Location ~ Worsley Nature Reserve
•Download as PPT, PDF•
0 likes•217 views
The document discusses potential locations within Worsley Nature Reserve to film a music video. It provides photos of various areas like a bridge, trees, and a canal that could work with the song's lyrics. Specific shots are proposed, like filming two people meeting under a tree or walking along the bridge. While some areas like the canal may not be suitable, overall the nature reserve seems to offer good options for the video's setting and shots that could help tell the story and engage viewers.
Report
Share
Report
Share
Recommended
Camera shot
The document discusses the camera shots and angles used in filming an indie music video. Long shots of the studio were used to suit the fast pace of the song, while close-ups were reserved for slower, more emotional moments filmed at a museum. Various shots like long shots, medium shots, and close-ups were chosen to help viewers understand the narrative and represent the theme of the story by bringing the audience into the world of the video. Close-ups in particular were used to create the star image but not extreme close-ups due to limitations of the camera equipment.
Location ~ Heaton Park
This document discusses photos taken at Heaton Park as potential locations for filming a music video. Several grassy areas, pathways, and buildings are highlighted that could work well based on the lighting, scenery, and opportunities they provide for different camera shots and angles. Reflections in water and areas with trees are also mentioned as ideal backdrops. The document analyzes each photo location and how it could enhance or relate to the song's lyrics. Overall Heaton Park is deemed to have great potential as the location for the music video shoot.
Location Blackpool
This document discusses potential locations in Blackpool, England to film a music video. Several photos of the beach, pier, and surrounding areas are presented with descriptions of how each could be used. The beach is proposed as the main location, while other areas like the pier and walkways could be used for establishing shots or flashback scenes. Foggy weather and nighttime lights are seen as fitting the video's theme of a non-romantic story about lost love and lies.
Locations
The document outlines three locations to be used for filming a music video: 1) Each group member will film the sunrise and sunset from their homes to capture different times of day representing sections of the song. 2) Scenes will be filmed behind a river in a wooded/field area to connote naturalism and the performers' starting image. 3) A performance section will be filmed in an assembly room to follow genre conventions and accentuate the performers' star image rather than just showing them casually.
Alterations
The filmmakers made several changes to their music video plans during production. They had to re-film performance footage with a new band after scheduling issues with the original band. They also increased the amount of performance shots to be more appropriate for the genre. The location was changed from a field in town to one near the school for easier access. Finally, they shortened the song length by over a minute to have enough compelling footage to cover the song in the allotted time.
Roper park location recce
This document summarizes the recce of two potential beach locations - Saltburn Beach and Seaton Carew - for filming a music video. Saltburn Beach or both beaches could be used, depending on the test shots. Seaton Carew may be easier to access multiple times. Outdoor lighting will need careful planning to achieve the desired look. Sound issues are not applicable as the video will be a silent filming with song added in post-production.
Location
The document discusses the group's choice to film their indie music video at the High Vinnels woodland location instead of the originally planned seaside location. The woodland provides gathering spots that fit the video's theme of friendship and hanging out. It also allows them to film scenes documenting their journey and arrival that are common in other indie videos. The more accessible and safer location will help the group create a video that fits their overall vision and indie genre.
Location Reeces
The document discusses the locations chosen for scenes in a short film about a character named Sam. It describes choosing Sam's bedroom to show how he is restless and no longer finds comfort in his room. A bus stop was used to show Sam coping through transportation. Scenes on a school bus aimed to portray Sam's instability through constant movement. Filming in a busy town allowed populated scenes while avoiding too much attention. The beach was selected as a place for thought and contemplation, with Lee-on-the-Solent chosen for its quietness and natural lighting. Sam's parents' kitchen was intentionally changed in setting, atmosphere and lighting to show where Sam feels most uncomfortable.
Recommended
Camera shot
The document discusses the camera shots and angles used in filming an indie music video. Long shots of the studio were used to suit the fast pace of the song, while close-ups were reserved for slower, more emotional moments filmed at a museum. Various shots like long shots, medium shots, and close-ups were chosen to help viewers understand the narrative and represent the theme of the story by bringing the audience into the world of the video. Close-ups in particular were used to create the star image but not extreme close-ups due to limitations of the camera equipment.
Location ~ Heaton Park
This document discusses photos taken at Heaton Park as potential locations for filming a music video. Several grassy areas, pathways, and buildings are highlighted that could work well based on the lighting, scenery, and opportunities they provide for different camera shots and angles. Reflections in water and areas with trees are also mentioned as ideal backdrops. The document analyzes each photo location and how it could enhance or relate to the song's lyrics. Overall Heaton Park is deemed to have great potential as the location for the music video shoot.
Location Blackpool
This document discusses potential locations in Blackpool, England to film a music video. Several photos of the beach, pier, and surrounding areas are presented with descriptions of how each could be used. The beach is proposed as the main location, while other areas like the pier and walkways could be used for establishing shots or flashback scenes. Foggy weather and nighttime lights are seen as fitting the video's theme of a non-romantic story about lost love and lies.
Locations
The document outlines three locations to be used for filming a music video: 1) Each group member will film the sunrise and sunset from their homes to capture different times of day representing sections of the song. 2) Scenes will be filmed behind a river in a wooded/field area to connote naturalism and the performers' starting image. 3) A performance section will be filmed in an assembly room to follow genre conventions and accentuate the performers' star image rather than just showing them casually.
Alterations
The filmmakers made several changes to their music video plans during production. They had to re-film performance footage with a new band after scheduling issues with the original band. They also increased the amount of performance shots to be more appropriate for the genre. The location was changed from a field in town to one near the school for easier access. Finally, they shortened the song length by over a minute to have enough compelling footage to cover the song in the allotted time.
Roper park location recce
This document summarizes the recce of two potential beach locations - Saltburn Beach and Seaton Carew - for filming a music video. Saltburn Beach or both beaches could be used, depending on the test shots. Seaton Carew may be easier to access multiple times. Outdoor lighting will need careful planning to achieve the desired look. Sound issues are not applicable as the video will be a silent filming with song added in post-production.
Location
The document discusses the group's choice to film their indie music video at the High Vinnels woodland location instead of the originally planned seaside location. The woodland provides gathering spots that fit the video's theme of friendship and hanging out. It also allows them to film scenes documenting their journey and arrival that are common in other indie videos. The more accessible and safer location will help the group create a video that fits their overall vision and indie genre.
