Instant Charisma
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http://mindpersuasion.com/ Ever wonder why so many people have incredible amounts of charisma? Or more importantly, how can you get some? Here's how: http://mindpersuasion.com/kundalini/
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The film is a sci-fi/thriller aimed at teens and older that takes place in a local park. It will feature suspenseful scenes that leave the audience wanting more. The main character, 16-year-old Charlie Wood, lives alone much of the time and becomes a victim of a mysterious book. To create a film suitable for teens, the author looked at genre conventions from 1980s monster movies and considered settings, music, and what had been done before to avoid copying. The book begins following and haunting Charlie, chasing him through the park until a final attack leaves his fate unknown, creating a cliffhanger ending. Editing techniques will build suspense throughout.
Mulvey powerpoint
The document discusses Laura Mulvey's psychoanalytic analysis of cinema and visual pleasure. It argues that mainstream narrative cinema manipulates visual pleasure by coding eroticism into the dominant patriarchal order. It presents the concepts of scopophilia, or pleasure in looking, and discusses how cinema positions women as the passive, erotic object of the male gaze for both characters and spectators. The male protagonist controls events and coincides with the active, erotic power of the male spectator's gaze.
Treatment
The document provides details about a proposed sci-fi/thriller film called "The Book". It describes the main character, Charlie, who finds a strange book that begins following and attacking him. Scenes of suspense and chasing will leave the audience hanging on the edge of their seats. The film is aimed at teens and older and will use techniques like dramatic music and editing to build suspense and conform to genre conventions. It ends in a cliffhanger as Charlie's fate is uncertain after an attack from the book.
Notes on visual pleasure and narrative cinema
1) Mulvey analyzes how cinema provides visual pleasure through scopophilia, or the pleasure of looking, which stems from psychological processes like Jacques Lacan's concept of the "Mirror Phase" of development.
2) Cinema reinforces traditional gender stereotypes by giving men narrative agency and positioning women as objects to be looked at, reinforcing the "male gaze."
3) The "male gaze" refers to how women are looked at in film for both the pleasure of male characters and the audience, asserting power and control through sight as stereotypically masculine traits.
The male gaze powerpoint
The document discusses the male gaze theory and how it is exemplified in the opening title sequence of the James Bond film GoldenEye. It explains that the male gaze theory postulates that in films, the audience views the action from the perspective of the heterosexual male gaze. The opening of GoldenEye contains symbols like naked women, guns, and cigars that appeal to stereotypical male interests. The document considers how inverting the male gaze to a female gaze would change the interpretation of the title sequence symbols and the audience's perspective. It explores how the male gaze theory aims to raise political awareness of gendered perspectives in film viewing.
Visual Culture: spectatorship, power and knowledge
This document discusses several key concepts relating to visual culture and images. It addresses why images hold power over viewers and how they became so influential. It explores the Cartesian view of individuals and subjects. It also examines Lacan's concept of the mirror stage in developing self-identity. Additionally, it analyzes Las Meninas and how the gaze is always relational and dialogical. The document also discusses Foucault's ideas around surveillance, the Panopticon, and power over bodies. Finally, it touches on binary oppositions and how they construct differences in society.
The Male Gaze presentation
The document discusses the concept of the "male gaze" in media. It describes the male gaze as a feminist view of voyeurism where the observer feels power over the observed subject, reducing them to an object. An example image is then analyzed showing Keira Knightley using props like a hat and blanket to draw the gaze towards revealed areas of her body. Facial expressions and lighting are also discussed as techniques that make the subject seem more open and attractive to gain the viewer's attention and connection, ultimately making products more appealing.
Ways of seeing - John Berger
John Berger discusses how seeing comes before words and shapes our understanding of the world. Our vision is active and we see things in relation to ourselves and our knowledge. We also understand that we can be seen by others in the visible world. All images, including photographs, embody a way of seeing as they involve selecting sights from infinite possibilities. However, our perception of images also depends on our own way of seeing.
Recommended
Treatment
The film is a sci-fi/thriller aimed at teens and older that takes place in a local park. It will feature suspenseful scenes that leave the audience wanting more. The main character, 16-year-old Charlie Wood, lives alone much of the time and becomes a victim of a mysterious book. To create a film suitable for teens, the author looked at genre conventions from 1980s monster movies and considered settings, music, and what had been done before to avoid copying. The book begins following and haunting Charlie, chasing him through the park until a final attack leaves his fate unknown, creating a cliffhanger ending. Editing techniques will build suspense throughout.
