Introductory analysis of TV documentaries.


A documentary can be either a film or a television programme which shows the audience
information about a specific topic.

Below are some of the features included in documentaries:

       Actuality: The filming of real life events/places or people.
       Exposition: The start of a documentary when something or someone is revealed, often a
       theme, e.g. fitness, smoking, or generally anything which is a problem in today’s society.
       Interviews: Asking questions to people who have something to do with the topic which the
       documentary is about.
       Voiceover: A commentator/ narrator, often with direct address to the audience.
       Poetic mode: The poetic mode of a documentary film tends towards subjective
       interpretations of its subjects.
       Expositional mode: The expositional mode moves sharply from the poetic mode in terms of
       visual practice and story-telling devices. Its aims are passing on information and persuading
       the viewer/audiences.
       Observational mode: The camera, while moving with subjects and staying within the action,
       remains as unobtrusive as possible, mutely recording events as they happen. Pure
       observational documentaries proceeded under some bylaws: no music, no interviews, no
       scene arrangement of any kind and also no narration.
       Reflexive mode: The reflexive mode considers the quality of documentary itself,
       demystifying its processes and considering its implication.
       Performative mode: The perfomrative mode engages its filmmaker in the story creating an
       almost autobiographical descriptions of subjective truths that are significant to the
       filmmaker him or herself.

Introductory analysis of tv documentaries

  • 1.
    Introductory analysis ofTV documentaries. A documentary can be either a film or a television programme which shows the audience information about a specific topic. Below are some of the features included in documentaries: Actuality: The filming of real life events/places or people. Exposition: The start of a documentary when something or someone is revealed, often a theme, e.g. fitness, smoking, or generally anything which is a problem in today’s society. Interviews: Asking questions to people who have something to do with the topic which the documentary is about. Voiceover: A commentator/ narrator, often with direct address to the audience. Poetic mode: The poetic mode of a documentary film tends towards subjective interpretations of its subjects. Expositional mode: The expositional mode moves sharply from the poetic mode in terms of visual practice and story-telling devices. Its aims are passing on information and persuading the viewer/audiences. Observational mode: The camera, while moving with subjects and staying within the action, remains as unobtrusive as possible, mutely recording events as they happen. Pure observational documentaries proceeded under some bylaws: no music, no interviews, no scene arrangement of any kind and also no narration. Reflexive mode: The reflexive mode considers the quality of documentary itself, demystifying its processes and considering its implication. Performative mode: The perfomrative mode engages its filmmaker in the story creating an almost autobiographical descriptions of subjective truths that are significant to the filmmaker him or herself.