Location – Dam House 2
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The document discusses photos of Dam House that were gathered to determine if it would be a suitable location for filming a music video. The photos show the natural surroundings of the location, including bright areas among the trees, entrance and driving areas, paths near a pond, and other spaces around the dam that could be used to create footage fitting the song's lyrics. In total, the location offers a variety of settings and atmospheres that would allow filming of different scenes and angles for the full music video.
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Location – Dam House 2
The document presents photos of Dam House as a potential location for filming a music video. It summarizes that the photos show the natural surroundings of Dam House, including bright areas under the trees, entrance areas, paths near ponds, and other locations that could provide different angles and atmospheres suitable for including lyrics. The final photos depict the whole area that could be used to create more footage, including ducks near the pond.
Location reports
The document provides location reports for various scenes in a music video.
The first scene was filmed on a local road in Southgate to make it easy to access despite poor weather. Performance scenes took place at the actress' home for convenience and easy costume changes. Park scenes were filmed at a nearby scenic park familiar to the crew. Night scenes were captured at Alexandra Palace for its lights until snow forced rescheduling. The dinner scene was staged at home rather than a restaurant for more control over shots and romantic atmosphere.
Location
This document discusses four potential locations for a music video about a couple's relationship:
1. The bench - Located in Eaton Marshes, it provides a private location for the couple to meet and bond, and later for one to return alone when the relationship ends.
2. The field - Next to the bench, it is an open, calm location suitable to depict the happy, carefree early stages of the relationship.
3. The forest - Mentioned in the song lyrics, it provides a closed, lost feeling to represent the relationship drifting apart later on.
4. The river - Also near the other locations, its unpredictable nature is a metaphor for how a relationship can change quickly from
location scoutingg
The document discusses location scouting ideas for a music video. The filmmaker will shoot scenes at a park to reflect the young adolescent character's innocence and growth beyond youth. Shooting at the park first will help depict the character's downward spiral. Suburban settings like streets, a house, and driveway will make the narrative more realistic and relatable for the target audience. Filming in the character's bedroom will create a personal connection and is a practical space. A plain wall will provide a clean background for photoshoots without distracting from the foreground.
Locations
The document outlines three locations to be used for filming a music video: 1) Each group member will film the sunrise and sunset from their homes to capture different times of day representing sections of the song. 2) Scenes will be filmed behind a river in a wooded/field area to connote naturalism and the performers' starting image. 3) A performance section will be filmed in an assembly room to follow genre conventions and accentuate the performers' star image rather than just showing them casually.
Mv2
This document discusses the process of editing a music video for the song "On A Mission" by Katy B. It describes how the editors added text titles and warnings to the intro, cut footage to match lyrics in the bridge, carefully synced lip syncing to the audio, and used cross dissolves to smoothly transition between scenes and connect the narrative. The frequent use of cross dissolves helped give the music video, which contained both past and present scenes, a more professional look and feel of continuity.
Fav music vid
The music video uses interconnected tracking shots and reverse shots to create a surreal dream-like sequence with creative changes in location through zooms. It stands out by not using close-ups of the singers, relying instead on natural lighting and locations like underwater to intrigue audiences. The complex narrative leaves viewers watching multiple times to understand its deep meaning, reunifying characters at the end to create familiarity and irony with the recurring dream theme.
Locations
The document discusses potential filming locations for recreating scenes from a romantic song, including a beach, supermarket, living room, car, park, woods, and sea. The beach location would show a couple walking along the sand at sunset. Supermarkets are easy to access but difficult to clear of people. Living rooms could easily recreate the desired setting. Cars provide an intimate environment to show a couple's relationship. Parks could depict couples playing in a fun way. Woods could symbolize a relationship breaking down. The sea shot uses a long shot to make the water seem infinite.
