to create a video that adheres to genre conventions like beach settings and revealing costumes. However, we challenge conventions by presenting a homosexual relationship reveal at the end, as mainstream videos typically only show heterosexual couples. Throughout the video, we aim to balance following conventions, like close-up shots of the artist and synchronization of visuals to lyrics, while also promoting a message of love without oppression.
Evaluation Q1
The document discusses conventions of rock music videos and how the creators incorporated these conventions into their own video. Some conventions they followed include having a narrative (in their case, a breakup story), performances by the band, editing to match the music, casual clothing worn by the artist, ordinary settings, use of emotions, dark lighting, and fading out at the end. They also discuss how they applied these conventions to other promotional materials like the digipak and magazine advert.
Music video deconstruction tom
This music video shows Tom Odell performing his song "Can't Pretend" at Dean Street Studios, playing the piano and singing. As a performance-style video, it focuses on Tom and other musicians playing their instruments passionately. Though the lyrics describe wounds and love, the video does not depict these literal meanings, instead prioritizing the musical performance. Tom's casual style reflects the indie singer-songwriter genre without explicit branding from his record label.
Treatment
1) The concept for the music video is based on the lyrics of the song "Kamikaze" by Mo, which discuss themes of freedom, partying, and pushing boundaries.
2) The storyline follows a rebellious teenage girl who has an argument with her parents and runs away, spending the night partying with drugs and alcohol to assert her independence and freedom.
3) The video will end with the implication that the main character has overdosed after a night of partying, mirroring the suicidal meaning behind the song's title "Kamikaze".
Inspiration
This document discusses various music videos and films that have inspired the author's own music video concept. It describes aspects taken from videos such as the use of handheld camera in "R U Mine?" by Arctic Monkeys, the incorporation of band members in "Basket Case" by Green Day, and the black and white filter and one continuous shot in "Control". Films mentioned include the comic book theme and zoomed shots in Scott Pilgrim vs. The World and the black and white filter and dreamlike shot of the main character in Control. The author aims to incorporate opening sequences, subtitled names, close-up instrument shots, and the idea of the music not starting until a key action from these inspirational works.
Islas favourite music video
The music video for Ellie Goulding's "On My Mind" tells the story of her relationship with an ex-boyfriend through different locations and settings. It depicts her feeling trapped as he yells at her, and later seeking revenge by riding a horse to his casino. At the end, she rides away to symbolize breaking free from the suffocating relationship. While including some stereotypical elements of pop music videos like a narrative, it goes against the stereotype of including a dance routine. The video analyzes Ellie's movements and how they match the song, supporting Carol Vernallis's music video theories.
13. music video worksheet
The music video for Celine Dion's song "Ashes" from the Deadpool 2 soundtrack does not meet expectations for a film soundtrack song. While the film is upbeat, the song is slow and emotional. Additionally, the song is more fitting for a romance film rather than an action film like Deadpool 2. The lyrics of "Ashes" reference Deadpool's character who dies but comes back invincible, symbolizing rebuilding from remains. When the song gets more emotional, more upsetting scenes from the film are shown, portraying Deadpool's relationship. Deadpool subverts the male gaze by dancing in stiletto heels. Celine Dion is prominently featured and recognized throughout the video. The video also references
Sing street evaluation
When the main character arrived at his new school, he witnessed students bullying each other, smoking, and drinking alcohol. During a school performance by his band, he fantasized that the band was playing to a large crowd and that his dream girl had arrived. The scene showed the typical stereotypes of Irish students through their scruffy uniforms and risky behaviors. It transitioned between shots of the band performing and the main character's fantasy through invisible editing.
Andrew goodwins robbie candy
The music video for Robbie Williams' song "Candy" features visuals that generally match the lyrics and music. Robbie Williams is portrayed as an angel watching over and helping the woman, referred to as "Candice". Locations and effects used are common in pop music videos. Throughout, there are shots of Robbie Williams dancing, looking at the camera, and focusing on Candice to promote his likable artist image and connect with the audience. The increasing intensity of negative events happening to him at the end matches the rising tempo of the music.
