Mise en scene analysis slideshare
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This document discusses mise-en-scene analysis and its application to hip hop music videos. Mise-en-scene refers to everything within the frame of a shot or sequence of shots that can convey meaning to the viewer. It includes five domains: setting/props, costumes/appearance, facial expressions/body language, lighting/color, and positioning within the frame. The document then analyzes the 2005 music video for "The Come Up" by AZ, noting how elements of mise-en-scene like the derelict outdoor setting, naturalistic clothing, serious facial expressions, black and white coloring, and positioning contribute to constructing themes of authenticity, hip hop masculinity, and life in the streets.
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Research Presentation Updated
Timothy Ogden conducted research on film trailers and posters to identify common conventions. For trailers, he found they typically include an establishing shot, close-ups of main characters, and a tease of the plot without revealing too much. His research of posters showed main characters prominently displayed with hints of the setting and story in the background. To create a successful product for his target audience of teens, Ogden's trailer needs to follow these conventions by capturing interest without spoiling the film's surprises.
'Paranoia’
The document outlines the planning and research done by Shelley Pestell and Miranda Bunnis for their student film project titled 'Paranoia'. They analyzed horror movie trailers for inspiration on camera techniques. Their film will focus on five friends who use a Ouija board and experience paranormal events. They determined the target age group is 15-25 and rated it 15. Locations, costumes, props and actors have been considered. The storyboard involves one girl home alone having flashbacks to using the Ouija board with friends. Strange events then start occurring to each of the five characters.
Black mass trailer analysis
The Black Mass trailer focuses on the life of infamous gangster James "Whitey" Bulger set primarily in the 1970s in Boston. It shows a tense dinner scene between Bulger and his gang members and switches to other locations like a nightclub and FBI office as Bulger narrates in a dark monologue. The trailer uses dark lighting and costumes to portray the dark world Bulger inhabits and quick edits to showcase many clips in typical trailer fashion. It highlights Johnny Depp's extensive makeup used to resemble the real Bulger in this true crime drama.
A2 Media Evaluation - Yasmin Coutinho
The document discusses conventions of movie posters and trailers. It provides guidance on constructing an effective horror film trailer, including using fast cuts to build tension, low camera angles to make the audience feel vulnerable, and close-ups to build empathy for the main character. Color schemes, imagery, and unsettling sounds and music should be used to set an ominous tone. While revealing some hints about the plot, an effective trailer will also raise questions to intrigue the audience. Feedback on a draft trailer suggests making edits to better follow trailer conventions and more clearly portray the plot and psychological thriller genre.
Film language - mise en scene
This document provides an overview of the film analysis concept of mise-en-scene, which refers to everything visible within the frame of a film including settings, props, costumes, performance, and character positioning. It defines these five elements of mise-en-scene and provides examples to illustrate how each element can be used to convey meaning and influence audience understanding. The document aims to teach students to apply mise-en-scene concepts to analyze short film clips by considering how these elements work together to communicate information visually.
Love field analysis slideshow
Love Field is a 2008 short film directed by Mathieu Ratthe that uses elements of horror, drama, and thriller genres to create ambiguity. It stars Bianca Gervais and Pierre Lebeau. Through the use of camera shots, music, and props, the male character is initially portrayed as a villainous figure harming the female character in a cornfield, conforming to stereotypes. However, the film subverts expectations by revealing he is actually helping deliver her baby, changing the mood. The film targets 15+ audiences interested in horror through its initial misleading conventions.
Photography Lecture Part ONE
This document discusses key film techniques such as shot sizes, lighting, and characteristics of film noir. It provides examples of different shot sizes like extreme close-up, close-up, medium shot, and long shot. It explains the three basic placements for lights: key light, fill light, and back light. It also discusses high key and low key lighting. The document defines film noir as a style of film from the 1940s-1950s known for its low key lighting, ominous shadows, skewed camera angles, and protagonists that are cynical, morally ambiguous anti-heroes. It provides the example of Sunset Boulevard to illustrate these points.
