PRE-PRESENTATION DETAILS
 Andrew Ballard
 Student No. 3145184

 FMCS2100 Grant Application Project

 Tutor: Carl Dixon
MAKING WAVES
                             2012
The Music Festival Event
for Newcastle Music Lovers
Why fund a music festival?

   “Live music is a cultural and aesthetic category that informs
    musical life on many levels” (Holt)
   “Live music is a product of broad social and cultural
    transformations in modernity” (Holt)
   “Music does not speak unambiguously to anyone” (Pattie)



    ...Making Waves 2012 embraces these ideologies
MAKING WAVES CELEBRATES THE
CULTURE OF NEWCASTLE

The name „Making Waves‟ encapsulates the
hardworking past and the highly spirited future of
Newcastle


Making Waves 2012 is located on the iconic Bar Beach
of Newcastle


Making Waves promotes the commotion of the ocean
through the music of this festivity.
THE NAMING CONCEPT




   The Making Waves name originated from
the characteristics that describe Newcastle city
SO…WHY THIS TYPE OF EVENT?

   “Culture, defined as both access to unique experiences and
    as quality of life, has come to be recognized as key element of
    the competitive advantage of cities” as a rise of creative class
    in the economic geography (Flew)

   The appreciation of music will bring the community together
    and build social capital

   An outdoor event reflects the Novocastrian nature - an
    outdoorsy, spirited and liberated community
THE PERFECT LOCATION…
•   Empire Park, Bar Beach

A community hub with :
• Spectacular views of coast and water that
epitomise Newcastle's beach location

• Skate park and surf club in close proximity to the
festival . These existing social hubs create a network
to build community involvement for the festival

•Logistically convenient - for buses to run from Civic
train station to the event; easily fence the park for
gate charge; space for large, big top marquees to
encourage people to pay and enter to see the bands.
SITE of MAKING
                                WAVES 2012


                                EMPIRE PARK
                                BAR BEACH
           Buskers
           stage
FIRST                           Memorial Drive
  AID                           (Yellow) will be
                                closed to traffic
                                to ensure safety
    BAR                         of event patrons
    AREA                        and to allow easy
                     POLICE/    flow between
                     SECURITY   beach and
                                festival
                     ENTRY
                     GATE
                                Fencing the
                                circular park for
                                gate charge.
                                Wrist bands
                                applied for
                                patrons to leave
                                and return to the
                                event.


                                Fencing the park
                                encapsulates the
                                music and draws
                                patrons to the
                                space
WHO WILL ATTEND?...
 The projected audience:

 • University Students aged 18-25 years of age, and
 • Newcastle community „festival – goers‟, and
 • 10% of residents of local suburbs, Bar Beach (1500), Cooks Hill
 (2200) , The Hill (2500) and Merewether (10,000)

 • Estimated number attending 1500-2000
 • Ticketed event - priced affordably at $20 a ticket. Entry charge
 ensures the event is financially sustainable in the longer term.

 IDENTITY of FESTIVAL PATRONS:

 •   identify with music and music performance
 •   enjoy a creative cultural lifestyle
 •   appreciate original music compositions
 •   enjoy community engagement
WHEN IS THE FESTIVAL AND WHY?
Saturday 3rd November 2012
Corresponds with end of the university semester


This time of year celebrates summer, freedom and
spirituality


“Outdoor music festivals are concentrated in the
summer season, bracketed by the club concert touring
seasons from March to May and September to
November” (Holt)
MUSIC STYLES
   CONNECTION WITH MUSIC AND PLACE

“The experience that the music authentically
expresses is not the same from group to group, nor
from audience to audience,…”, so with a variety of
different music styles, a wider community will attend
the event (Pattie)


Making Waves artists will have a connection between
music and place as they are artists drawn from the
Newcastle region
MUSIC STYLES
 CONNECTING MUSIC WITH IDENTITY

 Making Waves promotes ORIGINAL music compositions

 Artists have been drawn from three music styles

   Acoustic/Roots, Alternative Rock, Punk/Hardcore

 Audiences will identify with the artists relevant to their own
 lifestyles.
            The alternative/roots/acoustic/rock style will target
 the relaxed, surfie audience
           The punk/rock/hardcore style will target the skate
 audience
THE ARTISTS FOR MAKING WAVES 2012
- ACOUSTIC/ROOTS STYLE 11AM TO 2PM

Acoustic/roots artists:

              Seabellies (roots rock)
              Benjalu (Roots/rock)
              Hawk Brooklyn (acoustic)
              Dan Southward (acoustic)
              Harry‟s Lookout (rock roots)
THE ARTISTS FOR MAKING WAVES 2012
- ALTERNATIVE ROCK 2PM TO 5PM


Alternative rock artists:

          Captain of the Push (rock)
          The Owls (rock)
          Long Island Sound (alternative)
          1929Indian (indie rock)
THE ARTISTS FOR MAKING WAVES 2012
- PUNK/HARDCORE 5PM TO 9PM

Punk/Hardcore artists:

