Judy Chicago Women

Judy Chicago Women
In the late 1960's Judy Chicago stated "whereas men experience presents in the art institution, women experience primarily absence except in images
that do not necessarily reflect women's own sense of them themselves." This statement defines what the feminist art movement grew from, women not
being seen for themselves, only for an identity that had been made for all women to fit into. Women were concerned about their roles in society. Most
feminist artists express this in their work, including artists such as Eva Hesse, whose sculptures and installations brought identity and body issues to
light and defined her as one of the major post–minimalist artists of the movement. Eva Hesse's art was not defined as feminism until the 'second wave'
of ... Show more content on Helpwriting.net ...
Kelly's key collection is the Post–Partum Document, 1973. The collection was built up of the artist's experience of motherhood. It gave the view of the
female in conceptual art. The pieces analysed the mother–child relationship. Kelly wanted to show the relationship of the woman's desire to have a
child. Kelly states she "wanted to underline the possibility of female fetishism." Kelly uses the Post–Partum Document to show the relationship
between herself and her son over six years. Kelly used the feminine psychology of the mother to link up the acts, words and thoughts of herself and her
son, to analyse their relationship. Kelly stated she wanted to document "my lived experience as a mother and my analysis of that experience." To do
this, Kelly collected conversations with her son and documented day–to–day life as a family. She wanted to show the psychology theories behind their
lives and connections through art. Kelly stated that women turn motherhood into an unconscious fetish, collecting tokens of the child such as drawings,
pictures and gifts. Mothers feed, clothe and care for the child even when they are old enough to do this themselves. This is the need to keep the child
and stay as the child's main caregiver. Kelly mentions the fear of losing the child, through them growing up and moving away, reject the mother and in
some cases die before the mother. This
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Sociological Speculation through Theory
A)Socialist feminism argues that both men and women – may also believe that economic and emotional dependence go hand in hand. Fearful of the
loss of economic security, a husband's power over his wife is absolute. An example of this characteristic from the socialist branch can be seen in my
own personal life. When I was growing up, I experienced how my father would completely disregard my mother and her duties serving the household
and the family, as she was a stay–at–home mom and my father worked and got paid for his labor. Her domestic work was trivialized as my father felt
that he was doing "real" work. Because of this, my mother was quite submissive towards my father's behavior because she felt that she needed him
for financial security and that she could not be capable of anything without him. B)Liberal feminists believe society does not have to be completely
restructured to achieve empowerment for women and to incorporate women into meaningful and equitable roles. An example of this characteristic
from the liberal branch is seen in the political system in the United States. It is harder for women to advance in politics due to the fact that it is a
realm that has been dominated by men for a long period of time. In today's day and age, we see more female politicians coming to the forefront, and
are dissolving the notion that politics only involves men by showing that they too are knowledgeable and interested in the political processes. This
demonstrates liberal

Broken Bonds In African American Home
In Mk Asante memoir of buck struggles are reveled regarding the broken bonds in African American homes. The motive of this essay is to
evaluate the silence and invisibility within black families through a feminist theoretical frame walk regards to the crucial role the mother's strength
is to the African American family. Broken homes seems to be normal in society now of days and the burnt of the weight is left on the mother.
Black men are an Integral part of the black family and this is important for men to lead with understanding, support and Love. In this memoir
family struggles are current when Mk Asante mother Carol also known as Amina expresses her level of depression writing to herself throughout
BUCK. "I don't know how to deal with yet another pain. I want to scream while dance and dance while I scream. I want to forget that pain can be
so intimate". (Phone Tap Chapter 7) Page 113. Amina is struggling with pain and wants to physically express herself but can't due to silence and
insecurities. Growing up I lost my parents temporary to drug abuse and street violence at an early age, I completely understand what it feels like to be
broken but silent on the inside trying forget the pain and struggles families go through. Mk families' faces mental health illnesses, street violent
contretemps and broken family principals. These are common struggles that are found in many African American homes today. "The falling of
killadelphia' (The fall Chapter 1) Page 9 where it all

The Female Body And Land Art
A prominent Cuban–born artist, Ana Mendieta, has partnered the female body with nature to explore her own cultural and physical displacement, and
through her incorporation of performance, body and land art has attracted numerous interpretations and historical studies. Mendieta was exiled from
her homeland in the 1960s, moving to the USA. This displacement from her homeland and culture played a large part in informing her work.
Mendieta repeatedly proclaimed, 'I am between two cultures' (Mendieta in Barreras del Rio) . In her search for identity Mendieta supported feminist
ideas which in turn promoted feminine discourse. I believe that Mendieta 's intention was to empower women through a shared experience and the
heritage of an ancient matriarchal culture. The 'Silueta Series' which incorporated earth works, natural materials and her own body, comprised of over
one hundred photographs and short films from 1973 to 1980 that documented Mendieta's ephemeral interventions between herself and the land. Art
Historian Guy Brett states that Silueta "is her great contribution to art" (Brett, 2004:186) . Mendieta created imprints of her body in nature, leaving a
silhouette or a trace. Initially, Mendieta used her own body placed in the landscape (see Fig 8) but as she progressed she would use a template to
imprint her image or trace her outline in the earth. A comparison of images from the Silueta Series (shown in Fig 8– 14) enables us to see her
evolving the appearance of the

Analyzing Sherman's Films
femininity she is drives the narratives towards the truth. The masquerade that comes with these characters raise the problems of sexual difference in a
patriarchal culture. Sherman was a helpful contributor to the postmodern art movement. Madonna, the pop artist who was also a huge contribution to
the postmodern movement funded Sherman's first showing of the "untitled film stills" gives evidence to the fact that even the megastars of
postmodernism say Sherman as an influential artist of this time. As Craig Owens discusses in his essay about the feminist and postmodern movements,
women artists during this time were using a "dominant form both of representing difference and justifying its subordination in our culture." Sherman
contributed... Show more content on Helpwriting.net ...
I will draw inspiration from modern films that influence our culture today such as, Mean Girls, Easy A, Clueless, Ghost World, Dazed and Confused,
A Cinderella Story, The Breakfast Club, Palo Alto, and The Virgin Suicides. I chose to draw inspiration from these films because they all portray
different stereotypes of girls in all of them. Although they came out different times in the last 25 years, they are all prominent movies in my generation.
This is much like Sherman because she models after films that came out 20–30 years before. I chose films that were focused at teenagers because I felt
that age group is one I know well because I'm one myself. I believe it's important to be able to focus on stereotypes of girls that impact my life and
age group because not only is it something that I can connect to, but it is an important message for students who will view this exhibit.
Elizabeth Behm–Morawitz and Dana Mastro in their peer reviewed essay, "Mean Girls? The Influence of Gender Portrayals in Teen Movies on
Emerging Adults' Gender–based Attitudes and Beliefs," discuss the how much of an influence that teen movies have on teen girls. Teen movies are
made specifically for a teenage

