Music Fabiana Rodrigues
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Music plays an important role in shaping cultural identities and experiences for nations. The document discusses the popular music industries and traditions in several European countries. It notes that English language pop music is widely listened to internationally, while Germany is known for classical composers like Bach and Beethoven as well as large rock festivals. Hungary enjoys the works of composers Liszt and Bartok, and hosts the carnival festival Busójárás. Ireland influenced many American music genres and experienced a revival of traditional music in the 20th century through educational and patriotic organizations.
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Music Fabiana Rodrigues
Music plays an important role in defining national identities and cultures. In Germany, famous classical composers include Bach, Beethoven, and Wagner. Popular music festivals in Germany include Wave-Gotick-Treffen, M'era Luna, and Wacken Open Air. Hungary is known for composers Liszt and Bartok, as well as the carnival Busójárás. Ireland influenced many genres like country and roots music in the US, and had a revival of traditional Irish music in the 20th century through education and patriotic groups.
2014 north american folk traditions music
This document provides an overview of American folk traditions from the early 20th century to present day. It discusses the origins and evolution of various regional styles such as Appalachian folk music, cowboy songs, marching bands, blues, and bluegrass. It also outlines the folk revivals of the 1930s-40s led by figures like Woody Guthrie and Pete Seeger and the emergence of popular national styles like country and honky tonk. The document concludes by noting the significant influence of American folk on the British folk music scene and genre in the 1960s.
Caribbean Folk Music - Overview
An overview of Caribbean folk music focussing on the musical sounds with a bit of identity. Presentation done for post-graduate Cultural Studies students at the Unviersity of the West Indies Cave Hill.
Caribbean Music Slides From BCC Dance Course
Caribbean music developed from the blending of West African and European musical traditions and influences. It incorporates elements like call-and-response vocals, polyrhythms, and emphasis on drums from Africa as well as melody, harmony, and other elements from Europe. Caribbean music can be categorized as folk, stemming from early plantation and colonial-era music made by communities, or popular modern styles influenced by American popular music that are associated with professional musicians and the music industry. Popular genres include calypso, salsa, reggaeton, zouk, kompas, chutney, and dancehall, each with their own associated dances.
English folk 2013
This document discusses the history and evolution of folk music in England and Europe. It covers major folk music revivals in the early 20th century led by collectors who influenced art music composers, as well as revivals in the 1950s-60s led by singers and the emergence of folk clubs. More recently, younger generations have created fusions of traditional and new compositions attracting new audiences. The document also explores folk music traditions in other parts of the British Isles, France, and elsewhere in Europe.
Music History II foundations
This document discusses the history and development of music in continental North America over several decades. It covers the origins of genres like work songs, spirituals, blues, and ragtime that were influenced by the transatlantic slave trade. It then outlines major musical styles and innovations from the 1950s onwards, including rock and roll, Motown, disco, and rap. Social, technological, and artistic changes are described as shaping the evolution of form, melody, harmony, and instrumentation in American music over time.
Overview of Dancehall and Dub
The document discusses the evolution of Dancehall music in Jamaica from the late 1970s onward. It describes how toasting emerged as a popular practice at Dancehall parties, where DJs would vocalize over dub and instrumental sections of songs. This toasting was then recorded, creating the new Dancehall genre. The genre is characterized by being rhythm-focused with less emphasis on melody, and lyrics that are often bawdy in nature. Technological advances like lower-cost sound systems and new instruments like synthesizers further propelled the rise of Dancehall.
Music genres
The document defines and describes 5 music video genres: blues, country, electronic, hip-hop/rap, and rock. Blues originated in the late 19th century combining African and European styles. Country developed in the 1920s Southern US mixing folk, blues, and simple instrumentation. Electronic music uses electronic instruments and technology for production. Hip-hop/rap formed in the 1970s as a rhythmic style accompanying rapping and is part of hip hop culture. Rock originated in the 1950s combining rock and roll with blues, R&B, and country and developed various styles in later decades.
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Music Fabiana Rodrigues
Music plays an important role in defining national identities and cultures. In Germany, famous classical composers include Bach, Beethoven, and Wagner. Popular music festivals in Germany include Wave-Gotick-Treffen, M'era Luna, and Wacken Open Air. Hungary is known for composers Liszt and Bartok, as well as the carnival Busójárás. Ireland influenced many genres like country and roots music in the US, and had a revival of traditional Irish music in the 20th century through education and patriotic groups.
2014 north american folk traditions music
This document provides an overview of American folk traditions from the early 20th century to present day. It discusses the origins and evolution of various regional styles such as Appalachian folk music, cowboy songs, marching bands, blues, and bluegrass. It also outlines the folk revivals of the 1930s-40s led by figures like Woody Guthrie and Pete Seeger and the emergence of popular national styles like country and honky tonk. The document concludes by noting the significant influence of American folk on the British folk music scene and genre in the 1960s.
Caribbean Folk Music - Overview
An overview of Caribbean folk music focussing on the musical sounds with a bit of identity. Presentation done for post-graduate Cultural Studies students at the Unviersity of the West Indies Cave Hill.
