Mieko A. Ozeki interned at McClure Productions, an alternative education company, to learn about experiential and arts integration education. During her internship, she researched educational policies and standards, observed classroom lessons, and wrote curriculum. She developed adventure education programs incorporating character education. She also wrote lesson plans for McClure's music programs, incorporating academic standards. The internship helped her gain hands-on experience in experiential education and clarify her career goals in the field.
An integrated and holistic approach to a lifelong teaching and learning practice for anyone. Formal, informal, fun, media, entertainment, business or a lifestyle.
Methods for improving thoretical knowledge of music of elementary school stud...SubmissionResearchpa
This research paper attempts to cover the exercises that are needed for the performer. It also touched upon the psychological processes of the editor. In the elementary classes, cognitive and ability peculiarities were analyzed and tried to draw conclusions by Botirova Xilola Tursunbaevna 2020. Methods for improving thoretical knowledge of music of elementary school students . International Journal on Integrated Education. 3, 4 (Apr. 2020), 4-10. DOI:https://doi.org/10.31149/ijie.v3i4.335 https://journals.researchparks.org/index.php/IJIE/article/view/335/328 https://journals.researchparks.org/index.php/IJIE/article/view/335
There are almost as many approaches to learning music as there are musicians. Every teaching style has a philosophy behind it, and this philosophy influences what is taught and how it is taught. The interactive, collaborative, and highly kinesthetic Kodály method of learning music was developed by Hungarian composer and educator Zoltán Kodály in the early 20th century. It combines several powerful techniques for developing the core skills of musicianship.
Designing, Implementing, and Project Managing Campus Green FundsMieko Ozeki
Presented on March 21, 2012 at Ball State University's Greening of the Campus IX Conference by Mieko Ozeki, Sustainability Projects Coordinator and Clean Energy Fund Manager.
College campuses across the U.S. and abroad have seen a growth of student campaigns to take institutional action on climate change. One of the barriers to implementing sustainability initiatives on-campus has been financing these efforts through existing internal resources, such as general and administrative funds or institutional endowments. Student green fees are one of many alternative financial mechanisms to support sustainability initiatives on college campuses. Documentation on student green fees focus primarily on the creation of this financial structure through student campaigns, but there are limited resources that explore the design and management of these programs once they go into effect.
This paper reviews the institutional characteristics of 89 colleges and universities in the North America that currently collect at least one student green fee. A total of 98 green fees have been identified from student reports, online research, and an online survey conducted in October 2010. A majority of these fees was allocated to a broad range of sustainability initiatives while others explicitly fund services such as recycling programs, green attributes of capital construction projects, or supporting a campus sustainability office. Five sustainability managers were interviewed for an exploratory review of lessons learned on the design and implementation of student green fee programs. Four areas of student green fee design and management are highlighted with advice from sustainability managers. The intent of this presentation is to provide background info on this funding mechanism and offer recommendations on best practices for designing green fee campaigns and managing funded projects.
Project Managing and Implementing STARS 2.1 processMieko Ozeki
Co-Presented at Northeast Campus Sustainability Consortium Conference on April 1, 2016 and Smart & Sustainable Campuses Conference on April 4, 2016 with Aaron Witham.
STARS submission requires a coordinated data collection effort across dozens of departments and individuals. This workshop walks through the project management process of implementing the data collection, reporting, and submission process. The University of Vermont’s Office of Sustainability will demonstrate the process, principles, and tools they use to implement the STARS 2.1 process. A starter kit will be demonstrated during this session.
An integrated and holistic approach to a lifelong teaching and learning practice for anyone. Formal, informal, fun, media, entertainment, business or a lifestyle.
