Intertextuality Powerpoint.
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Intertextuality refers to referencing other media texts by subtly or unsubtly including elements from existing texts in new works. This can include scenes, sounds, editing, or plotlines. Intertextuality often occurs within the same genre. Examples provided show how The Simpsons referenced the albums Nevermind and scenes from The Silence of the Lambs. Scary Movie also demonstrated intertextuality by copying scenes from The Ring and using the mask from Scream. Intertextuality provides recognition for audiences by referencing familiar media texts.
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MFM Evaluation - Question 1
This document discusses how 9 key stills from a student film conform to the crime genre. The stills demonstrate techniques like using a dark font to set the serious tone, changing focus between a character and object to build suspense, using a barn as a bleak location to hide a hostage, employing low-key lighting and camera angles to show the gangster's dominance. Special effects, common crime film tropes like examining a dead body, and placing the title at the end of the opening scene are also used to align with crime genre conventions established by directors like Quentin Tarantino and Martin Scorsese. Overall, the stills aim to craft an atmosphere of mystery, threat, and violence befitting of the
Title Analysis - Goodfellas
The opening sequence of Goodfellas uses several techniques to set the tone and provide context for the film. It begins with a flash-forward scene to build tension and give a sense of the characters' demise. The title frames have a fast-paced feel resembling a speeding car to portray the film's forward motion. Using a lack of soundtrack makes the scene feel more realistic. The white bold title text against a black background symbolizes the dangerous and perilous nature of the gangster genre. One character commits a shadowy murder that reflects the film's heading, using color and expressions to represent rage and vulnerability.
Still image analysis
This scene analysis summarizes key scenes from the trailer for the film "Lights Out". It notes that the trailer uses conventional horror techniques like focusing on a distressed female protagonist, using dark and red lighting to convey danger, and including gory or scary imagery to demonstrate that the film will not hold back. Symbolism and callbacks to earlier scenes help set expectations for a film with a mysterious and powerful supernatural threat.
Media a2 film trailer newest 1
The document discusses the genre of horror films and techniques commonly used in horror movie trailers. It defines horror films as movies that aim to elicit fear, disgust and horror in viewers through scenes that startle and depict the macabre and supernatural. Successful horror trailers often use techniques like brief title sequences, blurred endings to leave audiences wanting more, night vision effects, and close-up shots to clearly show scary makeup and facial expressions. The author of the document intends to incorporate these techniques, like using a found footage style to make their trailer more believable, in the horror film trailer they are creating.
New storyboard (2)
The document discusses planned shots for a film scene involving a vampire stalking and pursuing a victim in a corridor. Shot 7-8 would show their shoes from medium-close up to build tension as he follows closely behind her. Shot 9 would be a medium long shot of the vampire entering an open area, while shot 10 would be a medium-close up of the victim ahead hoping she turns around. Shots 11-12 later reveal she was aware of him all along. Shot 13 would be a very long shot with the vampire stepping out unfocused from the open area while the victim is closer in focus. Shots 15 and 17 would be cross-cutting shots from inside classrooms showing what's happening outside the door in the
question one
The document describes a student's horror film opening sequence that follows conventions of the genre. Dark lighting, knives and candles were used as props to create fear. The identity of the antagonist is kept hidden by framing shots to only show his body and hands, not face. Titles appear on a black background with transitions between to convey importance. The main title "Red Tears" is bold and red to stand out, with an earthquake effect to add to the horror feel. The soundtrack contains a harsh beat and sinister sounds to match the images and titles.
Micro elements
The document analyzes the micro elements used in a horror film opening scene. It describes several shots used - a close-up of the character's scared facial expression, a medium shot of the character locking the door in night clothes, and a long shot establishing the night time setting. It also discusses the sound design with screams during the title and changing music fitting what is seen. The mise-en-scene creates a recognizable horror genre atmosphere through the remote location, phone calls, and victim's scared expressions, clearly establishing the genre for the audience from the start.
