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The document discusses various subgenres of horror films and provides examples. It analyzes the supernatural horror film Mirrors, the realistic horror film Paranormal Activity, and the horror comedy The Landlord. It also examines the psychological horror film Asylum and the extreme horror film Sutures. Key conventions discussed include lighting, camerawork, music, costumes, and props used to establish tone and engage audiences.
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Horror films employ several key conventions in their mise-en-scène, camera work, editing, sound, and characters. Mise-en-scène often features isolated, abandoned places with dark colors and props symbolizing horror. Camera work uses low angles, closeups, and point-of-view shots to create fear and isolate characters. Editing employs quick cuts and jumps to startle audiences and link frightening objects or events. Sound contrasts silence with loud diegetic sounds like footsteps or heartbeats to increase tension. Character archetypes include the hero protagonist and villain who usually dies.
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Mise-en-scene in horror films establishes isolation and ominous settings through techniques like pathetic fallacy, sinister props, and dark colors like red and black. Lighting is used to create mood, cast shadows, and suggest split personalities. Costumes distinguish stereotypical character types like the "blonde" and "athlete". Sound design with exaggerated diegetic sound and loud non-diegetic music builds tension and makes audiences feel scared. Common props symbolizing religion or the devil include bibles, crucifixes, and candles. Horror films typically feature stock character archetypes like "the blonde [who] usually dies first".
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The document summarizes the student's media project, which is a supernatural horror film. It discusses the genre, references the film The Conjuring as inspiration, describes the main protagonist Lucas encountering paranormal activity in his empty office late at night, and outlines editing techniques used to create tension and fear such as color balance, light tunnel shots, and horror music. The title of the film is Obscuration.
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This document discusses various elements and conventions of horror films. It notes that horror films are often set in isolated locations like forests or abandoned buildings to make protagonists vulnerable. Typical music uses suspenseful tones and isolated instruments. Common sounds include wind and screams. Antagonists are usually supernatural entities while protagonists are often families or friend groups of teenagers. Gloomy or stormy weather sets an unnerving atmosphere for horror scenes.
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2) Horror films aim to elicit fear, disgust, and horror through disturbing and supernatural scenes. They often overlap with fantasy and science fiction genres.
3) Common conventions in horror films include masked killers, blood, death, ghosts, demons, and haunted houses. Visual styles like shadows, low lighting, and musical cues are used to build suspense and atmosphere.
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The document discusses several characteristics and conventions of the horror genre that audiences have come to expect based on conventions established in many previous horror films. These include the presence of antagonists who terrorize isolated victims, the use of isolated and abandoned settings, identifiable weapons and costumes for the antagonists, and certain audio cues that build tension and suspense. The upcoming film You're Next is analyzed in terms of how it adheres to and plays with some of these common horror genre conventions and characteristics.
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The document discusses the purpose and history of the horror genre. It aims to create a sense of fear through portrayals of audiences' worst fears. Horror films often include mythical creatures and incorporate violence. The document then outlines the evolution of the genre from 1896-present, including early experimentation, iconic films that established tropes, and the emergence of subgenres like psychological horror, slasher films, and comedy horror. It analyzes conventions for plot, characters, cinematography, lighting, editing and provides examples of films that exemplify these conventions.
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This document discusses the codes and conventions commonly used in horror films and trailers. It outlines the key narrative structures, characters, settings, costumes, props, colors, and sounds that define the genre. Narratives typically follow a pattern of equilibrium, disruption, recognition, attempt to repair, and return to equilibrium. Common characters include the protagonist, antagonist, sex appeal victim, and unlikely hero. Settings are often isolated or abandoned locations. Lighting, colors, costumes, and sounds are used to create an eerie atmosphere and build suspense and tension.
Horror
Horror films aim to elicit fear and terror in viewers. They frequently involve themes of death, the supernatural, or mental illness. The first horror film was made in 1896. In the 1960s, horror film budgets rose and films became more gruesome. While some argue horror films influence violence, research shows they allow viewers to confront fears. Horror films typically use certain techniques like music, settings, characters, and themes to create fear and suspense.
Genre research
Horror films seek to elicit negative emotional reactions from viewers by playing on primal fears. They often feature startling scenes involving the macabre, supernatural, or unknown to tap into viewers' nightmares and hidden fears. Common horror movie themes include something threatening people in or around an isolated house and a killer pursuing a single victim or group. Successful horror movies employ unsettling lighting, costumes, and props to build atmosphere and fright.
Genre of films
Films are typically categorized into genres based on their settings, music, characters and other elements. Some of the major genres include horror, comedy, thriller, action, romance, and sci-fi. Horror films aim to create tension and fright by depicting supernatural or realistic frightening situations. Comedies intend to make audiences laugh through constant jokes. Thrillers generate excitement, tension and doubt through their storylines. Romance films focus on the themes of love and relationships, often facing obstacles. Science fiction commonly portrays technology and its potential dangers through imaginative futuristic settings involving elements like paranormal abilities.
What is horror?
