The document discusses various job roles in the television and film industry. It describes 8 sectors that jobs can fall under, including creative, management, financial, and editorial. Several specific jobs are then outlined, such as publicist, producer, location manager, and camera operator. These job descriptions include the typical responsibilities, required skills, and common working patterns for each role. The document provides web links for additional information on different television and film career paths.
The document discusses various jobs in the media industry, dividing them into creative and non-creative roles. It provides examples of jobs that fall under categories such as management, finance, administration, production, and legal. Many of the jobs involve long hours and irregular schedules. The creative roles like director, camera operator, and title designer play important parts in deciding how the media content will be produced and presented.
Job roles within the film and tv industrywebstesa05
There are many jobs in the media industry divided into creative and non-creative roles. The document discusses jobs in management, finance, production, editing, technical, and research areas of media. Key jobs include producer, director, location manager, casting director, accountant, sound engineer and research roles that support film production.
There are several key job roles within the TV industry, including technical, creative, managerial, financial, administrative, and sales/marketing. Technical jobs involve setting up and operating equipment like cameras, lighting, and sound. Creative roles help bring the vision to life through directing, casting, makeup, and more. Managerial positions oversee various aspects of production and finance handles budgeting. Administrative duties include paperwork, accounts, and logistics. Sales and marketing advertise and promote TV shows and films.
This document discusses different career pathways in the media industry. It identifies several sectors - management, creative, editorial, technical, research, financial, administrative, and organizational. Each sector contains various job roles. For example, the creative sector includes roles like editoral photographer, actor, and cinematographer. The document then provides more detail on 9 specific media jobs - publicist, gaffer, researcher, camera operator, producer, post-production supervisor, special effects supervisor, director, and editor. For each role, it describes typical responsibilities and how the role relates to other sectors in the media industry.
A film director is responsible for the overall vision and artistic direction of a film, interpreting the script and directing actors, crew, and technical elements like camerawork and lighting. Producers oversee projects from conception to completion, raising funds, developing ideas, hiring staff, and ensuring projects are completed on budget and schedule. Production managers organize support facilities, resolve daily problems, and ensure productions are delivered on time and on budget, taking on responsibilities like locations, equipment, and crew hiring to support the producer.
First Assistant Director
- The 1st Assistant Director (1st AD) is the director's right-hand person on set, responsible for the smooth running of a film shoot. They help plan and oversee all aspects of production.
- Key 1st AD duties include creating detailed shooting schedules, calling "action" and "cut" during takes, ensuring shots are completed on time and within budget, and supervising other assistant directors and crew.
- 1st ADs need to have excellent organisational and time management skills. Experience as a 2nd 2nd or 3rd AD is usually required before moving up to 1st AD.
- 1st ADs work long hours, often starting before other crew and finishing
The document discusses various jobs in the media industry, dividing them into creative and non-creative roles. It provides examples of jobs that fall under categories such as management, finance, administration, production, and legal. Many of the jobs involve long hours and irregular schedules. The creative roles like director, camera operator, and title designer play important parts in deciding how the media content will be produced and presented.
Job roles within the film and tv industrywebstesa05
There are many jobs in the media industry divided into creative and non-creative roles. The document discusses jobs in management, finance, production, editing, technical, and research areas of media. Key jobs include producer, director, location manager, casting director, accountant, sound engineer and research roles that support film production.
There are several key job roles within the TV industry, including technical, creative, managerial, financial, administrative, and sales/marketing. Technical jobs involve setting up and operating equipment like cameras, lighting, and sound. Creative roles help bring the vision to life through directing, casting, makeup, and more. Managerial positions oversee various aspects of production and finance handles budgeting. Administrative duties include paperwork, accounts, and logistics. Sales and marketing advertise and promote TV shows and films.
This document discusses different career pathways in the media industry. It identifies several sectors - management, creative, editorial, technical, research, financial, administrative, and organizational. Each sector contains various job roles. For example, the creative sector includes roles like editoral photographer, actor, and cinematographer. The document then provides more detail on 9 specific media jobs - publicist, gaffer, researcher, camera operator, producer, post-production supervisor, special effects supervisor, director, and editor. For each role, it describes typical responsibilities and how the role relates to other sectors in the media industry.
A film director is responsible for the overall vision and artistic direction of a film, interpreting the script and directing actors, crew, and technical elements like camerawork and lighting. Producers oversee projects from conception to completion, raising funds, developing ideas, hiring staff, and ensuring projects are completed on budget and schedule. Production managers organize support facilities, resolve daily problems, and ensure productions are delivered on time and on budget, taking on responsibilities like locations, equipment, and crew hiring to support the producer.
First Assistant Director
- The 1st Assistant Director (1st AD) is the director's right-hand person on set, responsible for the smooth running of a film shoot. They help plan and oversee all aspects of production.
- Key 1st AD duties include creating detailed shooting schedules, calling "action" and "cut" during takes, ensuring shots are completed on time and within budget, and supervising other assistant directors and crew.
- 1st ADs need to have excellent organisational and time management skills. Experience as a 2nd 2nd or 3rd AD is usually required before moving up to 1st AD.