Inspirations and Influences
The document provides inspiration and influences for a music video. It discusses taking elements from Ellie Goulding's "On My Mind" music video by incorporating horses to portray freedom and escapism. It also draws inspiration from My Chemical Romance's "Teenagers" by featuring a live band performance. Common elements seen in EDM music videos like party and festival scenes will also be included. The main narrative will focus on a couple breaking up, inspired by many songs about breakups being sung by women. Action before narrative will show the main character's fate through flashbacks and memories to engage the viewer in the simple storyline.
Music video analysis powerpoint file
This document provides an analysis of Aiden Grimshaw's 2015 music video for his song "Virtually Married" according to Andrew Goodwin's 7 key areas for analyzing music videos. It finds that the video demonstrates several characteristics of its indie dance genre, including its color scheme, editing style, and visual aesthetic. It also establishes relationships between the lyrics and visuals, as well as between the music and visuals, with the tone and pacing of the video reflecting the song. As a relatively new artist, the video aims to develop motifs for Grimshaw through many close-ups and medium shots of him to establish his style. Finally, the analysis finds no clear intertextual references to other works in the video,
Music videos analysis
This document discusses different types of music videos and provides examples. It describes narrative music videos as telling a story related to the song's lyrics, with Justin Timberlake's "Cry Me a River" used as an example. Performance videos primarily promote the artist, as seen in Eminem's "Not Afraid." Conceptual videos often convey symbolic meanings and ideas, exemplified by REM's "Everybody Hurts." The document also notes how the examples influenced the creators' own music video plans, particularly favoring a narrative approach and conceptual message over a performance focus.
Question 1 ev qs
The document summarizes a music video created by the author that incorporates conventions from real media texts like Beyoncé's "Diva" video while also subverting some conventions. The video uses animated characters like Gorillaz and includes scenes of a vulnerable teenage boy and an eroticized female protagonist. It is based on Madonna's "Like a Virgin" cover but challenges conventions by having a narrative focus rather than performance. The video includes various camera shots and angles that generally uphold music video conventions but are used to capture emotional expression rather than vanity.
Music video market analysis
The document analyzes several successful EDM music videos from the past year in order to understand what made them popular and gain insights for a new music video. It summarizes the views, awards, and target audiences of music videos by Calvin Harris, Mike Posner, and DJ Snake. Common factors that contributed to their success included high production quality, engaging narratives, and appealing settings and imagery that matched the EDM genre.
A2 jessie j price tag
The music video for Jessie J's "Price Tag" demonstrates several conventions of the pop genre. It has a bright, colorful, and happy feel that fits the catchy pop music. There are clear relationships between the lyrics and visuals - scenes literally represent lyrics like when she sings "money" while standing under a money tree. The editing and pace of the video also relates to the music, speeding up when the music is faster. Closeups of Jessie J are frequent and she wears crystal lip motifs seen in other videos. Some shots focus on her body in revealing clothing. The video also references films like Men In Black and A Trip to the Moon through scenes that mirror them.
What's hot (18)
Viewers also liked
Vcuqteam7
This document presents the design of a structure blending ancient and modern Scotland, featuring a wooden frame with tempered glass, floor plans and sections showing the layout, and details on using LED lights beneath the glass to simulate the northern lights.
Actividad 1. diagnostico
Este documento describe un proyecto para desarrollar la destreza del razonamiento lógico matemático en estudiantes de tercer grado utilizando recursos educativos abiertos (REA). El proyecto se llevará a cabo en una escuela rural con recursos limitados, donde los maestros buscan innovaciones tecnológicas para mejorar la enseñanza. El objetivo es que los estudiantes interactúen con nuevos recursos didácticos de REA para lograr mayores competencias en matemáticas.
Comunicacion humana
Este documento resume la historia de varias herramientas de comunicación humana como la imprenta, el telégrafo y el teléfono. La imprenta comenzó como un método artesanal para reproducir textos e imágenes y alcanzó su máximo desarrollo con la Biblia de Gutenberg. El telégrafo fue la primera forma de comunicación eléctrica y permitió transmitir mensajes codificados a distancia. El teléfono, inventado por Alexander Graham Bell, permitió transmitir señales acústicas eléctricamente y ha evolucionado hasta
09-11-2013 El Gobernador Guillermo Padrés acompañado del titular de la SEDATU...