Character profile for media
The kidnapper character will be 5'9" tall and dressed entirely in black, including a balaclava to hide his face. He will be silent as he moves cautiously through a house, carrying props like levers or a baseball bat. The kidnapper will be a quiet but physically violent character.
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Research Presentation Updated
Timothy Ogden conducted research on film trailers and posters to identify common conventions. For trailers, he found they typically include an establishing shot, close-ups of main characters, and a tease of the plot without revealing too much. His research of posters showed main characters prominently displayed with hints of the setting and story in the background. To create a successful product for his target audience of teens, Ogden's trailer needs to follow these conventions by capturing interest without spoiling the film's surprises.
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The document outlines the planning and research done by Shelley Pestell and Miranda Bunnis for their student film project titled 'Paranoia'. They analyzed horror movie trailers for inspiration on camera techniques. Their film will focus on five friends who use a Ouija board and experience paranormal events. They determined the target age group is 15-25 and rated it 15. Locations, costumes, props and actors have been considered. The storyboard involves one girl home alone having flashbacks to using the Ouija board with friends. Strange events then start occurring to each of the five characters.
Black mass trailer analysis
The Black Mass trailer focuses on the life of infamous gangster James "Whitey" Bulger set primarily in the 1970s in Boston. It shows a tense dinner scene between Bulger and his gang members and switches to other locations like a nightclub and FBI office as Bulger narrates in a dark monologue. The trailer uses dark lighting and costumes to portray the dark world Bulger inhabits and quick edits to showcase many clips in typical trailer fashion. It highlights Johnny Depp's extensive makeup used to resemble the real Bulger in this true crime drama.
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The document discusses conventions of movie posters and trailers. It provides guidance on constructing an effective horror film trailer, including using fast cuts to build tension, low camera angles to make the audience feel vulnerable, and close-ups to build empathy for the main character. Color schemes, imagery, and unsettling sounds and music should be used to set an ominous tone. While revealing some hints about the plot, an effective trailer will also raise questions to intrigue the audience. Feedback on a draft trailer suggests making edits to better follow trailer conventions and more clearly portray the plot and psychological thriller genre.
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This document provides an overview of the film analysis concept of mise-en-scene, which refers to everything visible within the frame of a film including settings, props, costumes, performance, and character positioning. It defines these five elements of mise-en-scene and provides examples to illustrate how each element can be used to convey meaning and influence audience understanding. The document aims to teach students to apply mise-en-scene concepts to analyze short film clips by considering how these elements work together to communicate information visually.
Love field analysis slideshow
Love Field is a 2008 short film directed by Mathieu Ratthe that uses elements of horror, drama, and thriller genres to create ambiguity. It stars Bianca Gervais and Pierre Lebeau. Through the use of camera shots, music, and props, the male character is initially portrayed as a villainous figure harming the female character in a cornfield, conforming to stereotypes. However, the film subverts expectations by revealing he is actually helping deliver her baby, changing the mood. The film targets 15+ audiences interested in horror through its initial misleading conventions.
Photography Lecture Part ONE
This document discusses key film techniques such as shot sizes, lighting, and characteristics of film noir. It provides examples of different shot sizes like extreme close-up, close-up, medium shot, and long shot. It explains the three basic placements for lights: key light, fill light, and back light. It also discusses high key and low key lighting. The document defines film noir as a style of film from the 1940s-1950s known for its low key lighting, ominous shadows, skewed camera angles, and protagonists that are cynical, morally ambiguous anti-heroes. It provides the example of Sunset Boulevard to illustrate these points.
Character profile for media
The kidnapper character will be 5'9" tall and dressed entirely in black, including a balaclava to hide his face. He will be silent as he moves cautiously through a house, carrying props like levers or a baseball bat. The kidnapper will be a quiet but physically violent character.
music video 1) initial plans
ideas, mind map, final idea- concept/ music track/ techniques and styles, summary and potential research targets.