Examples Of Marxism In The Wolf Of Wall Street
Introduction
The five Oscar nominated movie , "The Wolf of Wall Street," gives another Hollywood story of drug addict, sex
–crazed noblemen on Wall Street. The
Wolf of Wall Street originally a real story
When the film the wolf of Wall Street hit cinemas recently it was a box office heat, the Hollywood juggernaut was based on the real life story of
Jordan Belford the one time stockbroker spent 22 months in prison for fraud and money laundering after ripping off investors to almost 100 million
dollars.
Capitalism
The Wolf of Wall Street might be the first movie to show the real spirit that late capitalism have, thefilm uncovers the ruthless essence of capital;
money in searcВh for more money, speedier and quicker profits, nothing more and nothing less.
Jordan Belfort, the Wolf, played by Leonardo DiCaprio, is actually mentally unstable,he is always high on drugs, ... Show more content on
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In this way, women initially included with the literature, however soon their activities spread to any sort of art, like in the cinema industry and the
music industry.
In the film "The Wolf of Wall Street" there is a prevailing environment of anti–feminism of course with other things such as narcism, marxism and
racism. The most recognised theory of anti–feminism on this film depends on the perspective of Marxist feminism. Be that as it may, there are a few
samples from the part of the liberal feminism.
From beginning of the film, it is entirely obvious the perspective of the film. At the first scene, Martin Scorsese, the film director, uses narrative,
directors usually use this technique to give an introduction to the audience about the current life of the main character in the movie. Later in the first
scene we meet his second wife Naomi played by, Margot Robbie. She shows up performing an oral intercourse to her spouse while he was driving and
in the exact next scene she is totally nude in their

Hills Like White Elephants By Ernest Hemingway And The...
Have you ever read a piece of literature and examined how a male writer portrays a woman in the reading? Many times, in a literature written by a
male writer there is a dominant ideology of having the male character have a superior authority to the woman in the story. The two stories where this
is clearly seen is in "Hills like White Elephants" by Ernest Hemingway and "The Babysitter" by Robert Coover. Both these stories show the strong
influence of the male character. Both stories portrayed women as vulnerable figures, it also shows men exposing their sexual desire toward women and
it seen a normal characteristic of a man. Lastly, both stories are written by men which creates a biased on how the story portrays the women. In both ...
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His persistence and with this woman leads the main character to dominate because of the female being a woman. In "Babysitter" the main character is
also seen as a vulnerable woman as well as she is not given a name which leads to infer she does not even have an identity. Having an identity is
very important in a story because it makes them someone in the story. Having a name establishes an identity for the character in this case the girl
does not have one but all the male figure have a name. Also, the title tells us the girl is a babysitter. That job of a babysitter is the most common
female job that any teenage can have. Making the girl a babysitter is one of the most common woman job and symbolizes a lot. It symbolizes this
girl that is growing and learning to be a mother. The setting that Coover gives the teen girl without a name and having a job as a babysitter makes it
clear that she is young and leading to it meaning she is also vulnerable and in defensive. Now a days men sexual desires towards women is portrayed

Film Review : Pretty Woman
In this essay I will aim to discuss and evaluate the film 'Pretty Woman' and how this film relates to feminist theories. Ways in which female and male
characters are represented differently. It presents the relationship of a man and woman as one which is patriarchal and a very outdated.
Feminism is the belief that all women should be allowed to portray the same rights and power as men do. The film Pretty Woman is a classical modern
day story where the unfortunate girl meets a man who then turns her into this beautiful rich girl. The movie however portrays many aspects of which
are similar to the third–wave feminists. In the movie Julia Roberts plays Vivian Ward who is a prostitute struggling to make ends. Vivian is bought
for a week by a rich man, Edward Lewis. Unfamiliarly Edward pays Vivian for everything but the norm of a prostitute, sex. Third Wavefeminism
briefly ignores the political aspects of feminism and rather focuses on the personal identity of the individual. Third wave feminism allows women to
show themselves by mixing their own identities with their values and beliefs about what feminism means to them and what I could potentially become
in the future. Vivian's role is shown to be a portrait of a third wave feminist.
As third wave feminism is an encouragement of equality and empowerment of women it has been stated that this is the more recent and looked into
feminist approach that looks into the inequalities and unjust of the social network. The third wave

The Portrayal Of Heterosexual Love
Chapter 2: Literature Review
This literature review will explore research on the portrayal of heterosexual love in film and the effects that it has on millennial women and through the
cycle of repression, its effect on minorities. The analytical framework consists of feminist theory as described by John Storey and Stuart Hall's
representation theory. Then, feminism in romantic fiction will be again be explored academically by Storey, exploring the power that romantic fiction
in pop culture has on society and it role it plays in sex.
Next, the phenomenon that is known as, love at first sight will be dissected looking at why this type of storyline is so popular.
Following, submission in relationships as portrayed in film will ... Show more content on Helpwriting.net ...
Focusing on how women will never be free in a patriarchal system, because men are constantly oppressing women pushing them away from total
freedom. Ensuring that the integrity of the patriarchal system will remain intact regardless of the setting, in the family home or in government office.
"In Marxist feminist analysis the ultimate source of oppression is capitalism. The domination of women by men is seen as a consequence of capital's
domination over labour," (Storey, 1998, p.135). This wave of feminism is in essence blaming the system for the repression of women, by allowing men
to dominate the workforce. Men dominating the workforce and being the bread winners gave them the appearance of being the "stronger" gender and
in turn making women appear "weaker."
The liberal feminist is the male prejudice against women, this is the idea that men are better than women for no good reason.
By combining these three different waves of feminism, the struggles and oppression that women face in their everyday lives is easily demonstrated and
applicable to romantic fiction in entertainment media.
Feminism in Romantic Fiction Popular culture mass produces romantic fiction that are pure fantasies for women including harlequin romances, gothic
novels and soap operas. Storey combined with Modleski, argue that these popular narratives speak to real tensions and problems in women's lives,
making them relatable. Comparing to

Feminist Social Theory Essay
Feminist social theory ought to challenge the ideals of Classical social theory embodied by the work of authors, such Marx, Durkheim, Weber and
Simmel. Such traditional values tend to exclude women from their social analysis of the modern world, as women were considered non social agents.
In support of this, Durkheim claim that men were product of society, whereas women belonged to nature, (Harrington: 2005, p.236). Thus, feminist
social theory embrace post–enlightenment principles, focusing on values associated to "difference","particularism" and "specificity" (Harrington:
2005, p. 233). In order to do so, Feminist social theory has been feed by feminist theories which have similar concern about the study of social world,
as both... Show more content on Helpwriting.net ...
Moreover, men violence is usually understood as individual isolated act, whereas it cannot be explained outside patriarchal structure (Walby; 1990, p.
129). However, violence toward women has frequently been trivialized until the extend that a women raped by their husband was not consider a rape,
or illegal, but officials statistics show that women are more likely to be abused or murder by a relative than a stranger (Newburgh;2013,p.52)
Furthermore, the state intervention has created new measures to combat female harassment, however, such social policies and laws remain still weak
and ineffective (Walby; 1990, p. 21).Nevertheless, although male violence issue remains as problematic as time ago has changed social response, puss
by feminist social movements (Saul,2003,p.50) Examples Male dominated relation in the household is seen by feminist social theory as another
patriarchy structure. Such approach holds that traditional family is an institution shaped to impoverish and disadvantage women in order to maintain
stability and social order (Saul, 2003, p.5). Accordingly, feminist social theory explains that man expropriates the household labour of woman, and
provides her maintenance (Walby;