09-11-2013 El Gobernador Guillermo Padrés acompañado del titular de la SEDATU...Guillermo Padrés Elías
Hermosillo, Sonora.- Después de 30 años la comunidad estudiantil de la Universidad Estatal de Sonora en San Luis Río Colorado obtuvo el título de propiedad del terreno en el que están sus aulas, campos deportivos y laboratorios.Ha5 project charter_100314
The document provides a project charter for creating a 3D robot model for a game. It includes a skills audit noting strengths in areas like project management, research, drawing, and 3D modeling software. It asks questions about understanding timescales, assessment criteria, and the scenario. Impressions of the target Second Life community and marketplace are mentioned. The goal is to create an original robot sidekick model. Anticipated problems include time constraints and limited access to modeling software, which will be addressed by spending more time working on the project during tutorial sessions.
Raleigh Now Kiosk Slideshow
The Raleigh Convention Center is installing new interactive kiosks to help visitors. The kiosks will provide maps, schedules, vendor listings and other information. They are designed to be easy to use with touchscreens and audio assistance for accessibility.
Cassandra Summit EU 2014 Lightning talk - Paging (no animation)
This document discusses streaming and paging data from Apache Cassandra using observables. It introduces the speaker as an evangelist for Cassandra and describes how server-side paging and combining result sets with observables allows efficient streaming of large result sets without blocking or out of memory errors. Code examples are provided showing how to create an observable from a Cassandra query result set and subscribe to stream result rows.
Manchester Hadoop Meetup: Cassandra Spark internals
This document summarizes how the Spark Cassandra Connector works to read and write data between Spark and Cassandra in a distributed manner. It discusses how the connector partitions Spark RDDs based on Cassandra token ranges and nodes, retrieves data from Cassandra in batches using CQL, and writes data back to Cassandra in batches grouped by partition key. Key classes and configuration parameters that control this distributed processing are also outlined.
Viewers also liked (9)
09-11-2013 El Gobernador Guillermo Padrés acompañado del titular de la SEDATU...
09-11-2013 El Gobernador Guillermo Padrés acompañado del titular de la SEDATU...
Cassandra Summit EU 2014 Lightning talk - Paging (no animation)
Cassandra Summit EU 2014 Lightning talk - Paging (no animation)
Manchester Hadoop Meetup: Cassandra Spark internals
Manchester Hadoop Meetup: Cassandra Spark internals
Similar to Music video pitch
Inital ideas planning
The document discusses initial planning ideas for a music video. It considers using the song "Goodness Gracious" by Ellie Goulding and likes how the summer theme is highlighted through the beach location and use of sparklers. It also considers the song "Anything Could Happen" by Ellie Goulding but notes the location would not work. Finally, it considers "Big When I Was Little" by Eliza Doolittle, finding the bright color scheme and beat would work well and link to the Goulding video. A young teenage model is thought appropriate for the concept.
Missing you pitch
The document is a pitch for a music video production project recreating the music video for the song "Missing You" by the girl group The Saturdays. The summary is:
The project will recreate the music video for the song "Missing You" by The Saturdays. It will include scenes of the group singing and dancing in different locations, intercut with a black-and-white narrative of a dysfunctional relationship. The video aims to represent the pop genre and style of girl groups through choreography, close-ups, and quick editing between shots. The intended audience is teenage girls, but it also aims to attract male viewers.
Missing you pitch
The document is a pitch for a music video production project recreating the music video for the song "Missing You" by the girl group The Saturdays. The summary is as follows:
1) The genre is pop music aimed at teenage girls, focusing on love and relationships, with influences from other girl groups like the Saturdays and Girls Aloud.
2) The video will include solo shots of each band member interspersed with group shots, as well as choreography, drawing from the style of referenced music videos.
3) It will tell a story of a dysfunctional relationship through black and white cutbacks filmed in a house.
4) Additional materials like a digipack and magazine
Contacting tanner howe
The document discusses the process of selecting a cover version of the song "Demons" by Imagine Dragons to use as the non-diegetic soundtrack for a trailer. The group evaluated several YouTube covers but ultimately decided on the version by Tanner Howe due to qualities like the haunting piano introduction, balance of vocals and music, and clarity of lyrics. They reached out to Tanner Howe for permission to use the cover but did not receive a reply, so had a backup plan to use a cover by Heart & Heads if needed.