Case study once upon a time in america
Once Upon a Time in America is a 1984 crime film directed by Sergio Leone. It follows a gangster named Noodles in 1920s New York City. The film uses noir style techniques like chiaroscuro lighting to create mystery. Key locations include a dimly lit room where the femme fatale Eve is killed by detectives to show their dominance, and a damp alleyway used for criminal deals. Archetypes include the femme fatale Eve, who is killed for getting in the way, and detective characters portrayed as corrupt like the mobsters. Mise-en-scene details like Eve's pearls symbolizing her deviance and detectives/mobsters both wearing trilby hats and trench coats indicate
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MFM Evaluation - Question 1
This document discusses how 9 key stills from a student film conform to the crime genre. The stills demonstrate techniques like using a dark font to set the serious tone, changing focus between a character and object to build suspense, using a barn as a bleak location to hide a hostage, employing low-key lighting and camera angles to show the gangster's dominance. Special effects, common crime film tropes like examining a dead body, and placing the title at the end of the opening scene are also used to align with crime genre conventions established by directors like Quentin Tarantino and Martin Scorsese. Overall, the stills aim to craft an atmosphere of mystery, threat, and violence befitting of the
Title Analysis - Goodfellas
The opening sequence of Goodfellas uses several techniques to set the tone and provide context for the film. It begins with a flash-forward scene to build tension and give a sense of the characters' demise. The title frames have a fast-paced feel resembling a speeding car to portray the film's forward motion. Using a lack of soundtrack makes the scene feel more realistic. The white bold title text against a black background symbolizes the dangerous and perilous nature of the gangster genre. One character commits a shadowy murder that reflects the film's heading, using color and expressions to represent rage and vulnerability.
Still image analysis
This scene analysis summarizes key scenes from the trailer for the film "Lights Out". It notes that the trailer uses conventional horror techniques like focusing on a distressed female protagonist, using dark and red lighting to convey danger, and including gory or scary imagery to demonstrate that the film will not hold back. Symbolism and callbacks to earlier scenes help set expectations for a film with a mysterious and powerful supernatural threat.
Media a2 film trailer newest 1
The document discusses the genre of horror films and techniques commonly used in horror movie trailers. It defines horror films as movies that aim to elicit fear, disgust and horror in viewers through scenes that startle and depict the macabre and supernatural. Successful horror trailers often use techniques like brief title sequences, blurred endings to leave audiences wanting more, night vision effects, and close-up shots to clearly show scary makeup and facial expressions. The author of the document intends to incorporate these techniques, like using a found footage style to make their trailer more believable, in the horror film trailer they are creating.
New storyboard (2)
The document discusses planned shots for a film scene involving a vampire stalking and pursuing a victim in a corridor. Shot 7-8 would show their shoes from medium-close up to build tension as he follows closely behind her. Shot 9 would be a medium long shot of the vampire entering an open area, while shot 10 would be a medium-close up of the victim ahead hoping she turns around. Shots 11-12 later reveal she was aware of him all along. Shot 13 would be a very long shot with the vampire stepping out unfocused from the open area while the victim is closer in focus. Shots 15 and 17 would be cross-cutting shots from inside classrooms showing what's happening outside the door in the
question one
The document describes a student's horror film opening sequence that follows conventions of the genre. Dark lighting, knives and candles were used as props to create fear. The identity of the antagonist is kept hidden by framing shots to only show his body and hands, not face. Titles appear on a black background with transitions between to convey importance. The main title "Red Tears" is bold and red to stand out, with an earthquake effect to add to the horror feel. The soundtrack contains a harsh beat and sinister sounds to match the images and titles.
Micro elements
The document analyzes the micro elements used in a horror film opening scene. It describes several shots used - a close-up of the character's scared facial expression, a medium shot of the character locking the door in night clothes, and a long shot establishing the night time setting. It also discusses the sound design with screams during the title and changing music fitting what is seen. The mise-en-scene creates a recognizable horror genre atmosphere through the remote location, phone calls, and victim's scared expressions, clearly establishing the genre for the audience from the start.
Case study once upon a time in america
Once Upon a Time in America is a 1984 crime film directed by Sergio Leone. It follows a gangster named Noodles in 1920s New York City. The film uses noir style techniques like chiaroscuro lighting to create mystery. Key locations include a dimly lit room where the femme fatale Eve is killed by detectives to show their dominance, and a damp alleyway used for criminal deals. Archetypes include the femme fatale Eve, who is killed for getting in the way, and detective characters portrayed as corrupt like the mobsters. Mise-en-scene details like Eve's pearls symbolizing her deviance and detectives/mobsters both wearing trilby hats and trench coats indicate
Nine frame structure analysis on opening sequence of a film
The document provides an analysis of the opening sequence of the film "Lord of War." It summarizes each shot in detail. The sequence traces a bullet from its production in a factory through various stages until it is loaded into a gun and fired into a human victim. Each shot is examined for the techniques used, such as camera angles, lighting, and imagery, to set the tone of the film as a thriller and highlight themes of violence and war. The detailed analysis shows how the sequence subtly builds intrigue around the bullet's journey and leaves the viewer wondering why it was used to shoot the young victim at the end.