Location Reeces
The document discusses the locations chosen for scenes in a short film about a character named Sam. It describes choosing Sam's bedroom to show how he is restless and no longer finds comfort in his room. A bus stop was used to show Sam coping through transportation. Scenes on a school bus aimed to portray Sam's instability through constant movement. Filming in a busy town allowed populated scenes while avoiding too much attention. The beach was selected as a place for thought and contemplation, with Lee-on-the-Solent chosen for its quietness and natural lighting. Sam's parents' kitchen was intentionally changed in setting, atmosphere and lighting to show where Sam feels most uncomfortable.
Evaluation activity 1
This evaluation activity illustrates the relationship between lyrics, visuals, and narrative in a music video. Screen grabs show the band representing punk rock conventions like anarchy backgrounds and wild behavior, as expected by their record label. Props like guitars and drums enhance the punk genre, while other shots reference films or represent the urban setting to give viewers a sense of the video without watching it. One screen grab effectively uses lighting to tell a narrative by showing a realistic morning scene.
Media music video presentation
The document outlines a plan for a music video for the song "Waves" by Mr Probz. It will focus on scenic shots of nature like beaches, sand dunes, grassy fields, and lakes to portray a story of a man feeling overwhelmed in a relationship through changing weather and scenery. Initial ideas involved creating a scenic video without a chosen song. "Waves" was selected because it fits the vision and doesn't require many people. Further planning involves specific camera shots and locations.
Rock video analysis 2
The video uses typical punk rock iconography like tattoos, guitars, drums, skeletons, and fire to portray Neck Deep as a rebellious band. Scenes of the band performing with their instruments portray them as genuine musicians. The lead singer dressed as a teacher creates irony and shows the band is relatable to young people as anti-establishment figures. Close-ups of bored students and the singer establish them as commenting on what young people experience in school. Shaky camera during the song creates excitement and acts as an advertisement for their live shows. Editing with slow motion and cut-to-the-beat style engages viewers and portrays the band and students as fun and rebellious.
Production Days
Ellie Latham documents her group's four days of filming for their music video production. On day one, they filmed the lead singer in front of a simple brick wall at a village hall. Day two involved filming in Bristol, including shots of the singer on top of a parking garage and in a bear pit, as well as filming local skateboarders. Day three consisted of setting up a time lapse camera in a shopping center. Day four had them film a friend dancing at their school. Later pick-up shots were taken at a house and lake to fill remaining gaps in footage.
Location shoot
The document discusses potential filming locations and shots for a music video at St. George's park. It proposes using a bench as a prop and filming from different angles to show a past couple and the singer walking by. Steps are also considered to show the singer jumping between spots to the beat. Romantic flashback scenes by the duck pond and of a past couple playing by trees are discussed. Wide shots are proposed to capture the scenes fully.
Concept Plan, music video
The document outlines plans for a music video for the song "Off-beam" by artist Leaping Tiger. It discusses choosing the obscure title to reflect the song's mood without lyrics. The target audience is 15-30 year olds. Camera shots and movements like close-ups, pans, and tilts will be used to achieve a "movie-like" effect. Scenes will be filmed of Leaping Tiger walking through Auckland City at different times of day, with natural lighting. The video will have a somber color palette and be edited to the beat of the song. It aims to have an ambiguous style with no fixed storyline, like the song.
Location
The document discusses the location chosen for a student film project. The group decided to film at High Vinnels woodland instead of the originally proposed seaside location. High Vinnels was easier to access and allowed the group to still capture themes of friendship and a road trip journey in their indie music video. Pictures show areas in the forest that will be used, including a gathering spot and lake, to give a traditional camping feel. The new location is safer and more accessible for the group.
Alterations made along the way
The filmmakers made three key alterations to their music video:
1) They changed the filming location from a field to a forest, finding that the forest better portrayed the artist's isolation and fit the autumn setting.
2) They adjusted camera angles and shot types during filming to see which ones looked best and fit each scene, such as changing from a high angle to eye level for a shot of the artist lying down.
3) They modified the artist's makeup and costume multiple times, ultimately going with bold eye makeup and an autumnal outfit of black jeans, boots, and jacket rather than the originally planned pure white dress, which did not look realistic for a forest setting.
Day of filming
The filmmakers made several adjustments to their filming schedule and locations due to various factors like traffic and flooding. They stuck to their storyboard for planned shots but also found new creative angles and ideas on location. Additional shots were added of walking through York and using available props to get more footage for a fast-paced editing style in one section. GoPro shots also provided effective transitions not originally planned.
Evaluation activity 1 draft 2
This document provides screenshots and descriptions from an evaluation activity for a music video. It summarizes key aspects of 7 screenshots, including: 1) Lyrics being represented visually with smoking in the background. 2) Distinctive punk rock conventions like anarchy symbols and band members going wild. 3) Props like guitars and drums being shown to enhance the punk genre. 4) An intertextual reference to Beverly Hills Cop. 5) An urban car park setting without needing to watch the video. 6) Excellent editing and camerawork combining for a seamless background shot. 7) Effective lighting telling the narrative through a realistic morning scene.
Music Video shoot
My group filmed a music video for the song "USSR" by Rejjie Snow over two days in London locations. On the first day they filmed scenes in Brick Lane and Oxford Street using a Canon DSLR camera, tripod, stabilizer and Bluetooth speakers to play the track. The second day they finished filming in Brick Lane, where they experienced some disturbances but overall found the area clear to film. They gained permission to film on private property during the shoot. The music video took 9 hours total to film over the two days, and the actors arrived on time and learned their lyrics properly.
Evaluation question 1
The document discusses how a music video project for an electronic track used, developed, and challenged conventions of real media products. It addresses theories from Carol Vernallis and Andrew Goodwin. For Vernallis' theory, the video broke continuity editing rules through cuts, used obvious editing like mirroring and slow motion to draw attention, and had the artist make direct eye contact with the camera. For Goodwin's theory, the video had a narrative structure with the artist as narrator and performer, used repeated shots, had a climax through an argument scene buildup, and illustrated the song's story in a way that was relevant to the lyrics.
Initial filming locations
The initial filming location of Chicksands woods was too remote, making it difficult to arrange times when all actors could attend. They then decided to film at the Common in Hitchin, which had a similar wooded setting and was closer to everyone. Indoor locations like the filmmaker's living room, school drama stage, and an actor's house were also used to give the video a realistic, home video feel while still relating to the performance theme. The variety of outdoor and indoor settings helped capture shots that fit the vision and theme.
Treatment sheet
The music video will tell the story of a day through the song's lyrics and landscape shots. It will feature the band performing live in a studio with dark lighting and landscape shots of Roseberry Topping to convey a psychedelic rock genre. Editing techniques like time lapses and graphic matches will link the studio and landscape scenes. The band will wear dark, modern clothes to fit the alternative rock genre and contrast with the bright landscapes.