Presentation2
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Case study of iconic director
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Presentation for opening title sequence
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This photography planning document outlines shots for the front cover, contents page, and three double page spreads of a magazine. The front cover will feature a famous female artist in a studio wearing jeans, a jumper, and leather jacket. The contents page will showcase various singers and artists in different poses from long shots to close ups both indoors and outdoors wearing casual clothes. The first double page spread will show a new female guitarist in nature wearing skinny jeans, a jumper, and scarf holding a guitar.
Meaning theory pro forma
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The document provides guidance on pitching ideas to potential producers, broadcasters, or funders. It discusses different types of pitches, including public pitches at conferences or festivals and private appointments. It emphasizes the importance of researching the target, rehearsing your pitch, having a clear 1-page summary of your project, following up after pitching, and being a compelling storyteller.
Presentation2
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Callum Gott - AS Production Pitch
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Media presentation
The document outlines plans for a short film called "Clockwork" that will explore themes of mystery, fear, and the human will to survive. It introduces four main characters - Character A is a mysterious killer who wears a mask, Character B is a morally complex victim, Character C seems innocent but is pivotal, and Character D is Character A's father involved in key events. Storyboards show Character D leaving a watch to Character A, Character B investigating alone in the woods, Character A stalking and killing Character B, and Character A watching Character C cry over a grave while holding the watch. Filming details are provided along with conventions and codes that will be used, such as flashbacks, mystery, and foreshadowing.
Pitch
The film titled "Slender Man" tells the story of a father searching for his daughter who has been kidnapped by the supernatural entity known as Slender Man. The opening title sequence establishes the urban legend of Slender Man and sets up the family's encounter with him in their home. It then shows the father frantically searching for clues about his daughter's whereabouts as Slender Man tries to stop him. The opening title uses point-of-view shots and unsettling audio to build fear and tension as the father discovers a video of his daughter with Slender Man in the background of the forest.
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The document discusses how the media product used and developed conventions of the horror/thriller genre. It analyzed films like "The Hills Have Eyes" to understand typical conventions around diegetic sound, non-diegetic sound, fast-paced soundtracks, fade outs, red text titles, and POV shots. The media product challenged conventions by having younger student characters as victims and the murderer also a student. It opened with a scene set slightly in the future then flashed back to how the murderer "ended up in the mental state he was in."
Final major project ideas moodboards
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Presentation2
The document discusses the genre and style influences for the opening of a film. Specifically:
1) The genre of the film is thriller, but the opening will draw from arthouse action films known for stylized imagery, heavy action, and a surreal feeling. It will also draw from neo-noir films known for their dark, gritty themes and visuals.
2) For character style, the opening will feature a baseball jacket and belt to signify the main character is a young/middle aged man and give him a signature look.
3) There will be a prologue before the credits to grab audience attention, a technique used in films like Drive and Pulp Fiction.
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The document discusses elements that make horror films scary and effective. It provides two potential plot ideas for horror films. Plot 1 involves teenagers discovering spirits in an attic that put them on a timer to save themselves. Plot 2 involves children home alone hearing noises in their house and discovering someone is inside as one girl goes missing. The document also discusses soundtracks, locations, and directing and editing techniques that could make an effective horror film trailer for either plot, such as jumpy editing, low lighting, and close-ups of fearful expressions.
Horror trailer pitch
The document discusses elements of horror films and two potential plot ideas for a student horror film project. It provides details on the plots, which involve teenagers discovering spirits in an attic or children being stalked by a serial killer while home alone. Recommendations are given for soundtracks, locations, directing techniques like editing, cinematography and mise-en-scene to create tension and scare audiences. Requirements like equipment, actors, props and location permission are also listed.
Gladiator opening sequence
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Introduction to Media Studies: Mise en scene
A Level
Part of 4 lessons that include mise en scene, editing, camerawork and sound. Change titles to Agency and the text fits :(
Media Studies INTRODUCTION: Mise en scene
This document provides information about key concepts in media studies including media language, representation, institutions, and audience. It then discusses various film language techniques including mise-en-scene, camerawork, sound, editing, and moving images. The majority of the document focuses on defining and explaining the six elements of mise-en-scene: settings, props, costumes, performance/body language, positioning, and lighting/color. Examples and tasks are provided to illustrate how these elements are used to convey meaning and emotion.