Evaluation the lodge
The document summarizes a media product evaluation for a trailer for a fictional soap opera called "The Lodge". The summary highlights that:
1) The trailer uses diegetic and non-diegetic sounds to build suspense and engage the audience.
2) It employs various shot types like close-ups and tracking shots to develop suspects in a murder mystery.
3) It features strong female suspects to challenge gender stereotypes, in line with research on portrayals of women in soap operas.
4) A cliffhanger ending leaves viewers wanting to watch the full soap opera to see which suspect is guilty.
Film noir
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New storyboard (2)
1. Frames 7-8 show medium close-up shots of the characters' shoes as they walk through the corridor to build tension and show their close proximity.
2. Frame 13 features an unfocused very long shot of the vampire character stepping out from an open plan area and approaching the victim character from behind in the corridor.
3. Frames 15-17 include potential cross-cutting shots from inside classrooms along the corridor to establish the characters leaving the open plan area and locking hands as later shots show them holding hands and entering a darkened classroom.
Zombieland analysis
The title sequence of Zombieland establishes it as both a horror and comedy film through various indicators. It shows iconic horror elements like gore and the colors red and black. However, it also depicts comedic conventions, such as a zombie interrupting a wedding. While the sequence exposes viewers to many scenes and characters, it does not clearly convey the narrative or main protagonists. The slow-motion cinematography adds humor and offsets the gore.
Catch me if you can opening sequence, textual analysis
The opening shot establishes an airport setting and introduces Leonardo DiCaprio's character as a con artist posing as a pilot. As DiCaprio walks toward the airport, the establishing shot conveys the distance between him and his location. The second shot introduces Tom Hanks' character pursuing DiCaprio. Stylistic elements like a jazzy theme song, title graphics, and costumes provide context about the 1960s setting and DiCaprio's character impersonating different roles. The sequence previews a cat-and-mouse chase between DiCaprio and Hanks across varying locations as DiCaprio adopts new disguises.
9 frame analysis -Catch Me If You Can
The opening titles animation for Catch Me If You Can uses mystery and suspense to hint at the film's plot. Scenes depicting a man looking over his shoulder nervously, planes and suitcases to suggest airports, a car chase, people in a pool and lift to imply romance, and a man on a telephone all aim to pique the audience's curiosity about the reasons for their inclusion and what they represent in the film. The animation ultimately ties back to the film's title by showing two people chasing each other around the Earth, symbolizing the line "Catch Me If You Can".
Textual analysis of catch me if you can
1) The opening title sequence of Catch Me If You Can uses graphics to illustrate the main character and set up the narrative and setting.
2) Scenes of a man changing clothes and hiding provide clues about the themes of identity and being chased.
3) Elements like urban landscapes, yellow taxis, and 1950s jazz music help establish the time period and location of America in the 1950s.
Short film analysis
This document provides summaries of three short films:
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2. "The Fly" follows a getaway driver waiting outside a bank robbery who is tormented by a fly as he waits for his crew to return in three minutes.
3. "5 Films about Technology" introduces stereotypical characters representing different types of technology users through interviews in a realistic, comedy film style.
Zombie land opening sequence
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Narrative Theory
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Question one as media evaluation
1) The document discusses how genres can change within a film, using the example of a student thriller that shifts between pure thriller and horror.
2) It examines the use of tension as a thriller convention in the student film through shots of an antagonist close to the victim.
3) Mystery is also explored as a genre convention, with stills from the student film showing an unknown man and clues about his character.
I am legend
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Title Analysis
The opening title sequence of 'Alien' begins in darkness and silence to set a mysterious tone. The camera floats through space aimlessly as the letters of the title slowly reveal themselves in a non-linear fashion, similar to how the alien reveals itself throughout the film. All letters appear from the middle outwards, matching how the alien bursts from a character's chest. The vastness of space and mysterious wandering title enhance the sci-fi mystery elements central to the film.