(1) Horror films are designed to cause suspense, tension, and scare audiences when they least expect it by involving their worst nightmares and supernatural creatures. (2) Early horror films involved little blood but modern ones contain more graphic violence using weapons like knives and chainsaws. (3) Traditional horror movies focused on ghosts and demons while today most feature possessed humans.
Codes and conventions
This document discusses the codes and conventions commonly found in horror films. It outlines several examples of popular horror subgenres and the fears they aim to invoke, such as nightmares, vulnerability, and death. Character archetypes are described, with the final girl often surviving and villains having distinguishing murder methods. Unwritten rules are listed, like certain actions guaranteeing a character's death. Locations and weapons typically featured are also provided.
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This document discusses common elements of horror films including typical synopses involving revenge, hauntings, demons, and serial killers. It notes that horror films often take place in abandoned buildings at night and feature props like weapons and masks. Common characters include victims, villains like serial killers, "stupid" teenagers, and possessed children. The camera work aims to induce fear through techniques like high and low angles, point-of-view shots, handheld footage, and disturbing sounds.
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The document lists various scary and mysterious topics including ancient mysteries, witchcraft, distressed piano music, creepy children, exorcisms, scary dolls, ventriloquist dummies, clowns, aliens, death, ghosts, and zombies. Video links are included related to string puppets and creepy children. A variety of paranormal and frightening subjects are referenced without further detail.
Supernatural horror
The document discusses the 1973 horror film The Exorcist, directed by William Friedkin. It provides context about the film's source material, production details, themes of demonic possession and religion. Key conventions of the supernatural horror genre are identified, such as possession, witchcraft, ghosts, and exorcism. The document examines the film's representation of gender, age, ethnicity, religion and social class. Scenes from the film are analyzed in terms of narrative, themes, sound, mise-en-scene, cinematography and editing techniques.
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Evaluation question1
The document summarizes the student's media project, which is a supernatural horror film. It discusses the genre, references the film The Conjuring as inspiration, describes the main protagonist Lucas encountering paranormal activity in his empty office late at night, and outlines editing techniques used to create tension and fear such as color balance, light tunnel shots, and horror music. The title of the film is Obscuration.
What is a horror movie
Horror films are designed to scare and frighten audiences by summoning their hidden worst fears through terrifying climaxes that capture attention through an intense experience. Horror movies typically consist of fear-inducing elements like death, darkness, spooky settings, disfigured monsters, suspense, ominous music, storms, and mystery to achieve their frightening effect. An example is the horror movie Hush, where a deaf woman is stalked by a killer in her isolated home.
Horror genre presentation
The document discusses the horror genre and its purpose of eliciting negative emotions in viewers through primal fears. It describes several common subgenres of horror including slasher, body horror, psychological horror, science fiction horror, and comedy horror. Each subgenre is defined and an example film is provided. The document also analyzes why the science fiction horror film Alien is effective at scaring audiences through its isolated setting, use of suspense, and threatening antagonist.
Codes and conventions
This document discusses various elements and conventions of horror films. It notes that horror films are often set in isolated locations like forests or abandoned buildings to make protagonists vulnerable. Typical music uses suspenseful tones and isolated instruments. Common sounds include wind and screams. Antagonists are usually supernatural entities while protagonists are often families or friend groups of teenagers. Gloomy or stormy weather sets an unnerving atmosphere for horror scenes.
Genre partner project_2comp_
1) Genre refers to any category of literature, art, or other cultural works based on stylistic criteria. Film genres help audiences choose films and include categories like horror, thriller, science fiction, and fantasy.
2) Horror films aim to elicit fear, disgust, and horror through disturbing and supernatural scenes. They often overlap with fantasy and science fiction genres.
3) Common conventions in horror films include masked killers, blood, death, ghosts, demons, and haunted houses. Visual styles like shadows, low lighting, and musical cues are used to build suspense and atmosphere.
Psychological Horror Research
Psychological horror focuses on everyday events that could plausibly occur in real life, making the audience more cautious. It relies on the characters' beliefs, fears, and hidden truths to create horror, rather than supernatural elements. Common conventions include an ordinary killer who appears normal, mysteries around their identity, a focus on the killer's twisted mind over physical weapons, settings people can relate to like homes and hospitals, and flashbacks explaining the killer's motives. This genre often targets female victims and uses children as killers, though the document proposes breaking those conventions.
Codes & Conventions of horror films
The document discusses common codes and conventions in horror films. It summarizes that horror narratives typically have a beginning, middle, and end with rising tension. Common themes involve good vs evil, religion, serial killers, and childhood fears. Horror stories often take place in haunted houses, asylums, or abandoned buildings to build fear. Protagonists are average people who encounter trouble, while antagonists are usually troubled or evil individuals who terrorize others. Sound, music, weapons, and camera techniques are used to build tension and suspense. Stereotypes about characters are also commonly featured in horror genres.
