Folk and Modern
www.stefanwalcott.com
Barbados
 Barbados is one of the
first colonies in
Western Hemisphere.
 In 17th and 18th
centuries it was one of
the most wealthy and
treasured possessions
in the British crown.
Pre-Independence
 The black middle
classes and educational
systems emphasised all
things English.
 Retentions, including
dialect speech were
common mostly
among working
classes.
The Landship
 After independence in
1966 Barbados actively
sought out identity.
 Looked back to pre-
independence traditions
that defined it such as the
Landship.
 A black co-operative
similar to Regiments in F.
Caribbean and TnT.
Tuk
 Tuk music is the
soundtrack to
Landship
performances.
 Drum and fife music.
 Performed in 3
movements. With last
movement being called
Tuk.
Spouge
 Spouge music was
popular song form of
1970’s.
 A creation of Dalton
‘Jackie Opel’ Bishop
who returned from
Jamaica with rhythmic
idea.
 Similar in
instrumentation to 70’s
reggae.
80s to Today
 Soca music became part of Crop Over and Barbados
introduced two important ‘modes of operation’.
 Ring Bang- which gave birth to the modern rhythm
heavy sound of modern Soca.
 Ragga Soca – A fusion of Dancehall American R+B and
Soca.
Ring Bang
 A variation of the traditional Tuk.
 Was created in 90’s in Eddie Grant’s Blue Wave Studio.
Ragga Soca
 A slower form of Soca.
 Created in 90’s with Key track being Red Plastic Bag’s-
“Ragga Ragga.”
 Came out of Nicholas Brancker’s ‘Chamber Studios’.
Bashment Soca
 A very minimalised form of Soca.
 Emphasis is on speech rhythm.
 Watershed record: “Hard Wine” by Lil’ Rick.
Artist Names
 Red Plastic Bag (calypso and soca)
 Mighty Gabby (calypso, folk and soca)
 Poonka (Tuk and calypso)
 Alison Hinds (soca)
 Edwin Yearwood (soca)
 John King (calypso and soca)
 Kid Site (Bajan dancehall and calypso)
 Lil Rick (Bajan dancehall and soca)
 Draytons Two (Spouge)
Sources
 www.stefanwalcott.com
 Best, Curwen. Barbadian popular music and the politics of
Caribbean culture. Rochester, Vt., Schenkman Books, 1999.
 ---. Culture @ the cutting edge : tracking Caribbean popular
music. Kingston, Jamaica, University of the West Indies Press,
2004.
 ---. Roots to popular culture. London; Oxford, Macmillan
Caribbean, 2001.
 Burrowes, Marcia. “History and cultural identity Barbadian space
and the legacy of empire.” Boston Spa, U.K., British Library
Document Supply Centre, 2000.
 Meredith, Sharon. "Tuk in Barbados: The History, Development
and Recontextualisation of a Musical Genre" Diss. University of
Warwick, 2002.

Barbadian Music

  • 1.
  • 2.
    Barbados  Barbados isone of the first colonies in Western Hemisphere.  In 17th and 18th centuries it was one of the most wealthy and treasured possessions in the British crown.
  • 3.
    Pre-Independence  The blackmiddle classes and educational systems emphasised all things English.  Retentions, including dialect speech were common mostly among working classes.
  • 4.
    The Landship  Afterindependence in 1966 Barbados actively sought out identity.  Looked back to pre- independence traditions that defined it such as the Landship.  A black co-operative similar to Regiments in F. Caribbean and TnT.
  • 5.
    Tuk  Tuk musicis the soundtrack to Landship performances.  Drum and fife music.  Performed in 3 movements. With last movement being called Tuk.
  • 6.
    Spouge  Spouge musicwas popular song form of 1970’s.  A creation of Dalton ‘Jackie Opel’ Bishop who returned from Jamaica with rhythmic idea.  Similar in instrumentation to 70’s reggae.
  • 7.
    80s to Today Soca music became part of Crop Over and Barbados introduced two important ‘modes of operation’.  Ring Bang- which gave birth to the modern rhythm heavy sound of modern Soca.  Ragga Soca – A fusion of Dancehall American R+B and Soca.
  • 8.
    Ring Bang  Avariation of the traditional Tuk.  Was created in 90’s in Eddie Grant’s Blue Wave Studio.
  • 9.
    Ragga Soca  Aslower form of Soca.  Created in 90’s with Key track being Red Plastic Bag’s- “Ragga Ragga.”  Came out of Nicholas Brancker’s ‘Chamber Studios’.
  • 10.
    Bashment Soca  Avery minimalised form of Soca.  Emphasis is on speech rhythm.  Watershed record: “Hard Wine” by Lil’ Rick.
  • 11.
    Artist Names  RedPlastic Bag (calypso and soca)  Mighty Gabby (calypso, folk and soca)  Poonka (Tuk and calypso)  Alison Hinds (soca)  Edwin Yearwood (soca)  John King (calypso and soca)  Kid Site (Bajan dancehall and calypso)  Lil Rick (Bajan dancehall and soca)  Draytons Two (Spouge)
  • 12.
    Sources  www.stefanwalcott.com  Best,Curwen. Barbadian popular music and the politics of Caribbean culture. Rochester, Vt., Schenkman Books, 1999.  ---. Culture @ the cutting edge : tracking Caribbean popular music. Kingston, Jamaica, University of the West Indies Press, 2004.  ---. Roots to popular culture. London; Oxford, Macmillan Caribbean, 2001.  Burrowes, Marcia. “History and cultural identity Barbadian space and the legacy of empire.” Boston Spa, U.K., British Library Document Supply Centre, 2000.  Meredith, Sharon. "Tuk in Barbados: The History, Development and Recontextualisation of a Musical Genre" Diss. University of Warwick, 2002.