- 1st ADs work long hours, often starting before other crew and finishing
The document discusses various roles in media production such as pre-production, production, post-production, distribution, and exhibition. It then provides more details on key roles like producer, director, production runner/assistant, edit producer, location manager, director, production manager/producer, casting director, screenwriter, and sound operator. The roles and their responsibilities are outlined to explain how job roles are essential for organizing production processes and ensuring all necessary tasks are completed.
Key roles in media production include the director, who oversees the creative vision and interpretation of scripts; the producer, who manages the entire production process from concept to distribution; and the production manager/producer, who facilitates the project and oversees operations. Other important roles are the location manager, who finds and secures filming locations; the editor, who assembles raw footage; the sound operator, who records and mixes audio; the camera person, who captures footage; and the screenwriter, who develops story ideas and scripts. Having defined roles makes productions more efficient by assigning clear responsibilities.
This document discusses jobs in the media industry, including different types of jobs, contracts, pay, and professional practices. It identifies six main categories of jobs - technical, creative, editorial, managerial, sales and marketing, and financial. For each category, it provides examples of common job roles and describes the main skills required. It also outlines several common types of contracts in the media industry, such as full-time, part-time, fixed-term, freelance, shift work, and payment structures like salary and completion-based pay.
The document discusses various roles in media production such as pre-production, production, post-production, distribution, and exhibition. It then provides more details on key roles like producer, director, production runner/assistant, edit producer, location manager, screenwriter, sound operator, camera person, editor, and casting director. The roles each have specific responsibilities in the production process from concept to distribution.
The document discusses various roles in media production such as pre-production, production, post-production, distribution, and exhibition. It then provides more details on key roles like producer, director, production runner/assistant, edit producer, location manager, director, production manager/producer, casting director, screenwriter, and sound operator. The roles and their responsibilities are outlined to explain how job roles are essential for organizing production processes.
The document discusses various job roles and contract types in the TV and film industry. It provides details on the responsibilities and requirements for roles like marketing managers, location managers, music composers, directors, editors, title designers, and more. It also explains different types of employment contracts such as shift work, fixed term, freelance, time rate, piece rate, and continued employment.
The document describes various job roles in the media industry, including their typical working patterns and salary ranges. It provides details on roles such as production manager, art director, music editor, producer, and sound mixer. Production managers oversee budgets and ensure payments are made, working variable hours and earning £25,000-£60,000. Art directors design film sets and ensure costs are on budget while working variable hours for £25,000+. The document also lists less common roles like part-time cameramen who work on a piece rate basis and earn £9,500.
The document discusses various roles within the film industry, divided into key areas such as development, production, post-production, distribution, and exhibition. It provides details on dozens of specific roles within departments like accounts, art, camera, casting, catering, construction, costume, direction, distribution, editing/post-production, exhibition, hair/makeup, health and safety, lighting, locations, music, performing, post-production sound, production sound, props, publicity, script, transport, and more. Key roles highlighted include production accountant, director of photography, aerial director of photography, production designer, construction manager, costume designer, and director.
There are various job roles and contract types in the TV and film industry. Job roles include management positions like marketing and publicity managers, creative roles like film directors, editorial roles like title designers, technical roles like vision mixers, research roles, and financial roles like financial controllers and accountants. Contract types include shift work contracts, fixed term contracts, office hour contracts, freelance contracts, time rate contracts, piece rate contracts, and continued employment contracts. Each job role and contract type has different responsibilities and conditions.
Daily or weekly rate
Costume Designer: Flat fee per production
Wardrobe Supervisor: Weekly rate
Costume Maker: Daily rate or flat fee per costume
Freelance allows flexibility to work on multiple projects.
Full-time positions also available at studios/theatres.
The document provides descriptions of various job roles in the media and TV industry, including management, creative, editorial, technical, research, financial, organizational and administrative roles. It describes roles such as director, screenwriter, actor, casting director, production manager, construction manager, editor, title designer, director of photography, lighting technician, boom operator, location manager, costume designer, assistant location manager, financial controller and more. For each role it provides details on responsibilities, necessary skills, typical career progression and training requirements.
Mia Bittar works as an editor in post-production, making final cuts to films by working closely with directors. Her work is time-consuming but rewarding as she feels like she helps create the final movie. Mia started her career as a runner and assistant runner before working her way up over the years. Looking at Mia's career highlights the importance of starting from the bottom and gaining experience to advance in the industry.
This document outlines several job roles in film and television production and their responsibilities and needed qualities. A producer oversees the business aspects of a production and ensures it is completed on time and on budget while a director controls the creative and artistic vision. A series producer oversees all aspects of television production. Researchers support producers by finding necessary information. A makeup designer makes actors look as the director envisions. A production coordinator helps ensure smooth filming and that the project stays on schedule and budget. A runner assists actors and gets things they need. A script executive oversees production on behalf of financiers. A multicamera director must be able to multitask during live shoots involving multiple cameras.