Caribbean Music Slides From BCC Dance Course
Caribbean music developed from the blending of West African and European musical traditions and influences. It incorporates elements like call-and-response vocals, polyrhythms, and emphasis on drums from Africa as well as melody, harmony, and other elements from Europe. Caribbean music can be categorized as folk, stemming from early plantation and colonial-era music made by communities, or popular modern styles influenced by American popular music that are associated with professional musicians and the music industry. Popular genres include calypso, salsa, reggaeton, zouk, kompas, chutney, and dancehall, each with their own associated dances.
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This document discusses the history and evolution of folk music in England and Europe. It covers major folk music revivals in the early 20th century led by collectors who influenced art music composers, as well as revivals in the 1950s-60s led by singers and the emergence of folk clubs. More recently, younger generations have created fusions of traditional and new compositions attracting new audiences. The document also explores folk music traditions in other parts of the British Isles, France, and elsewhere in Europe.
Music History II foundations
This document discusses the history and development of music in continental North America over several decades. It covers the origins of genres like work songs, spirituals, blues, and ragtime that were influenced by the transatlantic slave trade. It then outlines major musical styles and innovations from the 1950s onwards, including rock and roll, Motown, disco, and rap. Social, technological, and artistic changes are described as shaping the evolution of form, melody, harmony, and instrumentation in American music over time.
Overview of Dancehall and Dub
The document discusses the evolution of Dancehall music in Jamaica from the late 1970s onward. It describes how toasting emerged as a popular practice at Dancehall parties, where DJs would vocalize over dub and instrumental sections of songs. This toasting was then recorded, creating the new Dancehall genre. The genre is characterized by being rhythm-focused with less emphasis on melody, and lyrics that are often bawdy in nature. Technological advances like lower-cost sound systems and new instruments like synthesizers further propelled the rise of Dancehall.
Music genres
The document defines and describes 5 music video genres: blues, country, electronic, hip-hop/rap, and rock. Blues originated in the late 19th century combining African and European styles. Country developed in the 1920s Southern US mixing folk, blues, and simple instrumentation. Electronic music uses electronic instruments and technology for production. Hip-hop/rap formed in the 1970s as a rhythmic style accompanying rapping and is part of hip hop culture. Rock originated in the 1950s combining rock and roll with blues, R&B, and country and developed various styles in later decades.
Elementary unit plan
This document outlines a unit plan focused on American roots music styles like bluegrass, gospel, and blues. Over the course of five days, students will learn about the history and characteristics of these genres, listen to example songs, perform songs using proper terminology and style, and compose their own blues pieces. The goals are for students to recognize and describe the genres, contextualize songs historically, and develop musical literacy and performance skills.
Barbadian Music
Barbados has a long history as one of the earliest British colonies in the Western Hemisphere. After gaining independence in 1966, Barbados actively sought to develop its own cultural identity by looking to pre-independence traditions like the Landship cooperative and Tuk music. Over time, Barbados introduced new music styles like Spouge in the 1970s, and genres that fused Soca with other influences like Ring Bang, Ragga Soca, and Bashment Soca in later decades. Popular Barbados artists known for genres like calypso, folk, Soca, and dancehall include Red Plastic Bag, Mighty Gabby, Poonka, Alison Hinds, and Edwin Yearwood.
The power of_music_presentation[1]
This document discusses several genres of music including electronic dance music (EDM), rock music, jazz, dubstep, and rhythm and blues. It provides brief definitions and background for each genre. Rock music originated as rock and roll in the United States. Jazz has roots in both West African and European culture and is considered one of America's original art forms. Dubstep is a form of dance music characterized by sparse, syncopated rhythms and a strong bassline. Rhythm and blues, commonly abbreviated as R&B, originated in African American communities in the 1940s.
The power of music pdf presentation
Music is an art form and cultural activity whose medium is sound organized in time. General definitions of music include common elements such as pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and vocal techniques ranging from singing to rapping; there are solely instrumental pieces, solely vocal pieces (such as songs without instrumental accompaniment) and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses").[1] See glossary of musical terminology.
Rock Music Research
Rock music originated in the 1950s and incorporated various genres like folk, blues, and jazz to develop different subgenres in the late 1960s and 1970s. It has had a wide social impact and influenced fashion and film. Funk rock is a fusion of funk and rock defined by a bass or drum beat and electric guitars. Punk rock emerged in the mid-1970s as an anti-establishment genre preceded by 1960s proto-punk and spread globally by 1977, with examples including Sex Pistols, Smashing Pumpkins, and Green Day.
Ch. 1 plainchant & secular monophony
Gregorian chant, or plainchant, emerged as a dominant musical style in Europe during the Middle Ages. It featured a single, unaccompanied melodic line. While Pope Gregory I is often credited with developing plainchant, it existed before and continued changing after his reign in the late 6th/early 7th century. Secular monophonic song traditions also developed across Europe in different regions. These included Troubadours and Trouveres in France, Cantigas in the Iberian Peninsula, and Minnesingers in Germany. All featured strophic forms set to vernacular languages.
Jamaican music
Reggae music evolved from earlier Jamaican genres like mento and ska. In the 1940s, sound systems played American R&B and jazz music to attract patrons in Kingston, and this eventually became the main entertainment. In the 1960s, producers like Coxsone Dodd and Prince Buster began experimenting with accentuating the offbeat in the music, which helped define the ska genre. Ska gained popularity in Jamaica and abroad. Rocksteady emerged in the late 1960s with slower tempos and prominent electric bass. This eventually evolved into reggae in the late 1960s, characterized by slower tempos, new studio effects, and prominence of Rastafari ideology and Jamaican drumming styles.