Psychological horror iconography and conventions
This document summarizes conventions of the psychological horror genre based on audience feedback and research. It finds that psychological horror films typically focus on everyday situations, rely on characters' fears and hidden truths, and use nonlinear narratives with flashbacks. They feature normal antagonists and depict victims as helpless. Settings seem real to create fear that the audience could experience the same situations. The purpose is to frighten audiences with plausible plots that relate to their lives.
Horror Genre Presentation
The document discusses the horror genre and its conventions. The purpose of horror films is to create feelings of fear, panic, alarm and dread in the audience by portraying their worst nightmares. Horror films often involve mythical creatures and include violence and gore. Effective horror films use techniques like camerawork, music and editing to build suspense and draw the audience in, while ineffective ones have flaws like bad acting and plots that fail to engage viewers.
Genre research
The document discusses several characteristics and conventions of the horror genre that audiences have come to expect based on conventions established in many previous horror films. These include the presence of antagonists who terrorize isolated victims, the use of isolated and abandoned settings, identifiable weapons and costumes for the antagonists, and certain audio cues that build tension and suspense. The upcoming film You're Next is analyzed in terms of how it adheres to and plays with some of these common horror genre conventions and characteristics.
What is a horror film
This document discusses the key elements that define a horror film. It notes that horror films are designed to frighten audiences through invoking their deepest fears and showing terrifying endings. Successful horror films utilize similar techniques like death, darkness, strange places and intense music to elicit fear. It provides the example of the film Annabelle, which grossed over $256 million worldwide by starting as an innocent doll but transforming into a terrifying creature from hell.
The horror genre
The document discusses the horror genre in film. It defines genre and provides examples of subgenres like horror comedy hybrids. It also covers common elements of horror films, including isolated or abandoned settings, expressive camera work using extreme close-ups and point-of-view shots, iconic visuals like blood and weapons, narratives that cliffhang or have endless plots, character archetypes like "the protagonist" and "the antagonist", and recurring themes like revenge or religion.
Horror genre conventions
The document discusses the purpose and history of the horror genre. It aims to create a sense of fear through portrayals of audiences' worst fears. Horror films often include mythical creatures and incorporate violence. The document then outlines the evolution of the genre from 1896-present, including early experimentation, iconic films that established tropes, and the emergence of subgenres like psychological horror, slasher films, and comedy horror. It analyzes conventions for plot, characters, cinematography, lighting, editing and provides examples of films that exemplify these conventions.
Codes and conventions in the horror genre
This document discusses the codes and conventions commonly used in horror films and trailers. It outlines the key narrative structures, characters, settings, costumes, props, colors, and sounds that define the genre. Narratives typically follow a pattern of equilibrium, disruption, recognition, attempt to repair, and return to equilibrium. Common characters include the protagonist, antagonist, sex appeal victim, and unlikely hero. Settings are often isolated or abandoned locations. Lighting, colors, costumes, and sounds are used to create an eerie atmosphere and build suspense and tension.
Horror
Horror films aim to elicit fear and terror in viewers. They frequently involve themes of death, the supernatural, or mental illness. The first horror film was made in 1896. In the 1960s, horror film budgets rose and films became more gruesome. While some argue horror films influence violence, research shows they allow viewers to confront fears. Horror films typically use certain techniques like music, settings, characters, and themes to create fear and suspense.
Genre research
Horror films seek to elicit negative emotional reactions from viewers by playing on primal fears. They often feature startling scenes involving the macabre, supernatural, or unknown to tap into viewers' nightmares and hidden fears. Common horror movie themes include something threatening people in or around an isolated house and a killer pursuing a single victim or group. Successful horror movies employ unsettling lighting, costumes, and props to build atmosphere and fright.
Genre of films
Films are typically categorized into genres based on their settings, music, characters and other elements. Some of the major genres include horror, comedy, thriller, action, romance, and sci-fi. Horror films aim to create tension and fright by depicting supernatural or realistic frightening situations. Comedies intend to make audiences laugh through constant jokes. Thrillers generate excitement, tension and doubt through their storylines. Romance films focus on the themes of love and relationships, often facing obstacles. Science fiction commonly portrays technology and its potential dangers through imaginative futuristic settings involving elements like paranormal abilities.
What is horror?
(1) Horror films are designed to cause suspense, tension, and scare audiences when they least expect it by involving their worst nightmares and supernatural creatures. (2) Early horror films involved little blood but modern ones contain more graphic violence using weapons like knives and chainsaws. (3) Traditional horror movies focused on ghosts and demons while today most feature possessed humans.
Codes and conventions
This document discusses the codes and conventions commonly found in horror films. It outlines several examples of popular horror subgenres and the fears they aim to invoke, such as nightmares, vulnerability, and death. Character archetypes are described, with the final girl often surviving and villains having distinguishing murder methods. Unwritten rules are listed, like certain actions guaranteeing a character's death. Locations and weapons typically featured are also provided.
Horror Genre Iconography
This document discusses common elements of horror films including typical synopses involving revenge, hauntings, demons, and serial killers. It notes that horror films often take place in abandoned buildings at night and feature props like weapons and masks. Common characters include victims, villains like serial killers, "stupid" teenagers, and possessed children. The camera work aims to induce fear through techniques like high and low angles, point-of-view shots, handheld footage, and disturbing sounds.