Music
The document discusses the process of selecting a cover version of the song "Demons" by Imagine Dragons to use as the non-diegetic soundtrack for a trailer. The group evaluated several YouTube covers but ultimately decided on the version by Tanner Howe due to factors like the haunting piano introduction, balance of vocals and music, and clarity of lyrics. They reached out to Tanner Howe for permission to use his cover but did not receive a reply, so had a backup plan to use a cover by Heart & Heads if needed.
Proposal
The group is deciding on a song to make a music video for. They have considered and rejected several options like "The Pussy Cat Dolls – Beep" and "Destiny's Child - Lose My Breath". They also initially chose "Don't Know Why" by SoundGirl but later decided it was too summery. Group members each proposed different song choices like "Cascada – Evacuate the Dance Floor" and got input from classmates before deciding to do a music video for "Kelly Rowland – Commander".
Evaluation Q3
The document summarizes feedback received on drafts of a student music video and the resulting changes made. Key points:
- Feedback on the first draft noted that a slow motion eye shot did not fit the style and was moved to sync with lyrics. Lip syncing in some clips was improved.
- Further feedback provided extensive positive analysis and suggestions, including cutting clips to the beat of the music, linking effects to characters, and removing discontinuities.
- Changes made for the second draft included cutting the opening clip to the start of the song, using an effect consistently linked to a character, removing an out of sync singing clip, and timing slow motion shots to the music.
Proposal
The document proposes filming a music video for the song "Commander" by Kelly Rowland. The proposal summarizes that the song has an upbeat tempo making the lyrics easy to lip sync to. The main idea is to film a group of teenage girls getting ready for and partying at a party. Shots of dancers dancing and the singer singing would also be included. The goal is to make the video lively with lighting effects, fashion, different groups of people to interest teenage viewers. Ideas like a narrative story or just filming friends were rejected in favor of accurately portraying partying to fit the theme of the song.
Evaluation questions 1
- The document discusses a music video created for the song "Can't Fight the Moonlight" from the movie Coyote Ugly.
- It analyzes how the music video uses conventions of 1990s pop music videos like narrative storylines, costumes, locations, and camera techniques while also challenging conventions by dressing the main character in everyday clothes for one scene.
- The document evaluates how the music video portrays the song's lyrics and storyline through visuals and the main character's emotions after a breakup.
Evaluation
The document summarizes how the student's media project of a dancehall music video for the song "Rum and Red Bull" both used conventions of the genre but also challenged them in some ways. It situated the project within popular dancehall music videos by artists like Beenie Man and Sean Paul to highlight similarities in conventions like an announcing DJ or sexualized dancing by women. However, it also noted ways they diverged like having the performer and dancer in separate scenes and focusing more on conceptual elements than large dance scenes. Intertextual references to silent films were also an unconventional choice for a dancehall video.
Task 18
The document provides pitch ideas for a music video for the song "Green Light" by Lorde. It discusses using the song because it builds to a climax at the chorus without getting repetitive. It also notes the song has clear pauses for scene cuts. The video will have a performance and narrative style, showing a woman achieving her ambitions symbolized by the lyrics. It discusses the actor, locations, and inspiration from other artists' music videos.
Contacting tanner howe
The document discusses a group's process of selecting a cover of "Demons" by Imagine Dragons for their trailer's non-diegetic soundtrack. They considered several YouTube covers but ultimately chose Tanner Howe's version. They liked the piano intro and felt his cover captured the right mood without being too happy or sad. They contacted Tanner Howe on social media for permission but did not hear back, so had a backup plan to use a cover by "Heart & Heads" if needed. After three months, Tanner Howe responded through someone on his account granting permission.
Evaluation
The document discusses key conventions used in real music videos and how the media product adheres to or challenges these conventions. It summarizes the conventions used in the media product, such as lip syncing, emotion, use of death/controversy, mise-en-scene, editing to the speed of music, nature landscapes, storyline, and close-up shots of the face. It provides examples from the media product and other music videos to illustrate how different conventions were implemented.
Music video pitch
The document discusses plans for a music video for a song. It will tell a narrative story of a singer trying to win over a girl he loves, though she does not love him back. Various techniques will be used like different locations, costumes inspired by similar bands, and black and white imagery to make the video appealing yet different from the original. The target audience is identified as males ages 16-23 based on research into the pop rock genre.