Task 5 music video production photo diary
The photographs document the production of a music video shot in a graveyard. They show the camera operator, Isis, capturing different shots from various angles to get wide views of the graveyard and close-ups of graves to clearly show details. The photos also depict the camera operator practicing shots for the final scene where the artist and Isis sit on a wall, and another camera operator shooting the last scene of the video. The pictures provide an overview of the areas used to film the music video.
Avenged sevenfold
This document analyzes the camerawork, editing, and mise-en-scene techniques used in Avenged Sevenfold's music video for "Nightmare" and how they help create a star persona for the band. Camerawork such as close-ups, POV shots, and handheld footage aim to make the audience feel like they are experiencing the story and band's perspective firsthand. Fast-paced editing, including jump cuts, cross-cutting, and fast cutting, reflect the song's energetic tempo and the band's rebellious image. Elements of the mise-en-scene like the asylum setting, dark costumes, and high-key lighting also relate to the rock genre and would appeal to Avenged
Notes Evaluation Question 1
The document discusses two authors' perspectives on music videos:
Goodwin describes three relationships between songs and videos - illustration, amplification, and disjuncture. Vernallis observed that edits in music videos come more frequently than films and break continuity rules to draw attention to the screen. The music video created followed a disjuncture structure as in Goodwin, and exemplified Vernallis' ideas through varied editing in time with the music and lyrics and using jump cuts and base tracks.
Pp on conventions music vid
The document provides an evaluation of a music video based on its adherence to and challenging of conventions. It summarizes that the opening scenes introduce the artist in a spooky and strange way, challenging expectations. Close-ups are used in extreme angles to portray the artist as alternative and mysterious. The artist's makeup and costume are different from identical twins in the video, making her stand out. Dark lighting and fast editing create a dark atmosphere while two contrasting color schemes and shots juxtapose each other. Dancers are featured but their shots are sped up, reversed, and fast edited to challenge audiences in an unusual way.
RSM de los medios en la construcción de la niñez y la adolescencia
Alumnos reflexionaron sobre el modo en que los medios de comunicación, en su gran mayoría, construyen una determinada imagen acerca de los niños y adolescentes, por ejemplo, a través de los noticieros y las publicidades. Es por eso que pensaron en la responsabilidad que le cabe a los medios de comunicación al respecto.
formato: proyecto del sena en ingles
The document proposes a project to build an automatic rag picker to clean large areas. The rag picker would help cleaners and housewives by providing an easy and fast cleaning method. It would benefit the educational institution and community by improving cleanliness and the environment. The project involves incorporating knowledge from different areas to design and build the rag picker using new techniques and technologies. It has the potential for industrial protection. The estimated budget is $15,000 which would cover materials for the project's implementation over six months in various stages including research, design, construction, testing, and presentation.
I Am A Marketing Artist
This short document promotes the creation of presentations using Haiku Deck, a tool for making slideshows. It includes an image of a person looking thoughtful next to text suggesting the reader may be inspired to create their own Haiku Deck presentation. The final sentence provides a call to action to get started using Haiku Deck on SlideShare.
More Related Content
What's hot
Evaluation activity 1
This evaluation activity illustrates the relationship between lyrics, visuals, and narrative in a music video. Screen grabs show the band representing punk rock conventions like anarchy backgrounds and wild behavior, as expected by their record label. Props like guitars and drums enhance the punk genre, while other shots reference films or represent the urban setting to give viewers a sense of the video without watching it. One screen grab effectively uses lighting to tell a narrative by showing a realistic morning scene.
Media music video presentation
The document outlines a plan for a music video for the song "Waves" by Mr Probz. It will focus on scenic shots of nature like beaches, sand dunes, grassy fields, and lakes to portray a story of a man feeling overwhelmed in a relationship through changing weather and scenery. Initial ideas involved creating a scenic video without a chosen song. "Waves" was selected because it fits the vision and doesn't require many people. Further planning involves specific camera shots and locations.
Rock video analysis 2
The video uses typical punk rock iconography like tattoos, guitars, drums, skeletons, and fire to portray Neck Deep as a rebellious band. Scenes of the band performing with their instruments portray them as genuine musicians. The lead singer dressed as a teacher creates irony and shows the band is relatable to young people as anti-establishment figures. Close-ups of bored students and the singer establish them as commenting on what young people experience in school. Shaky camera during the song creates excitement and acts as an advertisement for their live shows. Editing with slow motion and cut-to-the-beat style engages viewers and portrays the band and students as fun and rebellious.
Production Days
Ellie Latham documents her group's four days of filming for their music video production. On day one, they filmed the lead singer in front of a simple brick wall at a village hall. Day two involved filming in Bristol, including shots of the singer on top of a parking garage and in a bear pit, as well as filming local skateboarders. Day three consisted of setting up a time lapse camera in a shopping center. Day four had them film a friend dancing at their school. Later pick-up shots were taken at a house and lake to fill remaining gaps in footage.
Location shoot
The document discusses potential filming locations and shots for a music video at St. George's park. It proposes using a bench as a prop and filming from different angles to show a past couple and the singer walking by. Steps are also considered to show the singer jumping between spots to the beat. Romantic flashback scenes by the duck pond and of a past couple playing by trees are discussed. Wide shots are proposed to capture the scenes fully.
Concept Plan, music video
The document outlines plans for a music video for the song "Off-beam" by artist Leaping Tiger. It discusses choosing the obscure title to reflect the song's mood without lyrics. The target audience is 15-30 year olds. Camera shots and movements like close-ups, pans, and tilts will be used to achieve a "movie-like" effect. Scenes will be filmed of Leaping Tiger walking through Auckland City at different times of day, with natural lighting. The video will have a somber color palette and be edited to the beat of the song. It aims to have an ambiguous style with no fixed storyline, like the song.
Location
The document discusses the location chosen for a student film project. The group decided to film at High Vinnels woodland instead of the originally proposed seaside location. High Vinnels was easier to access and allowed the group to still capture themes of friendship and a road trip journey in their indie music video. Pictures show areas in the forest that will be used, including a gathering spot and lake, to give a traditional camping feel. The new location is safer and more accessible for the group.
Alterations made along the way
The filmmakers made three key alterations to their music video:
1) They changed the filming location from a field to a forest, finding that the forest better portrayed the artist's isolation and fit the autumn setting.