Mulvey powerpoint
The document discusses Laura Mulvey's psychoanalytic analysis of cinema and visual pleasure. It argues that mainstream narrative cinema manipulates visual pleasure by coding eroticism into the dominant patriarchal order. It presents the concepts of scopophilia, or pleasure in looking, and discusses how cinema positions women as the passive, erotic object of the male gaze for both characters and spectators. The male protagonist controls events and coincides with the active, erotic power of the male spectator's gaze.
Treatment
The document provides details about a proposed sci-fi/thriller film called "The Book". It describes the main character, Charlie, who finds a strange book that begins following and attacking him. Scenes of suspense and chasing will leave the audience hanging on the edge of their seats. The film is aimed at teens and older and will use techniques like dramatic music and editing to build suspense and conform to genre conventions. It ends in a cliffhanger as Charlie's fate is uncertain after an attack from the book.
Notes on visual pleasure and narrative cinema
1) Mulvey analyzes how cinema provides visual pleasure through scopophilia, or the pleasure of looking, which stems from psychological processes like Jacques Lacan's concept of the "Mirror Phase" of development.
2) Cinema reinforces traditional gender stereotypes by giving men narrative agency and positioning women as objects to be looked at, reinforcing the "male gaze."
3) The "male gaze" refers to how women are looked at in film for both the pleasure of male characters and the audience, asserting power and control through sight as stereotypically masculine traits.
The male gaze powerpoint
The document discusses the male gaze theory and how it is exemplified in the opening title sequence of the James Bond film GoldenEye. It explains that the male gaze theory postulates that in films, the audience views the action from the perspective of the heterosexual male gaze. The opening of GoldenEye contains symbols like naked women, guns, and cigars that appeal to stereotypical male interests. The document considers how inverting the male gaze to a female gaze would change the interpretation of the title sequence symbols and the audience's perspective. It explores how the male gaze theory aims to raise political awareness of gendered perspectives in film viewing.
Visual Culture: spectatorship, power and knowledge
This document discusses several key concepts relating to visual culture and images. It addresses why images hold power over viewers and how they became so influential. It explores the Cartesian view of individuals and subjects. It also examines Lacan's concept of the mirror stage in developing self-identity. Additionally, it analyzes Las Meninas and how the gaze is always relational and dialogical. The document also discusses Foucault's ideas around surveillance, the Panopticon, and power over bodies. Finally, it touches on binary oppositions and how they construct differences in society.
The Male Gaze presentation
The document discusses the concept of the "male gaze" in media. It describes the male gaze as a feminist view of voyeurism where the observer feels power over the observed subject, reducing them to an object. An example image is then analyzed showing Keira Knightley using props like a hat and blanket to draw the gaze towards revealed areas of her body. Facial expressions and lighting are also discussed as techniques that make the subject seem more open and attractive to gain the viewer's attention and connection, ultimately making products more appealing.
Ways of seeing - John Berger
John Berger discusses how seeing comes before words and shapes our understanding of the world. Our vision is active and we see things in relation to ourselves and our knowledge. We also understand that we can be seen by others in the visible world. All images, including photographs, embody a way of seeing as they involve selecting sights from infinite possibilities. However, our perception of images also depends on our own way of seeing.
Seek Their Treasure First
http://mindpersuasion.com/ir/
If you want to become the most ultra persuasive person on Earth, find their treasure first. Learn How: http://mindpersuasion.com/ir/
Male gaze
This document discusses the concept of the male gaze and how it is defined through three dimensions: how men look at women, how women look at themselves, and how women look at other women. It outlines different types of gazes including the spectator's gaze, intra-diegetic gaze, extra-diegetic gaze, camera gaze, and editorial gaze. It then discusses Laura Mulvey's influential 1975 essay "Visual Pleasure and Narrative Cinema" which argued that women are presented as objects of visual pleasure through voyeurism in cinema and are viewed from the perspective of the heterosexual male gaze. Mulvey described three types of looking - that of the camera, audience, and characters on screen.
The male gaze theory
Laura Mulvey developed the theory of the "male gaze" which argues that cinema and media are typically constructed from the perspective of the heterosexual male viewer. This results in the objectification and sexualization of women on screen for the pleasure and empowerment of male audiences. According to Mulvey, women are portrayed as objects to be looked at rather than active subjects. This reinforces the traditional patriarchal idea that men are active viewers while women are passive objects to be looked at. Examples of the male gaze include the framing of women's bodies and emphasis on their sexuality in many films.