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Location – Dam House 2
The document presents photos of Dam House as a potential location for filming a music video. It summarizes that the photos show the natural surroundings of Dam House, including bright areas under the trees, entrance areas, paths near ponds, and other locations that could provide different angles and atmospheres suitable for including lyrics. The final photos depict the whole area that could be used to create more footage, including ducks near the pond.
Location reports
The document provides location reports for various scenes in a music video.
The first scene was filmed on a local road in Southgate to make it easy to access despite poor weather. Performance scenes took place at the actress' home for convenience and easy costume changes. Park scenes were filmed at a nearby scenic park familiar to the crew. Night scenes were captured at Alexandra Palace for its lights until snow forced rescheduling. The dinner scene was staged at home rather than a restaurant for more control over shots and romantic atmosphere.
Location
This document discusses four potential locations for a music video about a couple's relationship:
1. The bench - Located in Eaton Marshes, it provides a private location for the couple to meet and bond, and later for one to return alone when the relationship ends.
2. The field - Next to the bench, it is an open, calm location suitable to depict the happy, carefree early stages of the relationship.
3. The forest - Mentioned in the song lyrics, it provides a closed, lost feeling to represent the relationship drifting apart later on.
4. The river - Also near the other locations, its unpredictable nature is a metaphor for how a relationship can change quickly from
location scoutingg
The document discusses location scouting ideas for a music video. The filmmaker will shoot scenes at a park to reflect the young adolescent character's innocence and growth beyond youth. Shooting at the park first will help depict the character's downward spiral. Suburban settings like streets, a house, and driveway will make the narrative more realistic and relatable for the target audience. Filming in the character's bedroom will create a personal connection and is a practical space. A plain wall will provide a clean background for photoshoots without distracting from the foreground.
Locations
The document outlines three locations to be used for filming a music video: 1) Each group member will film the sunrise and sunset from their homes to capture different times of day representing sections of the song. 2) Scenes will be filmed behind a river in a wooded/field area to connote naturalism and the performers' starting image. 3) A performance section will be filmed in an assembly room to follow genre conventions and accentuate the performers' star image rather than just showing them casually.
Mv2
This document discusses the process of editing a music video for the song "On A Mission" by Katy B. It describes how the editors added text titles and warnings to the intro, cut footage to match lyrics in the bridge, carefully synced lip syncing to the audio, and used cross dissolves to smoothly transition between scenes and connect the narrative. The frequent use of cross dissolves helped give the music video, which contained both past and present scenes, a more professional look and feel of continuity.
Fav music vid
The music video uses interconnected tracking shots and reverse shots to create a surreal dream-like sequence with creative changes in location through zooms. It stands out by not using close-ups of the singers, relying instead on natural lighting and locations like underwater to intrigue audiences. The complex narrative leaves viewers watching multiple times to understand its deep meaning, reunifying characters at the end to create familiarity and irony with the recurring dream theme.
Locations
The document discusses potential filming locations for recreating scenes from a romantic song, including a beach, supermarket, living room, car, park, woods, and sea. The beach location would show a couple walking along the sand at sunset. Supermarkets are easy to access but difficult to clear of people. Living rooms could easily recreate the desired setting. Cars provide an intimate environment to show a couple's relationship. Parks could depict couples playing in a fun way. Woods could symbolize a relationship breaking down. The sea shot uses a long shot to make the water seem infinite.
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The document discusses the locations chosen for scenes in a short film about a character named Sam. It describes choosing Sam's bedroom to show how he is restless and no longer finds comfort in his room. A bus stop was used to show Sam coping through transportation. Scenes on a school bus aimed to portray Sam's instability through constant movement. Filming in a busy town allowed populated scenes while avoiding too much attention. The beach was selected as a place for thought and contemplation, with Lee-on-the-Solent chosen for its quietness and natural lighting. Sam's parents' kitchen was intentionally changed in setting, atmosphere and lighting to show where Sam feels most uncomfortable.