Wuk up music
Wuk up music originated in Barbados and is characterized by duple time, polyrhythmic beats, and emphasis on strong downbeats. The dance involves hip rotations in time with the pulse. Originally part of tuk bands, wuking up was also incorporated into dance calypsos and early soca. In the 1990s, Bajan producers like Eddy Grant, Nicholas Brancker, and Terry Arthur emphasized rhythm over harmony, influencing the development of bashment soca featuring fast tempos and explicit wuk up dancing and lyrics. Ragga soca elicits a different style of wuk up due to its faster tempo.
Music of vietnam
The document discusses the traditional music of Vietnam. It begins by providing background information on Vietnam and noting that the music of the Kinh people is considered Vietnamese or ethnic music. It then explains that early Vietnamese music theory was based on or adapted from Chinese music theory and instruments. The document outlines the main categories of traditional and folk Vietnamese music, including imperial court music performed for royalty and gods, and folk music performed publicly and privately using diverse instruments and vocal styles. Religious and ceremonial music is also mentioned as being part of rituals and funerals.
Music Genre Research
This document provides an overview of several music genres including pop, punk rock, jazz, and country. It notes that pop music originated from the abbreviation of "popular" and includes genres like urban, dance, rock, and Latin music. Punk rock developed from rock music in the late 1960s-1970s in the US, UK, and Australia, using short, fast songs. Jazz originated in African American communities in the late 19th century, combining American and European classical music with African influences. Country music began in the 1920s in Atlanta, blending southern folk music, western music, and traditional ballads.
Popular music
Popular music originated between 1800 and 1950 and appeals to mainstream audiences. It includes a wide range of genres from vaudeville to heavy metal. One consistent element is the pop song structure of verse and chorus.
Popular music genres discussed include ballads, standards, rock and roll, alternative music, and disco. Ballads have a slow tempo and romantic emotion. Standards originated from Broadway and Hollywood in the 1910s. Rock and roll combines genres like blues and country. Alternative music emerged from punk rock and has influences from various genres. Disco has a prominent bass line and is dance-oriented.
Popular Music
This document provides a history of popular music in Britain from the 19th century to the 1980s. It discusses the rise of popular music genres like rock 'n' roll, skiffle, and punk and their associated subcultures. It also examines how new technology, youth culture, fashion, and politics influenced popular music styles over this period. Theoretical perspectives like feminist, Marxist, post-colonial, and postmodernist analyses are briefly mentioned for examining representations and ideologies within popular music.
Miles, Modal and Free Real
Miles Davis was a prominent jazz musician who came to New York in the 1940s and played with Charlie Parker. In the 1950s, Davis helped develop modal jazz with his album "Kind of Blue," which featured modal scales instead of chord changes. Ornette Coleman further developed free jazz in the 1960s, which emphasized group interplay over harmony. His 1960 album "Free Jazz" became influential for the free jazz movement.
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Pop music originated in the modern form in the United States and United Kingdom during the mid-1950s, deriving from rock and roll. It is a genre that borrows elements from various styles such as urban, dance, rock, Latin, and country music. Some of the most well known pop music artists include The Beatles, Michael Jackson, The Rolling Stones, Queen, and ABBA. Pop music is characterized as being catchy, short, simple, and melodic, typically between 2.5 to 5.5 minutes in length.
6 B. Rhythm And Blues Gospel
The document discusses the origins and history of several genres of American music including gospel, rhythm and blues, minstrelsy, and spirituals. It notes that gospel music was influenced by blues and developed in the 1930s through the work of Thomas Dorsey who began fusing spirituals and hymns with jazz rhythms. Minstrelsy featured white performers impersonating blacks and helped popularize the banjo, influencing genres like ragtime, blues, and folk. Spirituals originated as songs slaves adapted from English hymns, adding African rhythms and styles.
Music Education in the New World
Music was an important part of religious ceremonies for the Aztec, Inca, and Maya civilizations. It was controlled by a professional caste and required extensive training, with errors punishable by death. When Europeans arrived, they began establishing schools to teach indigenous people European music, starting with Pedro de Gante's school in 1523 where students learned singing, instrument playing, and copying of European sheet music and compositions. Music education continued expanding through missionary schools across North and South America in the following centuries.
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Youth culture is defined by the fashion, music, and entertainment popular among young people within a certain time period. In the 1970s, the main youth cultures were Hippies, Skinheads, and Punks. Hippies wore colorful, unique clothing and listened to psychedelic rock, while Skinheads initially listened to reggae before founding the new 2 Tone genre. In the 1980s, the New Romantics evolved from London's Blitz club, taking influences from glam rock and neoclassical fashion. They listened to bands like Duran Duran. By the 1990s, the dominant music styles among youth were Jungle and Ragga. While core groups remained, 21st century youth have more variety in
Music librarian
The new music faculty member is developing a course on 20th century music history and theory that will include contributions from the Memphis region. The librarian needs to:
1) Assess the library's collection to ensure sufficient resources for the course and identify local resources that could support it.
2) Encourage faculty use of library services and incorporate them into the curriculum through an initial meeting, providing resources, and offering follow up support.
3) Plan library instruction and reference services to meet faculty and student needs for the new course through consultations, research guides, and potential instruction sessions.