The male gaze
The document discusses Laura Mulvey's concept of the "Male Gaze" in film. Mulvey coined the term in 1975 to refer to how audiences view characters from the perspective of a heterosexual male. Features of the Male Gaze include the camera lingering on female bodies and events involving women being presented through a man's reaction. This relegates women to the status of objects for the male gaze and female viewers must experience the narrative through identifying with the male perspective. The document also discusses how the Male Gaze manifests in advertising by sexualizing women's bodies even when unrelated to the product, and criticisms of Mulvey's theory regarding some women enjoying being looked at and the gaze not always being sexual.
Autumn Term Project Word Doc
Nathan Lear proposes a photo story for a teenage magazine on the theme of "Teenage Issues". The story is about a young girl experiencing "stranger danger" and the fear of being in an unsafe situation with a stranger. Nathan plans to use dark lighting and locations like alleys to convey the seriousness of the issue. The story follows the girl being stalked by a stranger and shows how she deals with the problem by hiding and then running to a friend's house to call the police. The photos aim to raise awareness of safety risks while traveling alone without scaring readers.
Mulvey and the gaze
Laura Mulvey analyzed how mainstream films appeal to the "male gaze" through the representation of women as passive objects for the male spectator to look at and desire. She argued that films encourage identification with active male protagonists and voyeuristic or fetishistic viewing of female characters. This reinforces patriarchal notions of masculinity and femininity for the benefit of the presumed male audience.
Disturbing trend in celebrity circles
This document discusses the disturbing trend of celebrities prominently featuring the Illuminati's all-seeing eye symbol in their photos. It notes that many celebrities are photographed with one eye covered, and questions whether there is any artistic purpose or if it is done to promote the Illuminati's agenda. It includes several examples of celebrity photos incorporating the all-seeing eye symbol, sometimes combined with other symbols like 666 or gestures of silence. The document expresses concern that these symbols are being widely pushed on the public through popular media without most people understanding their meanings or the agenda of secret societies. It argues celebrities have a social responsibility not to promote such negative messages.
Vert 7 - Mulvey and The Male Gaze
Romantic love is a concept that emerged in Western culture during the Middle Ages. Some key aspects of romantic love include:
- An idealization of love and lovers. Romantic love is seen as passionate, intense, and transformative.
- A focus on emotion, feelings, and subjective experience rather than practical concerns. Romantic love prioritizes passion, attraction, and emotion over practical matters like wealth, social status, religion, etc.
- An emphasis on attraction to another's inner qualities and uniqueness rather than outer attributes. Romantic love sees beauty within rather than superficial/physical beauty alone.
- An idea of a soulmate or one true love. The belief that there is one special person who perfectly completes
Pitch for my thriller by Rhianna Biggs
This document outlines a psychological horror film project. The film will follow a woman named Debby who wakes up with injuries and no memory. Scenes will depict Debby's confusion through flashbacks and unease interacting with motionless people. The film aims to portray the dark side of fame and its effects like loss of family and intelligence. Key characters include Debby, her husband Michael, and daughter Sapphire. Scenes will take place in their house and on the street, using techniques like cross-cutting to build tension and mystery around Debby's situation.
Male Gaze
The document discusses the concept of the "male gaze" in advertising. It describes how women are typically portrayed as objects to be looked at by men for the purpose of appealing to a presumed heterosexual male audience. This influences how women see themselves through a male perspective rather than their own. Advertisements often depict women in submissive, vulnerable positions and using body language that suggests passiveness and subordination. Through constant exposure, these portrayals influence cultural expectations of gender.
Laura mulvey the male gaze
This document discusses Laura Mulvey's concept of the "male gaze" in film. Mulvey introduced the idea in her 1975 essay, arguing that women in films are typically objects of desire for the male gaze. She believed audiences were encouraged to view films from the perspective of a heterosexual male, seeing women as objects. The male gaze involves lingering camera shots on women's bodies, presenting events through men's reactions, and degrading women as possessions. It suggests women are weak and can be divided into men looking at women, women looking at themselves critically, and women looking at other women competitively.
Better q. 1
The hero of the narrative is presented as a good character who follows the media's conventions. For example, the character wears white, which is used in media to connote that someone is good, following the same reasoning in other media. The character's portrayal shows she is a good person through elements that align with typical media representations.