This document describes various jobs in the TV and film industry, dividing them into creative roles, non-creative/management roles, technical roles, research roles, and financial roles. It provides details on the responsibilities and qualifications required for the jobs of Marketing and Publicity Manager, Transport Manager, Prosthetics Artist, Draughtsman/Junior Draughtsman, Grip, Production Sound Mixer, Specialist Researcher, and Financial Controller.
The document discusses the role and responsibilities of a film director. As a director, one leads cast and crew to direct films, TV programs, commercials and more. Key responsibilities include developing storyboards, scheduling filming, hiring cast/crew, and overseeing the entire production process. Directors require skills like communication, organization, creativity and technical knowledge to manage large projects.
A director leads film/TV production teams and is responsible for creative and organizational aspects of productions. Key director duties include developing storyboards, scheduling shoots, managing budgets, and communicating with cast/crew. Directors need creativity, strong communication and problem-solving skills to manage complex productions. Camera operators use cameras under a director's guidance, setting up equipment and solving technical issues. Set designers create sets and communicate designs to production teams, working creatively within budgets to realize a director's vision.
All of the creative roles discussed work together on a film or television production, with the screenwriter first writing the script, the director then overseeing the entire production, the producer managing budgets and other business aspects, the editor assembling the final cut, and all of these roles requiring support from other roles like assistants to complete their work and bring the creative vision to life on screen. Effective collaboration between all of these roles is essential for a successful production.
The document discusses several key aspects of film pre-production including financing, timescales, facilities, locations, personnel, additional materials, and codes of practice/regulations. Financing a film requires considering costs for cast/crew, equipment rental, props/costumes, and clearances. Funding can come from public or private sources. Strict timescales are needed to coordinate cast/crew availability and equipment access. Pre-production also requires planning facilities, locations, personnel, scripts, storyboards, and ensuring adherence to health/safety and copyright regulations.
The document provides information on various job roles in the radio industry, including radio presenter, radio producer, radio broadcast assistant, and radio commercials producer. It describes the typical duties and responsibilities of each role, as well as the qualifications, career progression opportunities, and personal attributes required to be successful.
Reebok 'I am what I am' advert analysis charliebunn25
1. The ad analyzes Reebok's "I am what I am" campaign featuring 50 Cent from 2005. It uses dark, gloomy shots at the beginning to depict 50 Cent's dark past when he was shot 9 times and almost died.
2. As the ad progresses, the lighting gets brighter and the shots become more uplifting as 50 Cent counts up from 1, representing his rise to fame and success as a rapper after surviving his shooting.
3. By the end of the ad, 50 Cent is smiling and laughing as he looks down at the camera, symbolizing that he has conquered all challenges and become powerful as the "god of hip-hop." The ad positions both 50 Cent and
get into grips with industry (unit 8 task 1a)JaiMedia
News Corporation is a multinational mass media company founded by Rupert Murdoch in 1979. It owns various media assets across newspapers, television, and film [1]. Ownership refers to who controls a media organization, like an individual or government. Funding is how organizations obtain money, such as through subscription fees. Rupert Murdoch is the founder and former CEO of News Corporation, which was split into two companies in 2013 with publishing and Australian media assets in New News Corp and broadcasting assets in 21st Century Fox [2]. News Corp owns diverse businesses across various industries like newspapers, magazines, and real estate [3].
getting to grips with the industry (unit 8 task 1a)habbak61
This document summarizes key aspects of News Corp, including that Rupert Murdoch is the executive chairman and Robert Thomson is the chief executive. It outlines News Corp's major assets such as newspapers in the UK, Australia, and the US, as well as book publishing, radio stations, and other media properties. The document also discusses the 2013 split of News Corp into two separate companies - News Corp and 21st Century Fox.
The document discusses various roles in media production such as pre-production, production, post-production, distribution, and exhibition. It then provides more details on key roles like producer, director, production runner/assistant, edit producer, location manager, director, production manager/producer, casting director, screenwriter, and sound operator. The roles and their responsibilities are outlined to explain how job roles are essential for organizing production processes and ensuring all necessary tasks are completed.
Key roles in media production include the director, who oversees the creative vision and interpretation of scripts; the producer, who manages the entire production process from concept to distribution; and the production manager/producer, who facilitates the project and oversees operations. Other important roles are the location manager, who finds and secures filming locations; the editor, who assembles raw footage; the sound operator, who records and mixes audio; the camera person, who captures footage; and the screenwriter, who develops story ideas and scripts. Having defined roles makes productions more efficient by assigning clear responsibilities.
This document discusses jobs in the media industry, including different types of jobs, contracts, pay, and professional practices. It identifies six main categories of jobs - technical, creative, editorial, managerial, sales and marketing, and financial. For each category, it provides examples of common job roles and describes the main skills required. It also outlines several common types of contracts in the media industry, such as full-time, part-time, fixed-term, freelance, shift work, and payment structures like salary and completion-based pay.
The document discusses various roles in media production such as pre-production, production, post-production, distribution, and exhibition. It then provides more details on key roles like producer, director, production runner/assistant, edit producer, location manager, screenwriter, sound operator, camera person, editor, and casting director. The roles each have specific responsibilities in the production process from concept to distribution.