2) They adjusted camera angles and shot types during filming to see which ones looked best and fit each scene, such as changing from a high angle to eye level for a shot of the artist lying down.
3) They modified the artist's makeup and costume multiple times, ultimately going with bold eye makeup and an autumnal outfit of black jeans, boots, and jacket rather than the originally planned pure white dress, which did not look realistic for a forest setting.
Day of filming
The filmmakers made several adjustments to their filming schedule and locations due to various factors like traffic and flooding. They stuck to their storyboard for planned shots but also found new creative angles and ideas on location. Additional shots were added of walking through York and using available props to get more footage for a fast-paced editing style in one section. GoPro shots also provided effective transitions not originally planned.
Evaluation activity 1 draft 2
This document provides screenshots and descriptions from an evaluation activity for a music video. It summarizes key aspects of 7 screenshots, including: 1) Lyrics being represented visually with smoking in the background. 2) Distinctive punk rock conventions like anarchy symbols and band members going wild. 3) Props like guitars and drums being shown to enhance the punk genre. 4) An intertextual reference to Beverly Hills Cop. 5) An urban car park setting without needing to watch the video. 6) Excellent editing and camerawork combining for a seamless background shot. 7) Effective lighting telling the narrative through a realistic morning scene.
Music Video shoot
My group filmed a music video for the song "USSR" by Rejjie Snow over two days in London locations. On the first day they filmed scenes in Brick Lane and Oxford Street using a Canon DSLR camera, tripod, stabilizer and Bluetooth speakers to play the track. The second day they finished filming in Brick Lane, where they experienced some disturbances but overall found the area clear to film. They gained permission to film on private property during the shoot. The music video took 9 hours total to film over the two days, and the actors arrived on time and learned their lyrics properly.
Evaluation question 1
The document discusses how a music video project for an electronic track used, developed, and challenged conventions of real media products. It addresses theories from Carol Vernallis and Andrew Goodwin. For Vernallis' theory, the video broke continuity editing rules through cuts, used obvious editing like mirroring and slow motion to draw attention, and had the artist make direct eye contact with the camera. For Goodwin's theory, the video had a narrative structure with the artist as narrator and performer, used repeated shots, had a climax through an argument scene buildup, and illustrated the song's story in a way that was relevant to the lyrics.
Initial filming locations
The initial filming location of Chicksands woods was too remote, making it difficult to arrange times when all actors could attend. They then decided to film at the Common in Hitchin, which had a similar wooded setting and was closer to everyone. Indoor locations like the filmmaker's living room, school drama stage, and an actor's house were also used to give the video a realistic, home video feel while still relating to the performance theme. The variety of outdoor and indoor settings helped capture shots that fit the vision and theme.
Treatment sheet
The music video will tell the story of a day through the song's lyrics and landscape shots. It will feature the band performing live in a studio with dark lighting and landscape shots of Roseberry Topping to convey a psychedelic rock genre. Editing techniques like time lapses and graphic matches will link the studio and landscape scenes. The band will wear dark, modern clothes to fit the alternative rock genre and contrast with the bright landscapes.
Task 5 music video production photo diary
The photographs document the production of a music video shot in a graveyard. They show the camera operator, Isis, capturing different shots from various angles to get wide views of the graveyard and close-ups of graves to clearly show details. The photos also depict the camera operator practicing shots for the final scene where the artist and Isis sit on a wall, and another camera operator shooting the last scene of the video. The pictures provide an overview of the areas used to film the music video.
Avenged sevenfold
This document analyzes the camerawork, editing, and mise-en-scene techniques used in Avenged Sevenfold's music video for "Nightmare" and how they help create a star persona for the band. Camerawork such as close-ups, POV shots, and handheld footage aim to make the audience feel like they are experiencing the story and band's perspective firsthand. Fast-paced editing, including jump cuts, cross-cutting, and fast cutting, reflect the song's energetic tempo and the band's rebellious image. Elements of the mise-en-scene like the asylum setting, dark costumes, and high-key lighting also relate to the rock genre and would appeal to Avenged
Notes Evaluation Question 1
The document discusses two authors' perspectives on music videos:
Goodwin describes three relationships between songs and videos - illustration, amplification, and disjuncture. Vernallis observed that edits in music videos come more frequently than films and break continuity rules to draw attention to the screen. The music video created followed a disjuncture structure as in Goodwin, and exemplified Vernallis' ideas through varied editing in time with the music and lyrics and using jump cuts and base tracks.
Pp on conventions music vid
The document provides an evaluation of a music video based on its adherence to and challenging of conventions. It summarizes that the opening scenes introduce the artist in a spooky and strange way, challenging expectations. Close-ups are used in extreme angles to portray the artist as alternative and mysterious. The artist's makeup and costume are different from identical twins in the video, making her stand out. Dark lighting and fast editing create a dark atmosphere while two contrasting color schemes and shots juxtapose each other. Dancers are featured but their shots are sped up, reversed, and fast edited to challenge audiences in an unusual way.
What's hot (18)
Viewers also liked
RSM de los medios en la construcción de la niñez y la adolescencia
Alumnos reflexionaron sobre el modo en que los medios de comunicación, en su gran mayoría, construyen una determinada imagen acerca de los niños y adolescentes, por ejemplo, a través de los noticieros y las publicidades. Es por eso que pensaron en la responsabilidad que le cabe a los medios de comunicación al respecto.
formato: proyecto del sena en ingles
The document proposes a project to build an automatic rag picker to clean large areas. The rag picker would help cleaners and housewives by providing an easy and fast cleaning method. It would benefit the educational institution and community by improving cleanliness and the environment. The project involves incorporating knowledge from different areas to design and build the rag picker using new techniques and technologies. It has the potential for industrial protection. The estimated budget is $15,000 which would cover materials for the project's implementation over six months in various stages including research, design, construction, testing, and presentation.
I Am A Marketing Artist
This short document promotes the creation of presentations using Haiku Deck, a tool for making slideshows. It includes an image of a person looking thoughtful next to text suggesting the reader may be inspired to create their own Haiku Deck presentation. The final sentence provides a call to action to get started using Haiku Deck on SlideShare.
Hrl Fa 12450837624309
The document discusses the 90/10 principle, which states that 10% of life is made up of external events outside our control, while 90% is determined by our reactions to those events. It provides an example of how reacting negatively to a spilled cup of coffee can ruin the whole day, while responding positively avoids stress and conflict. The key message is that while we cannot control what happens, we can control how we respond, which significantly impacts our experiences. Applying the 90/10 principle by not letting negative external events affect us can result in a more positive and stress-free life.