PRICE-nprkroc-sample
The document provides an analysis of two selfies posted on Tumblr by a user named unicornjezus. The selfies show a beautiful man posing in a vulnerable way. The caption asks "Does my dark skin offend you?". The author notes how the poses are traditionally feminine but the male subject challenges viewers to find the images distasteful due to his skin color. The selfies invite viewers to look while simultaneously confronting them to consider if they find the dark skin offensive, referencing systemic racism. They analyze how such selfies on Tumblr function to celebrate minoritarian subjects while daring viewers to feel empathy and confront their own biases.
Pitch for my thriller
This document outlines the opening scene of a psychological horror film. The main character, Debby, wakes up with a headache and scarred wrists to find pills spilled on the floor. Strange signs on her computer cause severe headaches and flashes of her past. On the street, people stare motionlessly at her. The opening establishes an unsettling tone through Debby's confusion and disconnection from others. It aims to intrigue audiences and leave them wanting more.
Mulvey Theory on gender representation
This document discusses the theory of the male gaze in film. It begins by defining the male gaze as how audiences view characters presented to them. Specifically, it examines how men look at women, how women look at themselves, and how women look at other women. It then discusses different types of gazes including the spectator's gaze, the intra-diegetic gaze, and the extra-diegetic gaze. A major section is devoted to theorist Laura Mulvey who introduced the concept of the male gaze and argued that films present women as objects of visual pleasure for men through voyeurism and fetishization. The document also analyzes how the male gaze functions in the famous shower scene from Psycho. Finally, it outlines
Laura Mulvey’s Theory Of The Male Gaze
Laura Mulvey introduced the concept of the "male gaze" in her 1975 essay "Visual Pleasure and Narrative Cinema." She argued that in films, the audience is positioned to view female characters from the perspective of a heterosexual male viewer. This objectifies and dehumanizes women by reducing them to objects for the male gaze. It also positions women as passive objects to be looked at, while men are active subjects. Mulvey's theory suggests that this reinforcement of patriarchal gender roles and objectification of women has influenced societal views.
Male gaze theory 2016
Laura Mulvey developed the theory of the "male gaze" which argues that cinema and visual media are typically constructed from a masculine point of view that objectifies and sexualizes women for the pleasure of the male viewer. She identified two ways women are depicted: "voyeuristic", seen as sexual objects, and "fetishistic", seen as madonnas. Examples are given of Hollywood pin-ups like Marilyn Monroe being voyeuristic. The theory also holds that male viewers identify with powerful male protagonists who control the film's fantasy. Mulvey's theory was influential in explaining how media representation enforces patriarchal social norms.
Laura mulvey male gaze theory l1
Laura Mulvey developed the influential Male Gaze theory, which proposes that in film and media, the audience is positioned to view scenes and women from the perspective of a heterosexual man. This denies women their identity and reduces them to objects for the male gaze. Mulvey also suggests that women can only watch films from a secondary perspective and view themselves through a man's eyes. The theory argues that media perpetuates patriarchal ideals by masculinizing the viewer and objectifying and sexualizing female characters.
How To Easily Develop Irresistibly Attractive Social Charisma
http://mindpersuasion.com
Most people think charisma is something like height or good looks. You either have them or you don't. Luckily, this is false, and you can easily develop as much charisma as you want, for whatever purpose you want. To learn more, please visit http://mindpersuasion.com/frame-control/ today.
Secrets Of Charisma and Personal Magnetism
http://mindpersuasion.com/
If you want to be charismatic, it's pretty easy. It all boils down to what you talk about, and how you talk about it.
http://mindpersuasion.com/
How to Count in Your Career and Life
There are essentially two types of people in the world. The first type may be extremely intelligent, or good or popular, but such people fail to leave a permanent mark in the world. The other type of people may or may not be bestowed with the above attributes. But they are able to make their name count in the world. Such people are able to touch others with a unique sort of power. They are remembered long after they are gone.