The document discusses various roles in media production such as pre-production, production, post-production, distribution, and exhibition. It then provides more details on key roles like producer, director, production runner/assistant, edit producer, location manager, director, production manager/producer, casting director, screenwriter, and sound operator. The roles and their responsibilities are outlined to explain how job roles are essential for organizing production processes.
The document discusses various job roles and contract types in the TV and film industry. It provides details on the responsibilities and requirements for roles like marketing managers, location managers, music composers, directors, editors, title designers, and more. It also explains different types of employment contracts such as shift work, fixed term, freelance, time rate, piece rate, and continued employment.
The document describes various job roles in the media industry, including their typical working patterns and salary ranges. It provides details on roles such as production manager, art director, music editor, producer, and sound mixer. Production managers oversee budgets and ensure payments are made, working variable hours and earning £25,000-£60,000. Art directors design film sets and ensure costs are on budget while working variable hours for £25,000+. The document also lists less common roles like part-time cameramen who work on a piece rate basis and earn £9,500.
The document discusses various roles within the film industry, divided into key areas such as development, production, post-production, distribution, and exhibition. It provides details on dozens of specific roles within departments like accounts, art, camera, casting, catering, construction, costume, direction, distribution, editing/post-production, exhibition, hair/makeup, health and safety, lighting, locations, music, performing, post-production sound, production sound, props, publicity, script, transport, and more. Key roles highlighted include production accountant, director of photography, aerial director of photography, production designer, construction manager, costume designer, and director.
There are various job roles and contract types in the TV and film industry. Job roles include management positions like marketing and publicity managers, creative roles like film directors, editorial roles like title designers, technical roles like vision mixers, research roles, and financial roles like financial controllers and accountants. Contract types include shift work contracts, fixed term contracts, office hour contracts, freelance contracts, time rate contracts, piece rate contracts, and continued employment contracts. Each job role and contract type has different responsibilities and conditions.
Daily or weekly rate
Costume Designer: Flat fee per production
Wardrobe Supervisor: Weekly rate
Costume Maker: Daily rate or flat fee per costume
Freelance allows flexibility to work on multiple projects.
Full-time positions also available at studios/theatres.
The document provides descriptions of various job roles in the media and TV industry, including management, creative, editorial, technical, research, financial, organizational and administrative roles. It describes roles such as director, screenwriter, actor, casting director, production manager, construction manager, editor, title designer, director of photography, lighting technician, boom operator, location manager, costume designer, assistant location manager, financial controller and more. For each role it provides details on responsibilities, necessary skills, typical career progression and training requirements.
Mia Bittar works as an editor in post-production, making final cuts to films by working closely with directors. Her work is time-consuming but rewarding as she feels like she helps create the final movie. Mia started her career as a runner and assistant runner before working her way up over the years. Looking at Mia's career highlights the importance of starting from the bottom and gaining experience to advance in the industry.
This document outlines several job roles in film and television production and their responsibilities and needed qualities. A producer oversees the business aspects of a production and ensures it is completed on time and on budget while a director controls the creative and artistic vision. A series producer oversees all aspects of television production. Researchers support producers by finding necessary information. A makeup designer makes actors look as the director envisions. A production coordinator helps ensure smooth filming and that the project stays on schedule and budget. A runner assists actors and gets things they need. A script executive oversees production on behalf of financiers. A multicamera director must be able to multitask during live shoots involving multiple cameras.
This document describes various jobs in the TV and film industry, dividing them into creative roles, non-creative/management roles, technical roles, research roles, and financial roles. It provides details on the responsibilities and qualifications required for the jobs of Marketing and Publicity Manager, Transport Manager, Prosthetics Artist, Draughtsman/Junior Draughtsman, Grip, Production Sound Mixer, Specialist Researcher, and Financial Controller.
The document discusses the role and responsibilities of a film director. As a director, one leads cast and crew to direct films, TV programs, commercials and more. Key responsibilities include developing storyboards, scheduling filming, hiring cast/crew, and overseeing the entire production process. Directors require skills like communication, organization, creativity and technical knowledge to manage large projects.
A director leads film/TV production teams and is responsible for creative and organizational aspects of productions. Key director duties include developing storyboards, scheduling shoots, managing budgets, and communicating with cast/crew. Directors need creativity, strong communication and problem-solving skills to manage complex productions. Camera operators use cameras under a director's guidance, setting up equipment and solving technical issues. Set designers create sets and communicate designs to production teams, working creatively within budgets to realize a director's vision.
All of the creative roles discussed work together on a film or television production, with the screenwriter first writing the script, the director then overseeing the entire production, the producer managing budgets and other business aspects, the editor assembling the final cut, and all of these roles requiring support from other roles like assistants to complete their work and bring the creative vision to life on screen. Effective collaboration between all of these roles is essential for a successful production.
The document discusses several key aspects of film pre-production including financing, timescales, facilities, locations, personnel, additional materials, and codes of practice/regulations. Financing a film requires considering costs for cast/crew, equipment rental, props/costumes, and clearances. Funding can come from public or private sources. Strict timescales are needed to coordinate cast/crew availability and equipment access. Pre-production also requires planning facilities, locations, personnel, scripts, storyboards, and ensuring adherence to health/safety and copyright regulations.
