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LOUIS KAHN SILENCE AND
LIGHT
“ARCHITECTURE IS THE ART OF HOW TO WASTE
SPACE.”
BORN : 20TH FEB. 1901 IN PARNU,ESTONIA
DIED : 17TH MARCH 1974
OPENED HIS OWN FIRM IN 1935
CLASSICAL ARCHITECTURE’S SOLIDFORMS
‘N’ DURABLE MATERIALS
SIR KAHN’S WORK = TIMELESS FORMS +
MODERN TECHNIQUES
PHILOSOPHY
• Kahn’s style tends to be momumental
and monolithic.
• heavy buildings don’t hide their
weight, their materials or the way they
are assembled.
• Geometry in his work : use of
different shapes & lines
• streamline, radical, & futuristic
looking buildings with his bold
technique.
ONE OF THE KAHN’S MASTERPIECES-
THE KIMBELL ART MUSEUM
‘ MECCA OF MODERN ARCHITECTURE AND OF
ALL ART GALLERY.’
LOCATION : FORT WORTH,TEXAS
OPENED : 1972
KEY MATERIALS : CONCRETE, TRAVERTINE AND
WHITE OAK
INSPIRED BY : ROMAN ARCHITECTURE –
ROMAN ARCH N VAULT
PLANNING
• Basic plan is composed of 16 cycloid
vaults arranged in 3 parallel units of
6,4 and 6.
• simple plan of unadorned, repeated
forms with some variations.
•punctuated by 3 courtyards, allowing
for more light, air flow n
relationships betn interior and
exterior spaces.
• North courtyard: 40 sq. ft.
South courtyard: 20 sq. ft.
SITE
PLAN
STRUCTURE
“The room is the beginning of
architecture.”
• The cycloid vaults has gently rising
sides, giving the impression of
monumentality.
• It is capable of supporting its own
weight ad withstand heavy pressure.
• Weight of each vault is directed
through 4 columns measuring 2 sq. ft.
• Structure is based on a consistent
mathematical model
MATERIALS
“ Natural materials have a way of blending
together.”
• materials that complemented in tone and
surface: travertine, concrete, white oak,
metal and glass.
• reinforced concrete - vaults, walls & piers
• travertine acts as “in-fill” material; having
a swiss-cheese texture, used to emulate
the timeless n monolithic qualities
• over 1million pounds of travertine
sheaths much of interior n exterior walls,
gallery floors, porches & stairs.
Lead for roof cover, for its colour, dull sheen
and discreet, natural appearance.
White oak : gallery floors, doors,& cabinetry
Anodized aluminium : soffits & reflectors.
Mill-finished steel : windows n door frames,
elevators, and handrails
LIGHTING
“ No space, is a space unless it has
natural light.”
•Cycloid barrel vaults, rimmed with
narrow Plexiglass skylights.
•Pierced-aluminium reflectors shaped
like wings hang below , illuminating
the smooth surfaces of the concrete,
providing elegant light conditions.
•Galleries on the upper floor, for most
natural lighting.
IIM
LOCATION : AHMEDABAD
OPENED : 1963
KEY MATERIALS : BRICK, CONCRETE
SITE AREA : 66 ACRES
INDIAN INSTITUTE OF
MANAGEMENT, AHMEDABAD
•Separate entries for institutional & residential
complex.
•Auditorium, near main entrance for easy
access for visitors.
•Residential areas in hierarchical pattern.
•School building is planned around a court.
•School building & students dorm have been
placed diagonally to take advantage of winds
from southwest.
•Brick has been used for entire complex walls,
columns, arches.
•Use of concrete has been restricted to
foundations, floor slabs.
LIBRARY
Ground floor: Stores and administrative area.
First floor: issuing counter, reference book.
Second floor: Triple height reading hall.
Third floor: Volumes and journal section.
Fourth floor: old books section.
VIKRAM SARABAI LIBRARY
CLASS ROOM
•Lobbies, in between classrooms
to provide entry & serve as spots
where students can meet.
•Shape : hexagonal & seats, placed
at different levels.
•Windows are high to get glare
free light.
•The design of the class room is
seminar type interaction between
the students and the faculty.
FACULTY BLOCK
•Four storey building
comprising of four blocks.
•All four blocks are joined
together by a corridor.
•Arched openings in the
corridor.
•10 rooms on each floor of one
block
DORMITORIES
• shape of each : square
•Joined by two residential
wings.