Pitch Presentation
The document describes the plot and opening sequence of a film centered around a mysterious briefcase. The briefcase is intentionally left at a train station by one of the main characters for the other to collect, but someone else claims it first. The rest of the film involves trying to locate the briefcase to discover what important documents are inside. The opening sequence will show the character leaving the briefcase through various camera shots and angles that don't show his face, then depict the passing of time as the train departs followed by many passerbys. An announcement will ask who the briefcase belongs to before switching to a train window view, and a voiceover says the briefcase was left behind.
Migusham Pitch
The document outlines an opening scene for a thriller film, containing a hitman character and a victim character. It notes the scene will employ many thriller conventions like film noir lighting styles. The main task is developing this opening scene for an unnamed thriller film.
Tobi film poster analysis
This document analyzes a movie poster, summarizing various elements that provide clues about the film's genre and storyline. The cold, gritty font and blood red imagery indicate it will be a dangerous and gory film. A lone character holding a gun creates a sense of mystery, isolation, and danger. The wasteland-like color scheme and rough terrain further suggest peril. Elements like the biohazard symbol and bloody title establish this as a horror film filled with fright.
Film poster analysis
This document analyzes and summarizes the key visual elements and their intended meanings in a horror movie poster. It describes how the cold, gritty font and bloody imagery indicate a graphic and dangerous film. The lone character holding a gun creates a sense of mystery, isolation and threat. Dark colors and a bleak background suggest a hopeless situation for the characters. Fog and an obscured figure at the door leave the threat level unknown, increasing tension for the viewer. Overall, the poster uses visual cues to set an unsettling and ominous tone that prepares viewers for a frightening horror experience.
George film poster analysis
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Film trailer analysis
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Media evaluation 1
This document discusses how the author's horror trailer product uses and develops conventions of real horror media. Some techniques used include filming in an enclosed wooded location to create a claustrophobic feeling, using parallel music to build suspense, including archetypal characters like the psycho killer and final girl, and ending with a jump scare. The trailer references films like Psycho, Dawn of the Dead, Sinister and Evil Dead through techniques like a blood smear on a wall and use of text in the trailer. Overall, the author drew influence from critic Andrew Sarris' auteur theory and director Alfred Hitchcock's style to craft their own psychological horror trailer.
Media evaluation 1
1) The document discusses how the author's horror trailer uses and develops conventions of the horror genre. It includes archetypal characters like a psycho serial killer and final girl, as well as elements from films like Psycho, Dawn of the Dead, and Cloverfield.
2) Pacing and suspense are created through techniques like parallel music, shortened shots, and a jump scare ending.
3) Influences from films like Sinister, Evil Dead, and The Blair Witch Project are seen in elements like blood on a wall and a group entering an enclosed forest location.
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Nine frame structure analysis on opening sequence of a film
The document provides an analysis of the opening sequence of the film "Lord of War." It summarizes each shot in detail. The sequence traces a bullet from its production in a factory through various stages until it is loaded into a gun and fired into a human victim. Each shot is examined for the techniques used, such as camera angles, lighting, and imagery, to set the tone of the film as a thriller and highlight themes of violence and war. The detailed analysis shows how the sequence subtly builds intrigue around the bullet's journey and leaves the viewer wondering why it was used to shoot the young victim at the end.
Evaluation the lodge
The document summarizes a media product evaluation for a trailer for a fictional soap opera called "The Lodge". The summary highlights that:
1) The trailer uses diegetic and non-diegetic sounds to build suspense and engage the audience.
2) It employs various shot types like close-ups and tracking shots to develop suspects in a murder mystery.
3) It features strong female suspects to challenge gender stereotypes, in line with research on portrayals of women in soap operas.
4) A cliffhanger ending leaves viewers wanting to watch the full soap opera to see which suspect is guilty.
Film noir
Film noir refers to stylish 1940s-1950s Hollywood crime dramas known for their black-and-white visual style influenced by German Expressionism. The term was coined by French critic Nino Frank in 1946 to describe these dark films, many of which were based on hardboiled crime novels and featured archetypal characters like detectives and femme fatales embroiled in secrets and corruption in urban settings like New York City.
New storyboard (2)
1. Frames 7-8 show medium close-up shots of the characters' shoes as they walk through the corridor to build tension and show their close proximity.
2. Frame 13 features an unfocused very long shot of the vampire character stepping out from an open plan area and approaching the victim character from behind in the corridor.
3. Frames 15-17 include potential cross-cutting shots from inside classrooms along the corridor to establish the characters leaving the open plan area and locking hands as later shots show them holding hands and entering a darkened classroom.