The Exploration Of Feminist Theory Essay
The theory focused on is the exploration of feminist theory developed by Mary Wollstonecraft in the 1790's. The traditional interpretation of this theory
is based on the common ideology of feminism within the Communication world. Illustrating gender inequality the feminist theory analysis into the
social fields of politics, business, media platforms, and social normalities. Research traditions include socio–psychology and semiotics due to the cause
and effect relationships that help create social standards while also the symbolic forms of media that influence how people perceive and view women.
The epistemology foundation used in this theory is interpretivism. The interpretation of how society views women and how feminist view society.
Formed from the perspective of a feminist standpoint researches analyze social normalities and political figures. In a journal written by Women's
Studies in Communication they demonstrate how women politicians are portrayed in news media platforms. Researches Dustin Harp, Jaime Loke, and
Ingrid Bachmann, analyzed news portals on Hillary Clinton's testimony after the attacks made on America in Benghazi, Libya. Researches found that
news outlets covered Clinton's testimony as sex stereotypical by focusing on what Clinton's emotions were like, her competence level, and her physical
appearance. The key methods discussed by researches were concentrated on patterns within the text, assumptions made by writers and how narratives
were perceived by

Gone Girl Analysis
Gone Girl, written by Gillian Flynn, has multiple ways of reading. I have chosen to look at Gone Girl in terms of reading it in the feminist theory,
paying attention to the females both in and surrounding the book, including the production company for the film adaptation produced in 2014.
The character of Amy is a complex, determined and intelligent woman. These traits are against the common stereotypes of women in literature. Amy
can appear as a feminist role model as she is very anti–traditional. Amy has role reversed her relationship with Nick, as he had to "borrow[ed] money
from Amy" [1] too open his bar with his sister, while traditionally the husband would control finances and would be the bread–winner, Amy's trust fund
from the 'Amazing Amy books' sees to it that she takes on this role. Amy also, at times, rejects the role of motherhood "'All the diapers and doctors'
appointments and discipline..." [1]. Showing herself to be uninterested in the ideals of motherhood and of family life suggests Amy is breaking free
from literary stereotypes of women as playing the role of a mother only. Amy also detests the women around her who play the traditional stereotypical
roles, "Americans like what is easy, and it's easy to like pregnant women... it baffles me that these self–righteous, self–enthralled waddlers get such
special treatment." [1] she makes harsh comments on the women who become mothers and later becomes a mother to spite Nick and to "do a few
things for [my]

Feminist Theory Applied to Hamlet
Representing Ophelia: Women, Madness, and the Responsibilities of Feminist Criticism Elaine Showalter Though she is neglected in criticism,
Ophelia is probably the most frequently illustrated and cited of Shakespeare's heroines. Her visibility as a subject in literature, popular culture, and
painting, from Redon who paints her drowning, to Bob Dylan, who places her on Desolation Row, to Cannon Mills, which has named a flowery sheet
pattern after her, is in inverse relation to her invisibility in Shakespearean critical texts. Why has she been such a potent and obsessive figure in our
cultural mythology? Insofar as Hamlet names Ophelia as "woman" and "frailty," substituting an ideological view of femininity for a personal one, is
she indeed ... Show more content on Helpwriting.net ...
According to David Leverenz, in an important essay called "The Woman in Hamlet." Hamlet's disgust at the feminine passivity in himself is translated
into violent revulsion against women, and into his brutal behaviour towards Ophelia. Ophelia's suicide, Leverenz argues, then becomes "a microcosm
of the male world's banishment of the female, because 'woman' represents everything denied by reasonable men." To liberate Ophelia from the text, or
to make her its tragic center, is to re–appropriate her for our own ends; to dissolve her into a female symbolism of absence is to endorse our own
marginality; to make her Hamlet's anima is to reduce her to a metaphor of male experience. I would like to propose instead that Ophelia does have a
story of her own that feminist criticism can tell; it is neither her life story, nor her love story, nor Lacan's story, but rather the history of her
representation. This essay tries to bring together some of the categories of French feminist thought about the "feminine" with the empirical energies of
American historical and critical research; to yoke French theory and Yankee knowhow. Tracing the iconography of Ophelia in English and French
painting, photography, psychiatry, and literature, as well as in theatrical production, I will be showing first of all the representational bonds between
female insanity and female sexuality. Secondly, I

Fight Club and Feminism Essay
The issue at the heart of the David Fincher film, Fight Club, is not that of man's rebellion against a society of "men raised by women". This is a film
that outwardly exhibits itself as promoting the resurrection of the 'ultra–male', surreptitiously holding women accountable for the decay of manhood.
However, the underlying truth of the film is not of resisting the force of destruction that is 'woman', or of resisting the corruption of manhood at her
hand, but of penetrating the apathy needed to survive in an environment ruled by commercial desire, not need. In reality, Fight Club is a careful
examination, through parody, of what it means to be a man; carefully examining the role of women in a society busy rushing towards sexual... Show
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These support groups (notably, the testicular cancer survivors' group, "Remaining Men Together") give Jack the emotional stimulation he so
desperately craves. It is the enveloping comfort of cathartic release that is his salve; but, like all addictions, tolerance sets in, and the fix must be
elevated. Henry A. Giroux, in his essay "Private Satisfactions and Public Disorders: Fight Club, Patriarchy, and the Politics of Masculine Violence",
maintains the argument that Hollywood films, being in a position of public pedagogy, exhibit a great deal of influence and must be regarded
carefully; he criticizes the film, saying Fight Club: ...offers up particular notions of agency in which white working class and middle class men are
allowed to see themselves as oppressed and lacking because their masculinity has been compromised by and subordinated to those social and
economic spheres and needs that constitute the realm of the feminine. Giroux sees the film "satirizing and condemning the 'weepy' process of
femininization" that therapy groups offer as compensation for wounds it inflicted upon itself, and he's right (insofar as there is no therapy group
offered for the disaffected). Jack is certainly an individual deserving of disdain for his involvement in the founding of a 'club' where men meet to,
ultimately, beat the shit out of each other; and, as Giroux suggests, this type of man deserves no personal revolution, no reclamation of lost

Weinstein Feminist Theory
Men are considered to be the dominant gender in basically every industry. This heavily applies to the "Hollywood" film industry, where most films are
directed, produced and/or written by men. With this, it's no doubt that these men have a sense of power over everything, since they are in charge.
Unfortunately, some men take this power a little too far. Over the years, variousmale celebrities have been accused of sexual abuse and harassment
towards their female co–stars, assistants etc. The most recent example of this is the various allegations against one of the biggest film producer in
Hollywood, Harvey Weinstein. Since the allegations have come out, a bunch of female celebrities have lent their support towards the victims of
Weinstein and some even shared their own experiences with the disgraced producer. However, not many male celebrities have come out to condemn
Weinstein's actions. In fact, The Guardian, a British news agency released an article stating that they asked over 20 male celebrities who worked
closely with the producer, and none of them returned their calls at the time (Wong and Levin,2017). To explain the event and why Weinstein and these
male celebrities acted the way they did in this situation, I decided to use the classical theory "Conflict Theory" and the contemporary theory "Feminist
Theory. After looking at both theories, I have decided that Conflict Theory is the best way to explain this situation due to the "power status" Weinstein
and the men have