•The position of the
staircase and washroom
are meant to protect the
living room from sun and
glare without obstructing
the breeze and
ventilation.
LOUIS KAHN PLAZA
•Instead of small
courtyard, one large court
has been planned in the
center.
•The Louis Kahn plaza is a
raised platform in the
court which is 120 feet
wide.
•It serves the function of a
stage on formal occasions
with large gatherings.
AUDITORIUM
• close to the main entrance
near the parking area for easy
access.
• capacity of 550 seats,
accommodated in a
combination of stepped and
flat floors.
• 2 sets of spiral staircases in
the foyer for circulation.
SALK INSTITUTE - A BIOLOGICAL RESEARCH
CENTER
LOCATION : SAN DIEGO,CALIFORNIA
OPENED : 1957
KEY MATERIAL : REINFORCED
CONCRETE,
POZZOLANIC CONCRETE
PHILOSOPHY : TO CREATE INSPIRING
ENVIRONMENT FOR SCIENTIFIC
RESEARCH AND BETTERMENT OF
MANKIND
PLANNING
• 6 floors with 3 levels
housing the laboratories.
•Each laboratory block has 5
study towers
•4 offices in each tower
•except for those near
entrance to the court, which
only contain 2
STRUCTURE
• 2 symmetric buildings with a stream
of water flowing in the middle of a
courtyard that separates the two.
• building themselves have been
designed to promote collaboration,
and there were no walls separating
laboratories on any floor.
• lighting fixtures designed, easily
slide along rails on the roof in the
collaborative
• two buildings, mirrored around a
open Plaza which forms a strong linear
axis with the Pacific ocean on one end
& entrance on other .
•A diagonal wall allows each of the 36
scientists using the studies to have a
view of the Pacific.
•every study is fitted with a
combination of operable sliding glass
panels.
MATERIAL
• concrete, teak, lead, glass & steel as
his material palette.
• made in exposed concrete, walls are
unfinished showing clearly the
shuttering marks & also tie rod holes.
• imperfections formed in concrete
surface during casting were left as such
& were not covered up and finished,
maintaining integrity of the material.
NATIONAL ASSEMBLY, DHAKA
MAIN STRUCTURE
OPENINGS INTERIOR
RICHARDS MEDICAL CENTER
MATERIAL :
REINFORCED CONCRETE
LOCATION : PHILADELPHIA
AREA : 2.8 ACRES

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Louis kahn

  • 1. LOUIS KAHN SILENCE AND LIGHT
  • 2. “ARCHITECTURE IS THE ART OF HOW TO WASTE SPACE.” BORN : 20TH FEB. 1901 IN PARNU,ESTONIA DIED : 17TH MARCH 1974 OPENED HIS OWN FIRM IN 1935 CLASSICAL ARCHITECTURE’S SOLIDFORMS ‘N’ DURABLE MATERIALS SIR KAHN’S WORK = TIMELESS FORMS + MODERN TECHNIQUES
  • 3. PHILOSOPHY • Kahn’s style tends to be momumental and monolithic. • heavy buildings don’t hide their weight, their materials or the way they are assembled. • Geometry in his work : use of different shapes & lines • streamline, radical, & futuristic looking buildings with his bold technique.
  • 4. ONE OF THE KAHN’S MASTERPIECES- THE KIMBELL ART MUSEUM ‘ MECCA OF MODERN ARCHITECTURE AND OF ALL ART GALLERY.’ LOCATION : FORT WORTH,TEXAS OPENED : 1972 KEY MATERIALS : CONCRETE, TRAVERTINE AND WHITE OAK INSPIRED BY : ROMAN ARCHITECTURE – ROMAN ARCH N VAULT
  • 5. PLANNING • Basic plan is composed of 16 cycloid vaults arranged in 3 parallel units of 6,4 and 6. • simple plan of unadorned, repeated forms with some variations. •punctuated by 3 courtyards, allowing for more light, air flow n relationships betn interior and exterior spaces. • North courtyard: 40 sq. ft. South courtyard: 20 sq. ft.
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  • 9. STRUCTURE “The room is the beginning of architecture.” • The cycloid vaults has gently rising sides, giving the impression of monumentality. • It is capable of supporting its own weight ad withstand heavy pressure. • Weight of each vault is directed through 4 columns measuring 2 sq. ft. • Structure is based on a consistent mathematical model
  • 10. MATERIALS “ Natural materials have a way of blending together.” • materials that complemented in tone and surface: travertine, concrete, white oak, metal and glass. • reinforced concrete - vaults, walls & piers • travertine acts as “in-fill” material; having a swiss-cheese texture, used to emulate the timeless n monolithic qualities • over 1million pounds of travertine sheaths much of interior n exterior walls, gallery floors, porches & stairs.