Zombieland analysis
The title sequence of Zombieland establishes it as both a horror and comedy film through various indicators. It shows iconic horror elements like gore and the colors red and black. However, it also depicts comedic conventions, such as a zombie interrupting a wedding. While the sequence exposes viewers to many scenes and characters, it does not clearly convey the narrative or main protagonists. The slow-motion cinematography adds humor and offsets the gore.
Catch me if you can opening sequence, textual analysis
The opening shot establishes an airport setting and introduces Leonardo DiCaprio's character as a con artist posing as a pilot. As DiCaprio walks toward the airport, the establishing shot conveys the distance between him and his location. The second shot introduces Tom Hanks' character pursuing DiCaprio. Stylistic elements like a jazzy theme song, title graphics, and costumes provide context about the 1960s setting and DiCaprio's character impersonating different roles. The sequence previews a cat-and-mouse chase between DiCaprio and Hanks across varying locations as DiCaprio adopts new disguises.
9 frame analysis -Catch Me If You Can
The opening titles animation for Catch Me If You Can uses mystery and suspense to hint at the film's plot. Scenes depicting a man looking over his shoulder nervously, planes and suitcases to suggest airports, a car chase, people in a pool and lift to imply romance, and a man on a telephone all aim to pique the audience's curiosity about the reasons for their inclusion and what they represent in the film. The animation ultimately ties back to the film's title by showing two people chasing each other around the Earth, symbolizing the line "Catch Me If You Can".
Textual analysis of catch me if you can
1) The opening title sequence of Catch Me If You Can uses graphics to illustrate the main character and set up the narrative and setting.
2) Scenes of a man changing clothes and hiding provide clues about the themes of identity and being chased.
3) Elements like urban landscapes, yellow taxis, and 1950s jazz music help establish the time period and location of America in the 1950s.
Short film analysis
This document provides summaries of three short films:
1. "Post-it Love" is about two shy office workers who express their romantic interest in each other through posting pictures made of post-it notes.
2. "The Fly" follows a getaway driver waiting outside a bank robbery who is tormented by a fly as he waits for his crew to return in three minutes.
3. "5 Films about Technology" introduces stereotypical characters representing different types of technology users through interviews in a realistic, comedy film style.
Zombie land opening sequence
The opening sequence of Zombie Land uses an unsettling remix of the American national anthem and diegetic sounds of chaos like car alarms and explosions to set an ominous tone. Handheld camerawork and slow motion gory scenes portray a sense of vulnerability and danger. Titles written in red with a bold font directly inform the viewer this will be a violent action horror film. The setting of Washington DC among American symbols burning establishes the film's location and suggests all is not right in the world.
Narrative Theory
The document discusses several narrative theory concepts that can be applied to constructing a narrative for a music video. It outlines Claude Levi-Strauss's theory of binary opposites, Vladimir Propp's identification of 32 character categories for folk tales, and Tzvetan Todorov's five stages of narrative structure: equilibrium, disruption, realization, attempt to repair, and new equilibrium. When making the music video, the document proposes incorporating these concepts through using day/night imagery, defining character roles of victim and superhero, and employing flashbacks to tell a linear story that ends where it began to subvert expectations.
Question one as media evaluation
1) The document discusses how genres can change within a film, using the example of a student thriller that shifts between pure thriller and horror.
2) It examines the use of tension as a thriller convention in the student film through shots of an antagonist close to the victim.
3) Mystery is also explored as a genre convention, with stills from the student film showing an unknown man and clues about his character.
I am legend
The opening sequence of I Am Legend establishes the post-apocalyptic setting of an empty city three years after an event through diegetic natural sounds and slow panning shots. Tension is built through music and close-up shots of a gun, which is a thriller convention, as well as wide shots showing the protagonists are alone on the abandoned streets. The action builds to a climax as the protagonist is shown not to have changed from his non-killer nature when he does not shoot a deer.
Title Analysis
The opening title sequence of 'Alien' begins in darkness and silence to set a mysterious tone. The camera floats through space aimlessly as the letters of the title slowly reveal themselves in a non-linear fashion, similar to how the alien reveals itself throughout the film. All letters appear from the middle outwards, matching how the alien bursts from a character's chest. The vastness of space and mysterious wandering title enhance the sci-fi mystery elements central to the film.