Summary Of Working For Judith Shakespeare
An important piece of literature that covers the topic of feminism is entitled, "Working For Judith Shakespeare: A Study In Feminism," by Varley and
Erdman. They discuss their thoughts on women writers and how women write against a society that did not want women to write. In addition they
share Virginia Woolf's thoughts on howfeminism plays into a female writer. She states that oppressed women will write about themselves instead of
their characters and that doing this will overshadow the importance of the story by the need to voice their oppression. They define feminism as "the
belief in the right of women to have equal status with men as we live and participate in the world together" (Varley and Erdman). Furthermore, Varley
and Erdman share ... Show more content on Helpwriting.net ...
This test must meet three requirements: "It includes at least two women, who have a least one conversation, about something other than a man or
men" ( ). During her analysis she found that every Disney movie passed the test except Aladdin. This would lead people to believe Disney is not
doing as much harm as we might think; however, Buckk takes her data further by displaying the number of female characters, to the number of
total characters, as well as the different types of relationships in the films. Some of her results are as follows: Sleeping Beauty has twelve
characters five of which are female and the relationship between the females is positive. Under this critique feminist would have to agree Sleeping
Beauty did an amazing feminist job. However, studies have shown Sleeping Beauty is not a strong example of a good heroine. Furthermore, her
study showed Frozen and Brave to have thirteen total characters with four of them being female and the relationships in both are positive. The ratio
between female characters and all characters is less, yet the characters in these two movies are considered strong feminists. In conclusion, the Bechdel
Test as well as numbers can only show so much and fails to show how strong these heroines are. Further reviews of these heroines needs to be
discussed to create a more in–depth analysis, which

Winter 's Bone : Women Essay
Klaudine Pambid
Professor Adam Wadenius
Film 110
27 October 2016
Winter's Bone:
Women in classical Hollywood films has been historically often portrayed as from the typical patriarchal perspective. The traditional representative of
women in cinema is often shown to be the ideal feminine character or as a character that strengthens the ideology of femininity in women and
masculinity in men. Women in film have been objectified and cast aside as secondary characters that only relate to a male character while the ideal
masculine character is often depicted by an attractive, strong male that is capable of solving any obstacle that comes his way. A "woman's film",
identified by Molly Haskell, are melodramatic scenes that are supposed to appeal to women because of the implication that women are more emotional
than men. It belittles the problems of females and shows them as insignificant little emotional problems that women are overly emotional for. These
types of representation that are often found in traditional Hollywood films perpetuate the gender norms in cinema and reinforces the patriarchal view in
which the man is superior to the woman. Debra Granik's Winter's Bone (2010) subvert traditional representations of women in Hollywood film and the
archetypal "women's film" by portraying women in a different light compared to the traditional gender norm of a feminine woman and a masculine
man. The film shows representation of women in a way that defies the traditional, patriarchal

Media And Its Impact On Society Essay
Media has been growing for a numerous amount of years, and it will only keep rising. You could say that nearly everyone around you has some sort
of technological device or way in which they can access the media, these are what we call print, audio visual and on–line media. Print media includes
things such as newspapers, magazines and even books, Audio visual media includes your TV, radio or even music and finally on–line media is mostly
photos or videos that are spread over the internet. With the media we are able to see what is going on around the world through a computer or TV
screen without actually being there, thus we can all share knowledge within our cultures. Each of these pieces of media will have some sort of impact
on an individual's life whether that be watching the news or listening to a certain type of music but the ways that this can influence someone can differ
through their cultural identity. Sender, Message and Receiver (S–M–R) is a model for communication that starts with a producer, the message that they
publish into society and the views that people get from that message. Sender is the starting point of this model, whereby you look at who owns
certain aspects of the media and what their interests are. Global Media ownership are bigger corporations such as Disney and Time Warner, these big
companies own most of the TV channels and films that we watch for example, Disney owns ABC and Marvel Studios so you can see that they might
want to bring one

Analysis Of Gender Trouble By Judith Butler
Judith Butler's book; Gender Trouble: Feminism and the Subversion of Identity explain's everything from sex versus gender to feminist identity. Not
only does Butler add on her own beliefs and thoughts but also considering work of another theorist such as Simone de Beauvoir and Luce Irigaray.
Judith mainly focuses on Simeone de Beauvoir's novel "The Second Sex" and "Speculum of the Other Woman". Judith's Butler's main question
throughout her novel is; "Are we assigned our gender at birth or do we simply perform one based on the values we are taught?". This paper will break
down Butler's novel and explain how she answers her main question. As well as how she brings performativity, specifically within gender to light. In
the second part ... Show more content on Helpwriting.net ...
For Beauvoir in her novel "The Second Sex", she speaks a lot about men creating an identity for women. She also points out that there is a degree of
the way there is a construction of gender. On page nine, Butler states, "the limits of the discursive analysis of gender presuppose and preempt the
possibilities of imaginable and realizable gender configurations within culture. This is not to say that all gendered possibilities are open, but that the
boundaries of analysis suggest the limits of a discursively conditioned experience. These limits are always set within the terms of a hegemonic cultural
discourse predicated on binary structures that appear as the language of universal rationality. Constraint is thus built into what that language
constitutes as the imaginable domain of gender." (pg. 9) With this, Butler basically makes the distinction that gender is a signification. Simone de
Beauvoir is famous for her quote "one is not born a woman, but, rather, becomes one." For Beauvoir, gender is constructed. From her quote, she is
saying that a baby can be born a girl, but it is what she is taught and how she is raised will make her feminine. Gender is something you become over
time, not something that is given to you, like your sex. In Lue Irigaray "Speculum of the Other Woman", she takes the stand that women in language
are unpresentable.

The Feminist Perspective of Buffy the Vampire Slayer Essay
The Feminist Perspective of Buffy the Vampire Slayer
In her feminist critique of Buffy the Vampire Slayer Anne Millard Daughtey described Buffy as a show which "obviously promotes female strength
and power" (159). Buffy herself is a "symbol of female empowerment" (149); as feminists we can all take comfort in the fact that Buffy "kicks butt and
so can we all" (164). Sherryl Vint agrees that Buffy is a "positive role model for young women, one which feminism should celebrate" (para. 3). I find
this understanding of Buffy, both the character and the series, to be very problematic, and with this paper I aim to undertake a revised feminist critique
of the show, and expose the Buffyverse as the product of a very traditional patriarchal ... Show more content on Helpwriting.net ...
Before Buffy and her friends discover this, Dawn has a number of unnerving experiences, in which people walk up to her staring, saying "There's
nothing there, you're not real, there's nothing there". Truly, in the Buffyverse, there is "no such thing as woman".
Prior to embarking upon my own analysis of Buffy the Vampire Slayer, it this pertinent to consider Joss Whedon's envisioning of his series, and in
particular, his heroine, Buffy. In interviews he has often explained his desire to create an alternative ending for the horror movie:
It was pretty much the blond girl in the alley in the horror movie who keeps getting killed ... I felt bad for her, but she was always much more
interesting to me than the other women. She was fun, she had sex, she was vivacious. But then she would get punished for it. Literally, I just had that
image, that scene, in my mind, like the trailer for a movie what if the girl goes into that dark alley. And the monster follows her. And she destroys him.
(Quoted in Vint, para. 6)
Whilst we see here that Whedon's intention is to subvert the conventional horror movie/slasher genre, I'm not sure that he is successful. He is running
the considerable risk of merely replacing the fetishised female victim with a fetishised female hero; she is still a pretty blond girl, she is still fun, she
is still sexual, she is still "Barbie with

