Framing an Appropriate Research Question 6b9b26d93da94caf993c038d9efcdedb.pdf
Hush remake planning
1. The establishing shot is an external night time longshot of a house. Secondly we see a wide shot with selective focus on the hand
in the foreground and the rest of the picture of the shot being out of focus.
2. Secondly we see a wide shot with selective focus on the hand in the foreground and the rest of the picture of the shot
being out of focus. Next we see a mid shot of the girl relaxing on her computer in low key lighting.
3. Here we have a close up shot of the girl looking at her ocmputer in the next shot we see is a point of view shot of what
she sees on her computer screen.
4. We then a close up shot of the girl on her computer again following by another point of view shot which is zoomed in to
focus in on a specific aspect of her screen.
5. We then carry on the shot reverse shot scene between the girl and the computer and see her reaction of
receiving a message from herself. Then we see a panning down shot of the picture of herself.
6. Then another close up of her reaction. Then a slight side panning shot the camera moves when her head turns.
7. Panning shot moving towards the door slowly conveying tension. The next one is a complete blackout shot.
8. Tracking shot of the girl walking towards the door then a pan shot in the direction she is walking of the door.
9. We them carry on the shot reverse shot and go back
a mid shot of the girl in shock.
10. We then see a mid long shot of the guy outside in the mask in low key lighting with the mask bring the main point
of the shot. Then go back to a mdi shot of the girl.
11. With this on going shot reverse shot we go back to a mid longshot of the guy in the mask. Then as the tension builds
up we then see an extreme long shot.
12. Then we see a mid shot of the girl as the race to the door and tension comes to an end. Then the title appears with
veryt faintly the background of the house appears in the background.
13. To end on we see the final title bring coming soon.