Bainoi.ppt
Music involves organizing sounds in a way that people enjoy or find interesting, such as singing or playing instruments like the piano, guitar, or drums. Music has a long history and has evolved over time from early imitations of natural sounds to modern genres like classical, country, dance, electronic, pop, and rock music. Different types of music affect people's lives in various ways.
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This document outlines Fritzie Lee's 20-year marketing plan to build her brand as a landscape photographer called InSIGHTFuL Fritz Lee. Her goal is to faithfully fulfill her roles as a disciple of God, family member, etc. and gain daily insights to align with God's will. She wants to be a responsible steward of her talents and resources, sharing them with others. Her plan involves understanding her vision, equipping herself with skills and principles, and keeping the end goal in mind of contributing photos and doing missionary work in 2033 while continuing to learn and honor God.
Pope
Karol Josef Wojtyla was born in Poland in 1920 and secretly studied theology during the Nazi occupation. He became a professor and then a cardinal in the Catholic Church. In 1978, he became the first Slavic Pope as John Paul II. As Pope, he helped end the Cold War through a visit to Poland and support for the Solidarity movement. In 1981, he was shot by Mehmet Ali Agca but survived. Throughout his papacy, he upheld traditional stances on issues while greatly traveling and communicating with people around the world.
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Elementary unit plan
This document outlines a unit plan focused on American roots music styles like bluegrass, gospel, and blues. Over the course of five days, students will learn about the history and characteristics of these genres, listen to example songs, perform songs using proper terminology and style, and compose their own blues pieces. The goals are for students to recognize and describe the genres, contextualize songs historically, and develop musical literacy and performance skills.
Barbadian Music
Barbados has a long history as one of the earliest British colonies in the Western Hemisphere. After gaining independence in 1966, Barbados actively sought to develop its own cultural identity by looking to pre-independence traditions like the Landship cooperative and Tuk music. Over time, Barbados introduced new music styles like Spouge in the 1970s, and genres that fused Soca with other influences like Ring Bang, Ragga Soca, and Bashment Soca in later decades. Popular Barbados artists known for genres like calypso, folk, Soca, and dancehall include Red Plastic Bag, Mighty Gabby, Poonka, Alison Hinds, and Edwin Yearwood.
The power of_music_presentation[1]
This document discusses several genres of music including electronic dance music (EDM), rock music, jazz, dubstep, and rhythm and blues. It provides brief definitions and background for each genre. Rock music originated as rock and roll in the United States. Jazz has roots in both West African and European culture and is considered one of America's original art forms. Dubstep is a form of dance music characterized by sparse, syncopated rhythms and a strong bassline. Rhythm and blues, commonly abbreviated as R&B, originated in African American communities in the 1940s.
The power of music pdf presentation
Music is an art form and cultural activity whose medium is sound organized in time. General definitions of music include common elements such as pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics (loudness and softness), and the sonic qualities of timbre and texture (which are sometimes termed the "color" of a musical sound). Different styles or types of music may emphasize, de-emphasize or omit some of these elements. Music is performed with a vast range of instruments and vocal techniques ranging from singing to rapping; there are solely instrumental pieces, solely vocal pieces (such as songs without instrumental accompaniment) and pieces that combine singing and instruments. The word derives from Greek μουσική (mousike; "art of the Muses").[1] See glossary of musical terminology.
Rock Music Research
Rock music originated in the 1950s and incorporated various genres like folk, blues, and jazz to develop different subgenres in the late 1960s and 1970s. It has had a wide social impact and influenced fashion and film. Funk rock is a fusion of funk and rock defined by a bass or drum beat and electric guitars. Punk rock emerged in the mid-1970s as an anti-establishment genre preceded by 1960s proto-punk and spread globally by 1977, with examples including Sex Pistols, Smashing Pumpkins, and Green Day.
Ch. 1 plainchant & secular monophony
Gregorian chant, or plainchant, emerged as a dominant musical style in Europe during the Middle Ages. It featured a single, unaccompanied melodic line. While Pope Gregory I is often credited with developing plainchant, it existed before and continued changing after his reign in the late 6th/early 7th century. Secular monophonic song traditions also developed across Europe in different regions. These included Troubadours and Trouveres in France, Cantigas in the Iberian Peninsula, and Minnesingers in Germany. All featured strophic forms set to vernacular languages.
Jamaican music
Reggae music evolved from earlier Jamaican genres like mento and ska. In the 1940s, sound systems played American R&B and jazz music to attract patrons in Kingston, and this eventually became the main entertainment. In the 1960s, producers like Coxsone Dodd and Prince Buster began experimenting with accentuating the offbeat in the music, which helped define the ska genre. Ska gained popularity in Jamaica and abroad. Rocksteady emerged in the late 1960s with slower tempos and prominent electric bass. This eventually evolved into reggae in the late 1960s, characterized by slower tempos, new studio effects, and prominence of Rastafari ideology and Jamaican drumming styles.
Wuk up music
Wuk up music originated in Barbados and is characterized by duple time, polyrhythmic beats, and emphasis on strong downbeats. The dance involves hip rotations in time with the pulse. Originally part of tuk bands, wuking up was also incorporated into dance calypsos and early soca. In the 1990s, Bajan producers like Eddy Grant, Nicholas Brancker, and Terry Arthur emphasized rhythm over harmony, influencing the development of bashment soca featuring fast tempos and explicit wuk up dancing and lyrics. Ragga soca elicits a different style of wuk up due to its faster tempo.