 The Guppies (punk rock)
 We Built Atlantis! (pop punk/hardcore)
 Tired Minds (alternative/hardcore)
 Inhale the Sea (hardcore)
 The Cavalcade (punk, rock)
BUSKERS STAGE OPPORTUNITY

   In conjunction with the Great Northern Hotel Open Mic night, Making
    Waves is granting the opportunity for unsigned musicians to play the
    festival on the Buskers Stage
   Six slots are vacant for the winners
   The open mic competition will run for first and second Tuesday of
    October . Applicants will be judged by audience reaction to their
    performance


   This creates opportunities for musicians in the community and
    encourages local artists
COMMUNITY INVOLVEMENT
- VOLUNTEERS TIMETABLE
Thursday Nov 1    10am – 5pm Festival set up

Friday    Nov 2   10am – 6pm Festival set up

Saturday Nov 3    9am - 10pm EVENT DAY
                   Gates open 11am

Sunday    Nov 4   10am – 6pm Pack down

  Volunteers will be sourced from the local
community to build community engagement
MAKING WAVES OUTDOOR FESTIVAL
ENCAPSULATES THE BEACH / SKATE /
SURF LIFESTYLE
The event site will be styled with colour and vibrancy.

Stallholder sites and information stalls will include :

· Hunter Valley regional produce
· Local Arts & Crafts
· Roving Entertainment
· Making Waves Merchandise
· Art Installations
· Outdoor Bar
EVALUATION OF
MAKING WAVES
Success determined against set objectives:
To draw the community together in appreciation of
music performance
 To raise awareness of the skills of local artists and
promote their original music compositions
 To encourage local participation in a community
festival in their area - to reengage the youth in the
community
 To make this an icon event for the community to take
pride in
To celebrate the Novocastrian community and its
cultural, social and geographic richness
MAKING WAVES 2012
REFERENCE LIST
Flew, Terry (2008) Music, cities, and cultural and creative
industries policy. In: Bloustien, Gerry and Peters, Margaret and
Luckman, Susan, (eds.) Sonic synergies : music, technology,
community, identity. Ashgate Popular and Folk Music Series.
Ashgate Publishing, Aldershot, England ; Burlington, VT, pp. 7-16.

Holt, Fabian. The economy of live music in the digital age
European Journal of Cultural Studies 2010 13: 243 DOI:
10.1177/1367549409352277

Pattie, David (1999) 4 Real: Authenticity, Performance, and Rock
Music Enculturation, Vol. 2, No. 2, Spring 1999

Visit Newcastle. See Change: The Brand Story. 2011. Web. 28
Mar. 2012.
(http://seechange.visitnewcastle.com.au/The-Brand-Story)

