This document discusses several murals located in Penang and Kuala Lumpur. It describes murals depicting a boy on a bike, kids on bicycles, and girls skipping rope. It analyzes these murals in terms of concepts like non-verbal communication, collectivist culture, and selective attention. The document also profiles Malaysian street artist Anokayer and describes his mural depicting a hand reaching for an apple, representing humanity's depletion of natural resources.