The Development Of Chicana Identities Throughout The...
Edited by several scholars such as Gabriella F. Arredondo, AГ
da Hurtado, Norma Klahn, Olga NГЎjera–RamГrez, and Patricia Zanella, this book in
particular highlights the development of Chicana identities in the twentieth century by showing "how Chicana feminist writings move discourse
beyond binaries and toward intersectionality and hybridity" (Arredondo e.al. 2). What is interesting is how the feminist scholars in this book used
different epistemologies and methods in capturing the experiences of the Chicanas which include oral histories, poetry, theatrical performance,
painting, dance, music and social science survey. Some of the contributors also combine "analytical tools and cross disciplinary boundaries" (5). The
approaches used are very unique as they enables to unravel the Chicana experiences thoroughly and disrupt "the notion of Chicana identity as
monolithic and homogeneous" (6). Also, the format of the book which presents articles and then the responses by another activist or scholars offers a
very distinct way of presenting critical and provocative analysis. Such format allows the editors to "reaffirm the tensions and creativity of individual
and group consciousness that underlie Chicana feminism and scholarship" (Salas 122). From this edited volume, I choose three articles along with their
responses. Those articles are CartohistografГa: Continente de una voz/Cartohistography: One Voice's Continent by Elba Rosario SГЎnchez (response:
Translating Herstory: A Reading

Feminism
FEMINISM
Introduction to Sociology
Feminism
Belief in the social, political, and economic equality of the sexes.
The movement organized around this belief.
Feminism
Feminist Theory is an outgrowth of the general movement to empower women worldwide.
Feminism can be defined as a recognition and critique of male supremacy combined with efforts to change it.
Feminism
The goals of feminism are:
To demonstrate the importance of women
To reveal that historically women have been subordinate to men
To bring about gender equity.
Feminism
Simply put:
Feminists fight for the equality of women and argue that women should share equally in society's opportunities and scare resources.
Types
Individualist feminism
Relational Feminism
(Karen ... Show more content on Helpwriting.net ...
Society's Influence
Fashion and the film industry are two huge influences on societal expectations that women display their bodies sexually.

The sexual revolution liberated women from the
Victorian of modesty but also demanded a commitment to diet and beauty.
Doing Gender
Many feminist theorists believe that an individual is labeled at birth as a member of a sex category, either male of female, and from that point on, is
held to acting accordingly.
Gender is not something that one has or something that one is; rather, it is something that one does.
Gender as Social Structure
Risman does not accept the criteria of nature as a way to distinguish behavior expectations.
She is especially upset by the field of sociobiology.
Gender as Social Structure
By assigning people to one or two categoriesmale or female– society has created difference between them.
Risman feels that genders strongest influence is found at the interactional level, and therein lies the deepest liability for the continuation of inequality
in American family life
Relevancy
Feminism can be defined as a social movement and an ideology in support of the idea that a larger share of scarce resources should be allocated to
women. Feminist believe that women should enjoy the same rights in society as men and that should share equity in society's opportunities.

Media Analysis On Miley Cyrus's 'Wrecking Ball' Music Video
Media Analysis on Miley Cyrus's 'Wrecking Ball' Music Video
In a nutshell, feminist scholars claims that the objectification of women is when women is reduced to instruments of sexual pleasure for men which
primarily involves disregarding women's personal and intellectual abilities and capabilities. The examples of objectifying women that has been cited
by the feminists include depictions of women in advertising and media. This, however, can be traced back in 1950's, when women were treated as
sexual object in the narrative cinema. Today, the objectification of women has been aggravated by the nudity concept in music videos, which has also
becoming part of the pop culture amongst the celebrities in 20th century. The essay aims to explore the reading of the text withinMiley Cyrus's
provocative Wrecking Ball music video, using 'Male Gaze' theory, and will include some major arguments from the feminists relating to the issue.
Without a doubt, the music video acts as the best media product to analyse these theories, as not only that it has been cited in many feminism
arguments, it also signifies Miley's controversial and shocking 360 degrees transformation. Miley Ray Cyrus is an American songstress and actress,
who rose to global prominence as a teen idol after being cast in the hit Disney TV series – Hannah Montana. The Grammy Awards nominee has released
four albums to date, including 'Bangerz', which includes 'Wrecking Ball'. Through the video, it is indisputable that

Essay on On Feminism and Postmodernism
On Feminism and Postmodernism
It seems fitting that the 'marriage' of feminism and postmodernism is one fraught with both difference and argument. The fact that these disagreements
occur within the realm of the intellectual undoubtedly puts a wry smile on the face of either party. Whilefeminism and postmodernism share several
characteristics, most notably the deconstruction of the masculinised western ideology, feminism chooses to place itself within the absolutism of the
modernist movement. While feminism argues for the continuation of the subject/object dichotomy, aiming largely to reverse the feminine position of
the latter to the former, postmodernism would have the modernist movement deconstructed in its entirety, including ... Show more content on
Helpwriting.net ...
To begin with, I will attempt to define both feminism and postmodernism. In its simplest form, feminism can be summarized as a "movement from the
point of, by, and for women" (Moi, 1988:9). Extending this further, feminism aims to reverse the power directives of modernist metanarratives while
remaining "both historically and theoretically a modernist movement" (Hekerman 1990:2). Feminism aims to subvert the 'traditional' roles that
masculine and feminine play within the modernist dichotomy of subject/object. Historically, women have been prescribed the category of the object. In
regards to the masculine subject, this works to further weaken the agency of the object by labeling the object as 'other'.
In effect, it was this very labeling of the female as 'other' that "was the starting point for contemporary feminist theory" (Mascia–Lees & Sharpe,
2000:22). By labeling the female as 'other', the dominant patriarchal discourse of modernism retains its position as subject (2000:22). Feminism aims
to reverse the power relations of such modernist binary arguments, allowing those labeled as 'other' the chance to claim the title of 'subject' (2000:23).
Nevertheless, the fact remains that modernism is ultimately a patriarchal discourse, a discourse effective only in its entirety and is thus unable to be
'cropped' to the liking of feminists (Hekman, 1990:6). As a result, by remaining

The Intersection Of Race And Sex
Intersectionality is defined by social categories, such as race and gender that have interconnected to apply to individuals and groups, causing an
overlap, which has consequently created a system of discrimination and disadvantages (English Oxford Living Dictionary, 2016).
Kimberle Crenshaw coined the term in her article 'Demarginalizing the Intersection of Race and Sex: A Black Feminist Critique of Antidiscrimination
Doctrine, Feminist Theory and Anti–racist Politics' (1889) whereby her main focus is on the intersection of race and sex. Crenshaw refers to
intersectionality as a 'crossroad to describe how multiple oppressions are experienced. In her article she examines intersectionality through how the
court interpret black women's stories. She uses the case DeGrafffenreid V General Motors, whereby five black women (the Plaintiffs) accused the
employers of discriminating against black women, as they lost their jobs after 1970 due to a 'seniority based layoff' during recession. Nevertheless,
the judge rejected the plaintiffs' claim, as the court states that they would of helped if it was an action for race or sex, "but not a combination of both"
(Crenshaw, 1989, p.141). The example Crenshaw gives, identifies how multiple oppressions are experienced within intersectionality. In October 2016
Crenshaw gave an empowering speech on how the media only covers black male discrimination by the state, yet there are no stories about how black
women are discriminated by the state,