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Horror mood board
The document lists various scary and mysterious topics including ancient mysteries, witchcraft, distressed piano music, creepy children, exorcisms, scary dolls, ventriloquist dummies, clowns, aliens, death, ghosts, and zombies. Video links are included related to string puppets and creepy children. A variety of paranormal and frightening subjects are referenced without further detail.
Supernatural horror
The document discusses the 1973 horror film The Exorcist, directed by William Friedkin. It provides context about the film's source material, production details, themes of demonic possession and religion. Key conventions of the supernatural horror genre are identified, such as possession, witchcraft, ghosts, and exorcism. The document examines the film's representation of gender, age, ethnicity, religion and social class. Scenes from the film are analyzed in terms of narrative, themes, sound, mise-en-scene, cinematography and editing techniques.
The history of supernatural
This document summarizes several influential supernatural/psychological films from 1963 to 2007, including The Haunted Place, The Exorcist, Nightmare on Elm Street, and Paranormal Activity. It provides details on the directors, plot synopses, and underlying themes or subtexts for each film. Key events in the genre are traced, from early films showing gore rarely seen at the time, to more recent films attempting to appear realistic and make audiences believe such events could truly happen.
Supernatural horror conventions
- The main character is often the one who is possessed, becoming the antagonist as in The Amityville Horror and The Conjuring. Religious characters sometimes try to perform exorcisms to remove the evil possession.
- The stories typically take place in isolated, abandoned houses with dark histories like sites of murders. The truth about what happened is often only revealed midway through to build suspense, as in Mama.
- Common visual conventions include the use of dark, eerie colors like reds, blacks, and whites to create an unsettling atmosphere and identify the supernatural genre. Posters for films like Sinister effectively employ colors to build suspense.
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Six Guardian Angels were lost on October 7th, 2007. The document provides no other context or details about the Guardian Angels that were taken or the circumstances around them being taken. It is a very brief statement that six Guardian Angels were taken on a specific date.
Gothic influence on modern culture
Gothic architecture originated in 12th century France and is characterized by pointed arches, ribbed vaults, and flying buttresses. Gothic art developed out of Romanesque art in the same period, featuring paintings like frescoes and stained glass windows, as well as monumental sculptures. Gothic films draw from the dark, supernatural elements of Gothic literature through gloomy atmospheres, abandoned buildings, monsters, and heroes in trouble.
Mise en scene in horror
The document discusses several techniques of mise-en-scène used in horror movies to create atmosphere and fear. It describes how settings like forests used in films like Friday the 13th isolate and endanger characters. Props symbolize religious elements in possession films and identify villains by their weapons. Dark lighting and colors like black and red are employed to conceal threats and represent good and evil. Costumes and makeup are also important for defining characters and showing their deterioration. Facial expressions and body language display characters' fear through tension and shock. Practical effects are often used in place of visual effects to portray graphic violence realistically.
Sound horror film research
This document discusses three key aspects of horror film soundtracks: music, voices, and sound effects. It explains that music helps set mood and elicit emotions from audiences through techniques like isolated instruments before events and changes in pitch. Voices in horror films are often chosen to reflect fear through qualities like a distinctive and husky tone. Common sound effects that enhance horror include animals associated with fear and echoed voices that create an eerie atmosphere.
Horror genre:codes and conventions
The document discusses conventions commonly seen in horror films. It lists several iconic horror films and the subgenres they represent, such as slasher, torture porn, and monster films. It then outlines techniques horror films use to unsettle and discomfort viewers, like increasing heart rate and invoking fears. Finally, it details some common fears reinforced in horror, like nightmares, vulnerability, and death. It provides examples of typical horror conventions like isolated settings, masked killers who use weapons like knives, and characters archetypes like teenagers and final girls.
Horror Film Forms and Conventions
The document discusses various forms and conventions commonly found in horror films. It outlines common themes such as revenge, hauntings, demons, gore, and serial killers. It also describes subgenres like gothic horror, slasher films, and psychological horror. Narratives in horror films typically involve a protagonist confronting a monster or villain. Character archetypes include the heroine, sex appeal character, irritating character, unlikely hero, and antagonist. The document also discusses camera work techniques, found footage style, iconography, and common settings used to establish mood and tension in horror movies.
Codes and conventions in Horror Films
The document discusses common codes, conventions, and techniques used in horror films. It begins by defining codes and conventions, and explains that codes are technical or symbolic ways of communicating meaning, while conventions are generally accepted ways of doing things within a genre. It then lists and describes several common conventions in horror films, such as films being set in isolated locations, characters ignoring threats of danger, the power being cut at scary moments, phone lines being cut, characters investigating strange noises, victims running upstairs instead of outside, and more.