Music of vietnam
The document discusses the traditional music of Vietnam. It begins by providing background information on Vietnam and noting that the music of the Kinh people is considered Vietnamese or ethnic music. It then explains that early Vietnamese music theory was based on or adapted from Chinese music theory and instruments. The document outlines the main categories of traditional and folk Vietnamese music, including imperial court music performed for royalty and gods, and folk music performed publicly and privately using diverse instruments and vocal styles. Religious and ceremonial music is also mentioned as being part of rituals and funerals.
Music Genre Research
This document provides an overview of several music genres including pop, punk rock, jazz, and country. It notes that pop music originated from the abbreviation of "popular" and includes genres like urban, dance, rock, and Latin music. Punk rock developed from rock music in the late 1960s-1970s in the US, UK, and Australia, using short, fast songs. Jazz originated in African American communities in the late 19th century, combining American and European classical music with African influences. Country music began in the 1920s in Atlanta, blending southern folk music, western music, and traditional ballads.
Popular music
Popular music originated between 1800 and 1950 and appeals to mainstream audiences. It includes a wide range of genres from vaudeville to heavy metal. One consistent element is the pop song structure of verse and chorus.
Popular music genres discussed include ballads, standards, rock and roll, alternative music, and disco. Ballads have a slow tempo and romantic emotion. Standards originated from Broadway and Hollywood in the 1910s. Rock and roll combines genres like blues and country. Alternative music emerged from punk rock and has influences from various genres. Disco has a prominent bass line and is dance-oriented.
Popular Music
This document provides a history of popular music in Britain from the 19th century to the 1980s. It discusses the rise of popular music genres like rock 'n' roll, skiffle, and punk and their associated subcultures. It also examines how new technology, youth culture, fashion, and politics influenced popular music styles over this period. Theoretical perspectives like feminist, Marxist, post-colonial, and postmodernist analyses are briefly mentioned for examining representations and ideologies within popular music.
Miles, Modal and Free Real
Miles Davis was a prominent jazz musician who came to New York in the 1940s and played with Charlie Parker. In the 1950s, Davis helped develop modal jazz with his album "Kind of Blue," which featured modal scales instead of chord changes. Ornette Coleman further developed free jazz in the 1960s, which emphasized group interplay over harmony. His 1960 album "Free Jazz" became influential for the free jazz movement.
Pop music genre
Pop music originated in the modern form in the United States and United Kingdom during the mid-1950s, deriving from rock and roll. It is a genre that borrows elements from various styles such as urban, dance, rock, Latin, and country music. Some of the most well known pop music artists include The Beatles, Michael Jackson, The Rolling Stones, Queen, and ABBA. Pop music is characterized as being catchy, short, simple, and melodic, typically between 2.5 to 5.5 minutes in length.
6 B. Rhythm And Blues Gospel
The document discusses the origins and history of several genres of American music including gospel, rhythm and blues, minstrelsy, and spirituals. It notes that gospel music was influenced by blues and developed in the 1930s through the work of Thomas Dorsey who began fusing spirituals and hymns with jazz rhythms. Minstrelsy featured white performers impersonating blacks and helped popularize the banjo, influencing genres like ragtime, blues, and folk. Spirituals originated as songs slaves adapted from English hymns, adding African rhythms and styles.
Music Education in the New World
Music was an important part of religious ceremonies for the Aztec, Inca, and Maya civilizations. It was controlled by a professional caste and required extensive training, with errors punishable by death. When Europeans arrived, they began establishing schools to teach indigenous people European music, starting with Pedro de Gante's school in 1523 where students learned singing, instrument playing, and copying of European sheet music and compositions. Music education continued expanding through missionary schools across North and South America in the following centuries.
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Students and Faculty in the Archives (SAFA) is an innovative postsecondary education at Brooklyn Historical Society (BHS). SAFA uses primary sources to build document analysis, information literacy, and critical thinking skills in first-year undergraduates.
Youth culture in Britain from 1960 to 2013
Youth culture is defined by the fashion, music, and entertainment popular among young people within a certain time period. In the 1970s, the main youth cultures were Hippies, Skinheads, and Punks. Hippies wore colorful, unique clothing and listened to psychedelic rock, while Skinheads initially listened to reggae before founding the new 2 Tone genre. In the 1980s, the New Romantics evolved from London's Blitz club, taking influences from glam rock and neoclassical fashion. They listened to bands like Duran Duran. By the 1990s, the dominant music styles among youth were Jungle and Ragga. While core groups remained, 21st century youth have more variety in
Music librarian
The new music faculty member is developing a course on 20th century music history and theory that will include contributions from the Memphis region. The librarian needs to:
1) Assess the library's collection to ensure sufficient resources for the course and identify local resources that could support it.
2) Encourage faculty use of library services and incorporate them into the curriculum through an initial meeting, providing resources, and offering follow up support.
3) Plan library instruction and reference services to meet faculty and student needs for the new course through consultations, research guides, and potential instruction sessions.
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Music involves organizing sounds in a way that people enjoy or find interesting, such as singing or playing instruments like the piano, guitar, or drums. Music has a long history and has evolved over time from early imitations of natural sounds to modern genres like classical, country, dance, electronic, pop, and rock music. Different types of music affect people's lives in various ways.