The Influence Of Hair In Contemporary Culture
1.2.Issues to be Addressed
All this leads to the articulation of my primary research question: How does contemporary culture reinforce the notion of hair as powerful in the
construction of identity, and especially of feminine identity? The primary question enables the elaboration of related secondary questions: 1) What is
the cultural history of hair as a source of identity, especially femininity? 2) How do women negotiate the cultural meaning of hair as a result of
undergoing hair loss due to chemotherapy? 3) How do contemporary culture and media represent cancer, hair loss, and femininity?
To discuss the primary question, it is primordial to look at dominant representations/meanings of hair throughout cultural history, in order to understand
... Show more content on Helpwriting.net ...
Haraway seeks to create an "ironic political myth," which would combine both post–modernism and socialist feminism. The central point of her myth
would be a "cyborg," which is a metaphor for new technologies as well as the post–modernist play of identity. The cyborgs blur boundaries between
the status of men and women, human and machine, and individual and community. Haraway believes that many dualisms have been persistent in our
western traditions. These dualisms are linked to a system of logic that isolates the "other." The idea of a "theorized" body contributes to a better
understanding of the post–modern debate on the female body being colonized by the media. Furthermore, when Haraway discusses the fact that we are
"theorized," her theory echoes Judith Butler's "performance," since we perform our gender as much as we theorize it in a male–dominant capitalist

Postmodernism Has Changed The Representation Of Women
This literature review will explore how and to what extent postmodernism has changed the representation of women in images. Postmodernism was a
time period after modernism, being at the centre of culture. What is to be regarded as postmodern, those things that are seen to occur as 'natural' are in
fact shaped by humans, thus making it cultural. Postmodernism was brought as a result from the 1960's onwards, being a reaction against anti realism
modernism. Feminist artists and theorists have combined postmodernism with their own work in order to bring forth the ideas surrounding that of, how
cultural forms or representation within the mass media are based around particular ideologies. When referring to representation, when linking this with
the works of the theories brought about by postmodernism, how we see ourselves and how we construct the notions of ourselves are through the
structure of available images. Feminist theory points to how the construction of gender is an effect of representation. The representation of women in
images during the postmodern era, could merit further investigation in order to inform of how women from all over the world have been represented,
whether it be regarding their race, nationality, age or sexuality. Using a variety of texts, the main debates regarding this topic will be explored through
critiquing selected theorists in order to develop upon my own research. The following academic writings will be referenced: Weedon (1987), Williamson

Essay Mtv And The Madonna Phenomenon
MTV and The Madonna Phenomenon
"Madonna's intuitive grasp on the televisual world in which we live– of the medium's possibilities for engaging spectators in diverse ways– that
in part accounts for her success. She is the supreme television heroine." (E. Ann Kaplan
271)
"What are the main theories which we have studied so far and how have they affected how you view television?"–This is the question
which this paper is supposed to answer. Obviously there is not enough time or space in which to discuss every theory which we have touched on. As
a compromise I decided to write about a topic to which almost every theory that we have discussed can be applied: MTV and the "Madonna
Phenomenon". ... Show more content on Helpwriting.net ...
Looking at videos of fully clothed men , singing about love while bleach–blond girls in bikinis dance around them can be quite confusing at times. Is it
possible that these videos are actually daring to be so blatantly sexist? It is highly doubtful.
The people behind the Music Video industry have quite brilliantly built up an entirely new television and music empire, complete with it's own stars.
They have managed to use a form much like that of television commercials to glorify their products which are in this case the singers. There are
those stars who are now known more for their videos than for their music. At times these video stars are not even close to being good singers but have
such strong innovative videos that they manage to become successful without the possession of talent. These stars must be analyzed not only as people
but also as industries. Their personas have been meticulously constructed and they have been promoted as well as a can of "Coca–Cola Classic".
This brings us to the world of Madonna Veronica Louisa Ciconne Penn, or rather Madonna– the most powerful woman in the Music Video world.
Madonna is the perfect object of analysis, if one wishes to look inside the MTV world. She is the subject of numerous discourses. There are both
differing feminist constructions of Madonna as well as Madonna's constructions of herself.

Feminism And The Social Movements Of The Twentieth Century
Research Methodology:
Unquestionably, feminism will be seen by historians as one of the strongest social movements of the twentieth century. Ideas that the rights of women
should be included among the rights of all people existed as a coherent set since the late 1860s and culminated in women's right to vote in the early
twentieth century (Stromquist, 2009).
Since the current research is addressing the issue of gender equity in higher education in Egypt, it is using the Feminist theory as a theoretical
background for driving research goal. It is one of the major contemporary sociological theories, which analyzes the status of women and men in society
with the purpose of using that knowledge to better women 's lives. Feminist theorists also question the differences between women, including how race,
class, ethnicity, sexuality, nationality, and age intersect with gender. Feminist theory is most concerned with giving a voice to women and highlighting
the various ways women have contributed to society.
Feminist theories first emerged as early as 1792 in publications such as A Vindication of the Rights of Woman by Mary Wollstonecraft, "The Changing
Woman and so on. "The Changing Woman" is a Navajo Myth that gave credit to a woman who, in the end, populated the world. In 1851, Sojourner
Truth addressed women's rights issues through her publication, "Ain't I a Woman." Sojourner Truth addressed the issue of women having limited rights
due to men 's flawed perception of women. Truth

Essay on Annie Liebovitz's Women
Annie Liebovitz's Women
After reading a book on various feminist philosophies, I evaluated Annie Liebovitz's book and collection of photographs entitled Women according to
my interpretation of feminist philosophy, then used this aesthetic impression to evaluate the efficacy of feminist theories as they apply toward
evaluating and understanding art.
"A photograph is not an opinion. Or is it?" So begins Susan Sontag's introductory essay to the book Women, a collection of photographs by Annie
Leibovitz. Collected without a stated intention other than to treat on the subject matter at hand, Leibovitz's images confront a wide spectrum of issues
surrounding women living in America at the end of the twentieth century. Sontag explains, "Any... Show more content on Helpwriting.net ...
Of particular concern are the women who are celebrated and glamorized as successful and well–educated artists, actresses, and celebrities. We are so
familiar with slick, glossy photographs of women such as Nicole Kidman, Drew Barrymore, rapper Lil' Kim, or young actress Christina Ricci, that at
first glance these portraits are far more celebratory, depicting the women in thoughtful, atmospheric lighting, perfect makeup and hair, beautiful
clothing, and carefully–framed shots. It is very clear – these are not tabloid photos, but instead artistic portraits, to be viewed as such. The complication
arises when we consider what statement Leibovitz is making about the real nature of their careers, however, as seen in a careful evaluation of the
postures and presentations of these "powerful" and "successful" women.
Drew Barrymore is wearing a gauzy flesh–colored dress, splayed out on a patch of ultra–green filtered grass. Her face is turned away from us, almost
unrecognizable, looking downward and over her shoulder, her arms listlessly at her side and touching her shoulder. She is flat on the ground with her
knees raised and spread slightly apart, shot from above, with a corpse–like pallor and demeanor. Were she not identified in the caption by name, a
viewer would be hard–pressed to determine the identity of this accessible and apparently disposable body. Perhaps this is the

