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I am Malala
Annotation
Guide
A guide to
a n n o t a t i n g t h e
novel
Themes
Gender Roles
Corruption
Love AND
Support
Activism
• Of Islam and the
teachings within the
Quran
• Of truth through
rumour, conspiracy
and hearsay
• Of the Military
• Of the Government
• Of Malala through
fame
Corruption
“My mother, for example, would say they can’t be
Muslims. Some people call themselves Muslims but
their actions are not Islamic.” (Page 238)
Gender Roles • Of fathers (Malala’s
father: Ziauddin
Yousafzai)
• Of mothers (Malala’s
mother: Toor Pekai
Yousafzai)
• Of girls and women in a
societies development
• Of appropriate dress
• Of appropriate behaviour
• The views of society
“When I was born, people in our village commiserated with my mother and
nobody congratulated my father…I was a girl in a land where rifles are fired in
celebration of a son, while daughters are hidden away behind a curtain, their
role in life simply to prepare food and give birth to children” (Yousafzai Page
9)
Love AND
Support
“Peace in every home, every street, every village, every country – this is my
dream. Education for every boy and every girl in the world. To sit down on a
chair and read my books with all my friends at school is my right. To see each
and every human being with a smile of happiness is my wish. I am Malala. My
world has changed but I have not” (Yousafzai, Page 265)
• From Malala’s mother
(Malala’s mother: Toor
Pekai Yousafzai)
• From Malala’s father
(Malala’s father:
Ziauddin Yousafzai)
• From teachers
• From political figures
Activism
“I don’t want to be thought of as the ‘girl who was
shot by the Taliban’ but the ‘girl who fought for
education.’ This is the cause to which I devote my
life” (Yousafzai Page 261)
• For the world
• For women’s rights
• For education
• For giving a voice to
Pakistan
• By her teachers
• Simple acts of activism
Motifs
• The Burqa
• The Swat Valley
• Malala’s Schoolbooks
• Western versus Eastern Culture
• Islam
• Peace
• Clothing
• Competition
• Language
• Fear
• Pashtun Culture
Symbols
• Almonds
• Dyna (The School bus)
• Courage
• Buddhas
• Pink
Literary Devices
• Juxtaposition
• Foreshadowing
• Irony
• Simile
• Metaphor
• Imagery
• Quotations
• Allusions
• Intertextual References
• Maxims
• Characterisation
• Internal Monologue
Textual Features
• Non-linear narrative
• Epistolary style
• Ghost-written / co-written
Different Readings• Colonial & Post-Colonial:
As a colonial country, Pakistan bears the scars of oppression and
overcoming colonial rule.
• Political:
The tensions between traditional Pashtun justice, democracy, freedom
of speech and Taliban and religious law is inherently political.
• Feminist:
Every element of the text is richly feminist and can be viewed most
actively through the lens of the freedom from oppression of women.
• Bildungsroman (Coming of Age)
Malala as the protagonist is in a process of ‘coming-of-age’ and moving
from the world of adolescence to adulthood.
• Religious
The novel makes many comments on religion and the right way of
practicing religion and not misinterpreting the core religious texts.
Compassion is a core element of many religions and something that
Malala values greatly.
• Ethical
One dimension of the religious reading is the concept of behaving
ethically and without fear. Malala seems at all times to have a clear
conscience and does not fear the unethical acts of others.

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I am malala annotation guide

  • 1. I am Malala Annotation Guide A guide to a n n o t a t i n g t h e novel
  • 3. • Of Islam and the teachings within the Quran • Of truth through rumour, conspiracy and hearsay • Of the Military • Of the Government • Of Malala through fame Corruption “My mother, for example, would say they can’t be Muslims. Some people call themselves Muslims but their actions are not Islamic.” (Page 238)
  • 4. Gender Roles • Of fathers (Malala’s father: Ziauddin Yousafzai) • Of mothers (Malala’s mother: Toor Pekai Yousafzai) • Of girls and women in a societies development • Of appropriate dress • Of appropriate behaviour • The views of society “When I was born, people in our village commiserated with my mother and nobody congratulated my father…I was a girl in a land where rifles are fired in celebration of a son, while daughters are hidden away behind a curtain, their role in life simply to prepare food and give birth to children” (Yousafzai Page 9)
  • 5. Love AND Support “Peace in every home, every street, every village, every country – this is my dream. Education for every boy and every girl in the world. To sit down on a chair and read my books with all my friends at school is my right. To see each and every human being with a smile of happiness is my wish. I am Malala. My world has changed but I have not” (Yousafzai, Page 265) • From Malala’s mother (Malala’s mother: Toor Pekai Yousafzai) • From Malala’s father (Malala’s father: Ziauddin Yousafzai) • From teachers • From political figures
  • 6. Activism “I don’t want to be thought of as the ‘girl who was shot by the Taliban’ but the ‘girl who fought for education.’ This is the cause to which I devote my life” (Yousafzai Page 261) • For the world • For women’s rights • For education • For giving a voice to Pakistan • By her teachers • Simple acts of activism
  • 7. Motifs • The Burqa • The Swat Valley • Malala’s Schoolbooks • Western versus Eastern Culture • Islam • Peace • Clothing • Competition • Language • Fear • Pashtun Culture
  • 8. Symbols • Almonds • Dyna (The School bus) • Courage • Buddhas • Pink
  • 9. Literary Devices • Juxtaposition • Foreshadowing • Irony • Simile • Metaphor • Imagery • Quotations • Allusions • Intertextual References • Maxims • Characterisation • Internal Monologue Textual Features • Non-linear narrative • Epistolary style • Ghost-written / co-written
  • 10. Different Readings• Colonial & Post-Colonial: As a colonial country, Pakistan bears the scars of oppression and overcoming colonial rule. • Political: The tensions between traditional Pashtun justice, democracy, freedom of speech and Taliban and religious law is inherently political. • Feminist: Every element of the text is richly feminist and can be viewed most actively through the lens of the freedom from oppression of women. • Bildungsroman (Coming of Age) Malala as the protagonist is in a process of ‘coming-of-age’ and moving from the world of adolescence to adulthood. • Religious The novel makes many comments on religion and the right way of practicing religion and not misinterpreting the core religious texts. Compassion is a core element of many religions and something that Malala values greatly. • Ethical One dimension of the religious reading is the concept of behaving ethically and without fear. Malala seems at all times to have a clear conscience and does not fear the unethical acts of others.