The document provides information on various job roles in the radio industry, including radio presenter, radio producer, radio broadcast assistant, and radio commercials producer. It describes the typical duties and responsibilities of each role, as well as the qualifications, career progression opportunities, and personal attributes required to be successful.
Reebok 'I am what I am' advert analysis charliebunn25
1. The ad analyzes Reebok's "I am what I am" campaign featuring 50 Cent from 2005. It uses dark, gloomy shots at the beginning to depict 50 Cent's dark past when he was shot 9 times and almost died.
2. As the ad progresses, the lighting gets brighter and the shots become more uplifting as 50 Cent counts up from 1, representing his rise to fame and success as a rapper after surviving his shooting.
3. By the end of the ad, 50 Cent is smiling and laughing as he looks down at the camera, symbolizing that he has conquered all challenges and become powerful as the "god of hip-hop." The ad positions both 50 Cent and
get into grips with industry (unit 8 task 1a)JaiMedia
News Corporation is a multinational mass media company founded by Rupert Murdoch in 1979. It owns various media assets across newspapers, television, and film [1]. Ownership refers to who controls a media organization, like an individual or government. Funding is how organizations obtain money, such as through subscription fees. Rupert Murdoch is the founder and former CEO of News Corporation, which was split into two companies in 2013 with publishing and Australian media assets in New News Corp and broadcasting assets in 21st Century Fox [2]. News Corp owns diverse businesses across various industries like newspapers, magazines, and real estate [3].
getting to grips with the industry (unit 8 task 1a)habbak61
This document summarizes key aspects of News Corp, including that Rupert Murdoch is the executive chairman and Robert Thomson is the chief executive. It outlines News Corp's major assets such as newspapers in the UK, Australia, and the US, as well as book publishing, radio stations, and other media properties. The document also discusses the 2013 split of News Corp into two separate companies - News Corp and 21st Century Fox.
The document outlines an opening scene for a film project. It describes the hero witnessing a robbery and stopping the crime, then seeing news coverage of his actions which inspires him to continue fighting crime. The summary then provides details on specific shots planned for the opening sequence, including the hero training and footage of crimes being stopped, with titles to be shown throughout. It also lists characters, locations, props, costumes and casting.
The document discusses several key concepts relating to media industries:
1) It defines monopoly, oligopoly, private ownership, public ownership, vertical integration, horizontal integration, and franchise, and provides examples of each.
2) It explains that multi-national media conglomerates own companies across different media sectors like television, movies, and theme parks. Disney is provided as an example.
3) It describes globalization in media as countries being connected through trade and shared cultural experiences of media products that can now spread worldwide through the internet.
This document discusses how social groups and stereotypes of youth were represented in a student film project. It focuses on the social group of youth and the stereotype of "jocks." Key aspects used to represent these included interests like gaming, crime and technology; clothing like hoodies and sportswear; and locations like an underpass that imply criminal activity. The film was inspired by portrayals of jock characters in horror films and the antagonist's costume drew from the Joker character in Suicide Squad. Modern technology like cell phones were also included to reflect youth culture.
The director manages the creative aspects of a film such as the plot, directing actors, and choosing locations. The producer raises funds, hires employees, and arranges distribution throughout production. The art director supervises artists and craftspeople to manage artistic and technical details of film sets.
Producers oversee projects in the television, film, and video industries from start to finish. They are responsible for organizing funding, hiring key staff like directors and crew, controlling budgets, and facilitating the completion of projects on time and on budget. Producers work closely with directors and production staff on set, taking on directing duties themselves sometimes. Their responsibilities include developing ideas, securing rights, building industry contacts, and managing all aspects of production to allow creative teams to focus on the creative work.
The document discusses several media effects theories, including passive/active audience theories, uses and gratification theory, two-step flow model, hypodermic needle model, and reception theory. It explains that passive audience theory suggests audiences uncritically accept media messages, while active audience theory is that audiences interpret messages through their own experiences. Uses and gratification theory focuses on how audiences use media to fulfill needs like surveillance, identity, and diversion. The two-step flow model and hypodermic needle model differ on audiences' role in processing information from opinion leaders or directly from media. Reception theory holds that encoding and decoding of messages depends on audiences' social contexts.
This document discusses various editing techniques used to create narratives or stories from multiple video clips. Continuity editing involves assembling clips in a flowing sequence to tell a story, while montage editing connects clips without regard for storyline. Match on action and shot reverse shot maintain continuity between shots by keeping the pace of action or showing alternating angles of a conversation. Cutaways, graphic matches, and obeying the 180 degree rule also aid in smooth transitions and consistent storytelling through video editing.
This document contains two names: Recce and Charlie Brett. Recce is likely a first name while Charlie Brett appears to be two names, a first and last name. However, there is no other context or information provided about these individuals or what this document may be referring to.
The action plan lays out the tasks that need to be completed before filming can begin, who is responsible for each task, and the deadline for completing it. The plan provides a schedule for the production team to follow from the beginning of the project to ensure everything is done on time. Having an action plan is essential to stay organized and make sure key tasks like securing locations, casting roles, and developing a shooting schedule are addressed before filming the production.