Pitch Presentation
The document describes the plot and opening sequence of a film centered around a mysterious briefcase. The briefcase is intentionally left at a train station by one of the main characters for the other to collect, but someone else claims it first. The rest of the film involves trying to locate the briefcase to discover what important documents are inside. The opening sequence will show the character leaving the briefcase through various camera shots and angles that don't show his face, then depict the passing of time as the train departs followed by many passerbys. An announcement will ask who the briefcase belongs to before switching to a train window view, and a voiceover says the briefcase was left behind.
Migusham Pitch
The document outlines an opening scene for a thriller film, containing a hitman character and a victim character. It notes the scene will employ many thriller conventions like film noir lighting styles. The main task is developing this opening scene for an unnamed thriller film.
Tobi film poster analysis
This document analyzes a movie poster, summarizing various elements that provide clues about the film's genre and storyline. The cold, gritty font and blood red imagery indicate it will be a dangerous and gory film. A lone character holding a gun creates a sense of mystery, isolation, and danger. The wasteland-like color scheme and rough terrain further suggest peril. Elements like the biohazard symbol and bloody title establish this as a horror film filled with fright.
Film poster analysis
This document analyzes and summarizes the key visual elements and their intended meanings in a horror movie poster. It describes how the cold, gritty font and bloody imagery indicate a graphic and dangerous film. The lone character holding a gun creates a sense of mystery, isolation and threat. Dark colors and a bleak background suggest a hopeless situation for the characters. Fog and an obscured figure at the door leave the threat level unknown, increasing tension for the viewer. Overall, the poster uses visual cues to set an unsettling and ominous tone that prepares viewers for a frightening horror experience.
George film poster analysis
This document analyzes a movie poster, summarizing various elements that provide clues about the film's genre and storyline. The cold, gritty font and blood red imagery indicate it will be a dangerous and gory film. A lone character holding a gun creates a sense of mystery, isolation, and danger. The wasteland-like color scheme and rough terrain further suggest peril. Elements like the biohazard symbol and bloody title establish this as a horror film filled with fright.
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Nine frame structure analysis on opening sequence of a film
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Similar to Intertextuality Powerpoint.
Film trailer analysis
This document analyzes conventions used in horror trailers and discusses several auteur directors. It examines how trailers showcase bits of the film without giving too much away, focusing on themes of good vs. evil, screaming, death, and disrupted normality. It discusses the auteur theory and how directors like Hitchcock, Burton, and Kubrick developed distinct styles and signatures. It concludes by analyzing inspirational horror trailers like The Last Exorcism, Orphan, and Paranormal Activity that effectively use techniques like spiritual locations, children's voices, and shaky "home video" camera work.
Media evaluation 1
This document discusses how the author's horror trailer product uses and develops conventions of real horror media. Some techniques used include filming in an enclosed wooded location to create a claustrophobic feeling, using parallel music to build suspense, including archetypal characters like the psycho killer and final girl, and ending with a jump scare. The trailer references films like Psycho, Dawn of the Dead, Sinister and Evil Dead through techniques like a blood smear on a wall and use of text in the trailer. Overall, the author drew influence from critic Andrew Sarris' auteur theory and director Alfred Hitchcock's style to craft their own psychological horror trailer.
Media evaluation 1
1) The document discusses how the author's horror trailer uses and develops conventions of the horror genre. It includes archetypal characters like a psycho serial killer and final girl, as well as elements from films like Psycho, Dawn of the Dead, and Cloverfield.
2) Pacing and suspense are created through techniques like parallel music, shortened shots, and a jump scare ending.
3) Influences from films like Sinister, Evil Dead, and The Blair Witch Project are seen in elements like blood on a wall and a group entering an enclosed forest location.
In what ways does your media product use, develop or challenge forms and conv...
The document discusses how the media product uses and develops conventions of horror movies and slasher films. It summarizes the key conventions used in areas like setting, title, sound, lighting, characters, and suspense. The production is set in a modern home at night and uses conventions like an isolated female character, dark clothing for the villain, and a masked killer. It builds tension through investigating strange noises and sights before a murder occurs. Overall, it aims to blend classic horror conventions with a modern setting and characters.
Postmodernism in scream
This document provides an analysis of the 1996 film Scream and how it exemplifies postmodern characteristics. It discusses how Scream acknowledges and references conventions of the horror genre while also subverting expectations. The film includes self-aware characters and parodies cliches through humor. It also heavily relies on intertextuality, featuring numerous references to other horror films like Halloween and Psycho. Overall, the document examines how Scream uses metafictional elements like parody and intertextuality to both engage with and challenge typical horror genre conventions from a postmodern perspective.