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music video 1) initial plans
ideas, mind map, final idea- concept/ music track/ techniques and styles, summary and potential research targets.
Presentation2
The document discusses the genre and style influences for the opening of a film. It will draw from thriller, arthouse action, and neo-noir genres, characterized by suspense, stylized imagery, and dark gritty tones. Examples given are Looper, Drive, Pulp Fiction, Blade Runner, and American Psycho. The character will be defined through a baseball jacket, eagle belt, and tattoo/hammer ideas. The font and color of the titles will emulate Drive for consistency. Research into these films will help define the ideas and make an opening akin to their memorable sequences.
Intro to Film: Screenwriting
Discussion of the role of the screenwriter in the filmmaking process. Week 4 Lecture from Intro to Film at Lake Washington Institute of Technology.
Terminus Pitch
The document outlines the production details of a short film titled "A Fear of Outside" which follows a young man who refuses to leave his room, convinced that the world outside has ended, as he records his days in isolation. The film will be directed by Alasdair Richards and shot to appear as one continuous long take through the use of hidden cuts, with experimental lighting and projections used to reflect the character's fractured mental state. Key roles like director, producer, cinematographer, and sound department are defined, along with influences, tone, technical considerations, and examples of similar long take techniques.
Case study of iconic director
Alfred Hitchcock was a renowned film director known for suspenseful films like Psycho, Vertigo, and Rear Window. Some common features of Hitchcock's films included the use of dark shadows and lighting, bold opening titles with dark colored fonts, empty or isolated settings like buildings and outdoor spaces, and camera shots like medium shots and high angles that established the mysterious tone. Hitchcock often filmed at night and in black and white, creating a dark and tense style that was a signature of his filmmaking.
Presentation for opening title sequence
This low-budget British thriller/drama will target young adult and teenage audiences interested in mature drama genres. It will use a title sequence of dramatic shots of the main character accompanied by an atmospheric song to introduce the protagonist and set the tone through his body language alone, leaving the audience intrigued about the plot. The filmmaker plans to use off-center titles over varied camera angles and movements to enhance shots of the actor traveling or sitting and build suspense through sound effects at plot points. The title sequence aims to be aesthetically pleasing while providing just enough structure and information to end on a cliffhanger.
Photography planning
This photography planning document outlines shots for the front cover, contents page, and three double page spreads of a magazine. The front cover will feature a famous female artist in a studio wearing jeans, a jumper, and leather jacket. The contents page will showcase various singers and artists in different poses from long shots to close ups both indoors and outdoors wearing casual clothes. The first double page spread will show a new female guitarist in nature wearing skinny jeans, a jumper, and scarf holding a guitar.
Meaning theory pro forma
This document contains definitions and analyses of various film concepts. It defines denotation and connotation and provides examples for the words "snake," "flag," and "gun." It also includes analyses of three movie posters, analyses of two sound clips, and examples of how scenes and music can influence the perceived genre of a film. Further, it discusses stereotypes associated with gender, class, age and occupations. It also lists common iconography in western, sci-fi and fantasy genres and defines linear and non-linear narratives. Finally, it analyzes a clip from Star Wars that establishes Darth Vader as the villain through visual cues like costume and weaponry.
How to pitch a film
The document provides guidance on pitching ideas to potential producers, broadcasters, or funders. It discusses different types of pitches, including public pitches at conferences or festivals and private appointments. It emphasizes the importance of researching the target, rehearsing your pitch, having a clear 1-page summary of your project, following up after pitching, and being a compelling storyteller.