This call sheet provides details for an actor's filming schedule, including the character they are playing, the shooting day number, their call time, the date of filming, and contact information for the producer and director. It also lists the scene, location, character, actor, makeup, and set for the scheduled shoot.
Rupert Murdoch remains the chairman of both 21st Century Fox and News Corp. 21st Century Fox owns major film and television franchises like Avatar, X-Men, The Simpsons, and Deadpool. It produces and distributes films through its film studios and owns many television channels and networks. Key assets include Fox Sports, Fox News Channel, FX Networks, and Sky, Europe's largest broadcaster. 21st Century Fox has a vast media portfolio across film, television, and broadcasting.
The document discusses the organizational structure of television stations, including free-to-air (FTA) and pay TV stations. It outlines the key departments for FTA stations such as programming, production, news, sales and marketing, and finance. For pay TV stations, it additionally includes subscriber operation, management systems, and customer service departments. It also provides examples of channels operated by STAR TV and describes their management team and organizational structure.
The document discusses various roles in the media industry including production, management, organizational, administrative, financial, research, editing, creative, and technical roles. It provides descriptions of what each role entails and relevant responsibilities. For example, it states that a producer oversees pre-production of a film and ensures all elements run smoothly, while an editor focuses on selecting the best shots and footage to tell the story. The document also gives examples of common job titles for each area.
The document provides information about the role of a film director, including:
- Directors are responsible for the creative vision and overall production of a film.
- Experience in TV or film is required, along with an understanding of the production process. Salaries vary depending on experience and project size.
- Pre-production duties include casting, locations, and rehearsals. During production, directors work long hours overseeing performances.
- Early careers involve working as assistants to gain experience in different aspects of filmmaking. Income can be irregular, requiring additional jobs.
Jobs available in the tv and film industryjaneanesu
1) There are many creative and non-creative roles in the TV and film industry, including directors, editors, sound designers, producers, researchers, and transport managers.
2) These roles have varying work patterns, from long hours on filming locations to office work, and contracts range from freelance to permanent positions.
3) Pay also varies significantly depending on the role, experience, and size of the production, with starting salaries generally between £15,000-25,000 and more experienced roles earning up to £70,000.
The document provides examples of different jobs in the creative media industry, including technical, editorial, administrative, managerial, finance, creative, and sales/marketing roles. For each role, it lists the job title, a brief description of responsibilities, typical working practices, and conditions of pay. It includes examples such as camera operator, film/video editor, film production coordinator, film director, accounting assistant, costume designer, and sales executive. The document serves as a reference for the various jobs that may be found within the creative media sector.
The document provides examples of different jobs in the creative media industry, including a camera operator, film/video editor, film production coordinator, film director, accounting assistant, costume designer, and sales executive. For each job, it describes the typical tasks and responsibilities, working practices, and pay ranges. The jobs cover a variety of roles from technical, editorial, administrative, managerial, finance, creative, and sales/marketing.
There are many types of apprenticeships and university degrees available for careers in the media industry. Apprenticeships focus on specific areas like journalism or production and combine on-the-job training with academic qualifications. University degrees provide learning about the industry but don't guarantee work experience unless sought separately. Common entry-level jobs include being a runner, which involves administrative and equipment transport tasks to help film crews. Progression roles after being a runner include research positions. The document explores several mid-level jobs the author finds interesting like camera operator, production designer, and cinematographer across television, film, and journalism.
This document provides an overview of the key stages of film production including development, pre-production, production, and post-production. It then describes the roles and responsibilities of 11 important film industry jobs - writer, producer, casting director, director, film finance, camera operator, editor, production designer, marketer, and exhibitor. For each role, it outlines what the job entails and the necessary skills, experience, and typical educational background. The overall document serves as a guide to understanding the film production process and common career paths in the film industry.
A screenwriter is responsible for creating screenplays for films. They develop story ideas and write scripts that translate the story into a visual format. Screenwriters research ideas, plan plotlines and characters, write drafts of the script, and work with directors to refine the screenplay. Experience is gained through writing short films, working as a production assistant, taking screenwriting courses, and networking within the film industry. Formal qualifications are not required but courses are available to help learn screenwriting techniques.
£18,000 - £25,000
editor, salaries can vary depending on
Editor: £25,000 - £40,000
experience and the type and size of
Senior Editor: £40,000 - £60,000
production. Here are some typical salary
Freelance Rates:
ranges:
- Low budget films/TV: £150-£300 per day
Trainee Editor: £15,000 - £18,000
- Medium budget films/TV: £300-£500 per day
Runner: £12,000 - £15,000
- High budget films/TV: £500-£1000 per
Job roles in the film industry can be divided into two main categories: creative and non-creative. Technical roles ensure that equipment like cameras, lighting, and sound equipment are working properly to allow directors to film as requested. Creative roles include positions like art department coordinators who oversee visual elements, and creature designers who create costumes and props. Editorial roles involve selecting and preparing various media for conveying information, and include positions like editor, assistant editor, and post-production supervisor.