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The document outlines 5 scenes to be filmed for a music video. Scene 1 will refilm footage from Piccadilly Circus due to bad weather and acting in the original. Scene 2 will film in Neil's Yard, known for its colorful houses and plants. Scene 3 will take place in the colorful South Bank Skate Park. Scene 4 will film in St. James Park for joyful footage. Scene 5 is the final scene and will be filmed in the light tunnel at King's Cross Station, known for its changing colored screens.
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The document discusses potential locations within Worsley Nature Reserve to film a music video. It provides photos of various areas like a bridge, trees, and a canal that could work with the song's lyrics. Specific shots are proposed, like filming two people meeting under a tree or walking along the bridge. While some areas like the canal may not be suitable, overall the nature reserve seems to offer good options for the video's setting and shots that could help tell the story and engage viewers.
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This document discusses potential locations in Blackpool, England to film a music video. Several photos of the beach, pier, and surrounding areas are presented with descriptions of how each could be used. The beach is proposed as the main location, while other areas like the pier and walkways could be used for establishing shots or flashback scenes. Foggy weather and nighttime lights are noted as adding atmosphere that matches the song's theme of lost love rather than romance.
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This document discusses photos taken at Heaton Park as potential locations for filming a music video. Several grassy areas, pathways, and buildings are highlighted that could work well based on the lighting, scenery, and opportunities they provide for different camera shots and angles. Reflections in water and areas with trees are also mentioned as ideal backdrops. The document analyzes each photo location and how it could enhance or relate to the song's lyrics. Overall Heaton Park is deemed to have great potential as the location for the music video shoot.
Production day diary four
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The document discusses potential location ideas for filming a music video. It proposes using the school studio with backdrops and lights to film performance elements, as the simplicity would be effective. The tennis courts could also be used to get natural light giving it a gloomy or fresh look depending on the weather, fitting the song tempo. Behind-the-scenes shots of filming the artist in front of backdrops could incorporate lyrics about fame. Shots of nighttime traffic could link to lyrics about travelling while fitting the alternative genre aesthetically.
Photographs of potential locations
This document discusses and presents several potential locations for filming a music video. Locations mentioned include Brindley Place for its canals and romantic atmosphere, the new Central Library in Birmingham for its diverse interior spaces, a forest location for its sense of isolation, a golf course also for loneliness and isolation, and Sandwell Valley for its mysterious feel and nice colors. Further locations proposed are a cathedral for its grandness and romance, Birmingham City Centre for a performance scene, and a coffee shop for a possible date scene to represent memories in the artists' relationship.
Photographs of potential locations
This document discusses and presents several potential locations for filming a music video. Locations mentioned include Brindley Place for its canals and romantic atmosphere, the new Central Library in Birmingham for its diverse interior spaces, a forest location for its sense of isolation, a golf course also for loneliness and isolation, and Sandwell Valley for its mysterious feel and nice colors. Further locations proposed are a cathedral for its grandness and romance, Birmingham City Centre for a performance scene, and a coffee shop for a possible date scene to represent memories in the artists' relationship.
Location – Motorway
The document discusses photos taken at a motorway to assess whether it would be a suitable filming location for a music video. It describes shots of traffic lights and vehicle lights at different times of day to showcase the changing lighting conditions. Several photos are analyzed to show blurry backgrounds that could transition between focused and blurred areas to represent the flow of traffic. The motorway location offers dynamic lighting effects from traffic lights and vehicles that could be incorporated into the video if selected.
Location – Motorway
The document discusses photos taken at a motorway to assess whether it would be a suitable filming location for a music video. It describes shots of traffic lights and vehicle lights at different times of day to showcase the changing colors and flows of traffic. Several photos show traffic from various angles and distances to illustrate how lighting and blurriness could be manipulated in the video. The motorway offers dynamic lighting effects from car lights and traffic signals that could complement the song's lyrics and pace.