Horror genre conventions
The document outlines horror genre conventions across several categories:
Setting is usually isolated places that connote being alone such as abandoned buildings, forests, or cities. Technical elements like camerawork and editing aim to unsettle audiences. Iconography employs dark colors, lighting, and props associated with villains. Narratives follow classic structures but leave room for sequels, featuring heroes facing killers or solving problems. Character types include victims, monsters, "immoral" teens, and police officers that can be allies or adversaries. Themes commonly explored are good versus evil, the supernatural, and madness.
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Psychological thrillers rely on manipulating a character's mental state and perceptions to create suspense. Common conventions include characters questioning their identity, purpose, or what is real; their minds become a location of conflict as they try to understand themselves or their situation. One Hour Photo explores a character obsessed with a family after viewing their photos at his job in a one-hour photo lab. Taxi Driver features an unstable Vietnam veteran working as a nighttime taxi driver who feels compelled to violently lash out. Obsessed examines a successful man whose life is jeopardized when a temp worker starts stalking him.
50 Top Best Scariest Horror Movie To Watch Ever - Movie TV Tech Geeks
It's MovieTVTechGeeks.com annual top 50 readers choice of the scariest horror movies ever to watch for Halloween. It changes up each year, but some classics stick around.
05 genre research offical one
Horror films aim to elicit intense feelings of fear, shock, or disgust in viewers. The genre has evolved over time, with improvements in special effects and graphics making violence and gore appear increasingly realistic. Common elements of horror narratives include protagonists facing threats in isolated settings, strange events occurring, and antagonists ultimately harming the protagonists with iconic props like knives and guns. While the earliest horror films from the late 19th century featured brief supernatural scenes, the genre has since expanded to include psychological thriller and slasher elements focused on possessed characters and serial killers.
Horror
The document analyzes horror movie trailers from three different sub-genres:
1) The Conjuring is a paranormal horror trailer that uses handheld camera shots and fast editing to build tension. It shows an old, isolated house to set the scene.
2) Shaun of the Dead is a comedy horror trailer that uses shots of zombies to add humor, such as them dancing identically. It makes a scary situation funny.
3) World War Z is a sci-fi horror trailer that uses shots of a family in a car to make the viewer relateable. It cuts between shots of zombies chasing people to create suspense.
Horror chris george media powerpoint
The horror genre originated in the late 1700s as a genre of Gothic literature. One of the first horror films was made in 1896 by French filmmaker Georges Melies. While the term 'horror' was not used to describe films until the 1930s, the genre has evolved significantly with advances in technology. Famous directors like Alfred Hitchcock and George Romero helped establish conventions for camera work, editing, settings, characters, and themes that are still common in modern horror films. Subgenres have also emerged like slasher, psychological horror, and zombie films.
Assignment #4 genre partner
1. Drama originated around the 16th century BC in ancient Greece and was used to act out stories for gods. Over time, drama has expanded its audience and become a hybrid genre, blending elements of comedy, drama, and romance.
2. Charlie Chaplin's 1936 film Modern Times exemplified this hybrid genre, blending comedy and social commentary about modern industrial society. The film relied heavily on music to convey emotions and heighten different scenes.
3. Horror and thriller films first emerged in the early 20th century to shock and terrify audiences. Advances in technology have allowed these genres to incorporate more realistic and convincing special effects over time. Many modern horrors blend with other genres like comedy.
Research for production
The document provides summaries and analyses of four horror genre films: Wrong Turn, Eden Lake, Scream, and Shutter Island. It summarizes the plot, genre, settings, target audiences, and notable scenes of each film. For Wrong Turn, it highlights a graphic scene of cannibalistic mountain men eating a character. For Eden Lake, it analyzes an effective scene of the main characters hiding under a bridge in torn clothes. For Scream, it praises the film's quick editing and the ghost face costume. For Shutter Island, it summarizes the film's mystery plot on an isolated island hospital.
Horror Genre Research
This document discusses various elements and conventions of horror films including common themes, settings, camera techniques, character archetypes and how more modern films have adapted classic conventions. It provides examples of influential early horror films and how they established tropes that continue to be used, and also examines how some films have combined genres or added new elements to conventions.
Media genre research
This document discusses conventions of the horror genre. It notes that horror aims to create a sense of fear in audiences by focusing on dark or evil forces. Common themes include hauntings, murders, demons and ghosts. Narratives typically involve heroes facing evil characters or spirits and surviving to defeat them. Settings are usually remote, dark places like forests and abandoned homes. Characters include protagonists, villains, teens and possessed children. Examples like Insidious and The Woman in Black are provided that follow these conventions through their characters, settings and use of fear.
Horror conventions
The document discusses conventions and themes in the horror genre. It outlines that in the 1980s, slashers like Friday the 13th and A Nightmare on Elm Street were popular, while later films mixed comedy. Throughout the decade, Stephen King adaptations were common. In the 2000s, remakes of American and foreign films emerged. Key themes discussed include good vs evil, religion, science gone bad, and the classic gothic. Elements like isolated settings, characters archetypes, camera techniques, sound, lighting, and editing are described as common horror conventions. Narrative and audience theories are also referenced to analyze horror storytelling.