16 Pencilstory
The pencil maker tells the pencil that it will experience painful sharpening to become better. It can correct mistakes and its most important part is the inside. It must continue writing no matter the conditions. The pencil understands its maker's purpose. Similarly, people will experience problems but they strengthen character. Mistakes can be overcome and the inner self is most important. One must continue serving God in all situations and understand their unique purpose given by their Creator.
TCG Presentation 2010
The Collins Group is a boutique investment banking firm founded in 1975 that provides services including corporate financing, mergers and acquisitions (M&A), and strategic partnerships. It has offices in Montreal, Stockholm, and Budapest, and representatives in other locations. The firm specializes in cross-border transactions between North America and Europe. It prides itself on understanding its clients' businesses and value propositions. The presentation provides details on the firm's services, network, team, and transaction process.
Stress Min Adoloscents
The document discusses stress in adolescents and provides tips for managing stress. It defines stress and explains sources of stress for teens from physical, psychological, and psychosocial factors. Signs and symptoms of stress are outlined for the physical, mental, and behavioral levels. The inverted-U hypothesis is introduced to explain how some stress can enhance performance while too much leads to distress. Stress management techniques are suggested, including exercise, diet, relaxation, time management, and seeking help from trusted individuals or professionals when needed.
5 rinosinusitis
Este documento describe la anatomía y fisiología del sistema mucociliar de los senos paranasales, así como factores de riesgo y tipos de rinosinusitis. Explica los criterios para diagnosticar rinosinusitis aguda, crónica y recurrente, así como los principales agentes bacterianos involucrados. Finalmente, resume los enfoques de tratamiento, incluidos antibióticos, cirugía y prevención.
Anatomia retina
The retina develops as part of the brain and has three layers: an outer fibrous layer, middle vascular layer, and inner sensory layer. The retina itself has two layers - an outer thin pigmented layer with melanocytes and an inner thicker neural layer that plays a direct role in vision. The neural layer contains three types of neurons: photoreceptors, bipolar cells, and ganglion cells. Light passes through the eye and signals from photoreceptors to bipolar cells to ganglion cells generate action potentials along the optic nerve to the brain. The two types of photoreceptors are rod cells for low light vision and cone cells for high acuity and color vision.
Viewers also liked (14)
RSM de los medios en la construcción de la niñez y la adolescencia
RSM de los medios en la construcción de la niñez y la adolescencia
Similar to Location ~ Worsley Nature Reserve
Location ~ Blackpool
This document discusses potential locations in Blackpool, England to film a music video. Several photos of the beach, pier, and surrounding areas are presented with descriptions of how each could be used. The beach is proposed as the main location, while other areas like the pier and walkways could be used for establishing shots or flashback scenes. Foggy weather and nighttime lights are noted as adding atmosphere that matches the song's theme of lost love rather than romance.
Location Blackpool
This document discusses potential locations in Blackpool, England to film a music video. Several photos of the beach, pier, and surrounding areas are presented with descriptions of how each could be used. The beach is proposed as the main location, while other areas like the pier and walkways could be used for establishing shots or flashback scenes. Foggy weather and nighttime lights are seen as fitting the video's theme of a non-romantic story about lost love and lies.
Location viewing analysis and photos powerpoint
This document analyzes and discusses potential filming locations for a music video. It includes photos of several locations the group found that could work well for different scenes. Advantages and disadvantages of each location are discussed, such as available lighting, space for different shot types, presence of distracting elements, and suitability for various planned scenes. The best location is identified for the climax of the video where the band performs at the end. A backup location is also proposed.
Location ~ Fleetwood
The document provides photos and descriptions of potential filming locations in Fleetwood for a music video. Several areas are highlighted including the Freeport Marina, homes and buildings throughout Fleetwood, old trams, ferries, beaches, and open grassy areas with views of the sea. Specific shots are proposed, such as a character throwing a pebble in the water to create ripples that could be synced to the song lyrics. The document analyzes the lighting and backgrounds different areas could provide and how they may suit the genre and storyline of the music video.
Locations
The document discusses various location options for shooting a music video, including a beach, supermarket, living room, car, park, woods, and sea. It also discusses the use of blue screen technology and different lighting considerations for interior versus exterior shots. Performance shots from concerts are mentioned as examples. Overall, the document provides guidance on selecting appropriate locations and shots to effectively tell the story and create realism for a music video.
Chosen location
This document discusses potential filming locations for an indie music video at High Vinnalls, a large quiet area. Photos of the location show areas that could be used for narrative scenes like performers camping or messing around by a pond, as well as a secluded spot for the musical performance surrounded by trees. Shots of the journey from the car to the campsite are also proposed to document the process. The location provides redundant features for the indie genre and targets its audience.
Location – Dam House 2
The document discusses photos of Dam House that were gathered to determine if it would be a suitable location for filming a music video. The photos show the natural surroundings of the location, including bright areas among the trees, entrance and driving areas, paths near a pond, and other spaces around the dam that could be used to create footage fitting the song's lyrics. In total, the location offers a variety of settings and atmospheres that would allow filming of different scenes and angles for the full music video.
Location – Dam House 2
The document presents photos of Dam House as a potential location for filming a music video. It summarizes that the photos show the natural surroundings of Dam House, including bright areas under the trees, entrance areas, paths near ponds, and other locations that could provide different angles and atmospheres suitable for including lyrics. The final photos depict the whole area that could be used to create more footage, including ducks near the pond.
Construction post
The document summarizes the filming process for an indie music video. It discusses how the group filmed at Walpole Park in Ealing, getting shots of the singer Laura from different angles and areas of the park. It also discusses filming the male singer briefly at the park and getting more shots of him at a studio location. Additional shots at the park included trees, the sun, and attempts to film birds flying. Scenes of the male and female singer meeting for the first time took several attempts to film from different angles. The second filming location was at a band member's home studio, where they got interior shots despite the cramped space.
Music video analysis
The document analyzes and provides feedback on several music videos. It discusses the effective use of close-ups, matching edits to the beat of the music, setting mood through lighting and camera angles, portraying settings and atmosphere through low angle shots and cutaways, and engaging audiences through contrasts and interpreting meaning from visuals. Overall, the document examines how various technical and directorial choices can effectively match the genre, story, and tone of different songs.