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Job roles in the TV and film undustry
1. JOB ROLES IN THE TV AND
FILM INDUSTRY
Unit 8: ASSIGNMENT 2 By Charlie Bunn
2. TELEVISION AND FILM JOB SECTORS
• In the TV and film industry there are 8 sectors that job roles can fall under
• Management
Management is a sector that takes control and deals with different areas as well as making the big
decisions in production.
• Creative
Creative is a sector that produces unique ideas and invents authentic props and their job involves helping to create the
scene and set to make it seem real towards the audience.
• Financial
Financial is a sector that takes control of all the company's money including funding.
• Organisational
Organisational is a sector the specialises in scheduling events and preparing for film shoots.
3. TELEVISION AND FILM JOB SECTORS
• In the TV and film industry there are 8 sectors that job roles can fall under
• Editorial
Editorial is a sector that occurs at the post production stage, cutting clips in order to create the final cut of a
project, this section also includes creation in special effects.
• Research
Research is a sector that locates information and destinations to film.
• Technical
Technical is a sector that specialises in electronics where they repair, test and operate the equipment.
• Administrative
Administrative is a sector that helps run the whole company, the administrative sector deals with all things
paper work and can work closely with the management and financial sector.
4. HOW DOES PRODUCTION WORK?
• In film production you have three main sectors creative, management and editorial.
• In the creative sector there are many jobs involved in this creative area such as
writer, director, location scout, Key production assistant, second assistant director,
first assistant director, art director, camera operator, lighting and audio director.
• In the management and organisational sector there are lots of jobs such as location
manager, executive producer, associate producer, line producer, production
manager, dialogue director, unit production manager, office production assistant,
production coordinates and post production supervisor.
• Lastly in the editorial sector there are a few jobs like script supervisor and editor.
5. HERE IS A FLOW CHART I HAVE CREATED
TO SHOW HOW THE PRODUCTION JOBS
WORK TOGETHER
Creative Management Editorial
WriterDirector
Location
Manager
Location
scout
Executive
producer
Associate
producer
Line
producer
Production
manager
Unit
production
manager
Production
coordinator
Office
production
assistant
Dialogue
Director
Script
supervisor
First
assistant
director
Second
assistant
director
Camera
operator
editor
lighting
7. JOBS
• Publicist:
• A publicist is a type of press agent that works for large businesses or celebrity's to create and manage a publicity for the
public figure of the company or person, this job can involve creating publicity for a film or a book or even a music video. As
a publicist you would be paid a flat fee however some publicist get paid by retainer, this is when a publicist gains a monthly
fee due to the work produced an example o this would be something like 24 hours a week.
• As a publicist you would need to schedule events, Manage any social media activity, plan events, setup photo shoots and
finally create draft releases.
• A publicist will not have to work in a specific sector, a publicist will work with a wide range of different clients ranging from
actors/singers to celebrities and massive businesses.
• Some publicist will work a standard 8 hour work day, however they do find the need for afternoon work and weekends.
Publicists working pay rates stand from £16,000 to £29,000 annually, this can depend on how long you have been with the
firm and will increase due to your experiences.
• Working patterns:
• A publicist is enabled to work freelance or permanent, an example of this is when a publicist works for a celebrity since
when they apply they are forbidden to work for anyone else and only the celebrity.
• Web links: http://creativeskillset.org/job_roles/3842_unit_publicist_up ,
http://study.com/articles/Celebrity_Publicist_Job_Description_Duties_and_Requirements.html ,
http://coverlettersandresume.com/job-description/publicist-job-description-sample/.
8. JOBS
• Producer:
• Sector: Management
• Description: AS a producer you will need to oversee the footage recorded and will need to have
approval from the producer weaver or not the film is completed, as a producer it is also your role to be
involved with the financing team before a film or TV programme goes into production and will need to
stick to a certain budget and have organisation skills.
• Working pattern: Need to be able to work flexible hours but mostly full time.
• A producer will also need to work with a publicist in order to give ideas and recive information from the
financial area.
• Web links: http://creativeskillset.org/job_roles/757_producer , https://app.hiive.co.uk/job-
roles/film/production/film-producer/ , https://www.prospects.ac.uk/job-profiles/television-
film-video-producer.
9. JOBS
• Post-production supervisor:
• Sector: Organisational/Editorial
• Description: As a post-production supervisor your job is to have responsibilities for the post
production process, this role involves communication between editors, producers, sound
supervisor and other facilities within the company. One of the post production supervisor
main technique is to be able to communicate with a clear voice and instructions in which
everyone can understand.
• Working pattern: A post production supervisor will need to be able to work full time and
may need to work flexible hours on some projects.
• Web links: http://www.media-match.com/usa/media/jobtypes/post-production-
supervisor-jobs-402753.php , http://work.chron.com/description-film-postproduction-
jobs-16107.html , http://getinmedia.com/careers/post-production-supervisor.
10. JOBS
• Researcher:
• A researcher’s job is to help out the producer by gathering information from various places. In order to have
the right criteria to become a researcher you will need practical experience of media productions since you
must have a developed range of different contacts, as a researcher you could be assigned to research
information for documentaries or research for a television show which involves finding an audience and
special guests to come on the show. In this particular job you will be researching and typing up website
information for social media on a day to day basis along with checking copy rights, writing briefs for
presenters and script writers, and finally locating audiences and studio locations to use for the show.