Horror conventions
This document discusses the history and conventions of the horror genre in film. It provides an overview of different subgenres within horror, such as slasher films in the 1980s, psychological horror that aims to create discomfort, and action horror that combines violence with supernatural elements. It also lists common horror film locations, themes and examples like Saw, Mother's Day and Orphan. The document outlines techniques used in horror films, including camera work, sound, editing and lighting. It discusses the "good vs evil" subgenre and provides a brief overview of Todorov's narrative theory and the copy cat theory in relation to horror.
Evaluation
The document discusses conventions of supernatural horror films and how the media product challenges or develops these conventions. Specifically, it discusses how the plot follows a conventional haunted house storyline. It also explores how elements like costumes, props, lighting, sound, editing, and camerawork both challenge conventions and adhere to them. For example, it uses more blood than typical but doesn't use common props like dolls or toys. It represents the main characters as young white females and does not include male or minority characters. The representations of the female characters both challenge and reinforce ideologies about gender.
Jv evaluation presentation final old version
The document provides details about the plot, characters, themes, and techniques used in a horror film trailer, poster, and magazine cover created by the author. It discusses the story of a student who discovers a mysterious website and becomes embroiled in a murder investigation. Key elements include an isolated school setting, themes of good vs evil, and the use of found footage-style filming techniques and fast cuts to create suspense. Feedback was gathered from viewers using online surveys and focus groups. The author learned about designing for different media formats and improving work based on audience response.
Partner ship presentation123alexa_part
The document summarizes several horror movies and how they meet conventions of the genre:
1) "The Possession of Joel Delany" involves a man seemingly possessed by a voodoo spirit and features victims, weapons, and violence.
2) "The Shout" includes screams that can kill, mystical powers, weapons, and an intense musical score creating a dark atmosphere.
3) "Death Bed: The Bed That Eats" features a demonic bed that seduces and eats young women, showing victims and a supernatural monster.
Supernatural horror genre
The document discusses the supernatural horror genre. It begins by defining supernatural horror as involving unexplained events that violate natural laws, like individuals having superpowers. Key themes include demonic powers, witchcraft, and the afterlife. Some common symbols are devil's traps and angel wards. The genre has roots in folklore about death, the afterlife, and evil entities. The first associated film was "Le manoir du diable" in 1896. More recent influential films include "The Conjuring" from 2013 and "Annabelle" from 2014. The genre has evolved over time to include more paranormal scenes, witchcraft, and both happy and ambiguous endings.
Horror sub genres
This document summarizes four main horror sub-genres: slasher, gothic, psychological, and supernatural. It provides examples for each sub-genre, including films like Scream for slasher, Dracula for gothic, The Strangers for psychological, and The Conjuring for supernatural. Each sub-genre is described in terms of its common themes, tropes, settings, and conventions.
Group research
The group chose the horror genre for their research project. Horror films are designed to frighten audiences and have a long history dating back to ancient folklore. Some of the earliest horror films included Nosferatu in 1922. Horror films were distributed by major studios like 20th Century Fox and Warner Bros. and featured conventions like isolated settings, dark colors, sudden sounds, and weapons to indicate violence. Successful modern horror films like IT and Saw used younger casts to create surprises and frighten audiences. The Conjuring was a popular horror film distributed by Warner Bros. that analyzed trailers and posters showed dark colors, jump scares, and stories of demonic possession to evoke fear in viewers.
Assignment 4 genre partner project
Horror/thriller movies were first established in the early 20th century to shock, thrill and terrify audiences by bringing their worst nightmares to life. Advances in technology and special effects have changed how horrors are made over time. Nowadays, horrors are also often mixed with other genres like comedy. Common conventions of horrors include terrifying characters, disturbing unexplained behavior, helpless victims, and psychotic killers. The level of gore and special effects used varies based on the type of horror, such as supernatural, psychological, or mystery thrillers.
Horror conventions
The document discusses conventions and themes that are common in horror genre films. It notes that slasher films dominated the early 1980s while later films of that decade took a more comedic approach. Some common horror themes discussed include good vs evil, religion, science gone awry, and the classic gothic. The document also outlines conventions related to mise-en-scene, camera work, sound, editing, lighting, and narrative structures often seen in horror films.
Research and planning powerpoint new
The document provides information about the 2008 horror film "Eden Lake". It was directed by James Watkins, stars Kelly Reilly and Michael Fassbender, and tells the story of a couple who are terrorized by a group of teenagers while on a romantic vacation. The trailer uses techniques common to the horror genre like diegetic sounds of screaming, darkness and close-ups of characters' fearful reactions to build tension and suspense for the audience.
Similar to Ms connell.. partner_presentation_jade_dawkins_part (20)
50 Top Best Scariest Horror Movie To Watch Ever - Movie TV Tech Geeks
50 Top Best Scariest Horror Movie To Watch Ever - Movie TV Tech Geeks
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Script draft 3
The document discusses how the media, particularly news outlets, have negatively portrayed youths in their coverage. Over the last few years, 63% of news press represented youths as violent troublemakers based on incidents like the London riots. This coverage has led many in the British public to develop negative perceptions of young people and view any group of youths as a "gang". Interviews with experts suggest the media may be unfairly generalizing and distorting the image of youths.
