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Learning, teaching and other stories 
Jennie Osborn 
LASALLE 22 September 2013
2 http://www.theguardian.com/world/2013/mar/22/singapore-fairytales-warn-declining-fertility#
3 
Humans are primed to make meaning, 
to ‘take whatever scraps they an extract 
from the stimulus input, and if these 
confirm to expectancy . . . read the rest 
from the model in their head’ (Bruner, 
1986, p.47). We reconstitute stories 
from our experience, each listener 
creating the story anew.
4 
“Upon waking, the dinosaur was still 
there” (Augusto Monterroso, 1959, The 
Dinosaur)
Stories carry tacit ideas and experiences, and contain 
our social worlds and contexts. We make sense of the 
scraps, we fill the gaps with our shared understandings, 
reflecting and creating shared meanings. 
5
“Set sail, great storm, all lost.” John Banville 
The truth of a story is always one of many possible 
truths, whispered, laying beneath the surface of 
conscious thought, operating through tacit assumptions, 
communicated through art and culture. 
6
“The polar bears made me do it.” The 
truth of a story is not in facts but in 
meaning. “The painting reputed to make students fail exams’, 13 September 
2014, http://www.bbc.co.uk/news/blogs-magazine-monitor-29175003 
7
8 
Shared context holds the power to create new ‘truth’. 
Truthfacts.com
9 
Storytelling is a process, a way of encountering 
and shaping the world, a way of knowing.
10 
We make stories, but stories also make 
us. 
‘The summer night was heady with the scent of 
lilac. He heard the click of the garden gate; and 
saw a glimmer of her dress as she left’. Philippa 
Gregory 
#lasallestory
11 
“when we teach we tell stories about the world.” 
(Pagano, 1991, p.197)
12 
“Narrative might be considered a solution to . . . the 
problem of how to translate knowing into telling” 
(White, 1991, p.1)
storying . . . is one of the most fundamental means of 
making meaning, as such, it is an activity that pervades 
all aspects of learning. When storying becomes overt 
and is given expression in word, the resulting stories 
are one of the most effective ways of making one’s own 
interpretation of events and ideas available to others’ 
13
14 
'Only 300 Words left! *5% battery* NO! SAVE! 
PLUG! RUN!‘ Sehrish Khan, student, 
Department of Language and Linguistics 
'That inevitable split second when you take 
criticism personally.' Goedele Caluwe, student, 
School of Philosophy and Art History 
'I turned the pages for hours and found a story.' 
Chris Coates, staff, Communications and 
External Relations http://www.essex.ac.uk/ldev/microfiction/
15 
“learning is a process of sense-making, of 
adding and synthesising new information within 
existing knowledge structures” (Arlidge, 2000, p. 
34)
16 
“Learners do not acquire knowledge that is transmitted 
to them; rather, they construct knowledge through their 
intellectual activity and make it their own.” (Chaille and 
Britain, 1991, p.11)
17 
A generic term for those intellectual and effective 
activities in which individuals engage to explore their 
experiences in order to lead to a new understanding 
and appreciation. (Boud et al., 1985)
18 
What? 
So 
what? 
What 
next?
19 
“A word is its own little solar system of meanings. Yet 
we are wanting it to carry some part of our meaning, of 
the meaning of our experience, and the meaning of our 
experience is finally unfathomable . . . “ (Ted Hughes, 
1967, p.119)
20 
re-mix 
re-make 
re-map 
un-map
Arlidge, J. 2000, Constructivism: Is anyone making meaning in New Zealand adult and vocational 
education? New Zealand Journal of Adult Learning, 28 (1), 32-49. 
Boud. D, Keogh, R and Walker, D 1985, Reflection: Turning experience into learning. London: Kogan 
Page. 
Bruner, E, 1986, ‘Ethnography as narrative’. In E.M. Bruner and V. Turner (eds), The anthropology of 
experience. Urbana: University of Illinois Press. 
Chaille, C. and Britain, L. 1991, The young child as scientist: A constructivist approach to early 
childhood science education. New York: HarperCollins. 
Hughes, E, 1967, Poetry in the making, London: Faber and Faber. 
Pagano, J, 1991, Moral fictions: The dilemma of theory and practice. In C. Witherall and N. Noddings 
(eds), Stories lives tell: Narrative and dialogue in education. New York: Teachers College Press. 
Wells, B, 1986, The meaning makers, Portsmouth NH: Heinemann Educational Books. 
White, J, 1991, War stories: invitiations to reflect on practice. In B. Tabachnick and K. Zeichner (eds), 
Issues and practices in inquiry-orientated teacher education. London: Falmer Press. 
21 
References

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Learning, teaching and other stories