How To Change Deep Beliefs
http://mindpersuasion.com/emotional-freedom/
Most beliefs operate at the feeling level, rather than the logical level where language exists. So changing them requires you to change your feelings. Here's How: http://mindpersuasion.com/emotional-freedom/
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Seek Their Treasure First
http://mindpersuasion.com/ir/
If you want to become the most ultra persuasive person on Earth, find their treasure first. Learn How: http://mindpersuasion.com/ir/
Male gaze
This document discusses the concept of the male gaze and how it is defined through three dimensions: how men look at women, how women look at themselves, and how women look at other women. It outlines different types of gazes including the spectator's gaze, intra-diegetic gaze, extra-diegetic gaze, camera gaze, and editorial gaze. It then discusses Laura Mulvey's influential 1975 essay "Visual Pleasure and Narrative Cinema" which argued that women are presented as objects of visual pleasure through voyeurism in cinema and are viewed from the perspective of the heterosexual male gaze. Mulvey described three types of looking - that of the camera, audience, and characters on screen.
The male gaze theory
Laura Mulvey developed the theory of the "male gaze" which argues that cinema and media are typically constructed from the perspective of the heterosexual male viewer. This results in the objectification and sexualization of women on screen for the pleasure and empowerment of male audiences. According to Mulvey, women are portrayed as objects to be looked at rather than active subjects. This reinforces the traditional patriarchal idea that men are active viewers while women are passive objects to be looked at. Examples of the male gaze include the framing of women's bodies and emphasis on their sexuality in many films.
The male gaze
The document discusses Laura Mulvey's concept of the "Male Gaze" in film. Mulvey coined the term in 1975 to refer to how audiences view characters from the perspective of a heterosexual male. Features of the Male Gaze include the camera lingering on female bodies and events involving women being presented through a man's reaction. This relegates women to the status of objects for the male gaze and female viewers must experience the narrative through identifying with the male perspective. The document also discusses how the Male Gaze manifests in advertising by sexualizing women's bodies even when unrelated to the product, and criticisms of Mulvey's theory regarding some women enjoying being looked at and the gaze not always being sexual.
Autumn Term Project Word Doc
Nathan Lear proposes a photo story for a teenage magazine on the theme of "Teenage Issues". The story is about a young girl experiencing "stranger danger" and the fear of being in an unsafe situation with a stranger. Nathan plans to use dark lighting and locations like alleys to convey the seriousness of the issue. The story follows the girl being stalked by a stranger and shows how she deals with the problem by hiding and then running to a friend's house to call the police. The photos aim to raise awareness of safety risks while traveling alone without scaring readers.
Mulvey and the gaze
Laura Mulvey analyzed how mainstream films appeal to the "male gaze" through the representation of women as passive objects for the male spectator to look at and desire. She argued that films encourage identification with active male protagonists and voyeuristic or fetishistic viewing of female characters. This reinforces patriarchal notions of masculinity and femininity for the benefit of the presumed male audience.
Disturbing trend in celebrity circles
This document discusses the disturbing trend of celebrities prominently featuring the Illuminati's all-seeing eye symbol in their photos. It notes that many celebrities are photographed with one eye covered, and questions whether there is any artistic purpose or if it is done to promote the Illuminati's agenda. It includes several examples of celebrity photos incorporating the all-seeing eye symbol, sometimes combined with other symbols like 666 or gestures of silence. The document expresses concern that these symbols are being widely pushed on the public through popular media without most people understanding their meanings or the agenda of secret societies. It argues celebrities have a social responsibility not to promote such negative messages.
Vert 7 - Mulvey and The Male Gaze
Romantic love is a concept that emerged in Western culture during the Middle Ages. Some key aspects of romantic love include:
- An idealization of love and lovers. Romantic love is seen as passionate, intense, and transformative.
- A focus on emotion, feelings, and subjective experience rather than practical concerns. Romantic love prioritizes passion, attraction, and emotion over practical matters like wealth, social status, religion, etc.
- An emphasis on attraction to another's inner qualities and uniqueness rather than outer attributes. Romantic love sees beauty within rather than superficial/physical beauty alone.
- An idea of a soulmate or one true love. The belief that there is one special person who perfectly completes
Pitch for my thriller by Rhianna Biggs
This document outlines a psychological horror film project. The film will follow a woman named Debby who wakes up with injuries and no memory. Scenes will depict Debby's confusion through flashbacks and unease interacting with motionless people. The film aims to portray the dark side of fame and its effects like loss of family and intelligence. Key characters include Debby, her husband Michael, and daughter Sapphire. Scenes will take place in their house and on the street, using techniques like cross-cutting to build tension and mystery around Debby's situation.