Editing ideas
The document discusses editing techniques used for a music video. Sections of lyrics were chopped up to fit with the fast pace and upbeat rhythm. Filters were initially added but then removed to maintain a homemade, unpolished feel. Overlapping images solved the problem of portrait shots by placing opaque crowd shots behind for context. It created interest and flow when combined with fast and slow footage. Overlapping extra images also helped when starting to run low on suitable footage.
Location of music video
The document discusses the locations chosen to film scenes for a music video for an emotional love song. Scenes were filmed at the artist's home to portray emotions in a personal way. Bedroom scenes featured the artist in pajamas to represent comfort. Additional scenes were shot in a park to show the artist leaving their home and comfort zone. Further scenes were filmed in a studio with a white backdrop and special lighting to provide consistency and a professional, youthful look conforming to other music videos in the genre.
Initial filming locations
The initial filming location of Chicksands woods was too remote, making it difficult to arrange times when all actors could attend. They then decided to film at the Common in Hitchin, which had a similar wooded setting and was closer to everyone. Indoor locations like the filmmaker's living room, school drama stage, and an actor's house were also used to give the video a realistic, home video feel while still relating to the performance theme. The variety of outdoor and indoor settings helped capture shots that fit the vision and theme.
How we created a remake of Lorde's Royals
The students decided to recreate a scene from Lorde's music video for "Royals" because they liked its minimalist style and simple editing techniques. They storyboarded shots to mimic those from the original video but had to modify their plan during filming due to location constraints. The students shot footage of their actress lip syncing to the song in a classroom using one camera on a tripod and a lighting box. They edited the clips in iMovie to match the timing of the song, facing challenges in lighting, location finding, and syncing the audio with the video footage.
Production Diary- Caddington Park/ Alleyway
The document summarizes a film production crew's activities shooting scenes that required dark lighting conditions at Caddington Park on November 5th, 2016 between 3:45pm and 6:00pm. The crew of three students and a volunteer father arrived to set up equipment as the light faded. They filmed scenes but faced challenges with low lighting that were addressed by adding lighting from mobile phones. The father also assisted by acting and providing supervision. All planned shots were completed efficiently despite cold conditions, and the session was deemed a success though additional assistance may have helped.
4
I used a variety of media technologies in all stages of creating a music video. This included using Final Cut Pro for editing clips, applying effects like desaturation, and ensuring accurate lip syncing. A DSLR camera was used to capture higher quality scenic shots and allow manual focusing. While green screening was attempted, projection of location footage worked better. Photoshop was used to edit photos for ancillary tasks like adding color filters and blending. SurveyMonkey and YouTube were also utilized in the planning, research, and sharing of works in progress.
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Location – Dam House 2
- 1. Location – Dam House These are the photos that Sarah gathered for our group, this was done to allow us as a group to see whether the location of Dam House was any good to us and would be suitable the setting of our music video filming session. As I lost my work I’ve had to redo this powerpoint as it got deleted from my slideshare account. Sarah has kindly given me the photos again and with the deadline looming tomorrow I’ve had to make this quickly. Therefore I’ve only decided to add in the photo and a quick title showing what each photo is and represents. This will then help when it comes to deciding the location that will best suit our song and lyrics.
- 2. Photos of Dam House – Show the natural look and the brightness that comes through the trees. General areas that we could use in our music video, top right – driving into the entrance.
- 3. These photos show us ways in which we could film footage giving us a different camera shot and angle as well as the position – allows us to peer through the trees to see what is going on. This shows a warm feel to the atmosphere a calm feeling, peaceful – love story could be played here.
- 4. Path down from the car park to the pond and other walkways, this would be suitable for the filming to go with our lyrics.
- 5. These final photos show the pond, slip through paths and other areas to dam house, this allows us to use the whole of the area for our music video which allows us to create more footage. The Ducks!
- 6. Thank You For Watching! You can now see why we wanted to see if Dam House was the right location for us to use as it shows great lighting through the trees and the surrounding areas were suitable for which we could use within our music video.