By Martha George.
Andrew Goodwin states that a music video is very useful for understanding how to
     construct a product that follows the codes and conventions. He states that all music
     videos have some , or all of the following 6 points;
1.   Relationship between lyrics and the visuals. The visuals illustrating, amplifying or
     contradicting the lyrics.
2.   A relationship between music and visuals with the visuals illustrating, amplifying or
     contradicting the music.
3.   Genres are complex and diverse in terms of music video style and iconography
4.   Record companies will demand a lot of close-ups of the main artist or vocalist ( for
     promotion)
5.   Voyeurism is present in many music videos, especially in the treatment of females,
     but also in terms of systems of looking. Some examples are screens within screens,
     camera, mirrors etc…
6.   Likely to be intertextual references, either to other music videos or to films and TV
     texts, these provide further gratification and pleasure for the viewers/fans.
‘I’m surrounded by your
embrace’



‘Baby when I’m looking up’
   In the music industry the most conventional between all of
    the genres is that the music video tend to revolve around the
    artist so that it helps the audience identify the star persona
    and create a narrative around them. With the Beyonce video
    its conventional with pop music videos as the mostly
    performance based music video revolves around the artist
    with little narrative.
   With the music on the Beyonce ‘Halo’ music video has no
    harsh cuts they all seem to flow together smoothly which is
    linked with the music, the beat in the music isn’t harsh its
    soft and flows therefore if harsh cuts were used it wouldn’t
    work well with the music video.
   In Beyonce’s ‘Halo’ music video the use of closeups of the
    artist, this sells the artists as a ‘product’ which comes as a
    media package with the song which is very conventional in
    pop music genres.
   The artist and her partner in the music video show voyeurism
    as the shots are very private and personal between the 2, this
    is shown by a series of closeup shots that help emphasise the
    passion they have for each other in this video.
   With intertexual referencing for this music video, there are a
     few references from other Beyonce music videos, as in ‘Single
     Ladies’ she is seen in a black leotard with stockings and heels
     and in ‘Halo’ she appears to wear a similar outfit in a dance
     studio.




Beyonce - Halo                           Beyonce – Single Ladies

Martha presentation1

  • 1.
  • 2.
    Andrew Goodwin statesthat a music video is very useful for understanding how to construct a product that follows the codes and conventions. He states that all music videos have some , or all of the following 6 points; 1. Relationship between lyrics and the visuals. The visuals illustrating, amplifying or contradicting the lyrics. 2. A relationship between music and visuals with the visuals illustrating, amplifying or contradicting the music. 3. Genres are complex and diverse in terms of music video style and iconography 4. Record companies will demand a lot of close-ups of the main artist or vocalist ( for promotion) 5. Voyeurism is present in many music videos, especially in the treatment of females, but also in terms of systems of looking. Some examples are screens within screens, camera, mirrors etc… 6. Likely to be intertextual references, either to other music videos or to films and TV texts, these provide further gratification and pleasure for the viewers/fans.
  • 3.
    ‘I’m surrounded byyour embrace’ ‘Baby when I’m looking up’
  • 4.
    In the music industry the most conventional between all of the genres is that the music video tend to revolve around the artist so that it helps the audience identify the star persona and create a narrative around them. With the Beyonce video its conventional with pop music videos as the mostly performance based music video revolves around the artist with little narrative.
  • 5.
    With the music on the Beyonce ‘Halo’ music video has no harsh cuts they all seem to flow together smoothly which is linked with the music, the beat in the music isn’t harsh its soft and flows therefore if harsh cuts were used it wouldn’t work well with the music video.
  • 6.
    In Beyonce’s ‘Halo’ music video the use of closeups of the artist, this sells the artists as a ‘product’ which comes as a media package with the song which is very conventional in pop music genres.
  • 7.
    The artist and her partner in the music video show voyeurism as the shots are very private and personal between the 2, this is shown by a series of closeup shots that help emphasise the passion they have for each other in this video.
  • 8.
    With intertexual referencing for this music video, there are a few references from other Beyonce music videos, as in ‘Single Ladies’ she is seen in a black leotard with stockings and heels and in ‘Halo’ she appears to wear a similar outfit in a dance studio. Beyonce - Halo Beyonce – Single Ladies