Male Gaze
The document discusses the concept of the "male gaze" in advertising. It describes how women are typically portrayed as objects to be looked at by men for the purpose of appealing to a presumed heterosexual male audience. This influences how women see themselves through a male perspective rather than their own. Advertisements often depict women in submissive, vulnerable positions and using body language that suggests passiveness and subordination. Through constant exposure, these portrayals influence cultural expectations of gender.
Laura mulvey the male gaze
This document discusses Laura Mulvey's concept of the "male gaze" in film. Mulvey introduced the idea in her 1975 essay, arguing that women in films are typically objects of desire for the male gaze. She believed audiences were encouraged to view films from the perspective of a heterosexual male, seeing women as objects. The male gaze involves lingering camera shots on women's bodies, presenting events through men's reactions, and degrading women as possessions. It suggests women are weak and can be divided into men looking at women, women looking at themselves critically, and women looking at other women competitively.
Better q. 1
The hero of the narrative is presented as a good character who follows the media's conventions. For example, the character wears white, which is used in media to connote that someone is good, following the same reasoning in other media. The character's portrayal shows she is a good person through elements that align with typical media representations.
PRICE-nprkroc-sample
The document provides an analysis of two selfies posted on Tumblr by a user named unicornjezus. The selfies show a beautiful man posing in a vulnerable way. The caption asks "Does my dark skin offend you?". The author notes how the poses are traditionally feminine but the male subject challenges viewers to find the images distasteful due to his skin color. The selfies invite viewers to look while simultaneously confronting them to consider if they find the dark skin offensive, referencing systemic racism. They analyze how such selfies on Tumblr function to celebrate minoritarian subjects while daring viewers to feel empathy and confront their own biases.
Pitch for my thriller
This document outlines the opening scene of a psychological horror film. The main character, Debby, wakes up with a headache and scarred wrists to find pills spilled on the floor. Strange signs on her computer cause severe headaches and flashes of her past. On the street, people stare motionlessly at her. The opening establishes an unsettling tone through Debby's confusion and disconnection from others. It aims to intrigue audiences and leave them wanting more.
Mulvey Theory on gender representation
This document discusses the theory of the male gaze in film. It begins by defining the male gaze as how audiences view characters presented to them. Specifically, it examines how men look at women, how women look at themselves, and how women look at other women. It then discusses different types of gazes including the spectator's gaze, the intra-diegetic gaze, and the extra-diegetic gaze. A major section is devoted to theorist Laura Mulvey who introduced the concept of the male gaze and argued that films present women as objects of visual pleasure for men through voyeurism and fetishization. The document also analyzes how the male gaze functions in the famous shower scene from Psycho. Finally, it outlines
Laura Mulvey’s Theory Of The Male Gaze
Laura Mulvey introduced the concept of the "male gaze" in her 1975 essay "Visual Pleasure and Narrative Cinema." She argued that in films, the audience is positioned to view female characters from the perspective of a heterosexual male viewer. This objectifies and dehumanizes women by reducing them to objects for the male gaze. It also positions women as passive objects to be looked at, while men are active subjects. Mulvey's theory suggests that this reinforcement of patriarchal gender roles and objectification of women has influenced societal views.
Male gaze theory 2016
Laura Mulvey developed the theory of the "male gaze" which argues that cinema and visual media are typically constructed from a masculine point of view that objectifies and sexualizes women for the pleasure of the male viewer. She identified two ways women are depicted: "voyeuristic", seen as sexual objects, and "fetishistic", seen as madonnas. Examples are given of Hollywood pin-ups like Marilyn Monroe being voyeuristic. The theory also holds that male viewers identify with powerful male protagonists who control the film's fantasy. Mulvey's theory was influential in explaining how media representation enforces patriarchal social norms.
Laura mulvey male gaze theory l1
Laura Mulvey developed the influential Male Gaze theory, which proposes that in film and media, the audience is positioned to view scenes and women from the perspective of a heterosexual man. This denies women their identity and reduces them to objects for the male gaze. Mulvey also suggests that women can only watch films from a secondary perspective and view themselves through a man's eyes. The theory argues that media perpetuates patriarchal ideals by masculinizing the viewer and objectifying and sexualizing female characters.
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How To Easily Develop Irresistibly Attractive Social Charisma
http://mindpersuasion.com
Most people think charisma is something like height or good looks. You either have them or you don't. Luckily, this is false, and you can easily develop as much charisma as you want, for whatever purpose you want. To learn more, please visit http://mindpersuasion.com/frame-control/ today.