Presentation2
Danny Yount is an internationally renowned title designer who has earned an Emmy for his work on the Six Feet Under main title sequence. He is currently a creative director at Prologue Films. Some of the notable films he has designed titles for include Kiss Kiss Bang Bang, Iron Man, Iron Man 2, Sherlock Holmes, and Tron Legacy. This interview discusses his approach and views on designing the titles for Guy Ritchie's 2008 crime comedy film RockNRolla. He aimed to capture the gritty, fun tone of the film through a handcrafted, graphic style with a 1970s influence.
Callum Gott - AS Production Pitch
The document outlines a production idea pitch for an action/thriller opening sequence. It will follow a jogger who is knocked out and kidnapped by two men in hoodies near a wooded area. The sequence will be filmed with a tri-pod mounted camera to build tension through a slow pace that increases near the end. Music will play throughout, except for the climax where he is taken. The intended audience is male teens interested in action and thriller genres. Filming will take place at a public wooded area and require a camera, tri-pod, microphone, rope, hoodies and a crew of 3 actors.
Media presentation
The document outlines plans for a short film called "Clockwork" that will explore themes of mystery, fear, and the human will to survive. It introduces four main characters - Character A is a mysterious killer who wears a mask, Character B is a morally complex victim, Character C seems innocent but is pivotal, and Character D is Character A's father involved in key events. Storyboards show Character D leaving a watch to Character A, Character B investigating alone in the woods, Character A stalking and killing Character B, and Character A watching Character C cry over a grave while holding the watch. Filming details are provided along with conventions and codes that will be used, such as flashbacks, mystery, and foreshadowing.
Pitch
The film titled "Slender Man" tells the story of a father searching for his daughter who has been kidnapped by the supernatural entity known as Slender Man. The opening title sequence establishes the urban legend of Slender Man and sets up the family's encounter with him in their home. It then shows the father frantically searching for clues about his daughter's whereabouts as Slender Man tries to stop him. The opening title uses point-of-view shots and unsettling audio to build fear and tension as the father discovers a video of his daughter with Slender Man in the background of the forest.
Media language power point
This document discusses conventions and intertextuality in music videos. It identifies several key conventions, such as relationships between lyrics/music and visuals, genres having signature styles, close-ups of artists, and artists developing iconography. Intertextuality refers to references to other works, through parody, pastiche, referencing, or homage. Examples given are borrowing elements from other media like costumes or hairstyles. The document also discusses voyeurism, the male gaze, and debates around the sexualization of women in music videos.
In what ways does your media product use, develop or challenge forms and conv...
The document discusses how the media product used and developed conventions of the horror/thriller genre. It analyzed films like "The Hills Have Eyes" to understand typical conventions around diegetic sound, non-diegetic sound, fast-paced soundtracks, fade outs, red text titles, and POV shots. The media product challenged conventions by having younger student characters as victims and the murderer also a student. It opened with a scene set slightly in the future then flashed back to how the murderer "ended up in the mental state he was in."
Final major project ideas moodboards
The document provides ideas for a thriller/horror movie trailer final project, including setting, characters, and camera techniques. For the setting, isolated places like forests at night would create fear. The antagonist would be a mysterious scary character like a ghost or serial killer. Camera angles like high and low shots of victims and antagonists could increase tension. Sound effects and music would also be important to create suspense. Examples of effective trailers are provided. Photography project ideas discuss different types of photography, rules of composition, and shot types.
Presentation2
The document discusses the genre and style influences for the opening of a film. Specifically:
1) The genre of the film is thriller, but the opening will draw from arthouse action films known for stylized imagery, heavy action, and a surreal feeling. It will also draw from neo-noir films known for their dark, gritty themes and visuals.
2) For character style, the opening will feature a baseball jacket and belt to signify the main character is a young/middle aged man and give him a signature look.
3) There will be a prologue before the credits to grab audience attention, a technique used in films like Drive and Pulp Fiction.
Horror Trailer Pitch
The document discusses elements that make horror films scary and effective. It provides two potential plot ideas for horror films. Plot 1 involves teenagers discovering spirits in an attic that put them on a timer to save themselves. Plot 2 involves children home alone hearing noises in their house and discovering someone is inside as one girl goes missing. The document also discusses soundtracks, locations, and directing and editing techniques that could make an effective horror film trailer for either plot, such as jumpy editing, low lighting, and close-ups of fearful expressions.