Script draft 3
Over the last years, the news media has represented youths as violent and irrational, causing trouble in London, with 63% of news coverage portraying negative perceptions of young people. This coverage has influenced much of the British public to look down on adolescents. The term "gang" is now often used to describe any group of youths, which may be an unfair generalization.
Script Draft 2
The document discusses negative stereotypes of youth in media, specifically focusing on their portrayal in television, films, and dramas. It notes that media often shows young people in a sexually active way and lacks positive portrayals of lesbian, gay and bisexual teenagers, instead focusing on sexual encounters. Young males are usually depicted as predators and females as targets. However, portraying positive representations of young LGBTQ+ people and heterosexuals alike could help challenge bullying and discrimination. It questions whether it is fair for media to portray teenagers as perpetrators rather than victims.
Script Draft 2
The document discusses negative stereotypes of youth in media, specifically focusing on their portrayal as sexually active in a problematic way. Films often show a lack of positive portrayals of lesbian, gay and bisexual teenagers, instead focusing on sexual encounters and portraying young males as predators and females as targets. However, more positive representations of both homosexual and heterosexual youth could help challenge bullying and discrimination. It questions whether it is fair for media to often portray teenagers as perpetrators rather than victims.
Script 2
The document discusses negative stereotypes of youth in media such as television, film, and news. It notes that youth are often portrayed sexually or in a predatory way, with a lack of positive portrayals of lesbian, gay, and bisexual teenagers. However, showing positive representations of both homosexual and heterosexual youth could help challenge bullying and discrimination. It concludes by questioning whether it is fair for media to often portray teenagers as perpetrators rather than victims.
Evaluation for media
The document discusses how various media technologies were used at different stages of creating a documentary. YouTube and existing documentaries were researched for inspiration and techniques. A blogger was used to document ideas and share research. PowerPoint was used to present storyboards and ideas to classmates. A tripod, camera, sound recorder, and iMovie were used for production and editing. Fireworks was used to assemble photos. Wikipedia, Google sites, and YouTube converters were used for additional research. Questionnaires and feedback were gathered from the target audience of youths and parents to improve the documentary. The documentary would air on Channel 4 at 8pm to reach this audience.
Evaluation for media
The document discusses how various media technologies were used at different stages of creating a documentary. YouTube, blogs, PowerPoint, and Excel were used for research and planning. A tripod, camera, sound recorder, and iMovie were used for production and editing. Feedback was gathered through questionnaires to improve the documentary. The target audience is identified as young people, parents, and the general public. The documentary will air on Channel 4 at 8pm to attract this audience within OFCOM standards.
Ancillary research
This document provides information on conventions for magazine double page spreads. It discusses common forms like interviews, photography spreads, advertisements, and fashion pieces. Photography spreads typically feature large images with little text, while informative articles contain photos and text. Ads promote concerts or festivals. Fashion pieces usually have a main image taking up most of the page with caption text. Examples are also given of how different magazines employ these conventions in their double page spreads through layout, font, color choice, image placement, and column structure.
How we improved through drafts
The document provides feedback on an Alexa project, noting that early versions lacked clarity in their location details, storyboard, and structure. Later iterations improved by creating a more detailed storyboard, clearer structure, and properly annotating inspirational elements, resulting in clearer slides and a shot list that adequately conveyed the project.
Draft 3 part 7
The document outlines various potential filming locations to portray both positive and negative representations of youths. Locations include a library to show youths studying, a council estate to depict gangs, wealthy and impoverished areas for interviews, a park for underage drinking, and schools and offices to interview experts. Case studies, statistics on alcohol/drug use, and interviews with youths, parents, and police are also proposed. The goal is to have a balanced documentary presenting both sides of how youths are portrayed in media and society.
Draft 3 part 6
The document discusses advertising a documentary in TV magazines and newspapers. It analyzes examples from TV Times, The Evening, and The Sun publications to identify conventions for layout, use of images and color, and level of text. Key points examined include the use of double page spreads, prominent pictures, limited text, and matching the style to the target publication. The goal is to attract readers and convey the topic of representing youth in media.
Draft 3 part 5 c
Nicki Minaj is an up and coming artist popular amongst youth culture. Her song "Super Bass" is very famous and catchy with an upbeat tempo that has positive connotations. This music will be played in positive representations of youths.
Draft 3 part 5 b
This document discusses using music by Giggs, a grime artist, for a project that depicts negative stereotypes of youth culture. Specifically, it lists two Giggs songs, "Talkin' the Hardest" and its instrumental version, that will accompany scenes portraying negative stereotypes of youths.
Draft 3 part 5
The document provides guidelines for font and text styles for Channel 4 productions. It recommends using the C4 font for titles and captions, with RED C4 color being half red and half white. Text should be placed in the right center of the frame for clarity and to indicate the next topic. Credits should use black background with C4 font writing. Captions should also use C4 font at the bottom right or center of the frame.
