The document provides an overview of the history and development of English literature from Latin literature through the medieval, Renaissance, and Romantic periods. It discusses key genres and authors that emerged during these periods, noting how literature evolved from religiously-focused medieval works hand-copied in monasteries, to more humanist-focused Renaissance pieces printed on presses for the masses, to the Romantic period's emphasis on emotions and the individual genius.

1. INTRODUCTION TO
ENGLISH LITERATURE
Week1
The History of
English Literature

2. A INTRODUCTION OF THE DEVELOPMENT
STAGES OF ENGLISH LITERATURE
 Latin literature
 Old English literature
 Late medieval (middle English) literature in England
 Other medieval literatures
 Early Modern English literature
 *Elizabethan and Jacobean eras
 *1660 to 1800

3.  Non English-language literatures from the 16th century to the 19th
century
 19th century English language literature
 *Romanticism
 *The 19th century novel
 *Victorian poets
 *Ireland
 *Wales
 *Scotland
 English language literature since 1900
 Non English language literatures since 1900

4. MEDIEVAL LITERATURE
During the Middle Ages, a great emphasis was placed
on the blend of fantasy and reality.
Though characters were given human characteristics,
their personalities transcended to those of fictitious
figures (God, Saints, and revered leaders).
Additionally, these stories incorporated the codes of
romance and honor, reliving the ideals of chivalry in
writing.

5. Furthermore, there was a religious overtone hidden in
these works. Because only monks could hand- copy these
manuscripts in monasteries, only a few were made
available to the rich and noble.
As for the peasants, the only way to pass down these
stories from generation to generation was by words of
mouth.
For example, Geoffrey Chaucer (1343- 1400), the famous
author of The Canterbury Tales, practiced these forms of
writing in his narration of the social classes at this time.
He was later known as one of the best medieval writer of
all time.

6. RENAISSANCE LITERATURE
In contrast to the religion- driven aspects of literature found during
Medieval times, Renaissance thinkers reverted back to the idealism of
classical civilizations during A.D. 1500- 1660.
Instead of focusing on the dreams of the future, Renaissance men and
women were concerned with the “hereand now”.
During this period, feelings and emotions were key to illustrating
humanism, with the story more oriented on the character rather than the
adventure.
In addition, Renaissance literature revolved more around having a real
humanisticprotagonist witha real story to tell.

7. These basic ideals evolved from a humble place in life to a materialistic
dream steeped in luxury.
Moreover, with the invention of the printing press in 1440 by Johann
Gutenberg, manuscripts were no longer needed to be meticulously
hand- copied, and were able to be printed and delivered to the mass
public inexpensively and swiftly.
With more men and women educated due to the indirect results of the
printing press, literature became widespread throughout Europe.
For example, John Milton (A.D. 1608- 1674), in his notorious epic poem
Paradise Lost, illustrated a more humanistic and prideful Lucifer who
craves power in Heaven. This represents the change in ideas from the
religious Medieval literature into the secular themes of Renaissance
literature.

8. ROMANTICISM
Romanticism was a literary movement that swept through virtually every country of
Europe, the United States, and Latin America that lasted from about 1750 to 1870.
However, the Romantic Movement did not reach France until the1820's.
Romanticism's essential spirit was one of revolt against an established order of things-
against precise rules, laws, dogmas, and formulas that characterized Classicism in
general and late18th-century Neoclassicism in particular.
It praised imagination over reason, emotions over logic, and intuition over science-
making way for a vast body of literature of great sensibility and passion.
In their choice of heroes, also, the romantic writers replaced the static universal types
of classical 18th-century literature with more complex, idiosyncratic characters.
They became preoccupied with the genius, the hero, and the exceptional figure in
general, and a focus on his passions and inner struggles and there was an emphasis on
the examination of human personality and its moods and mental potentialities.