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Similar to Music Fabiana Rodrigues
Evolution of music in the UK
The evolution of music in the UK can be divided into several periods: Baroque music from the early modern period was characterized by elaborate ornamentation and new genres like opera; classical music in the 18th century inherited European traditions; romantic nationalism in the 19th century encouraged distinct national identities seen in composers like Elgar; folk music traditions vary across England, Northern Ireland, Scotland, and Wales; modern popular music has flourished in Britain since the 20th century, influenced by genres like folk, jazz, and rock with early influences from the US.
Music culture
The document discusses the music traditions of several countries. It provides an overview of the history and development of music in China, England, South Africa, Greece, Italy, Japan, Mexico, Spain, Ireland, and describes some traditional musical styles and instruments. It also notes some modern music festivals and genres that have emerged in countries like China, Japan, and Ireland. The document cites several websites as sources of information on world music traditions.
Page 255 8.1 objeCTives• Basic knowledge of the histor.docx
This document provides an overview of objectives and key terms related to popular music styles in the United States. It discusses the origins and development of popular styles like ragtime, blues, and jazz. Specifically, it describes how ragtime originated from syncopated piano music in the 1890s, with Scott Joplin being an influential composer. It also explains that the blues developed from work songs and spirituals, utilizing characteristic chord progressions, scales, and the "bending" of notes. The document emphasizes that New Orleans was a melting pot where African and European musical traditions blended to give rise to early jazz.
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4 Southern Music/American Music
can folk music traditions met and fused, was the land that gave rise to virtually
every form of American popular music. The premise is simple, but the story is
as complex as the multilayered relationships between the South and the rest of
the United States. To begin to understand it better, we shall first turn to the
folk roots of the music.
Chapter 1
FOLK ORIGINS OF SOUTHERN Music
The folk music reservoir of the South was formed principally by the confluence
of two mighty cultural streams, the British-Celtic and the African. But if one
looks for purity in the music of the South, one searches in vain. Southerners
are often thought of as highly traditional people, and southern music has deep
roots in the past. However, to ignore the adaptability of southern music is to
miss one of its greatest realities. British and African styles did not leave their
home continents in undiluted forms; constant population movements and
economic transformations warred against the kind of stability that would have
promoted musical isolation or stasis. In this country, they did not simply over-
lap and interact; they also borrowed from and influenced the musical folk-
ways of other subcultures in the South—the Germans of the Southern Piedmont
and Central Texas, the Cajuns of Southwest Louisiana, and the Mexicans of
South Texas. Music from Spanish sources, already admixed with African idi-
oms, also came in from the Caribbean via New Orleans and the Gulf South or
across the Mexican border into Texas. Ferdinand "Jelly Roll" Morton spoke of
the "Spanish tinge" as an essential ingredient of early New Orleans jazz, but
the influence was also felt in the rhythms of other styles as well. Furthermore,
the songs and styles of English, Irish, Scotch-Irish, Scottish, and Welsh settlers
intermingled so rapidly and frequently on the southern frontier that they defy
the efforts of folklorists and ethnomusicologists to distinguish conclusively
among them or to determine their exact origins. Alan Lomax is probably cor-
rect when, recalling the composite quality of this music, he describes it as
more British than anything one can find in Great Britain,"1 but these styles
reached across cultural boundaries and were influenced by the music of people
who were not British at all.
Slaves built and occupied a community that white people could observe,
and sometimes appreciate, but never wholly understand. In many ways, as
Lawrence Levine has argued, their music "remained closer to the musical styles
and performances of West Africa and the Afro-American music of the West
Indies and South America than to the musical style of Western Europe."2
6 Southern Music/American Music
Intimately linked to work and worship, and marked by improvisati.
197198199200201202.docx
197
198
199
200
201
202
145
146
147
148
149
150
243
244
randymdrake
randymdrake
randymdrake
randymdrake
245
randymdrake
246
randymdrake
247
248
4 Southern Music/American Music
can folk music traditions met and fused, was the land that gave rise to virtually
every form of American popular music. The premise is simple, but the story is
as complex as the multilayered relationships between the South and the rest of
the United States. To begin to understand it better, we shall first turn to the
folk roots of the music.
Chapter 1
FOLK ORIGINS OF SOUTHERN Music
The folk music reservoir of the South was formed principally by the confluence
of two mighty cultural streams, the British-Celtic and the African. But if one
looks for purity in the music of the South, one searches in vain. Southerners
are often thought of as highly traditional people, and southern music has deep
roots in the past. However, to ignore the adaptability of southern music is to
miss one of its greatest realities. British and African styles did not leave their
home continents in undiluted forms; constant population movements and
economic transformations warred against the kind of stability that would have
promoted musical isolation or stasis. In this country, they did not simply over-
lap and interact; they also borrowed from and influenced the musical folk-
ways of other subcultures in the South—the Germans of the Southern Piedmont
and Central Texas, the Cajuns of Southwest Louisiana, and the Mexicans of
South Texas. Music from Spanish sources, already admixed with African idi-
oms, also came in from the Caribbean via New Orleans and the Gulf South or
across the Mexican border into Texas. Ferdinand "Jelly Roll" Morton spoke of
the "Spanish tinge" as an essential ingredient of early New Orleans jazz, but
the influence was also felt in the rhythms of other styles as well. Furthermore,
the songs and styles of English, Irish, Scotch-Irish, Scottish, and Welsh settlers
intermingled so rapidly and frequently on the southern frontier that they defy
the efforts of folklorists and ethnomusicologists to distinguish conclusively
among them or to determine their exact origins. Alan Lomax is probably cor-
rect when, recalling the composite quality of this music, he describes it as
more British than anything one can find in Great Britain,"1 but these styles
reached across cultural boundaries and were influenced by the music of people
who were not British at all.