Question 1
The document discusses techniques used in the filmmaker's opening for a psychological thriller film. It begins by introducing the main character Oscar and the context of his partner's death which leads to nightmares. Locations like a kitchen and living room are used to give a sense of normalcy before surreal events occur. Costumes, props, characters, shots, editing, sound, and lighting techniques aim to build tension and suspense for the audience in a way that is inspired by other famous thriller films. Realistic elements are contrasted with surreal themes to create an unsettling atmosphere.
Research and planning
Ms2 produced media for her media production course. She researched intertextual references including Underworld Awakening, Abraham Lincoln Vampire Hunter, Resident Evil Retribution, and Priest. She planned her own media text, considering ideas, organization, locations, and final designs. She analyzed the target audiences and applied audience theory profiles to her text. Her intertext analyses included contexts, visual codes, audio codes, technical codes, action codes, and narrative codes for each reference.
Jv evaluation presentation final old version
The document provides details about the plot, characters, themes, and techniques used in a horror film trailer, poster, and magazine cover created by the author. It discusses the story of a student who discovers a mysterious website and becomes embroiled in a murder investigation. Key elements include an isolated school setting, themes of good vs evil, and the use of found footage-style filming techniques and fast cuts to create suspense. Feedback was gathered from viewers using online surveys and focus groups. The author learned about designing for different media formats and improving work based on audience response.
Title Sequence Evaluation question 1
This document analyzes how the student's media product uses and develops conventions of real horror film titles and sequences. It discusses research conducted on classic and modern horror films. Key conventions incorporated into the student's title sequence include low-key lighting, costumes and weapons for the antagonist (hooded cape and machete), and an urban setting. While some conventions like the "final girl" theory were challenged, conventions around suspenseful sound design, cliffhanger endings, and symbolic color schemes (red and white titles) were followed. The title "Pallium" references the antagonist's cloak and leaves the plot open-ended.
A2 media evaluations
The document summarizes techniques, conventions, and styles used in the student's horror trailer titled "Delirium". Key influences included psychological horror films such as "Scream 4" and "The Orphanage". Settings from films like "Asylum" and "Session 9" were incorporated. Costumes included a straitjacket and a mask inspired by other films. Jump scares at the end of the trailer aimed to create tension. Cinematography was inspired by Robert Richardson's work with Quentin Tarantino. Overall, the trailer drew from techniques of influential horror directors like Alfred Hitchcock and Wes Craven.
Postmodern theory and the media
This is a presentation i've done based on postmodern theory and the media. It includes elements which are postmodern and examples of different genres. I've also analysed some film trailers and a timeline.
Jv evaluation presentation final media a2 2010 horror Project
The document provides details about the production of a teaser trailer for a horror film called Redrum3X. It discusses the characters, themes, locations, techniques, and conventions used to craft the teaser trailer, film poster, and a magazine cover profile for the film's director. Research into existing horror media informed the creative choices for these promotional materials. Audience feedback was gathered through online platforms and focus groups.
Jv evaluation presentation final slides
The document describes a teaser trailer created for a horror film called Redrum3X. It provides details on the characters, plot, themes, locations, camera techniques, and conventions used to craft an unsettling tone and suspenseful narrative. The main characters include the hero Tom on a mysterious quest, the villain Death portrayed as the sinister force behind events, and the female character Susan acting as a false hero. Key plot points mirror common horror story structures involving an initial equilibrium disrupted by disturbing events that the characters then attempt to understand and resolve.
Example Horror Essay
The genre of a film is determined mainly by its conventions, which are consistent elements that allow films to be easily produced and understood by audiences. Conventions serve as a blueprint for genre films, and can be adapted innovatively or followed rigidly.
Horror films aim to frighten and invoke fear in audiences through terrifying climaxes, using familiar conventions. Key conventions in horror include isolated, frightening settings like the woods in The Blair Witch Project or a subway in Creep. Horror films also commonly feature weapons and masks used by killers to attack victims up close. Techniques like the point-of-view shot are used to place audiences in the killer's perspective and heighten fear, as in Halloween and Psycho
Jvevaluationpresentationfina5changefromweb
The document describes plans for a horror film titled "Redrum3X" including conventions and techniques used in the teaser trailer, film poster, and magazine cover. Key elements include characters like the innocent victim and psychologically damaged characters. Locations include an isolated cemetery. Editing techniques like fast cuts and varied camera angles are discussed. Feedback was gathered from audiences online.