Blurred Lines: The Date Rape Song Essay
For twelve weeks Blurred Lines was at the top of the Billboard 100 charts and could be heard thumping from speakers everywhere. Sung by Robin
Thicke and featuring prominent rappers T.I. Harris and Pharrell, this track was proclaimed the anthem for summer 2013 . At the surface the song is
seemingly harmless with a cheery rhythmic beat and catchy lyrics, but when examining the song and accompanying music video, Blurred Lines is
anything but harmless. Dubbed "that rape song" by many discerning listeners, Blurred Lines is a song about the blurred lines of consent. With gems
such as "You're an animal, just let me liberate you" and "I'll give you somethin' big enough to tear yo ass in two" featured throughout the song it is
astonishing how ... Show more content on Helpwriting.net ...
Women's sexuality in Blurred Lines is portrayed as being naturally animalistic but suppressed by society's pressure to be a good girl. The song
suggests that women just need a liberator like Thicke to free them of this suppression by being persistent in sexual pursuits and of course "smack
that ass and pull your hair" in the process of liberation. Every action by a woman is perceived as being an indicator that they want wild sex as
illustrated by the lyrics "the way you grab me, must wanna get nasty" . At one point in the music video a stop sign is placed atop a woman's
behind while the lyrics complain about the hate of blurred lines, because according to Blurred Lines, even stop means go. Men's sexuality isn't
portrayed as animalistic or predatory in the song or video, instead men are liberators that are helping women by fulfilling the desires that they
know women truly want. This is emphasized by Thicke chanting "I know you want it" throughout the entire song. The music video also addresses
a key issue of men's sexuality, penis size. In order to provide the most satisfaction for women, men must have a large penis. Thicke makes sure you
know what he is working with by spelling out "Robin Thicke has a big dick" with silver balloons in the background of his music video. This is also
addressed in T.I.'s verse where he tells women he will "give you somethin' big enough to tear yo ass in two" . According to

Reflection On Womanism
Turning to The Womanist Reader (Phillips, 2006), I was unsure of what to expect. Led primarily through my consideration of womanism by the Alice
Walker definition of what a womanist is, I thought that I would be on firm ground in my reading because I was able to see womanist and black
feminist as synonymous – a view that this text has revised. To my surprise, what I found was a far broader application of Walker's concept, and I was
further surprised to find that womanism extends itself to so many areas of thought, commonality, and study. Understanding that The Womanist Reader
is a scholarly collection of womanist thoughts and considerations brought together as a functional overview of practice is a bit overwhelming for me,
and I am finding myself taking a step back to review my own approaches to study.
With its extensive multidisciplinary coverage, The Womanist Reader was an excellent sort of one–stop resource for the information I needed to
complete the midterm project for this class. In looking at race, sex, and gender, for my project, I noticed that works from major contributors to black
feminist scholarship were associated with the womanist scholarship found in this volume. As a means of situating the course of Black studies, and why
there is a need to understand the quotidian lives of women as a way of translating the humanity of people of African descent, this text offered
connections that I had not fully considered.
Stepping outside of my project with this text,

This project examines the construction of subjectivity in...
This project examines the construction of subjectivity in Eleanor Antin's Carving: A Traditional Sculpture (fig. 1) and Chris Kraus' Aliens and
Anorexia (fig. 2) . These works inscribe notions of the self, the social, and the subject through and upon the body, addressing the interpolating poles of
nutritive consumption and "willing the body away" through self–starvation. Throughout this essay, I will demonstrate how these artists engage with the
spaces and discourses created around food and disordered eating to produce a counter dominant take on subjectivity, a thematic both artists attend to
regularly throughout their careers.
My reading prioritizes theories of the body, subjectivity, consumption, gender and difference, refusing to see... Show more content on Helpwriting.net
...
Before attending to theoretical concerns I will first ground my reading in art–historical methods, explicating the position of these works within Antin
and Kraus' larger oeuvres and within the historical contexts of their production. An analysis of form and medium also underlines a reading of these
works that privileges self and subjectivity. In Carving, A Traditional Sculpture and Aliens and Anorexia, the live or temporal practices common
throughout Antin and Kraus' careers are respectively mediated through photography and texts. By removing the material body from works that are
essentially performative, the artist looks back over herself, commenting on, while creating her own lived subjectivity.
I chose to position these two works together because, as Clare Johnson states in her study of Antin, Vanessa Beecroft, and Elizabeth Manchester, "I
want to discuss the artworks in terms that do not presuppose a 'proper' form of feminist art practice, or suggest that the contemporary work supersedes
the 'critical' strategies of the earlier piece." Johnson's articulated aims are not to claim any single artist or artwork as "feminist," per se, but to create
rich and complex readings that "articulate the inscriptions of feminist practice" and "reп¬‚ect the relational web of mutually constitutive meanings."
This web frames a discussion of Kraus and Antin's work, allowing for a critical co–reading of works produced at different

Feminism Vs Third Wave Feminism
Throughout history all kinds of women across the globe have been viewed as objects and in some instances viewed as less human and men are
viewed as the dominant subject. We are all part of creating the social difference between men and women weather we know it or not. Sexism is what
promotes male privilege and refers to hierarchically ordered gender stereotyping and it can be seen everywhere. Each day more and more are
expressing enculturation, which is the gradual acquisition of the characteristics and norms of a culture or group by a person. We can see this though the
arrogant eye, which is all the different ways men exploit women in a male dominated culture. Standpoint theory is a feminist theoretical perspective
that argues that knowledge stems from social position. Third wave feminism is a feminist group that focuses on the issues of race, racism, and the
experiences of the nonwhite women in today's culture. In our culture today we see cultural racism so often that we may not even pick up on it
because it is some common. I've personally seen this and I remember one day in the mall I was walking around and noticed that almost every ad had
no person of color on them, I was stunned, out of the hundreds of ads on the walls the only ones that did were footlocker and other athletic stores, that
is a perfect example of cultural racism. Another thing i've noticed when driving back home is that racial advantage is absolutely real, racial advantage
is one race having better

The Technology Of Gender : Essays On Theory, Film, And...
Critical Feminist Book Review:
Technologies of Gender: Essays on Theory, Film, and Fiction– Teresa de Lauretis
(1987, University Indiana Press)
After reading Technologies of Gender it is easy for me to imagine author Teresa deLauretis comfortably discussing the impacts of patriarchalgender
identity construction – which, she convincingly argues, is the goal of the titular technologies – over espresso with the feminist likes of Virginia Woolf
and Adrienne Rich (both of whom she invokes throughout this work). Indeed, such is the accessibility and potential expanse of the theoretical table
deLauretis has set for her audience that Toni Morrison and Dorothy Allison could easily pull up a chair, too. All speak, or have spoken on, written
about or theorized at great length, the negative formations and reconfigurations of women and Women in service of the greater patriarchal system. And
as they have all noted from their various platforms, such a systemic and systematic ideology requires a networked delivery system to maintain its
dominant ability to form and reconfigure. A synergetic machinery, if you will, or, in the words of Foucault which she quotes, a technology. Now
neither this observation nor the age–old discussion it springs from are new. What is new that deLauretis brings to the conversation is where some of
these insidious and productive (and insidiously productive) technologies of gender can be found – "in the academy, in the intellectual community, in