Slaves built and occupied a community that white people could observe,
and sometimes appreciate, but never wholly understand. In many ways, as
Lawrence Levine has argued, their music "remained closer to the musical styles
and performances of West Africa and the Afro-American music of the West
Indies and South America than to the musical style of Western Europe."2
6 Southern Music/American Music
Intimately linked to work and worship, and marked by improvisati.
197198199200201202.docx
197
198
199
200
201
202
145
146
147
148
149
150
243
244
randymdrake
randymdrake
randymdrake
randymdrake
245
randymdrake
246
randymdrake
247
248
4 Southern Music/American Music
can folk music traditions met and fused, was the land that gave rise to virtually
every form of American popular music. The premise is simple, but the story is
as complex as the multilayered relationships between the South and the rest of
the United States. To begin to understand it better, we shall first turn to the
folk roots of the music.
Chapter 1
FOLK ORIGINS OF SOUTHERN Music
The folk music reservoir of the South was formed principally by the confluence
of two mighty cultural streams, the British-Celtic and the African. But if one
looks for purity in the music of the South, one searches in vain. Southerners
are often thought of as highly traditional people, and southern music has deep
roots in the past. However, to ignore the adaptability of southern music is to
miss one of its greatest realities. British and African styles did not leave their
home continents in undiluted forms; constant population movements and
economic transformations warred against the kind of stability that would have
promoted musical isolation or stasis. In this country, they did not simply over-
lap and interact; they also borrowed from and influenced the musical folk-
ways of other subcultures in the South—the Germans of the Southern Piedmont
and Central Texas, the Cajuns of Southwest Louisiana, and the Mexicans of
South Texas. Music from Spanish sources, already admixed with African idi-
oms, also came in from the Caribbean via New Orleans and the Gulf South or
across the Mexican border into Texas. Ferdinand "Jelly Roll" Morton spoke of
the "Spanish tinge" as an essential ingredient of early New Orleans jazz, but
the influence was also felt in the rhythms of other styles as well. Furthermore,
the songs and styles of English, Irish, Scotch-Irish, Scottish, and Welsh settlers
intermingled so rapidly and frequently on the southern frontier that they defy
the efforts of folklorists and ethnomusicologists to distinguish conclusively
among them or to determine their exact origins. Alan Lomax is probably cor-
rect when, recalling the composite quality of this music, he describes it as
more British than anything one can find in Great Britain,"1 but these styles
reached across cultural boundaries and were influenced by the music of people
who were not British at all.
Slaves built and occupied a community that white people could observe,
and sometimes appreciate, but never wholly understand. In many ways, as
Lawrence Levine has argued, their music "remained closer to the musical styles
and performances of West Africa and the Afro-American music of the West
Indies and South America than to the musical style of Western Europe."2
6 Southern Music/American Music
Intimately linked to work and worship, and marked by improvisati.
Popular music 1900 30 2013
This document discusses popular music in Britain and America from 1900-1930. It provides background information on various music genres that emerged and grew in popularity during this period, such as music halls, tin pan alley, ragtime, early jazz, musicals, and the rise of radio and film. The document also examines definitions of popular music and its relationship to mass culture and how new media technologies facilitated the spread and commercial success of popular music forms.
Research into music genre
Pop music originated in its modern form in the 1950s and is a genre of popular music that is often seen as oriented towards the singles charts. It draws influence from many other genres like ballads, gospel, soul, jazz, country, rock, classical, electronic, hip hop, and rap music. Pop music is typically aimed at a general audience rather than a particular subculture and emphasizes craftsmanship, recording and technology over live performance. The American and British music industries have dominated pop music and influenced it to become somewhat of an international monoculture.
5N1301 Music Performance.docx
This document discusses different music genres including folk music, classical music, and country music. It focuses on Irish folk music, describing its origins and development in Ireland through oral tradition. The key characteristics of Irish folk music are also summarized, such as its binary form, use of instruments like fiddle and accordion, and notable exponents like Sharon Shannon and Ryan Molloy.
9 music lm q1
This document provides learning materials for students on music from the Medieval, Renaissance, and Baroque periods. It includes standards, objectives, introductions to the historical and musical characteristics of each period, and discussions of genres and composers such as Gregorian chants, troubadour music, masses, madrigals, Palestrina, Morley, concertos, and Vivaldi. Students are expected to listen to and analyze examples of music from these eras.
20th Century Music.pdf
This document provides lecture notes on 20th century art music between 1900-2000. It covers major events between World Wars I and II and how they impacted music. Key developments included the rise of atonality led by Schoenberg and his 12-tone system, as well as growing use of electronic and experimental music. Major composers discussed include Stravinsky, Berg, Webern, Britten, and American composers influenced by European émigrés. The document also examines the impact of technology on music through recordings, synthesis, and indeterminacy in composition.
