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In what ways does your media product
  use, develop or challenge forms and
 conventions of real media products?

             Question 1
Rule Of Thirds
         I think this example from our documentary shows an
         effective rule of thirds shot, the eyeline ‘level match’ is
         achieved and the visual structure is relevant. I feel the
         interviewee is looking slightly too far out of shot and
         needs to be looking to camera a little bit more. Her eye
         line is as the right height and she is sat in the right
         place. If we had move the camera around to the left
         just a little bit then this rule of thirds shot would be
         better.
         The rule of thirds shot is a standard for documentary
         film makers. It is also known as the ‘talking head shot’.
         The framing is essential as it allows the audience to
         communicate with the interview subject effectively
         through the balance achieved.
B-roll & A-roll




As well as recording A-roll footage such as interviews and voxpops we also recorded B-roll footage. By having
both sets of footage we could mix them so that the viewer isn’t looking at the same piece of footage for too
long. We recorded more B-roll footage than A-roll, because we needed more footage to choose from. B-roll is
used to break the interviews up and create new depth/levels to the piece.
Sound Bed




We put a sound bed throughout our documentary so that whenever there was no dialogue or the voiceover wasn’t relevant the music could
be heard. We chose the chocolate song as it is relevant to our documentary. The sound bed also doubles up as the theme tune when the
opening sequence is played.
Transitions

We used the effects bank for transitions
between footage to keep our documentary
continuous. The main transition we used was
cross dissolve as seen in the screen shot on
the right. We only used the transitions when
necessary to prevent them being over used
and ruining the footage.
The effect creates an effective flow and ties
scenes together.
Mise En Scene




When framing for interviews we had to consider the mise en scene in each location. We made sure our mise en scene was relevant to
the subject of our documentary. For the left screen shot the mise en scene is relevant as the background is shelves of chocolate
products within the shop where we filmed the interview . This was also relevant to the interviewee as she is the owner of the shop and
that is her role throughout the documentary. For the right screen shot the mise en scene isn’t as good however still relevant, we filmed
the interviewee in her office as it is part of her job which is also her part in the documentary. There is a small link to chocolate in the
mise en scene however I feel we could have made the link to chocolate more obvious.
Stop Motion Animation
           We developed documentary conventions by adding stop
           motion animation. Having animation in a documentary
           isn’t normally seen but is not breaking convention. We
           used stop motion animation for our opening sequence to
           introduce the title of our documentary. We used the
           animation as an artistic application to make our
           documentary stand out and look innovative.
           The filming was very time consuming as we decided to
           spell out the title of our documentary with individual
           chocolates. Every time we added a chocolate we had to
           record a bit and then add another chocolate, we did this
           until we spelt out the whole of the title.
           During the editing we had to cut a lot of extra footage
           and fix all of the small pieces of footage we need
           together. All together there were around 47 clips of
           individual footage which had to be cut and added
           together. This process was also very time consuming
           , however the end product was what we expected and
           alongside the sound bed it created the intro to our
           documentary.
Name Graphics
I feel our name graphics break documentary
conventions. In the documentaries we saw prior to
devising our own most name graphics were plain text.
Very rarely some would have a small picture or
something to link the text with the theme of the
documentary.
We made our name graphics into a chocolate bar
wrapper to keep in with the theme of our
documentary. I feel that this broke convention as
most graphics are plain and simple and do not
distract the viewer, where as ours are eye catching
and a full image which takes up a lot of the shot.
Most graphics in documentaries are only
small, however due to ours being within the image it
meant our graphics had to be a lot larger than what
they should have been. I feel that this could be
distracting to the viewer as they are so big. A lot of
documentaries also don’t show the graphics
appearing and disappearing on screen. Unfortunately
the transitions we used meant that this could be seen
by the viewer, this again breaks the codes and
conventions of a documentary

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In what ways does your media product use

  • 1. In what ways does your media product use, develop or challenge forms and conventions of real media products? Question 1
  • 2. Rule Of Thirds I think this example from our documentary shows an effective rule of thirds shot, the eyeline ‘level match’ is achieved and the visual structure is relevant. I feel the interviewee is looking slightly too far out of shot and needs to be looking to camera a little bit more. Her eye line is as the right height and she is sat in the right place. If we had move the camera around to the left just a little bit then this rule of thirds shot would be better. The rule of thirds shot is a standard for documentary film makers. It is also known as the ‘talking head shot’. The framing is essential as it allows the audience to communicate with the interview subject effectively through the balance achieved.
  • 3. B-roll & A-roll As well as recording A-roll footage such as interviews and voxpops we also recorded B-roll footage. By having both sets of footage we could mix them so that the viewer isn’t looking at the same piece of footage for too long. We recorded more B-roll footage than A-roll, because we needed more footage to choose from. B-roll is used to break the interviews up and create new depth/levels to the piece.
  • 4. Sound Bed We put a sound bed throughout our documentary so that whenever there was no dialogue or the voiceover wasn’t relevant the music could be heard. We chose the chocolate song as it is relevant to our documentary. The sound bed also doubles up as the theme tune when the opening sequence is played.
  • 5. Transitions We used the effects bank for transitions between footage to keep our documentary continuous. The main transition we used was cross dissolve as seen in the screen shot on the right. We only used the transitions when necessary to prevent them being over used and ruining the footage. The effect creates an effective flow and ties scenes together.
  • 6. Mise En Scene When framing for interviews we had to consider the mise en scene in each location. We made sure our mise en scene was relevant to the subject of our documentary. For the left screen shot the mise en scene is relevant as the background is shelves of chocolate products within the shop where we filmed the interview . This was also relevant to the interviewee as she is the owner of the shop and that is her role throughout the documentary. For the right screen shot the mise en scene isn’t as good however still relevant, we filmed the interviewee in her office as it is part of her job which is also her part in the documentary. There is a small link to chocolate in the mise en scene however I feel we could have made the link to chocolate more obvious.
  • 7. Stop Motion Animation We developed documentary conventions by adding stop motion animation. Having animation in a documentary isn’t normally seen but is not breaking convention. We used stop motion animation for our opening sequence to introduce the title of our documentary. We used the animation as an artistic application to make our documentary stand out and look innovative. The filming was very time consuming as we decided to spell out the title of our documentary with individual chocolates. Every time we added a chocolate we had to record a bit and then add another chocolate, we did this until we spelt out the whole of the title. During the editing we had to cut a lot of extra footage and fix all of the small pieces of footage we need together. All together there were around 47 clips of individual footage which had to be cut and added together. This process was also very time consuming , however the end product was what we expected and alongside the sound bed it created the intro to our documentary.
  • 8. Name Graphics I feel our name graphics break documentary conventions. In the documentaries we saw prior to devising our own most name graphics were plain text. Very rarely some would have a small picture or something to link the text with the theme of the documentary. We made our name graphics into a chocolate bar wrapper to keep in with the theme of our documentary. I feel that this broke convention as most graphics are plain and simple and do not distract the viewer, where as ours are eye catching and a full image which takes up a lot of the shot. Most graphics in documentaries are only small, however due to ours being within the image it meant our graphics had to be a lot larger than what they should have been. I feel that this could be distracting to the viewer as they are so big. A lot of documentaries also don’t show the graphics appearing and disappearing on screen. Unfortunately the transitions we used meant that this could be seen by the viewer, this again breaks the codes and conventions of a documentary