Reece Photos and Floor Plan
This document provides location details and floor plans for 14 scenes in a video. Scene 1 takes place in the countryside to show rural beauty. Scene 2 is a forest at sunset to show the transition to evening. Scene 3 is a beach sunset to grab attention. Scene 4 is a bedroom for intimacy. Scene 5 is a street for arguments. Scenes 6 and 10 use a green screen for effects. Scene 7 and 12-14 take place in a field for dancing. Scene 8 is a forest for privacy. Scene 9 is an alleyway for bullying. Scene 11 is a neutral street location. Locations provide opportunities for shots and movement between scenes.
Question 1 - In what ways does your media product use, develop or challenge f...
The document provides an analysis of the conventions used in a music video and promotional materials for a band. It summarizes the shots in the music video and how they illustrate the band's style. It also compares the digipaks, magazine ads, and other promotional materials to those of other rock artists to demonstrate how they follow conventions of the genre. Overall, the document discusses how the project challenges some conventions to create a unique vision while still relating the various materials to continue branding the band.
Location recce
The document outlines plans for filming a music video across multiple outdoor locations that will be used for different scenes. Location 1 will be used for the opening shots and introduction of the main character. Location 2 is near a tire swing and is an important part of the video. The final scene will hopefully be filmed at Location 3 as the sun sets, ending the video classically. Various natural areas along the pathway will be used to film additional scenes as the song progresses, showcasing different trees, scenery colors, and variations. The video aims to capture the natural appearance and flowing areas consistent with the indie folk genre.
Original music video review
The music video for "Down by the River" by Milky Chance features both performance and narrative elements. Throughout, the artists are seen singing in a forest while various painted and isolated scenes unfold. The forest setting reinforces themes of loneliness and isolation from the lyrics. Other locations like a pathway, abandoned railway, and campfire further illustrate these themes. The costumes of the artists and children are simple, and lighting remains overcast, conveying a somber tone that matches the lyrics. Props like a teddy bear, monkey, and bicycle enhance the visuals and childlike aspects of the video without significant symbolic meaning.
Locations
The document discusses potential filming locations for recreating scenes from a romantic song, including a beach, supermarket, living room, car, park, woods, and sea. The beach location would show a couple walking along the sand at sunset. Supermarkets are easy to access but difficult to clear of people. Living rooms could easily recreate the desired setting. Cars provide an intimate environment to show a couple's relationship. Parks could depict couples playing in a fun way. Woods could symbolize a relationship breaking down. The sea shot uses a long shot to make the water seem infinite.
Treatment sheet
The music video will tell the story of a day through the song's lyrics and landscape shots. It will feature the band's live performance alongside nature scenes to convey the psychedelic rock genre. The video will contrast bright outdoor lighting with a darker studio setting. Transition shots and a time lapse will link the landscape narrative and help depict the events of a day.
Shots 14
The document discusses test shots taken at a beach and woodland location being considered for a music video. Shot 1 is an extreme low angle of trees that provides an alternative viewpoint and could work for positive sections of the song. Shot 2 was taken later in the day, creating dramatic shadows that could demonstrate emotion. Shot 3 combines the beach and woodland, providing a mystical atmosphere suitable for fantasy or mystery. Shot 4 frames part of the forest and beach to give a sense of mystery. Shot 5 plays with light patterns and calming colors. Shot 6 is a panorama showing the whole location, including the woods, beach and huts, creating a sense of isolation relating to the song's lyrics.
Q 1 a2
The document discusses conventions in indie folk music videos. It summarizes that the opening of the music video establishes a natural setting through slow pans or shots of nature. Costumes are casual with the artist often holding an acoustic guitar. Settings are usually outdoors in natural areas. Camera work is handheld to seem realistic. The style often mixes performance with narrative to showcase the artist. The document analyzes how the student's music video incorporates these conventions to fit with the genre.
Primary Photography
This document provides examples of photographs taken by the author in various locations and discusses how those settings could be used for different types of music videos based on the impressions and connotations created. The settings shown range from natural outdoor environments like beaches and forests to more urban locations. Specific music artists are suggested who may suit each environment based on the mood or message conveyed by the scenery. The author also notes limitations living in the UK poses for recreating some of the more exotic locales but discusses compromises that could match the intended feeling.
Q 1 a2
The document discusses conventions in indie folk music videos. It summarizes that the opening of the analyzed music video and others in the genre conventionally feature establishing shots in natural settings. The setting and locations in indie folk videos also commonly take place outdoors in natural areas. Costumes typically feature casual clothing and the artist playing an acoustic guitar. Camera work relies on handheld shots and panning to connect smoothly with the music. The analyzed video and genre conform to conventions of including both performance and narrative elements.
Similar to Location ~ Worsley Nature Reserve (20)
Question 1 - In what ways does your media product use, develop or challenge f...
Question 1 - In what ways does your media product use, develop or challenge f...
Recently uploaded
Goodbye Windows 11: Make Way for Nitrux Linux 3.5.0!
As the digital landscape continually evolves, operating systems play a critical role in shaping user experiences and productivity. The launch of Nitrux Linux 3.5.0 marks a significant milestone, offering a robust alternative to traditional systems such as Windows 11. This article delves into the essence of Nitrux Linux 3.5.0, exploring its unique features, advantages, and how it stands as a compelling choice for both casual users and tech enthusiasts.
Large Language Model (LLM) and it’s Geospatial Applications
Large Language Model (LLM) and it’s Geospatial Applications.
Removing Uninteresting Bytes in Software Fuzzing
Imagine a world where software fuzzing, the process of mutating bytes in test seeds to uncover hidden and erroneous program behaviors, becomes faster and more effective. A lot depends on the initial seeds, which can significantly dictate the trajectory of a fuzzing campaign, particularly in terms of how long it takes to uncover interesting behaviour in your code. We introduce DIAR, a technique designed to speedup fuzzing campaigns by pinpointing and eliminating those uninteresting bytes in the seeds. Picture this: instead of wasting valuable resources on meaningless mutations in large, bloated seeds, DIAR removes the unnecessary bytes, streamlining the entire process.
In this work, we equipped AFL, a popular fuzzer, with DIAR and examined two critical Linux libraries -- Libxml's xmllint, a tool for parsing xml documents, and Binutil's readelf, an essential debugging and security analysis command-line tool used to display detailed information about ELF (Executable and Linkable Format). Our preliminary results show that AFL+DIAR does not only discover new paths more quickly but also achieves higher coverage overall. This work thus showcases how starting with lean and optimized seeds can lead to faster, more comprehensive fuzzing campaigns -- and DIAR helps you find such seeds.
- These are slides of the talk given at IEEE International Conference on Software Testing Verification and Validation Workshop, ICSTW 2022.
GraphSummit Singapore | Enhancing Changi Airport Group's Passenger Experience...