Methods for improving thoretical knowledge of music of elementary school stud...SubmissionResearchpa
This research paper attempts to cover the exercises that are needed for the performer. It also touched upon the psychological processes of the editor. In the elementary classes, cognitive and ability peculiarities were analyzed and tried to draw conclusions by Botirova Xilola Tursunbaevna 2020. Methods for improving thoretical knowledge of music of elementary school students . International Journal on Integrated Education. 3, 4 (Apr. 2020), 4-10. DOI:https://doi.org/10.31149/ijie.v3i4.335 https://journals.researchparks.org/index.php/IJIE/article/view/335/328 https://journals.researchparks.org/index.php/IJIE/article/view/335
There are almost as many approaches to learning music as there are musicians. Every teaching style has a philosophy behind it, and this philosophy influences what is taught and how it is taught. The interactive, collaborative, and highly kinesthetic Kodály method of learning music was developed by Hungarian composer and educator Zoltán Kodály in the early 20th century. It combines several powerful techniques for developing the core skills of musicianship.
Designing, Implementing, and Project Managing Campus Green FundsMieko Ozeki
Presented on March 21, 2012 at Ball State University's Greening of the Campus IX Conference by Mieko Ozeki, Sustainability Projects Coordinator and Clean Energy Fund Manager.
College campuses across the U.S. and abroad have seen a growth of student campaigns to take institutional action on climate change. One of the barriers to implementing sustainability initiatives on-campus has been financing these efforts through existing internal resources, such as general and administrative funds or institutional endowments. Student green fees are one of many alternative financial mechanisms to support sustainability initiatives on college campuses. Documentation on student green fees focus primarily on the creation of this financial structure through student campaigns, but there are limited resources that explore the design and management of these programs once they go into effect.
This paper reviews the institutional characteristics of 89 colleges and universities in the North America that currently collect at least one student green fee. A total of 98 green fees have been identified from student reports, online research, and an online survey conducted in October 2010. A majority of these fees was allocated to a broad range of sustainability initiatives while others explicitly fund services such as recycling programs, green attributes of capital construction projects, or supporting a campus sustainability office. Five sustainability managers were interviewed for an exploratory review of lessons learned on the design and implementation of student green fee programs. Four areas of student green fee design and management are highlighted with advice from sustainability managers. The intent of this presentation is to provide background info on this funding mechanism and offer recommendations on best practices for designing green fee campaigns and managing funded projects.
Project Managing and Implementing STARS 2.1 processMieko Ozeki
Co-Presented at Northeast Campus Sustainability Consortium Conference on April 1, 2016 and Smart & Sustainable Campuses Conference on April 4, 2016 with Aaron Witham.
STARS submission requires a coordinated data collection effort across dozens of departments and individuals. This workshop walks through the project management process of implementing the data collection, reporting, and submission process. The University of Vermont’s Office of Sustainability will demonstrate the process, principles, and tools they use to implement the STARS 2.1 process. A starter kit will be demonstrated during this session.
The Go Green Initiative is the global leader in environmental education. The program is FREE to all schools, and offers a comprehensive approach to creating a "culture of conservation" on campus.
AASHE 2014 Mind Mapping: A Systems Thinking Application for Change ManagementMieko Ozeki
A pre-conference workshop, co-facilitated at AASHE 2014 by Mieko Ozeki and Jenna Ringelheim. A growing number of students, faculty, and staff are increasingly concerned about their environmental impacts and demand immediate action to be taken. Despite good intentions, these same people can act in haste rather than strategically implementing a long term solution. This session will guide participants through the process of mind mapping, based on the frameworks of systems thinking, design thinking, and project management, to identify opportunities for collaboration and mitigating/managing risk. Workshop participants will learn about the process of mind mapping, a technique for visually diagramming information. They will be given an example of how a campus applies this technique to looking at a specific issues, develop and implement an action plan during the session. Mind mapping is a strategic planning process for implementing sustainability into institutional operations, academics, and planning, administration, and engagement. It applies systems thinking, design thinking, and project management. Participants will draft a mind map, scope statement, and task list that focuses on a current issue he/she is working on at their institution. The workshop provides sustainability officers with the space and time to think and construct a strategy for addressing an issue on campus. The workshop time is 15% presentation and 85% discussing/constructing a mindmap with partners. Be prepared for this work session and bring two problems we can work on together through this process.