American music
The music of the United States reflects its diverse population and includes genres such as blues, jazz, country, rock and roll that have gained global popularity. American music evolved from Native American folk music and work songs brought by African slaves and European styles, developing in the 20th century into major genres like hip hop, pop, and R&B through the blending of diverse influences. The United States now has one of the largest music industries in the world and its music continues to blend styles from around the world into new forms.
music 9 week 1.pptx
The document provides information about Western music history from the Medieval, Renaissance, and Baroque periods. It discusses the characteristics of music from each period and some of the prominent composers. The Medieval period saw the development of Gregorian chant and secular Troubadour music. The Renaissance period featured the rise of polyphonic music like the mass and madrigal. The Baroque period introduced new instrumental techniques and tonality, as well as genres like the concerto and fugue. Famous composers mentioned include Giovanni Palestrina, Thomas Morley, Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.
Music lessson 2
The document provides information about music from the Medieval, Renaissance, and Baroque periods. It discusses the prominent genres, styles, and composers that characterized each musical era. The Medieval period saw the rise of monophonic Gregorian chants and secular Troubadour songs. The Renaissance brought polyphonic masses, madrigals, and prominent composers like Palestrina. The Baroque era featured elaborate and ornamental styles, new genres like the concerto and fugue, and influential composers such as Bach, Vivaldi, and Handel.
Music Networks Presentation
The document discusses the development of music networks in early 20th century America. It notes that high immigration rates from different cultures in the 19th century led to greater cultural interaction and blending, especially in cities where most immigrants settled. It describes how immigration from Ireland and Germany increased in the late 19th century. African musical traditions began integrating more with other cultures after the Civil War. Genres like spirituals, gospel, blues, ragtime, and jazz all developed from the blending of various musical influences, especially African music with European folk music traditions.
Music Of The Middle Ages
Medieval music developed between 450-1450 CE as Christianity spread across Europe. Music was primarily for the church, with Gregorian chant dominating. Notation developed in the 9th century, allowing for polyphony. Secular courtly music also arose, including songs by troubadours. Musical styles included monophonic and early polyphonic styles, with long melodies, drones, and dissonances in polyphony. Key composers included Hildegard von Bingen, Moniot d'Arras, and Guillaume de Machaut.
Musc371 Timeline
Plainchant was the early church music before polyphony. Gregorian chant developed in the 6th century and was named after Pope Gregory. The mass consisted of moments like the Kyrie and Gloria. Guido of Arezzo developed solfege in the 11th century. During the Renaissance, polyphony developed with techniques like adding voices in parallel and oblique motion. Martin Luther incorporated congregational singing and biblical texts. Opera originated in the early Baroque era through the Florentine Camerata. Major composers like Bach, Handel, Haydn, Mozart, and Beethoven contributed to the development of classical music forms and genres. Romanticism emphasized nationalism and emotion. Gospel songs became an evangelistic
..ufejsbzbanwksjjsnsbzbzjqkqmdnnzjr.pptx
This document discusses the history and characteristics of popular music from the 20th century to present day. Popular music is defined as music that is accessible and appealing to the masses, incorporating catchy melodies and diverse genres that reflect cultural trends. The development of popular music genres like ballads, rock and roll, disco, and rap has been heavily influenced by technology which has enabled new production and distribution methods, contributing to the diversity and widespread influence of popular music globally.
INT-450 topic 4c Ethnomusicology.pdf
This document discusses how music and songs transmit cultural heritage, create ethnic identity, and make meaning of shared experiences for different groups. It provides examples of folk songs from English and Irish cultures and how they reflected historical experiences. It also examines the Cuban song "Guantanamera" and its role in fostering Cuban nationalism, as well as the civil rights song "Eyes on the Prize" and Israel's national anthem "HaTikvah" in constructing identities. For each example, it lists ethnographic questions about the origins, context, meaning and functions of the songs.
Pop music research
Pop music borrows elements from other styles such as urban, dance, rock, Latin and country music. It is defined by generally short to medium-length songs written in a basic verse-chorus structure, with repeated choruses, melodic tunes, and hooks. The term 'pop' originated in the 1950s-1960s to describe popular Western music appealing to a wide audience nationally or globally, in contrast to 'art music'. Some original popular music groups included The Rolling Stones, The Beatles, and Elvis Presley. The pop genre has developed since the 1960s, with artists such as Michael Jackson and Madonna achieving success in both the UK and USA.
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Music Fabiana Rodrigues
- 1. Music Diversity of Popular culture in Europe Fabiana Rodrigues
- 2. What music means for a nation? • Powerful force • Defines social and cultural experience • Shapes identities Ex: National Anthems Music meaning is not static, it mostly changes with time and context.
- 3. Language and music Industry. • English Language pop music- is used in many countries. Why? Largest music market 1 USA 2 Japan 3 Great Britain 4 Germany
- 4. Music In Germany • Birthplace of: J. S.Bach L. Van Bethoven R. Wagner J. Brahans
- 5. They have Big Rock Music festivals: • Wave- Gotick- Treffen • M’era Luna Wacken Open Air • They have many renowned Opera houses. • They enjoy Hip Hop Rap as well.
- 8. Famous festival: Busójárás – Carnival in Mohács Inscribed on the Representative List of the Intangible Cultural Heritage of Humanity of the UNESCO
- 10. Music in Ireland John Field Gerald Barry Classical Music Rock Bands
- 11. • Irish Music influenced many forms of music, such as country and root music in the USA. • A revival of Irish traditional music and dance occurred in the 20th century thanks to the educational system and patriotic organizations (GAA).