Making waves

  • 1.
    PRE-PRESENTATION DETAILS  AndrewBallard  Student No. 3145184  FMCS2100 Grant Application Project  Tutor: Carl Dixon
  • 2.
    MAKING WAVES 2012 The Music Festival Event for Newcastle Music Lovers
  • 3.
    Why fund amusic festival?  “Live music is a cultural and aesthetic category that informs musical life on many levels” (Holt)  “Live music is a product of broad social and cultural transformations in modernity” (Holt)  “Music does not speak unambiguously to anyone” (Pattie) ...Making Waves 2012 embraces these ideologies
  • 4.
    MAKING WAVES CELEBRATESTHE CULTURE OF NEWCASTLE The name „Making Waves‟ encapsulates the hardworking past and the highly spirited future of Newcastle Making Waves 2012 is located on the iconic Bar Beach of Newcastle Making Waves promotes the commotion of the ocean through the music of this festivity.
  • 5.
    THE NAMING CONCEPT The Making Waves name originated from the characteristics that describe Newcastle city
  • 6.
    SO…WHY THIS TYPEOF EVENT?  “Culture, defined as both access to unique experiences and as quality of life, has come to be recognized as key element of the competitive advantage of cities” as a rise of creative class in the economic geography (Flew)  The appreciation of music will bring the community together and build social capital  An outdoor event reflects the Novocastrian nature - an outdoorsy, spirited and liberated community
  • 7.
    THE PERFECT LOCATION… • Empire Park, Bar Beach A community hub with : • Spectacular views of coast and water that epitomise Newcastle's beach location • Skate park and surf club in close proximity to the festival . These existing social hubs create a network to build community involvement for the festival •Logistically convenient - for buses to run from Civic train station to the event; easily fence the park for gate charge; space for large, big top marquees to encourage people to pay and enter to see the bands.
  • 8.
    SITE of MAKING WAVES 2012 EMPIRE PARK BAR BEACH Buskers stage FIRST Memorial Drive AID (Yellow) will be closed to traffic to ensure safety BAR of event patrons AREA and to allow easy POLICE/ flow between SECURITY beach and festival ENTRY GATE Fencing the circular park for gate charge. Wrist bands applied for patrons to leave and return to the event. Fencing the park encapsulates the music and draws patrons to the space
  • 9.
    WHO WILL ATTEND?... The projected audience: • University Students aged 18-25 years of age, and • Newcastle community „festival – goers‟, and • 10% of residents of local suburbs, Bar Beach (1500), Cooks Hill (2200) , The Hill (2500) and Merewether (10,000) • Estimated number attending 1500-2000 • Ticketed event - priced affordably at $20 a ticket. Entry charge ensures the event is financially sustainable in the longer term. IDENTITY of FESTIVAL PATRONS: • identify with music and music performance • enjoy a creative cultural lifestyle • appreciate original music compositions • enjoy community engagement
  • 10.
    WHEN IS THEFESTIVAL AND WHY? Saturday 3rd November 2012 Corresponds with end of the university semester This time of year celebrates summer, freedom and spirituality “Outdoor music festivals are concentrated in the summer season, bracketed by the club concert touring seasons from March to May and September to November” (Holt)
  • 11.
    MUSIC STYLES CONNECTION WITH MUSIC AND PLACE “The experience that the music authentically expresses is not the same from group to group, nor from audience to audience,…”, so with a variety of different music styles, a wider community will attend the event (Pattie) Making Waves artists will have a connection between music and place as they are artists drawn from the Newcastle region
  • 12.
    MUSIC STYLES CONNECTINGMUSIC WITH IDENTITY Making Waves promotes ORIGINAL music compositions Artists have been drawn from three music styles Acoustic/Roots, Alternative Rock, Punk/Hardcore Audiences will identify with the artists relevant to their own lifestyles. The alternative/roots/acoustic/rock style will target the relaxed, surfie audience The punk/rock/hardcore style will target the skate audience
  • 13.
    THE ARTISTS FORMAKING WAVES 2012 - ACOUSTIC/ROOTS STYLE 11AM TO 2PM Acoustic/roots artists: Seabellies (roots rock) Benjalu (Roots/rock) Hawk Brooklyn (acoustic) Dan Southward (acoustic) Harry‟s Lookout (rock roots)
  • 14.
    THE ARTISTS FORMAKING WAVES 2012 - ALTERNATIVE ROCK 2PM TO 5PM Alternative rock artists: Captain of the Push (rock) The Owls (rock) Long Island Sound (alternative) 1929Indian (indie rock)
  • 15.
    THE ARTISTS FORMAKING WAVES 2012 - PUNK/HARDCORE 5PM TO 9PM Punk/Hardcore artists: The Guppies (punk rock) We Built Atlantis! (pop punk/hardcore) Tired Minds (alternative/hardcore) Inhale the Sea (hardcore) The Cavalcade (punk, rock)
  • 16.
    BUSKERS STAGE OPPORTUNITY  In conjunction with the Great Northern Hotel Open Mic night, Making Waves is granting the opportunity for unsigned musicians to play the festival on the Buskers Stage  Six slots are vacant for the winners  The open mic competition will run for first and second Tuesday of October . Applicants will be judged by audience reaction to their performance  This creates opportunities for musicians in the community and encourages local artists
  • 17.
    COMMUNITY INVOLVEMENT - VOLUNTEERSTIMETABLE Thursday Nov 1 10am – 5pm Festival set up Friday Nov 2 10am – 6pm Festival set up Saturday Nov 3 9am - 10pm EVENT DAY Gates open 11am Sunday Nov 4 10am – 6pm Pack down Volunteers will be sourced from the local community to build community engagement
  • 18.
    MAKING WAVES OUTDOORFESTIVAL ENCAPSULATES THE BEACH / SKATE / SURF LIFESTYLE The event site will be styled with colour and vibrancy. Stallholder sites and information stalls will include : · Hunter Valley regional produce · Local Arts & Crafts · Roving Entertainment · Making Waves Merchandise · Art Installations · Outdoor Bar
  • 19.
    EVALUATION OF MAKING WAVES Successdetermined against set objectives: To draw the community together in appreciation of music performance  To raise awareness of the skills of local artists and promote their original music compositions  To encourage local participation in a community festival in their area - to reengage the youth in the community  To make this an icon event for the community to take pride in To celebrate the Novocastrian community and its cultural, social and geographic richness
  • 20.
  • 21.
    REFERENCE LIST Flew, Terry(2008) Music, cities, and cultural and creative industries policy. In: Bloustien, Gerry and Peters, Margaret and Luckman, Susan, (eds.) Sonic synergies : music, technology, community, identity. Ashgate Popular and Folk Music Series. Ashgate Publishing, Aldershot, England ; Burlington, VT, pp. 7-16. Holt, Fabian. The economy of live music in the digital age European Journal of Cultural Studies 2010 13: 243 DOI: 10.1177/1367549409352277 Pattie, David (1999) 4 Real: Authenticity, Performance, and Rock Music Enculturation, Vol. 2, No. 2, Spring 1999 Visit Newcastle. See Change: The Brand Story. 2011. Web. 28 Mar. 2012. (http://seechange.visitnewcastle.com.au/The-Brand-Story)