  • 11. Lead for roof cover, for its colour, dull sheen and discreet, natural appearance. White oak : gallery floors, doors,& cabinetry Anodized aluminium : soffits & reflectors. Mill-finished steel : windows n door frames, elevators, and handrails
  • 12. LIGHTING “ No space, is a space unless it has natural light.” •Cycloid barrel vaults, rimmed with narrow Plexiglass skylights. •Pierced-aluminium reflectors shaped like wings hang below , illuminating the smooth surfaces of the concrete, providing elegant light conditions. •Galleries on the upper floor, for most natural lighting.
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  • 14. IIM LOCATION : AHMEDABAD OPENED : 1963 KEY MATERIALS : BRICK, CONCRETE SITE AREA : 66 ACRES
  • 15. INDIAN INSTITUTE OF MANAGEMENT, AHMEDABAD •Separate entries for institutional & residential complex. •Auditorium, near main entrance for easy access for visitors. •Residential areas in hierarchical pattern. •School building is planned around a court. •School building & students dorm have been placed diagonally to take advantage of winds from southwest. •Brick has been used for entire complex walls, columns, arches. •Use of concrete has been restricted to foundations, floor slabs.
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  • 17. LIBRARY Ground floor: Stores and administrative area. First floor: issuing counter, reference book. Second floor: Triple height reading hall. Third floor: Volumes and journal section. Fourth floor: old books section.
  • 19. CLASS ROOM •Lobbies, in between classrooms to provide entry & serve as spots where students can meet. •Shape : hexagonal & seats, placed at different levels. •Windows are high to get glare free light. •The design of the class room is seminar type interaction between the students and the faculty.
  • 20. FACULTY BLOCK •Four storey building comprising of four blocks. •All four blocks are joined together by a corridor. •Arched openings in the corridor. •10 rooms on each floor of one block
  • 21. DORMITORIES • shape of each : square •Joined by two residential wings. •The position of the staircase and washroom are meant to protect the living room from sun and glare without obstructing the breeze and ventilation.
  • 22. LOUIS KAHN PLAZA •Instead of small courtyard, one large court has been planned in the center. •The Louis Kahn plaza is a raised platform in the court which is 120 feet wide. •It serves the function of a stage on formal occasions with large gatherings.
  • 23. AUDITORIUM • close to the main entrance near the parking area for easy access. • capacity of 550 seats, accommodated in a combination of stepped and flat floors. • 2 sets of spiral staircases in the foyer for circulation.
  • 24. SALK INSTITUTE - A BIOLOGICAL RESEARCH CENTER LOCATION : SAN DIEGO,CALIFORNIA OPENED : 1957 KEY MATERIAL : REINFORCED CONCRETE, POZZOLANIC CONCRETE PHILOSOPHY : TO CREATE INSPIRING ENVIRONMENT FOR SCIENTIFIC RESEARCH AND BETTERMENT OF MANKIND
  • 25. PLANNING • 6 floors with 3 levels housing the laboratories. •Each laboratory block has 5 study towers •4 offices in each tower •except for those near entrance to the court, which only contain 2
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  • 27. STRUCTURE • 2 symmetric buildings with a stream of water flowing in the middle of a courtyard that separates the two. • building themselves have been designed to promote collaboration, and there were no walls separating laboratories on any floor. • lighting fixtures designed, easily slide along rails on the roof in the collaborative
  • 28. • two buildings, mirrored around a open Plaza which forms a strong linear axis with the Pacific ocean on one end & entrance on other . •A diagonal wall allows each of the 36 scientists using the studies to have a view of the Pacific. •every study is fitted with a combination of operable sliding glass panels.
  • 29. MATERIAL • concrete, teak, lead, glass & steel as his material palette. • made in exposed concrete, walls are unfinished showing clearly the shuttering marks & also tie rod holes. • imperfections formed in concrete surface during casting were left as such & were not covered up and finished, maintaining integrity of the material.
  • 30. NATIONAL ASSEMBLY, DHAKA MAIN STRUCTURE OPENINGS INTERIOR
  • 31. RICHARDS MEDICAL CENTER MATERIAL : REINFORCED CONCRETE LOCATION : PHILADELPHIA AREA : 2.8 ACRES