The Role of Sustainability in Career and Workforce DevelopmentMieko Ozeki
Presented at AASHE 2014 in Portland, OR in October 2014. Sustainability offices are in a unique position on campus. With the ability to work across departmental boundaries of campus on sustainability initiatives, our offices can provide professional development opportunities for students to work on while meeting project and program objectives. Internship programs give students the chance to develop their hard and soft skills, gain work experience, and cultivate a body of work for their portfolio; all within the relatively protected setting of an academic environment. This session focuses on how we can serve as workforce trainers and career development facilitators, suggesting best practices for designing and implementing an internship program within your office.
AASHE 2014 Student Summit- Preparing for the Real World: Kickstarting Your Su...Mieko Ozeki
While students will still have to determine the exact career they would like to pursue, and maybe pick out what they will wear on interview day, at the end of the workshop they should hopefully have the rest covered. Attendees will assess their hard and soft skills, discover what work they enjoy, determine the assets they need to build, learn how to build a professional portfolio and learn how to create their own brand to set them apart. We hope to have students walk out of the presentation confident that they can handle the next steps to land their first job out of college. No matter their major, job experience, and extracurriculars, students will leave with a better appreciation of their strengths and understand there are multiple paths to be followed on the way to their dream green job. Attendees will learn about themselves through interactive activities, including mind mapping and writing their own compelling and engaging story. Attendees are encouraged to assess and reflect on their own personal experiences and passions to uncover what makes them unique and valuable. They will then be able to build their own personal portfolios and establish an undeniable online and physical presence. We even offer a brief introduction to the general sustainability field, as well as suggest on-campus tools and search engines to find green jobs.
Strengthening Relationships by Removing Blame: Constructive Relationships wit...Mieko Ozeki
Workshop presented at New England Campus Sustainability Forum in Boston, MA on September 20, 2013. This workshop focused on constructive conversations and applying systems thinking through mind-mapping.
AASHE 2013 Green Fund Implementation Guide by Campus Green Fund CollaborativeMieko Ozeki
presented at AASHE 2013 by the Campus Green Fund Collaborative:
McKenzie Beverage, Butler University
Karen Blaney, University of Texas at Austin
Kevin Ordean, Northern Arizona University
Mieko A Ozeki, University of Vermont
Katherine Walsh, UC Berkeley
Lilith Wyatt, McGill University
AASHE 2013 workshop facilitated by Mieko Ozeki, Sustainability Projects Coordinator at the University of Vermont, and Daniel Roth, Associate Director for Sustainability at Cornell University.
Strengthening Relationships by Removing Blame: Constructive Relationships wit...Mieko Ozeki
Co-presented by Mieko Ozeki, Sustainability Projects Coordinator at the University of Vermont, and Dallase Scott, Sustainability Program Manager at GreenerU.
UVM's Comprehensive Renewable Energy Feasibility Study
McClure Productions Internship
1. Description ofEducation Internship
McClure Prod!-Jctions, Inc.
•'
Mieko A. Ozeki worked at McClure Productions, Inc. in Geneseo, NY as a curriculum
development intern. McClure Productions, Inc. is an alternative education company that designs
experiential music progi:ams and curriculum for }?festern New York sch_ool�. Glenn McClure The
objective of this internship was to learn mor�. about the field; of alternative/experiential education,
especially the peld ofarts integratidn, and curriculum writing. . ,.
During the, ,Fall 2000 se�ester,. Ms. Ozeki researched educatiol)al policjes; New Y,ork State
learning standards ¥ well as pedagogy. In the. Spring 2001 semester, she continued as a curriculum
. writer for McClure Productions, Additionally, I observed and assisted Mr. McClure iil facilitating lessons
at his art residency sites. ·
· ·
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' Foll�wing is a docllflentatipn ofthe ski)�s and.experiences gained at McClure Prpductions, Inc..
