The document discusses the key principles of improvisational theater. It emphasizes that improv acting requires energy, attention to listen and react in the moment without a script. Actors must accept proposals from each other and integrate what has been performed to continue the story. Seeking encounters with other performers and having pleasure are also important to the collaborative and spontaneous nature of improvisational theater.

1. improbisasyon
SINING PANTEATRO

2. ANO ANG IMPROBISASYON?
IMPROVISE
acting, reacting, creating, in the moment.
-pagganap, pagbuo. Sining panteatro na hindi
pinaghandaan ng nagtatanghal.

3. IMPROVISATIONAL THEATER
improbisasyong panteatro
Maikli/mahabang senaryo na
ginagawa ng mga aktor
buhat sa suhestiyon ng mga
manonood.

4. ENERGY
you don't go
on stage if you
don't have
some energy.

5. ATTENTION
the story is not written,
if you don't listen and
watch you will soon miss
something

6. LISTEN
more than an anagram, a rule:
to listen you have to make
silences.
SILENT

7. 7
ACCEPTATION
accept the proposals of other
actors what is done is done
and the public heard & saw it
so now it has to be integrated.

8. 8
PLAY
choose a strong character
become that character act and
react as this character use
mime to define your
environment

9. ENCOUNTER
seek the encounter with
all other players on stage,
seek the opportunities
to meet and interact,
improv is a collective game.

10. 10
PLEASURE
it must be a pleasure
for you and everyone.
pleasure is a sine qua
non.

11. energy
attention
acceptation
proposalplay
encounter
pleasure

12. GAWAIN:
•Papangkatin ang klase sa 4 na grupo.
Bubuo ang bawat pangkat ng
iskit/scene/tagpo sa sumusunod:
•Komedya
•Sayaw
•Musikal
•Dulang Pantanghalan