Horror trailer pitch
The document discusses elements of horror films and two potential plot ideas for a student horror film project. It provides details on the plots, which involve teenagers discovering spirits in an attic or children being stalked by a serial killer while home alone. Recommendations are given for soundtracks, locations, directing techniques like editing, cinematography and mise-en-scene to create tension and scare audiences. Requirements like equipment, actors, props and location permission are also listed.
Gladiator opening sequence
The film Gladiator uses sepia tones and period-appropriate music to set the historical context of ancient Rome. In one scene, the music briefly cuts out and a child's laughter is heard, though the reason for this is not revealed until later in the film. The main character is shown dreaming of freedom while looking at a robin, representing his desire to return home after six years in the army. The film establishes the setting as Germania, where the Roman army is shown fighting barbaric local tribes in preparation for war.
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Introduction to Media Studies: Mise en scene
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Part of 4 lessons that include mise en scene, editing, camerawork and sound. Change titles to Agency and the text fits :(
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This document provides information about key concepts in media studies including media language, representation, institutions, and audience. It then discusses various film language techniques including mise-en-scene, camerawork, sound, editing, and moving images. The majority of the document focuses on defining and explaining the six elements of mise-en-scene: settings, props, costumes, performance/body language, positioning, and lighting/color. Examples and tasks are provided to illustrate how these elements are used to convey meaning and emotion.
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example 1
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02. mise en scene
This document discusses the concept of mise-en-scene in media analysis. Mise-en-scene refers to everything visible within a single shot, including color, costume, props, set/location, blocking/performance, and lighting. It examines how these elements are used symbolically and to provide meaning. Specific examples are provided from films like The Village to demonstrate how directors use elements of mise-en-scene purposefully to convey themes and character traits. The document also briefly discusses related concepts like semiotics, the study of signs and codes, and how audience understanding is based on our ability to decode the signs present in a work.
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This document provides an introduction to the film analysis concept of mise-en-scene. It defines mise-en-scene as the visual elements within a scene, including settings, costumes, lighting, etc. It outlines the 5 key elements of mise-en-scene: settings and props, costumes, facial expressions and body language, positioning of characters/objects, and lighting and color. Examples are given for each element to demonstrate how they communicate meaning and influence audience interpretation. Students are assigned homework to analyze the mise-en-scene of a film sequence.
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Codes + Conventions of the Action Genre.
Looking at the similarities with popular, and successful films.
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Early Life and Backgrounds
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Mise en scene analysis slideshare
- 1. Mise en scene analysis Exploring all the elements of the message of a hip hop production Image: screen capture from AZ ‘The come up’ (2005), YouTube
- 2. Mise en scene qu’est-que c’est ca? • Mise en scene analysis originates in film studies • The term is simply French for ‘put into a scene’ • It aims to describe all the important elements of a shot or sequence of shots from which the viewer derives meaning. • The goal of assignment 3
- 3. The five domains • 1. setting the scene, objects and spaces • 2. dressing the body • 3. expressing the face and body • 4. Lighting and colour • 5. positioning of humans and objects in the frame
- 4. 1. setting and props • Films can be made in naturalistic settings/locations • More often than not they are contrived so that the exact meaning is conveyed • Set dressers deliberately fill the frame with detail to be read.