FALL2000 i
September ' ' I " ' ' • ' • '
On September 15th� I �ttfvded the Young Audiences �how at Nazareth College with Glenn
McClure and Ted Canning. I watched and listened to the performances of various artists who do art
·residencies in public sch9ols. I talked with teachers who were interested in incorporating these programs
into their cl.as�rooms and observedjthe artists who entertained as well as taught academic subjects through
their performances. . ,
Afterwards, I researched the Project SAVE education law which was passed in July 2000 and
focused on character education. I was assigned to write an adventure education curriculum, incorporating
character education into the program. The purpose of this assignment was to learn about curriculum
writing by creating a program that fit my comfort zone.
October
1 . .
On October 2nd, I went to Mt. Morris Central School with Glenn. I observed two science classes
and participated in the arts activities which took place in the classroom. The lesson taught that day was
the physics ofsound. I noticed how the students were more attentive to the lesson when they got to play
the steel drums in class. They were excited about learning as they drew connections between playing the
instrument and the physics ofsound.
I rewrote my adventure curriculum after reviewing the prototype program with Glenn. An
addendum was added which detailed activities that would be used for the program. Two sample lesson
plans (math and science) were added to practice lesson plan writing and incorporating New York State
learning standards with adventure education activities.
On October I0th, I attended a "town meeting" with Glenn, Paula, and Francesca McClure and
Ted Canning for the western New York chapter ofYoung Audiences. The objective ofthe meeting was to
brainstorm ideas to help in organizing the chapter.
At the end of the month, I wrote a curriculum which incorporated state education learning
standards with activities from the Arts Integration Tool Box. Also, developed ideas for extending
activities which could be used for the "Tools oflnquiry: Music" activity.
November
I attended the Association for Experiential Education International Conference in Tucson,
Arizona from November 2-5. I gathered a lot ofinformation on various adventure programming, such as
corporate training, adjudicated youth programs and adventure therapy, and learned more about this field
of experiential education. I attended a few workshops in these areas and learned some techniques of
teaching academics as well as character development in the outdoor environment.
2. The final assignment for the semester was to write four lesson plans which were oriented to life
sciences, incorporating state standards with act1vities in the "Great Garbage Concert" activity book and
tape. This was a fun assignment because I developed skills in lesson plan and curriculum writing. I
enjoyed listening to the music that is used in these activities.
'
SPRING2001
During the Spring 2001 semester, I continued the work and observations I had done for McClure
Productions in Fall 2000. The objective for this semester was to complete lesson plans for Mr. McClure's
"Great Garbage Concert" activities book. The other project I was working on was a lesson plan packet
for a project that Mr. McClure wasproposing to do on a pyramid in Mexico called Teotihuacan.
Mr. McClure was working on a· grant to compose a piece ofmusic that would take advantage of
the acoustical structure of the Teotihuacan ·pyramid (also called the Pyramid of the Moon). The'·sound
that is produced from this ancient Mesoamerican structure is a unique and multi-layered sound: The
purpose of the lesson plans that I wrote for this project was to support the academic aspect of this
��.
Finally, I had the opportunity to observe Mr. McClure teach a middle school class on music !n
America. Based on my observations, I developed a lesson plan on social science research methods and
learned how to write rubricsfor'teachers to use as a guideline for a histdry project. :
This semester allowed me the opportunity to develop my skiJls in curriculum and lesson plan
writing. It was an excellent opportunity to create a professional portfolio for job or foternship
opportunities at Eagle Rock School and Shackleton School. The advantage of this portfolio was the
professional edge I had in the alternative edu�tion field.
Closing Thoughts
. . '
I appreciated working for McClure Productions because it helped me gain more hands on
experience in this field of education. It helped me clarify my· career goals in experiential education,
especially in adventure education. The internship has been a wonderful opportunity to learn about
curriculum design, which I have incorporated into my teaching experiences.
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