Dr. Sean Tan, Head of Data Science, Changi Airport Group
Discover how Changi Airport Group (CAG) leverages graph technologies and generative AI to revolutionize their search capabilities. This session delves into the unique search needs of CAG’s diverse passengers and customers, showcasing how graph data structures enhance the accuracy and relevance of AI-generated search results, mitigating the risk of “hallucinations” and improving the overall customer journey.
GraphSummit Singapore | Neo4j Product Vision & Roadmap - Q2 2024
Maruthi Prithivirajan, Head of ASEAN & IN Solution Architecture, Neo4j
Get an inside look at the latest Neo4j innovations that enable relationship-driven intelligence at scale. Learn more about the newest cloud integrations and product enhancements that make Neo4j an essential choice for developers building apps with interconnected data and generative AI.
Securing your Kubernetes cluster_ a step-by-step guide to success !
Today, after several years of existence, an extremely active community and an ultra-dynamic ecosystem, Kubernetes has established itself as the de facto standard in container orchestration. Thanks to a wide range of managed services, it has never been so easy to set up a ready-to-use Kubernetes cluster.
However, this ease of use means that the subject of security in Kubernetes is often left for later, or even neglected. This exposes companies to significant risks.
In this talk, I'll show you step-by-step how to secure your Kubernetes cluster for greater peace of mind and reliability.
Communications Mining Series - Zero to Hero - Session 1
This session provides introduction to UiPath Communication Mining, importance and platform overview. You will acquire a good understand of the phases in Communication Mining as we go over the platform with you. Topics covered:
• Communication Mining Overview
• Why is it important?
• How can it help today’s business and the benefits
• Phases in Communication Mining
• Demo on Platform overview
• Q/A
UiPath Test Automation using UiPath Test Suite series, part 6
Welcome to UiPath Test Automation using UiPath Test Suite series part 6. In this session, we will cover Test Automation with generative AI and Open AI.
UiPath Test Automation with generative AI and Open AI webinar offers an in-depth exploration of leveraging cutting-edge technologies for test automation within the UiPath platform. Attendees will delve into the integration of generative AI, a test automation solution, with Open AI advanced natural language processing capabilities.
Throughout the session, participants will discover how this synergy empowers testers to automate repetitive tasks, enhance testing accuracy, and expedite the software testing life cycle. Topics covered include the seamless integration process, practical use cases, and the benefits of harnessing AI-driven automation for UiPath testing initiatives. By attending this webinar, testers, and automation professionals can gain valuable insights into harnessing the power of AI to optimize their test automation workflows within the UiPath ecosystem, ultimately driving efficiency and quality in software development processes.
What will you get from this session?
1. Insights into integrating generative AI.
2. Understanding how this integration enhances test automation within the UiPath platform
3. Practical demonstrations
4. Exploration of real-world use cases illustrating the benefits of AI-driven test automation for UiPath
Topics covered:
What is generative AI
Test Automation with generative AI and Open AI.
UiPath integration with generative AI
Speaker:
Deepak Rai, Automation Practice Lead, Boundaryless Group and UiPath MVP
Full-RAG: A modern architecture for hyper-personalization
Mike Del Balso, CEO & Co-Founder at Tecton, presents "Full RAG," a novel approach to AI recommendation systems, aiming to push beyond the limitations of traditional models through a deep integration of contextual insights and real-time data, leveraging the Retrieval-Augmented Generation architecture. This talk will outline Full RAG's potential to significantly enhance personalization, address engineering challenges such as data management and model training, and introduce data enrichment with reranking as a key solution. Attendees will gain crucial insights into the importance of hyperpersonalization in AI, the capabilities of Full RAG for advanced personalization, and strategies for managing complex data integrations for deploying cutting-edge AI solutions.
Alt. GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using ...
Effective Application Security in Software Delivery lifecycle using Deployment Firewall and DBOM
The modern software delivery process (or the CI/CD process) includes many tools, distributed teams, open-source code, and cloud platforms. Constant focus on speed to release software to market, along with the traditional slow and manual security checks has caused gaps in continuous security as an important piece in the software supply chain. Today organizations feel more susceptible to external and internal cyber threats due to the vast attack surface in their applications supply chain and the lack of end-to-end governance and risk management.
The software team must secure its software delivery process to avoid vulnerability and security breaches. This needs to be achieved with existing tool chains and without extensive rework of the delivery processes. This talk will present strategies and techniques for providing visibility into the true risk of the existing vulnerabilities, preventing the introduction of security issues in the software, resolving vulnerabilities in production environments quickly, and capturing the deployment bill of materials (DBOM).
Speakers:
Bob Boule
Robert Boule is a technology enthusiast with PASSION for technology and making things work along with a knack for helping others understand how things work. He comes with around 20 years of solution engineering experience in application security, software continuous delivery, and SaaS platforms. He is known for his dynamic presentations in CI/CD and application security integrated in software delivery lifecycle.
Gopinath Rebala
Gopinath Rebala is the CTO of OpsMx, where he has overall responsibility for the machine learning and data processing architectures for Secure Software Delivery. Gopi also has a strong connection with our customers, leading design and architecture for strategic implementations. Gopi is a frequent speaker and well-known leader in continuous delivery and integrating security into software delivery.
Generative AI Deep Dive: Advancing from Proof of Concept to Production
Join Maher Hanafi, VP of Engineering at Betterworks, in this new session where he'll share a practical framework to transform Gen AI prototypes into impactful products! He'll delve into the complexities of data collection and management, model selection and optimization, and ensuring security, scalability, and responsible use.
20240609 QFM020 Irresponsible AI Reading List May 2024
Everything I found interesting about the irresponsible use of machine intelligence in May 2024
“I’m still / I’m still / Chaining from the Block”
“An Outlook of the Ongoing and Future Relationship between Blockchain Technologies and Process-aware Information Systems.” Invited talk at the joint workshop on Blockchain for Information Systems (BC4IS) and Blockchain for Trusted Data Sharing (B4TDS), co-located with with the 36th International Conference on Advanced Information Systems Engineering (CAiSE), 3 June 2024, Limassol, Cyprus.
Essentials of Automations: The Art of Triggers and Actions in FME
In this second installment of our Essentials of Automations webinar series, we’ll explore the landscape of triggers and actions, guiding you through the nuances of authoring and adapting workspaces for seamless automations. Gain an understanding of the full spectrum of triggers and actions available in FME, empowering you to enhance your workspaces for efficient automation.