Question 1
The document analyzes how the filmmaker's thriller opening sequence uses and develops conventions of the thriller genre. It discusses elements like location, costumes, characters, lighting, sound, camera work, composition, narrative structure, titles, and editing. For each element, it provides examples from existing thriller films to illustrate how the techniques conform to thriller conventions, such as using darkness and isolation to set the tone, manipulating characters' appearances and behaviors to establish control and vulnerability, and employing fast cuts and close-ups to build tension and emotion.
Question 1 evaluation
The document summarizes the process of creating a horror trailer and poster for a media project. Key points include:
- The trailer follows horror conventions like starting with a happy scene then introducing disruption. It uses short clips out of order to build intrigue without revealing the full narrative.
- Research on existing trailers informed choices like including a final scare and using a masked killer for mystery.
- The poster features a dark image, red title, credits font, and slogan to draw in audiences, representing Barthes' enigma code theory.
- Non-diegetic music shifts from slow to sharp to intense, mirroring changes in the trailer's narrative structure.
Group research
The group chose the horror genre for their research project. Horror films are designed to frighten audiences and have a long history dating back to ancient folklore. Some of the earliest horror films included Nosferatu in 1922. Horror films were distributed by major studios like 20th Century Fox and Warner Bros. and featured conventions like isolated settings, dark colors, sudden sounds, and weapons to indicate violence. Successful modern horror films like IT and Saw used younger casts to create surprises and frighten audiences. The Conjuring was a popular horror film distributed by Warner Bros. that analyzed trailers and posters showed dark colors, jump scares, and stories of demonic possession to evoke fear in viewers.
History of Horror
The document discusses the history and evolution of horror films from the late 19th century to modern day. Some of the earliest horror films were only 3 minutes long but included conventions like demons and ghosts. Lon Chaney starred in many early horror films. Classic Universal monster films from the 1930s-1940s like Dracula and Frankenstein set conventions still used today. Slasher films emerged in the 1970s-80s featuring masked killers murdering teens. Modern horrors push boundaries with extreme plots but still rely on conventions like scary music, shadows, vulnerable characters, and defeating monsters. Remakes are also increasingly popular.
Movie pitch
A teenage boy investigates a string of murders committed by a mysterious woman known as "the Succubus". She lures men to their deaths by seducing them on social media and meeting up in person. After learning of the Succubus from his studies of folklore, the boy sets out to stop her from claiming her next victim. The thriller film trailer establishes the Succubus as the antagonist who meets men in London and invites them back to her home, where she kills them in the bathroom. Intercut with scenes of the boy researching how to identify and stop the Succubus, the trailer builds mystery and tension as the boy races to prevent the Succubus from killing again.
Similar to Intertextuality Powerpoint. (20)
In what ways does your media product use, develop or challenge forms and conv...
In what ways does your media product use, develop or challenge forms and conv...
Jv evaluation presentation final media a2 2010 horror Project
Jv evaluation presentation final media a2 2010 horror Project
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ARNAUVALERY RECORD STORE SCAVENGER HUNT.
This is my presentation for the Record Store Scavenger Hunt.
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Intertextuality Powerpoint.
- 1. Intertextuality Intertextuality references to other media texts in order to give the audience recognition. It involves the process of extracting elements from existing texts and subtly ( or in some cases very unsubtly) including them in the making of your own, this can be in scene, sound, editing, or simply the plot. Intertextuality often takes place in media forms under the same genre.
- 2. Examples of intertextuality The Simpsons The first example of intertextuality I will use is a scene where Bart is mirroring the front cover of the Nirvana album ‘Nevermind’. The second example below is a scene in which Mr. Burns is portrayed a psychopath, mirroring a well known scene from ‘The silence of the lambs’, involving Hannibal Lecter. The next example of intertaxtuallity I will use is again the Simpsons using scenes very similar to the horror movie ‘The Shining’. In these scenes, the well-known bloody hallway and axe scene is mirrored.
- 3. More examples of Intertextuality Scary Movie The first example of intertextuality I am using from scary movie, is when the well known TV scene is copied from ‘The Ring’. The second example is the main character as he has the same mask from the Scream. In the second image especially, the intertextuality is really apparent as the image shown is almost exactly the same.