Draft 3 part 4
The document outlines a shot list for a documentary about youth in London, including drugs, alcohol, and gang culture. It proposes establishing shots of London, close-ups for interviews, mid-shots of presenters, over-the-shoulder shots, high angles to show youth are not intimidating, panning shots of presenters walking, zooming during a drug/alcohol montage, and cut-ins during interviews. The target audience is youth and adults in London interested in relevant topics. The documentary will air at 9pm on Channel 4 to engage audiences with an intriguing style while protecting younger viewers.
Draft 3 part 3
The document outlines a shot list for a documentary exploring youth in London. It includes establishing shots to set the scene, close-ups for interviews, over-the-shoulder shots from the presenter's perspective, and mid-shots of the presenter and interviewees. It also lists panning to track the presenter walking, zooming to focus on drugs/alcohol in a montage, and cut-in shots during interviews to show hand movements. The high angle shot at the end will show youth saying they are not as intimidating as perceived.
Draft 3 part 2
The documentary examines representations of youth in various media sources such as music videos, television shows, news articles, and video games. Interviews are conducted with youths, experts, police, and parents to get different perspectives on whether media portrayals are accurate or stereotypical. Statistics on youth drug and alcohol use are presented alongside examples that challenge common stereotypes, showing youths engaged in positive activities like education and community service. The documentary aims to have a balanced discussion and show that not all youths conform to rebellious media archetypes.
Draft 3 part 1 c
The documentary uses several conventions including a montage with voiceover, archival footage, and interviews. Fast short clips are shown in the montage to link to the topic while the voiceover explains what the audience will see. Archival footage is also used with voiceover to provide statistics. A range of people from different backgrounds are interviewed, including a black male radio host and an Asian young girl discussing her mother's illness.
Draft 3 part 1 b
The documentary begins by comparing the lifestyles of lower class and wealthy youth through still shots. It clearly shows that horse riding is a hobby enjoyed by wealthy youth, while lower class youth are seen sitting in parks and estates, implying they are idle or causing trouble. These images establish the different stereotypes faced by each social class. The documentary aims to challenge such stereotypes by featuring lower class youth engaged in interesting activities like reading clubs or charitable work.
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3:国家专业人才认证中心颁发入库证书
4:这个认证书并且可以归档倒地方
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6:个人职称评审加20分
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The Unbelievable Tale of Dwayne Johnson Kidnapping: A Riveting Saga
Introduction
The notion of Dwayne Johnson kidnapping seems straight out of a Hollywood thriller. Dwayne "The Rock" Johnson, known for his larger-than-life persona, immense popularity. and action-packed filmography, is the last person anyone would envision being a victim of kidnapping. Yet, the bizarre and riveting tale of such an incident, filled with twists and turns. has captured the imagination of many. In this article, we delve into the intricate details of this astonishing event. exploring every aspect, from the dramatic rescue operation to the aftermath and the lessons learned.
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The Origins of the Dwayne Johnson Kidnapping Saga
Dwayne Johnson: A Brief Background
Before discussing the specifics of the kidnapping. it is crucial to understand who Dwayne Johnson is and why his kidnapping would be so significant. Born May 2, 1972, Dwayne Douglas Johnson is an American actor, producer, businessman. and former professional wrestler. Known by his ring name, "The Rock," he gained fame in the World Wrestling Federation (WWF, now WWE) before transitioning to a successful career in Hollywood.
Johnson's filmography includes blockbuster hits such as "The Fast and the Furious" series, "Jumanji," "Moana," and "San Andreas." His charismatic personality, impressive physique. and action-star status have made him a beloved figure worldwide. Thus, the news of his kidnapping would send shockwaves across the globe.
Setting the Scene: The Day of the Kidnapping
The incident of Dwayne Johnson's kidnapping began on an ordinary day. Johnson was filming his latest high-octane action film set to break box office records. The location was a remote yet scenic area. chosen for its rugged terrain and breathtaking vistas. perfect for the film's climactic scenes.
But, beneath the veneer of normalcy, a sinister plot was unfolding. Unbeknownst to Johnson and his team, a group of criminals had planned his abduction. hoping to leverage his celebrity status for a hefty ransom. The stage was set for an event that would soon dominate worldwide headlines and social media feeds.
The Abduction: Unfolding the Dwayne Johnson Kidnapping
The Moment of Capture
On the day of the kidnapping, everything seemed to be proceeding as usual on set. Johnson and his co-stars and crew were engrossed in shooting a particularly demanding scene. As the day wore on, the production team took a short break. providing the kidnappers with the perfect opportunity to strike.
The abduction was executed with military precision. A group of masked men, armed and organized, infiltrated the set. They created chaos, taking advantage of the confusion to isolate Johnson. Johnson was outnumbered and caught off guard despite his formidable strength and fighting skills. The kidnappers overpowered him, bundled him into a waiting vehicle. and sped away, leaving everyone on set in a state of shock and disbelief.
The Immediate Aftermath
The immediate aftermath of the Dwayne Johnson kidnappin
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