Music presentation.ppt
The document discusses potential music choices for a short film trailer, analyzing four songs. It finds that "Pretty Reckless - You make me wanna die" and the beginning of "Avenged Sevenfold - Nightmare" have the desired slow, eerie openings but may not fit the full length or pacing of the trailer. "Eyes set to kill – Violent Kiss" has appropriate semantics but its opening is too fast. "Paramore – Decode" also starts slowly but does not build up in speed as needed to match the antagonist's actions. In the end, none of the songs are deemed perfect fits for the trailer.
Walat and Izu Media Evaluation
The document summarizes the production of a music video by a student group. It describes the various shots and techniques used to emphasize the lead singer and make him the focal point of the band. It also discusses how the video challenges conventions by depicting a homosexual relationship rather than a heterosexual one. Audience feedback helped the group refine the video by improving syncing of visuals and audio and clarifying the narrative. Various technologies like digital cameras, iMovie, and the internet were used in the production.
Amy charlotte and lyndsay's shadow pitch
1) The group Tous Les Monde Chante Productions will produce a music video for the Britney Spears song "Shadow".
2) The video will tell a story of unrequited love through dance between a male and female dancer in both a dance studio and street location.
3) Key elements of the production include using minimalist styling, natural makeup, and shooting some scenes in black and white to highlight emotion.
Amy charlotte and lyndsay's shadow
1) The group Tous Les Monde Chante Productions will produce a music video for the Britney Spears song "Shadow".
2) The video will tell a story of unrequited love through dance between a male and female dancer in both a dance studio and street location.
3) Key elements of the production include using minimalist styling, natural makeup, and shooting some scenes in black and white to highlight emotion.
Rusko somebody to love (sigma remix powerpoint
The document outlines a plan for a music video for the song "Somebody To Love" featuring actors playing lovers searching for each other at a remote wooded location, with influences from other drum and bass music videos emphasizing emotion through slow motion shots. The target audience is identified as 15-25 year old males, and feedback will be gathered through questionnaires and peers to improve the video.
Music video production pro forma
The document outlines plans for a music video for the song "Mama Said" by Lukas Graham. Key ideas include using slow motion lip syncing during verses, quick cut montages to match the upbeat tempo, and cutting shots to the beat to engage the audience. Tracking shots of the singer walking and lip syncing toward the camera are proposed. Two days of filming are planned at multiple outdoor locations within 5 miles. A Canon 5D camera, shoulder mount, and lens will be rented, and actors will be provided with food and travel expenses. Total estimated production costs are £483.50.
Similar to Music video pitch (20)
Music video pitch
- 1. Lara Charlotte Emma Music Video Ideas
- 2. Ellie Goulding ft. Erik Hassle- Be mine Our original idea for this song was a stereotypical boy meets girl love story, where a boy is in a relationship and another girl is in love with him but will never get him. For this idea we took inspiration from another a2 music video, we particularly liked the shot of the girl playing the guitar as the only instrument featured in this song is a guitar. We decided to not use this song as the lyrics associate with being in love, and doing a music video based on love is very cliché. We also do not have a boy in our group therefore there would be no one to lip sync the boys verse. http://www.youtube.com/watch?v=cO_rA-M7hzY
- 3. DJ Sammy- Heaven Originally we thought this song would be a success, but then we was also aware the theme of the song is love, meaning we would need a boy for the video which is hard as we don’t have a boy in our group meaning we would have to rely on someone else. The song has a very slow pace which would also be a struggle to keep the audience interested for a long period of time with such a slow pace song. We also couldn’t understand the actual meaning of the song, and then realised it would be hard to create and develop a music video on a situation we are not sure of. http://www.youtube.com/watch?v=UYXgz3qs1BM
- 4. Ellie Goulding- You My Everything This was our final idea, and we thought it would be the most successful. Our video will consist of performance and narrative. Parts of the video we will lip sync to the camera, and other parts of the video will tell a story. There will be subtle drug and alcohol references as the song is electronic so we want to play on the paranoia affect caused by drugs as the song has a psychedelic feel. Our inspiration is the TV Drama Skins, we also took inspiration from an a2 music video. Night time- In woods. Using a campout theme a group of teenagers. A lot of slow motion will be used.