We’ll kick things off by showcasing the most commonly used event-based triggers, introducing you to various automation workflows like manual triggers, schedules, directory watchers, and more. Plus, see how these elements play out in real scenarios.
Whether you’re tweaking your current setup or building from the ground up, this session will arm you with the tools and insights needed to transform your FME usage into a powerhouse of productivity. Join us to discover effective strategies that simplify complex processes, enhancing your productivity and transforming your data management practices with FME. Let’s turn complexity into clarity and make your workspaces work wonders!
GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...
Leonard Jayamohan, Partner & Generative AI Lead, Deloitte
This keynote will reveal how Deloitte leverages Neo4j’s graph power for groundbreaking digital twin solutions, achieving a staggering 100x performance boost. Discover the essential role knowledge graphs play in successful generative AI implementations. Plus, get an exclusive look at an innovative Neo4j + Generative AI solution Deloitte is developing in-house.
UiPath Test Automation using UiPath Test Suite series, part 5
Welcome to UiPath Test Automation using UiPath Test Suite series part 5. In this session, we will cover CI/CD with devops.
Topics covered:
CI/CD with in UiPath
End-to-end overview of CI/CD pipeline with Azure devops
Speaker:
Lyndsey Byblow, Test Suite Sales Engineer @ UiPath, Inc.
Recently uploaded (20)
Goodbye Windows 11: Make Way for Nitrux Linux 3.5.0!
Goodbye Windows 11: Make Way for Nitrux Linux 3.5.0!
Large Language Model (LLM) and it’s Geospatial Applications
Large Language Model (LLM) and it’s Geospatial Applications
GraphSummit Singapore | Enhancing Changi Airport Group's Passenger Experience...
GraphSummit Singapore | Enhancing Changi Airport Group's Passenger Experience...
GraphSummit Singapore | Neo4j Product Vision & Roadmap - Q2 2024
GraphSummit Singapore | Neo4j Product Vision & Roadmap - Q2 2024
Monitoring Java Application Security with JDK Tools and JFR Events
Monitoring Java Application Security with JDK Tools and JFR Events
Securing your Kubernetes cluster_ a step-by-step guide to success !
Securing your Kubernetes cluster_ a step-by-step guide to success !
Communications Mining Series - Zero to Hero - Session 1
Communications Mining Series - Zero to Hero - Session 1
UiPath Test Automation using UiPath Test Suite series, part 6
UiPath Test Automation using UiPath Test Suite series, part 6
Full-RAG: A modern architecture for hyper-personalization
Full-RAG: A modern architecture for hyper-personalization
Alt. GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using ...
Alt. GDG Cloud Southlake #33: Boule & Rebala: Effective AppSec in SDLC using ...
Generative AI Deep Dive: Advancing from Proof of Concept to Production
Generative AI Deep Dive: Advancing from Proof of Concept to Production
20240609 QFM020 Irresponsible AI Reading List May 2024
20240609 QFM020 Irresponsible AI Reading List May 2024
Essentials of Automations: The Art of Triggers and Actions in FME
Essentials of Automations: The Art of Triggers and Actions in FME
GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...
GraphSummit Singapore | The Future of Agility: Supercharging Digital Transfor...
UiPath Test Automation using UiPath Test Suite series, part 5
UiPath Test Automation using UiPath Test Suite series, part 5
Location ~ Worsley Nature Reserve
- 1. Location – Worsley Nature Reserve By Amanda Davidson - 0554 Centre Number - 33751 These are the photos that I gathered for our group, this was done to allow us to see whether Worsley Nature Reserve was the correct location for our setting in the music video filming session. Each photo will include a description of where we may use this particular area into our music video and why it is a good photo or what could be done to change it and make it better etc. This will then help when it comes to deciding the location that will best suit our song and lyrics.
- 2. The three photos here illustrate the bridge that is located within the worsley nature reserve, this could be used within the video as a starting point to the music video. Maybe having the people walk up the bridge and towards the path, zooming in with the camera to get their expression and body language.
- 3. Here we can photos showing the trees within the reserve, we can see that there are light areas as well as dark areas within the nature reserve. This could be useful when trying to complete a different type of lighting towards the lyrics being sung. There are a lot of photos being illustrated on this page as they are all rather similar and are representing the same thing – is being the trees. I believe this could be an affective area for us to film if we end up choosing this particular location.
- 4. This particular photo would be useful for the music video as we could use two people; one appearing from each side of the tree allowing a different image to be created. They could then both be singing or one singing, as they both walked towards the camera. Then they could meet and break into the chorus, this could be interact better with the listeners’ as they could be stood together looking at each other and then using body language to interact and involve the audience within the lyrics and music video. Another photo like this is shown on the next slide/page allowing you to see the opposite direction and see another two way path.
- 5. This shows the other photo that looks similar to the one on the previous slide/page. This would also be a useful filming place as you can actually see through this tree allowing you a peek of what each person is doing. This could be very effective if presented in the correct way and using the correct editing to illustrate what needs to be represented.
- 6. These six photos show another bridge as well as the bridge water canel, this shows what worsley nature reserve has to offer and also what it could do for the music video. We could use the bridge in the video by filming from a low angle looking up at them on top of the bridge this could create a really good scene. However, we probably wouldn’t use the canel that much as it will be hard to film the correct spot as the canel isn’t the prettiest place to look at. Yet we could film from the bridge looking alongside the canel and watching the people walk alongside it, with their back to the camera or even walking towards the camera.
- 7. The steps aren’t as good as the ones we have seen in Heaton Park, however, they are good as they have a winding path that hides away through the trees. As we can see in the first photo, faintly there is a fencing which we could position the camera on to keep it steady while we film the steps if we use them.
- 8. These are photos looking at the sunset, this could be used in the music video either like this or we could get a closer shoot and try and get a better look at the sun set. The Sun Set Near The Canel We Could Try And Find This Closer And Then Use This Within Our Music Video.
- 9. Photo Of The Canel Would Definitely Consider Using This Within Our Music Video.
- 10. Another Photo Of The Canel – Showing Opposite Side To The Bridge.
- 11. Here are two photos of the sky allowing you to see what colour the sky presents at this time of day – 4:00pm. They have didn’t colour blue presented in them, also looking at the photo right from this text shows the different colours being presented within the sky and also makes it pretty with the trees also being in the photo. The bottom left photo is of the trees and fence that can we seen exiting/entering the nature reserve (depending on which way you enter or exit the reserve), this could be used in the filming at the beginning or end of the music video.
- 12. Thank You For Watching! You can now see why we wanted to see if Worsley Nature Reserve was the right location for us to use as it shows great potential for the music video.