• As a researcher your main job would be working in the studio, in an office, on the internet and on the
telephone with an average salary of £16,000-£40,000.
• Working patterns: As a researcher your working pattern would be working irregular hours meaning long
hours, you could also be given last second jobs given directly to you from the producers causing you to work
longer till the task is completed, and lastly a researchers job usually have a permanent contract instead of a
fixed term contract.
• Web links: https://econ.washington.edu/research-assistantassociate-job-description ,
https://www.prospects.ac.uk/job-profiles/programme-researcher-broadcasting-film-video ,
http://creativeskillset.org/job_roles/308_researcher_tv.
11. JOBS
• Location manager: A locations manager job is to research locations used for
filming while implying that it is safe and gaining all government permits (example
medic, police and fire department) to inform them of the coordinates in case
something goes wrong. The location manager is also held responsible for any
inconvenient issues. A location manager also has to be creative in order to find the
perfect locations for recording to match the theme.
• Working pattern: A location manager working pattern is very long and time
consuming as they are the first to arrive and the last to leave, their job takes up
most of their day and stay committed to their job.
• Web links: http://creativeskillset.org/job_roles/2943_location_manager_film ,
https://www.prospects.ac.uk/job-profiles/location-manager ,
https://en.wikipedia.org/wiki/Location_manager.
12. JOBS
• Title designer: A tittle designers job role is to create the opening title screen of the film,
movie or TV production, a title designer mind will need to be full of creativity. Their main job
is to research creative fonts that can reflect the film and can even be able create their own
fonts in order to find the best font for the title of the film/show to relate to the film or show.
A title designer could also add in animation to the title to bring it to life along with the
film/TV show.
• Working pattern: A title designer working pattern is freelance where they are self employed
and can get job offers by showing off their show reel.
• Web links: http://www.media-match.com/usa/media/jobtypes/graphic-titles-designer-
jobs-402723.php , http://creativeskillset.org/job_roles/3856_title_designer_td ,
https://en.wikipedia.org/wiki/Film_title_design.
13. JOBS
• Assistant Editor: An editors job is to bring the film to life by adding sound, special effects,
over voices, characters, detail and backgrounds as well as cutting clips. An assistant director
uses tool such as Adobe premiere, Final cut pro and after effects to edit film clips and turn it
into an award winning film.
• Assistant editors will work closely with the creative sector obtaining ideas of what the
director wants to be in the film and the assistant editor goes and creates it.
• Work patterns: an assistant editors work pattern is 30 to 40 hours a week with a salary
around £15,000 to £40,000.
• Web links: https://www.prospects.ac.uk/job-profiles/editorial-assistant ,
http://creativeskillset.org/job_roles/3085_assistant_editor ,
https://targetjobs.co.uk/careers-advice/job-descriptions/279415-editorial-assistant-
job-description.
14. JOBS
• Camera operator:
• Camera operator:
• Sector: Creative
• Description: A camera operators job role is to record and catch stunning cinematic views to show and
impress the viewers, the camera operator has to obey all the directors commands and will need to have good
eye coordination to keep the actors in the scene, a good camera operator will also need to have an idea of
different camera shots and must be on schedule for shootings, as being a camera operator you would also
need to experiment with locations and different colours to make the scene feel the mood.
• Working pattern: AS a camera operator you would need to be able to work flexible hours as you would have
a random working pattern due to when the director will need you to film.
• Web links: https://www.prospects.ac.uk/job-profiles/television-camera-operator ,
http://creativeskillset.org/job_roles/3073_camera_operator , https://targetjobs.co.uk/careers-
advice/job-descriptions/278291-camera-operator-job-description.
15. WORKING PATTERNS
• Working in the media can cause employees to have a range of working patterns a few of
these working patterns are…..
• Shift work: Shift work is when an employee works different periods of the day and is then switched with another employee
who works in that area at a specific period time, this can be split into morning shifts and afternoon shifts.
• Fixed term: A fixed term contract is when an employee works for a certain period until the contract end, when the contract
has expired the employer has the option to either give them another fixed term contract, give them a full time contract or
dismiss the employee due to the performance of the employee.
• Office hours: office hours is when an employee has to work when the business/company opens till the business closes and
will get paid on hourly rate.
• Freelance: Freelance is when you are self-employed and what this means is you with have working hours due to when your
clients want the project or task completed by, freelancers will gain clients by promoting themselves and building a
reputation. Freelancers usually get paid on an hourly rate or when the task is completed, however this also means if a
freelancer can’t get no work they can’t get paid.
• Irregular patterns: Irregular patterns is when an employee is on call and works whenever the employer needs the
employee to come into work to do a specific period.
• Hourly rates: Hourly rates is when the employee gets paid a specific amount of money due to every hour they have
worked.
• Piece work: Piece work is when an employee gets paid on the amount of tasks that has been completed or work produced
as well as performance instead of getting paid by the amount of time they have worked.