- 5. 2. Costume hair and makeup • In what ways are the body represented to give off meaning, reveal identity? • are there things which are symbolic? • Are there styles of dress, accessorising that represent hip hop
- 6. 3. Facial expression and body language • How do the ‘actors’ use their body to convey meanings about identity • About emotional components to what they are doing, what they are saying, where they are
- 7. 4. Lighting and colour • Black and white versus colour – Black and white is particularly meaningful – relating to realness • Soft colours? Saturated colours? • Glamorous versus hardedge
- 8. 5. Positioning in frame • How far is the camera from the key object/person • Are humans front on to the camera?/in profile? • What has the key contrast – The element which receives the most light – The most camera focus
- 9. extreme long shot > long shot > medium long shot > medium shot > medium close up > close up > big close up > extreme close up Image: http://guaeng.wordpress.com/2011/04/21/shot-type/
- 10. Mise en scene and the semantic features of the HHN • 1.setting and props • 2. Costume, hair and make-up • 3. Facial expressions and body language • 4. Lighting and colour • 5. positioning of humans and objects in the frame • How do they contribute to the narrative of the video? How do they support the lyrics? And contribute to the construction of authenticity •
- 11. AZ – ‘The come up’ (2005). You know the come up, stack get right, put the gun up, laugh, get nice split the blunt up
- 12. AZ – ‘The come up’ (2005). 1. Medium shot Outdoors derelict building In the hood/the streets Criminal activity? Hip hop masculinity You know the come up, stack get right, put the gun up, laugh, get nice split the blunt up
- 13. AZ – ‘The come up’ (2005). 2. Naturalistic clothing, Casual, informal – conspicuous chain Authentic member of the streets/hood You know the come up, stack get right, put the gun up, laugh, get nice split the blunt up
- 14. AZ – ‘The come up’ (2005). 3 facial expression – serious – looks at camera and away -uses identifiable hip hop gestures -mimics gun with handshape Authentic habitus of hip hop – links him to the Old School by using the historical body of hip hop You know the come up, stack get right, put the gun up, laugh, get nice split the blunt up
- 15. AZ – ‘The come up’ (2005). 4. B &W very washed out sky – Medium shot is wide, dark foreground serious, sombre, real 5. The white sky reverses the focus and puts it on the dark clad figure in the foreground Makes the lyrics appear to be a serious commentary on what is happening to his left. Makes him appear an authentic commentator on life in the hood. You know the come up, stack get right, put the gun up, laugh, get nice split the blunt up
- 16. AZ ‘The come up’ (2005) You know the saga/who live/who hotter/ who shot at / who at the Ramada/I know about beef before Bambaataa
- 17. AZ ‘The come up’ (2005) You know the saga/who live/who hotter/ who shot at / who at the Ramada/I know about beef before Bambaataa 1. Medium shot Outdoors wasteland, chain fence In the hood - nothing to do 2. Naturalistic clothing, authentic hood street clothes, caps, do-rags Displays of hip hop masculinity, street toughness
- 18. AZ ‘The come up’ (2005) You know the saga/who live/who hotter/ who shot at / who at the Ramada/I know about beef before Bambaataa 3. Facial expressions are downcast and solemn Toughness of the hood, had it hard before their come up! 4. B &W very washed out sky – Medium shot is wide, dark foreground serious, sombre, real
- 19. AZ ‘The come up’ (2005) You know the saga/who live/who hotter/ who shot at / who at the Ramada/I know about beef before Bambaataa Tighter shot than previous – focus on the rapper – supported by figure on right looking at him Makes the lyrics appear to be a serious commentary on the toughness of life in the hood and that both hip hop and crime are the ways out/surviving Link to Old School – Afrika Bambaataa early star Beef – trouble particularly between rival rappers
Editor's Notes
- We will be doing a version of this to look at some of the visual features of a hip hop production to see if it contains visual references to the themes of the hip hop nation.
- Note that he is making the gun hand gesture as he says gun.
- Note that he is making the gun hand gesture as he says gun.
- Note that he is making the gun hand gesture as he says gun.
- Note that he is making the gun hand gesture as he says gun.
- Note that he is making the gun hand gesture as he says gun.
- Do rags are the tight nylon hats on right in the picture, also associated with bikers and with getting weaves!
- Do rags are the tight nylon hats on right in the picture, also associated with bikers and with getting weaves!
- Do rags are the tight nylon hats on right in the picture, also associated with bikers and with getting weaves!
- Do rags are the tight nylon hats on right in the picture, also associated with bikers and with getting weaves!