Secrets Of Charisma and Personal Magnetism
http://mindpersuasion.com/
If you want to be charismatic, it's pretty easy. It all boils down to what you talk about, and how you talk about it.
http://mindpersuasion.com/
How to Count in Your Career and Life
There are essentially two types of people in the world. The first type may be extremely intelligent, or good or popular, but such people fail to leave a permanent mark in the world. The other type of people may or may not be bestowed with the above attributes. But they are able to make their name count in the world. Such people are able to touch others with a unique sort of power. They are remembered long after they are gone.
How To Change Deep Beliefs
http://mindpersuasion.com/emotional-freedom/
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How To Become A More Interesting Person
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Becoming a more interesting person is a wish that many of us share but don’t know how to achieve. In this ultimate-guide type presentation, Julian lays out the process of going from average joe to true original. You can’t miss out on this one!
Is It Even Possible To Reach Your Potential?
http://mindpersuasion.com/
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Midas Wealth Manifestation
Wealth Generating Midas Manifestation Effect.
This is the secret principle that the elite 0.001% of the population use to alter their previously predetermined destiny…
I’ll reveal how you can secretly tap into the universe, to create unlimited wealth, health and abundance in your life. You’ll be able to do this at will, and generate real, spendable money almost at will. Trust me, you’re not going to want to miss this.
This technique taps into the hidden laws of the universe, and works every time. It doesn’t matter who you are or how old you are. It doesn’t take hours and hours of dedicated practice or training. It’s something you can do almost instantly.
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How To Customize Your Brain
This document discusses customizing one's brain through learning and practice. It uses an analogy of a man customizing his small red convertible car with unique gauges and dials. Similarly, most people use their brain in a standard, uncustomized way by going through school and work like everyone else. However, customizing one's brain through learning how to think differently can allow one to handle unexpected challenges without getting stuck like others might. It suggests starting today to learn how to customize one's brain so you can take action and leave others behind when faced with new situations.
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The Most Crucial Skill of All
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To Succeed You Must Break From The Pack
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The One Skill To Master Them All
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Instant Charisma
- 2. What is the secret of charisma?
- 3. People who seem to have that "gift" simply walk into a room, and suddenly they've got everybody's attention.
- 4. I'm not talking about famous people, or super gorgeous people, or obviously rich people.
- 5. In fact, "charisma" is pretty easy to fake.
- 6. Once a college student decided to do an experiment.
- 7. He made up a name, created some kind of "persona" and went to his local mall.
- 8. He brought a few other students who posed as publicists, bodyguards and a cameraman.
- 9. They just followed him around, all playing their part.
- 10. He wasn't walking or acting differently.
- 11. Sure enough, a few people asked some of his "people" who he was.
- 12. Before long, the whole place was buzzing with excitement.
- 13. Suddenly everybody "remembered" hearing that name before, even though he'd made it up.
- 14. Soon there was a crowd of people following him.
- 15. Tweeting, taking pictures and posting everywhere.
- 16. He was fake, but their excitement wasn't.
- 17. Obviously, while an interesting insight into human behavior, (and how easy we are to trick) charisma, REAL charisma, goes much deeper than that.
- 18. People who are genuinely charismatic have this energy about them.
- 20. They don't need a crew or any props.
- 21. You can't quite put your finger on it, but it's there.
- 22. They have a certain kind of relaxed focus.
- 23. A slow and steady movement.
- 24. Slow and steady speech, each word flows naturally, yet is perfect to describe the ideas in their mind.
- 25. No matter who they are talking to, they focus on them completely.
- 26. They not only accept and respect themselves, just as they are, but they accept and respect others, just as they are.
- 27. They don't talk down to people, they don't seek approval from people.
- 28. It's as if they have a glimpse into the entire meaning of the universe, and they know their part.
- 29. They accept their part.
- 30. They appreciate their part.
- 31. They enjoy their part.
- 32. It's as if they see some deep connection between all people that most of us miss.
- 33. No matter what situation they are in, they know, deep in their bones, everything will be OK.
- 34. Now, many people will say having this type of "energy" is like being born tall and good looking.
- 35. You either have it, or you don't.
- 36. Luckily, they are wrong.
- 37. This energy can be developed.
- 38. Cultivated, expanded, and shared with others.
- 39. You've had this energy all along. Waiting to be released.