  • 1. Learning, teaching and other stories Jennie Osborn LASALLE 22 September 2013
  • 3. 3 Humans are primed to make meaning, to ‘take whatever scraps they an extract from the stimulus input, and if these confirm to expectancy . . . read the rest from the model in their head’ (Bruner, 1986, p.47). We reconstitute stories from our experience, each listener creating the story anew.
  • 4. 4 “Upon waking, the dinosaur was still there” (Augusto Monterroso, 1959, The Dinosaur)
  • 5. Stories carry tacit ideas and experiences, and contain our social worlds and contexts. We make sense of the scraps, we fill the gaps with our shared understandings, reflecting and creating shared meanings. 5
  • 6. “Set sail, great storm, all lost.” John Banville The truth of a story is always one of many possible truths, whispered, laying beneath the surface of conscious thought, operating through tacit assumptions, communicated through art and culture. 6
  • 7. “The polar bears made me do it.” The truth of a story is not in facts but in meaning. “The painting reputed to make students fail exams’, 13 September 2014, http://www.bbc.co.uk/news/blogs-magazine-monitor-29175003 7
  • 8. 8 Shared context holds the power to create new ‘truth’. Truthfacts.com
  • 9. 9 Storytelling is a process, a way of encountering and shaping the world, a way of knowing.
  • 10. 10 We make stories, but stories also make us. ‘The summer night was heady with the scent of lilac. He heard the click of the garden gate; and saw a glimmer of her dress as she left’. Philippa Gregory #lasallestory
  • 11. 11 “when we teach we tell stories about the world.” (Pagano, 1991, p.197)
  • 12. 12 “Narrative might be considered a solution to . . . the problem of how to translate knowing into telling” (White, 1991, p.1)
  • 13. storying . . . is one of the most fundamental means of making meaning, as such, it is an activity that pervades all aspects of learning. When storying becomes overt and is given expression in word, the resulting stories are one of the most effective ways of making one’s own interpretation of events and ideas available to others’ 13
  • 14. 14 'Only 300 Words left! *5% battery* NO! SAVE! PLUG! RUN!‘ Sehrish Khan, student, Department of Language and Linguistics 'That inevitable split second when you take criticism personally.' Goedele Caluwe, student, School of Philosophy and Art History 'I turned the pages for hours and found a story.' Chris Coates, staff, Communications and External Relations http://www.essex.ac.uk/ldev/microfiction/
  • 15. 15 “learning is a process of sense-making, of adding and synthesising new information within existing knowledge structures” (Arlidge, 2000, p. 34)
  • 16. 16 “Learners do not acquire knowledge that is transmitted to them; rather, they construct knowledge through their intellectual activity and make it their own.” (Chaille and Britain, 1991, p.11)
  • 17. 17 A generic term for those intellectual and effective activities in which individuals engage to explore their experiences in order to lead to a new understanding and appreciation. (Boud et al., 1985)
  • 18. 18 What? So what? What next?
  • 19. 19 “A word is its own little solar system of meanings. Yet we are wanting it to carry some part of our meaning, of the meaning of our experience, and the meaning of our experience is finally unfathomable . . . “ (Ted Hughes, 1967, p.119)
  • 20. 20 re-mix re-make re-map un-map
  • 21. Arlidge, J. 2000, Constructivism: Is anyone making meaning in New Zealand adult and vocational education? New Zealand Journal of Adult Learning, 28 (1), 32-49. Boud. D, Keogh, R and Walker, D 1985, Reflection: Turning experience into learning. London: Kogan Page. Bruner, E, 1986, ‘Ethnography as narrative’. In E.M. Bruner and V. Turner (eds), The anthropology of experience. Urbana: University of Illinois Press. Chaille, C. and Britain, L. 1991, The young child as scientist: A constructivist approach to early childhood science education. New York: HarperCollins. Hughes, E, 1967, Poetry in the making, London: Faber and Faber. Pagano, J, 1991, Moral fictions: The dilemma of theory and practice. In C. Witherall and N. Noddings (eds), Stories lives tell: Narrative and dialogue in education. New York: Teachers College Press. Wells, B, 1986, The meaning makers, Portsmouth NH: Heinemann Educational Books. White, J, 1991, War stories: invitiations to reflect on practice. In B. Tabachnick and K. Zeichner (eds), Issues and practices in inquiry-orientated teacher education. London: Falmer Press. 21 References

Editor's Notes

  1. Truth Facts Shared understanding. Shared experience.
  2. Lascaux Cave, France. We make stories, but stories make us “humans, individually and socially, lead storied lives. People shape their daily lives by stories of who they and others are and as they interpret their past in terms of these stories. Story, in the current idiom, is a portal through which a person enters the world and by which their experience of the world is interpreted and made personally meaningful.” (Clandinin and Connelly, 2006, p. 477) “Understanding comes from interaction with environment and others. So truth is constant experience of world ‘out there’ which is separate from us as well as from a recognition that individually, we strive to make sense of this experience creatively such that we can develop understanding and coherence in our lives.” [Stories] “enable us, in part, to make sense of our experiences by uniting our reason with our imagination.” (Batten, 2012, pp. 16-17) – Batten argues that this is function of metaphor, but all stories are metaphorical. At heart stories are about communication, but communication which is discursive and interpretive. Storytelling is a process, a way of encountering and shaping the world. A way of knowing. It is through this way of communicating the world that storytelling can be seen as a learning strategy (Bishop and Glynn (1999) able to accommodate diverse realities, but importantly enabling students to share experiences from their own cultural frame of reference, and develop their identity, both as a group and as an individual. The culture in which they are situated and which they co-construct might be local the spooky polar bear of urban legend at Royal Holloway, or could play on a global level, or a historical one, – so distant in time as to be lost and in need of its own narratives re-imagined within academic discourses like the Paleolithic cave paintings of Lascaux, France.