Analysis Of Mad Max : Fury Road
For a film that director George Miller claims is "Not overtly" feminist, Mad Max: Fury Road is pretty overtly feminist. From the central story of the
Wives escaping an evil man to the badass female action hero Furiosa, the entire film seems to revolve around female empowerment and the
destruction of the patriarchal structures that keep women in chains (or in the case of the film, gaudy chastity belts). After the film's release in 2015, it
garnered heaps of praise from the public and critics alike, including detailed breakdowns of the visual effects and comparisons to the film's
predecessors but with definite discussion of the feminism in the movie as well. But the film's female empowerment appears to fall short in a few areas.
In many ways, Mad Max: Fury Road is a snapshot of current feminist theory, succeeding in areas that are widely agreed upon and highlighting issues
that have yet to be fully resolved.
In terms of feminist activism as a whole, much of it is focused on the objectification and sexualizing of women. Throughout history, women have been
objects that are given from one man to another in marriage and flattened into one–dimensional sex objects. It's an obvious problem, and one that is just
as obviously addressed by the film. The Wives are quintessentially objectified, managing to fit into all ten of Nussbaum and Langston's features of
sexual objectification. Apart from their mantra ("We are not things"), Miller does this all through visuals. Even small details, like the old–school bank
vault door that Immortan Joe uses to keep them locked up indicates that they are little more than possessions, tucked away like precious metals. Yes,
the Wives were kept safe and given creature comforts, but are objects instead of beings in their own right. Miller complicates this fairly simple plot
with Cheedo the Fragile's attempts to return to Immortan Joe after Angharad's death. This moment, with The Dag and Capable struggling with Cheedo
in the Wasteland, is packed full of feminist discourse. We often fight among ourselves instead (and because) of the larger forces keeping us down, and
sometimes staying quiet is easier in the short term. It can be incredibly difficult to rise up and fight, and not every woman

Portrayal Of Women In Dracula
Bram Stoker's Dracula has been adapted into film version i.e Francis Coppola's Dracula in 1992 which is claim as the faithful adaptation to its literary
source. This film contains several scenes straight from novel; however in representing the main female character is differ. The portrayal of women in
Dracula's novel and Coppola has received a lot critical attention especially the main female character (Mina Murray). Thus, this ppresent research
tries to reveal crucial differences in the portrayal of Mina Murray. Feminist Literary Criticism Theory is the basis analysis to provide the general view
points of women in novel and film. Besides, the Binary Opposition is applied to clearly showw the differences between reprentation of Mina. The
result shows that Mina's characters is very contradictory character. She regarded as traditional and modern, powerful and powerless, passive and active,
among other characteristics.
.
INTRODUCTION Towards the late 19th century, one of predominant concerns was the portrayal and the role of women they occupied in society. In
Victorian era, women depicted as dutiful wife, powerless; Their role only as a wife and mother in the society. One of literary works from that era that
represents the traditional role of women is Dracula. The novel Dracula was written by ... Show more content on Helpwriting.net ...
The Portrayal of Mina in Dracula ans Coppola's Bram Stoker's Dracula analyzes the portrayal of Mina in both novel and film, it is found that Coppola
has strengthened Mina's role in making her part of staar–crossed–lovers and has given her supernatural power. She stated that Mina has moved from a
woman oppressed by Victorian norms to one that is a reincarnation of someone else (in the film) being ruled and oppressed by male power. Moreover,
in the film Mina is even less emancipated than in stoker's novel because the submitting of dominance of Dracula by

Critique Of The Classical Hollywood Cinema
The term classical Hollywood cinema has been used to describe a narrative and visual style of film–making which developed between in the early 20th
century, and as far as the 1960s. The style is characterized by a number of devices that establish a linear narrative logic and a realistic cinematic space;
which soon became some of the most prevalent narrative techniques in cinematic history to this day. The heyday of second–wave feminism, saw the
birth of feminist film theory, which became concerned with female representations in the media. This period ignited an era of scepticism felt towards
classical Hollywood that lives on; as many believe that this narrative style set a sexist tone to cinema for the years to come. Motivated by both the
aspiration to adequately depict female subjectivity onscreen and the aim to achieve social equality of the sexes, scholars often turn to the experimental
cinema to appreciate feminist objectives thrive (Watson & Hill, 2015). Nevertheless, others believe that the audience's familiarity with the ... Show more
content on Helpwriting.net ...
A fundamental theorist for the aforementioned is Laura Mulvey, whose psychoanalytic study of narrative cinema nurtured the notion that women
onscreen play an "exhibitionist role" (Mulvey, 1975:19). Mulvey (1975) states that the visual importance allocated to the woman symbol actually goes
against the development of the storyline, as it "freeze[s] the flow of action" to allow "moments of erotic contemplation" (Mulvey, 1975:29). Classical
narrative cinema's use of previously established stars in films can be said to serve the former technique, in a way that the films gain popularity
through their actors hired. As a result, the female star can be said to be positioned in films merely for the voyeuristic pleasure of the spectators; as
opposed to serving a role in the continuation of the

Interpreting Ophelia In Shakespeare's Hamlet
Introduction
Ophelia has often been disregarded, with critics and audiences alike labelling her as a sweet, docile and innocent girl yet rather too flaccid for
interest. Indeed, feminist critic, Elaine Showalter confirms this in her essay, 'Representing Ophelia: Women, Madness, and the Responsibilities of
Feminist Criticism' stating that 'for most critics of Shakespeare, Ophelia has been an insignificant minor character in the play, touching in her
weakness and madness but chiefly interesting, of course, in what she tells us about Hamlet' . This statement is proof that when analysing Ophelia
from a feminist perspective, we cannot blindly follow other critics in their generalised labelling of the character as 'sweet but boring'. We must come
to our own conclusions by perhaps digging a little deeper into text we know so well. When exploring Shakespeare's plays from a feminist perspective
we must bear in mind the fact that feminism is very much a 20th century construct. It is consequently very easy to analyse Ophelia from a modern
angle, placing the same standards and expectations on the character as we ... Show more content on Helpwriting.net ...
Yet debates and disagreements have centres on three particular areas, these being:
1.The role of theory
2.The nature of language
3.The value or otherwise of psychoanalysis
However, the stance on feminism in this essay will be tailored to Hamlet in particular, and therefore it is important to dig a little deeper into the
meaning of feminism across the centuries: from both Shakespeare and our perspective. Therefore, the areas in which I will be examining Ophelia's
feminism are as follows:
1.Challenge representations of Ophelia as 'Other': is she central or peripheral in Hamlet?
2.Explore her stance as being part of 'nature'.
3.Examine power relations in Hamlet and in Shakespeare's time, with a view to breaking them down, and showing the extent of

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Judy Chicago Women